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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EAEEA it is the complementary color #615115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EAEEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EAEEA shade: #A3AEE5, #B4C0F8, #C5D2FF, #D6E4FF and #E7F6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EAEEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EAEEA shade: #9EAEEA, #8D9CD7, #7C8AC4, #6B78B1 and #5A669E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EAEEA shade: #9EAEE9, #A39EE9, #B79EE9, #CB9EE9 and #DF9EE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EAEEA shade: #9EAEE9 and #9E9EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EAEEA shade matches the following richer shades: #9EAEE9, #95A9F3 and #8BA3FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EAEEA shade: #9EAEE9, #A8B4E0, #B1B9D6, #BBBFCD and #C4C4C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EAEEA shade: #9ED7E9, #9EC3E9, #9EAFE9, #A29EE9 and #B69EE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EAEEA shade: #5B76DB, #7C92E2, #9EAEE9, #C0CAF1 and #E2E7F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EAEEA shade: #9EAEEA, #E89EE9 and #CDE99E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EAEEA shade: #9EAEEA, #E99EAF and #AFE99E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EAEEA shade: #9EAEEA, #E89EE9, #E9D99E and #A0E99E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EAEEA shade: #9EAEEA, #E99ED4, #E9D99E and #9EE9B4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 26 / 0 / 8

HEX #9EAEEA

RGB 158 174 234

HSL 227.37, 0.64%, 0.77%

LAB 71.88, 8.25, -31.85

 

Complementary color

CMYK 0 / 16 / 78 / 62

HEX #615115

RGB 97 81 21

HSL 47.37, 0.64%, 0.23%

LAB 34.96, -0.48, 35.77

 

CMYK 29 / 24 / 0 / 10

HEX #A3AEE5

RGB 163 174 229

HSL 230, 0.56%, 0.77%

LAB 72.04, 8.43, -28.85

 

CMYK 27 / 23 / 0 / 3

HEX #B4C0F8

RGB 180 192 248

HSL 229.41, 0.83%, 0.84%

LAB 78.57, 8.07, -28.99

 

CMYK 23 / 18 / 0 / 0

HEX #C5D2FF

RGB 197 210 255

HSL 226.55, 1%, 0.89%

LAB 84.58, 5, -23.43

 

CMYK 16 / 11 / 0 / 0

HEX #D6E4FF

RGB 214 228 255

HSL 219.51, 1%, 0.92%

LAB 90.32, 0.7, -14.65

 

CMYK 9 / 4 / 0 / 0

HEX #E7F6FF

RGB 231 246 255

HSL 202.5, 1%, 0.95%

LAB 96.05, -3.21, -6.01

 

CMYK 32 / 26 / 0 / 8

HEX #9EAEEA

RGB 158 174 234

HSL 227.37, 0.64%, 0.77%

LAB 71.88, 8.25, -31.85

 

CMYK 34 / 27 / 0 / 16

HEX #8D9CD7

RGB 141 156 215

HSL 227.84, 0.48%, 0.7%

LAB 65.24, 8.7, -31.78

 

CMYK 37 / 30 / 0 / 23

HEX #7C8AC4

RGB 124 138 196

HSL 228.33, 0.38%, 0.63%

LAB 58.46, 9.21, -31.75

 

CMYK 40 / 32 / 0 / 31

HEX #6B78B1

RGB 107 120 177

HSL 228.86, 0.31%, 0.56%

LAB 51.53, 9.81, -31.77

 

CMYK 43 / 35 / 0 / 38

HEX #5A669E

RGB 90 102 158

HSL 229.41, 0.27%, 0.49%

LAB 44.44, 10.52, -31.85

 

CMYK 32 / 25 / 0 / 9

HEX #9EAEE9

RGB 158 174 233

HSL 227.2, 0.63%, 0.77%

LAB 71.84, 8, -31.36

 

CMYK 30 / 32 / 0 / 9

HEX #A39EE9

RGB 163 158 233

HSL 244, 0.63%, 0.77%

LAB 68.11, 18.41, -37.12

 

CMYK 21 / 32 / 0 / 9

HEX #B79EE9

RGB 183 158 233

HSL 260, 0.63%, 0.77%

LAB 69.76, 24.24, -34.43

 

CMYK 13 / 32 / 0 / 9

HEX #CB9EE9

RGB 203 158 233

HSL 276, 0.63%, 0.77%

LAB 71.58, 30.3, -31.47

 

CMYK 4 / 32 / 0 / 9

HEX #DF9EE9

RGB 223 158 233

HSL 292, 0.63%, 0.77%

LAB 73.56, 36.51, -28.25

 

CMYK 32 / 25 / 0 / 9

HEX #9EAEE9

RGB 158 174 233

HSL 227.2, 0.63%, 0.77%

LAB 71.84, 8, -31.36

 

CMYK 32 / 32 / 0 / 9

HEX #9E9EE9

RGB 158 158 233

HSL 240, 0.63%, 0.77%

LAB 67.73, 17, -37.74

 

CMYK 32 / 25 / 0 / 9

HEX #9EAEE9

RGB 158 174 233

HSL 227.2, 0.63%, 0.77%

LAB 71.84, 8, -31.36

 

CMYK 39 / 30 / 0 / 5

HEX #95A9F3

RGB 149 169 243

HSL 227.23, 0.8%, 0.77%

LAB 70.34, 10.96, -39.18

 

CMYK 45 / 35 / 0 / 1

HEX #8BA3FC

RGB 139 163 252

HSL 227.26, 0.95%, 0.77%

LAB 68.54, 14.35, -46.94

 

CMYK 32 / 25 / 0 / 9

HEX #9EAEE9

RGB 158 174 233

HSL 227.2, 0.63%, 0.77%

LAB 71.84, 8, -31.36

 

CMYK 25 / 20 / 0 / 12

HEX #A8B4E0

RGB 168 180 224

HSL 227.14, 0.47%, 0.77%

LAB 73.77, 5.4, -23.44

 

CMYK 17 / 14 / 0 / 16

HEX #B1B9D6

RGB 177 185 214

HSL 227.03, 0.31%, 0.77%

LAB 75.39, 3.19, -15.5

 

CMYK 9 / 7 / 0 / 20

HEX #BBBFCD

RGB 187 191 205

HSL 226.67, 0.15%, 0.77%

LAB 77.42, 1.34, -7.5

 

CMYK 0 / 0 / 1 / 23

HEX #C4C4C3

RGB 196 196 195

HSL 60, 0.01%, 0.77%

LAB 79.13, -0.18, 0.49

 

CMYK 32 / 8 / 0 / 9

HEX #9ED7E9

RGB 158 215 233

HSL 194.4, 0.63%, 0.77%

LAB 82.78, -13.96, -14.71

 

CMYK 32 / 16 / 0 / 9

HEX #9EC3E9

RGB 158 195 233

HSL 210.4, 0.63%, 0.77%

LAB 77.39, -3.48, -22.86

 

CMYK 32 / 25 / 0 / 9

HEX #9EAFE9

RGB 158 175 233

HSL 226.4, 0.63%, 0.77%

LAB 72.1, 7.44, -30.96

 

CMYK 30 / 32 / 0 / 9

HEX #A29EE9

RGB 162 158 233

HSL 243.2, 0.63%, 0.77%

LAB 68.03, 18.12, -37.24

 

CMYK 22 / 32 / 0 / 9

HEX #B69EE9

RGB 182 158 233

HSL 259.2, 0.63%, 0.77%

LAB 69.67, 23.94, -34.57

 

CMYK 58 / 46 / 0 / 14

HEX #5B76DB

RGB 91 118 219

HSL 227.34, 0.64%, 0.61%

LAB 52.17, 20.34, -54.83

 

CMYK 45 / 35 / 0 / 11

HEX #7C92E2

RGB 124 146 226

HSL 227.06, 0.64%, 0.69%

LAB 61.94, 13.03, -43.11

 

CMYK 32 / 25 / 0 / 9

HEX #9EAEE9

RGB 158 174 233

HSL 227.2, 0.63%, 0.77%

LAB 71.84, 8, -31.36

 

CMYK 20 / 16 / 0 / 5

HEX #C0CAF1

RGB 192 202 241

HSL 227.76, 0.64%, 0.85%

LAB 81.73, 4.64, -20.35

 

CMYK 9 / 7 / 0 / 3

HEX #E2E7F8

RGB 226 231 248

HSL 226.36, 0.61%, 0.93%

LAB 91.73, 1.53, -8.81

 

CMYK 32 / 26 / 0 / 8

HEX #9EAEEA

RGB 158 174 234

HSL 227.37, 0.64%, 0.77%

LAB 71.88, 8.25, -31.85

 

CMYK 0 / 32 / 0 / 9

HEX #E89EE9

RGB 232 158 233

HSL 299.2, 0.63%, 0.77%

LAB 74.5, 39.32, -26.72

 

CMYK 12 / 0 / 32 / 9

HEX #CDE99E

RGB 205 233 158

HSL 82.4, 0.63%, 0.77%

LAB 88.79, -21.62, 33.5

 

CMYK 32 / 26 / 0 / 8

HEX #9EAEEA

RGB 158 174 234

HSL 227.37, 0.64%, 0.77%

LAB 71.88, 8.25, -31.85

 

CMYK 0 / 32 / 25 / 9

HEX #E99EAF

RGB 233 158 175

HSL 346.4, 0.63%, 0.77%

LAB 72.81, 30.22, 2.62

 

CMYK 25 / 0 / 32 / 9

HEX #AFE99E

RGB 175 233 158

HSL 106.4, 0.63%, 0.77%

LAB 86.93, -32.14, 30.68

 

CMYK 32 / 26 / 0 / 8

HEX #9EAEEA

RGB 158 174 234

HSL 227.37, 0.64%, 0.77%

LAB 71.88, 8.25, -31.85

 

CMYK 0 / 32 / 0 / 9

HEX #E89EE9

RGB 232 158 233

HSL 299.2, 0.63%, 0.77%

LAB 74.5, 39.32, -26.72

 

CMYK 0 / 7 / 32 / 9

HEX #E9D99E

RGB 233 217 158

HSL 47.2, 0.63%, 0.77%

LAB 86.71, -3.13, 31.1

 

CMYK 31 / 0 / 32 / 9

HEX #A0E99E

RGB 160 233 158

HSL 118.4, 0.63%, 0.77%

LAB 86.12, -37.05, 29.45

 

CMYK 32 / 26 / 0 / 8

HEX #9EAEEA

RGB 158 174 234

HSL 227.37, 0.64%, 0.77%

LAB 71.88, 8.25, -31.85

 

CMYK 0 / 32 / 9 / 9

HEX #E99ED4

RGB 233 158 212

HSL 316.8, 0.63%, 0.77%

LAB 73.89, 35.95, -16.16

 

CMYK 0 / 7 / 32 / 9

HEX #E9D99E

RGB 233 217 158

HSL 47.2, 0.63%, 0.77%

LAB 86.71, -3.13, 31.1

 

CMYK 32 / 0 / 23 / 9

HEX #9EE9B4

RGB 158 233 180

HSL 137.6, 0.63%, 0.77%

LAB 86.43, -33.93, 18.53

 

Description

Color code: HEX #9EAEEA | qconv.com Color code: HEX #9EAEEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 174 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 174 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 26 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 26% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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