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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ECAEA it is the complementary color #613515. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ECAEA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ECAEA shade: #A3CAE5, #B4DCF8, #C5EEFF, #D6FFFF and #E7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ECAEA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ECAEA shade: #9ECAEA, #8DB8D7, #7CA6C4, #6B94B1 and #5A829E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ECAEA shade: #9ECAE9, #9EB6E9, #9EA1E9, #B09EE9 and #C49EE9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ECAEA shade: #9ECAE9, #9EB6E9, #9EA1E9 and #9E9EE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ECAEA shade matches the following richer shades: #9ECAE9, #95CBF3 and #8BCDFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ECAEA shade: #9ECAE9, #A8C8E0, #B1C7D6, #BBC5CD and #C4C4C3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ECAEA shade: #9EE9E1, #9EDEE9, #9ECAE9, #9EB6E9 and #9EA2E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ECAEA shade: #5BA5DB, #7CB7E2, #9ECAE9, #C0DCF1 and #E2EFF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ECAEA shade: #9ECAEA, #CD9EE9 and #E8E99E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ECAEA shade: #9ECAEA, #E99ECA and #CAE99E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ECAEA shade: #9ECAEA, #CD9EE9, #E9BE9E and #BBE99E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ECAEA shade: #9ECAEA, #E39EE9, #E9BE9E and #A5E99E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 14 / 0 / 8

HEX #9ECAEA

RGB 158 202 234

HSL 205.26, 0.64%, 0.77%

LAB 79.3, -6.95, -20.5

 

Complementary color

CMYK 0 / 45 / 78 / 62

HEX #613515

RGB 97 53 21

HSL 25.26, 0.64%, 0.23%

LAB 27.13, 16.83, 27.88

 

CMYK 29 / 12 / 0 / 10

HEX #A3CAE5

RGB 163 202 229

HSL 204.55, 0.56%, 0.77%

LAB 79.43, -6.74, -17.59

 

CMYK 27 / 11 / 0 / 3

HEX #B4DCF8

RGB 180 220 248

HSL 204.71, 0.83%, 0.84%

LAB 85.84, -6.83, -17.93

 

CMYK 23 / 7 / 0 / 0

HEX #C5EEFF

RGB 197 238 255

HSL 197.59, 1%, 0.89%

LAB 91.79, -9.57, -12.57

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 32 / 14 / 0 / 8

HEX #9ECAEA

RGB 158 202 234

HSL 205.26, 0.64%, 0.77%

LAB 79.3, -6.95, -20.5

 

CMYK 34 / 14 / 0 / 16

HEX #8DB8D7

RGB 141 184 215

HSL 205.14, 0.48%, 0.7%

LAB 72.79, -6.82, -20.19

 

CMYK 37 / 15 / 0 / 23

HEX #7CA6C4

RGB 124 166 196

HSL 205, 0.38%, 0.63%

LAB 66.17, -6.66, -19.9

 

CMYK 40 / 16 / 0 / 31

HEX #6B94B1

RGB 107 148 177

HSL 204.86, 0.31%, 0.56%

LAB 59.42, -6.47, -19.61

 

CMYK 43 / 18 / 0 / 38

HEX #5A829E

RGB 90 130 158

HSL 204.71, 0.27%, 0.49%

LAB 52.52, -6.24, -19.34

 

CMYK 32 / 13 / 0 / 9

HEX #9ECAE9

RGB 158 202 233

HSL 204.8, 0.63%, 0.77%

LAB 79.27, -7.2, -20.01

 

CMYK 32 / 22 / 0 / 9

HEX #9EB6E9

RGB 158 182 233

HSL 220.8, 0.63%, 0.77%

LAB 73.94, 3.57, -28.14

 

CMYK 32 / 31 / 0 / 9

HEX #9EA1E9

RGB 158 161 233

HSL 237.6, 0.63%, 0.77%

LAB 68.49, 15.3, -36.55

 

CMYK 24 / 32 / 0 / 9

HEX #B09EE9

RGB 176 158 233

HSL 254.4, 0.63%, 0.77%

LAB 69.16, 22.16, -35.4

 

CMYK 16 / 32 / 0 / 9

HEX #C49EE9

RGB 196 158 233

HSL 270.4, 0.63%, 0.77%

LAB 70.92, 28.16, -32.54

 

CMYK 32 / 13 / 0 / 9

HEX #9ECAE9

RGB 158 202 233

HSL 204.8, 0.63%, 0.77%

LAB 79.27, -7.2, -20.01

 

CMYK 32 / 22 / 0 / 9

HEX #9EB6E9

RGB 158 182 233

HSL 220.8, 0.63%, 0.77%

LAB 73.94, 3.57, -28.14

 

CMYK 32 / 31 / 0 / 9

HEX #9EA1E9

RGB 158 161 233

HSL 237.6, 0.63%, 0.77%

LAB 68.49, 15.3, -36.55

 

CMYK 32 / 32 / 0 / 9

HEX #9E9EE9

RGB 158 158 233

HSL 240, 0.63%, 0.77%

LAB 67.73, 17, -37.74

 

CMYK 32 / 13 / 0 / 9

HEX #9ECAE9

RGB 158 202 233

HSL 204.8, 0.63%, 0.77%

LAB 79.27, -7.2, -20.01

 

CMYK 39 / 16 / 0 / 5

HEX #95CBF3

RGB 149 203 243

HSL 205.53, 0.8%, 0.77%

LAB 79.37, -7.64, -25.25

 

CMYK 45 / 19 / 0 / 1

HEX #8BCDFC

RGB 139 205 252

HSL 204.96, 0.95%, 0.77%

LAB 79.72, -8.81, -29.57

 

CMYK 32 / 13 / 0 / 9

HEX #9ECAE9

RGB 158 202 233

HSL 204.8, 0.63%, 0.77%

LAB 79.27, -7.2, -20.01

 

CMYK 25 / 11 / 0 / 12

HEX #A8C8E0

RGB 168 200 224

HSL 205.71, 0.47%, 0.77%

LAB 79.05, -5.38, -15.45

 

CMYK 17 / 7 / 0 / 16

HEX #B1C7D6

RGB 177 199 214

HSL 204.32, 0.31%, 0.77%

LAB 79.07, -4.3, -9.98

 

CMYK 9 / 4 / 0 / 20

HEX #BBC5CD

RGB 187 197 205

HSL 206.67, 0.15%, 0.77%

LAB 78.99, -1.86, -5.18

 

CMYK 0 / 0 / 1 / 23

HEX #C4C4C3

RGB 196 196 195

HSL 60, 0.01%, 0.77%

LAB 79.13, -0.18, 0.49

 

CMYK 32 / 0 / 3 / 9

HEX #9EE9E1

RGB 158 233 225

HSL 173.6, 0.63%, 0.77%

LAB 87.48, -24.79, -3.51

 

CMYK 32 / 5 / 0 / 9

HEX #9EDEE9

RGB 158 222 233

HSL 188.8, 0.63%, 0.77%

LAB 84.69, -17.52, -11.86

 

CMYK 32 / 13 / 0 / 9

HEX #9ECAE9

RGB 158 202 233

HSL 204.8, 0.63%, 0.77%

LAB 79.27, -7.2, -20.01

 

CMYK 32 / 22 / 0 / 9

HEX #9EB6E9

RGB 158 182 233

HSL 220.8, 0.63%, 0.77%

LAB 73.94, 3.57, -28.14

 

CMYK 32 / 30 / 0 / 9

HEX #9EA2E9

RGB 158 162 233

HSL 236.8, 0.63%, 0.77%

LAB 68.75, 14.73, -36.16

 

CMYK 58 / 25 / 0 / 14

HEX #5BA5DB

RGB 91 165 219

HSL 205.31, 0.64%, 0.61%

LAB 65.16, -7.3, -34.33

 

CMYK 45 / 19 / 0 / 11

HEX #7CB7E2

RGB 124 183 226

HSL 205.29, 0.64%, 0.69%

LAB 71.99, -7.8, -27.49

 

CMYK 32 / 13 / 0 / 9

HEX #9ECAE9

RGB 158 202 233

HSL 204.8, 0.63%, 0.77%

LAB 79.27, -7.2, -20.01

 

CMYK 20 / 9 / 0 / 5

HEX #C0DCF1

RGB 192 220 241

HSL 205.71, 0.64%, 0.85%

LAB 86.38, -4.85, -13.35

 

CMYK 9 / 4 / 0 / 3

HEX #E2EFF8

RGB 226 239 248

HSL 204.55, 0.61%, 0.93%

LAB 93.74, -2.58, -5.82

 

CMYK 32 / 14 / 0 / 8

HEX #9ECAEA

RGB 158 202 234

HSL 205.26, 0.64%, 0.77%

LAB 79.3, -6.95, -20.5

 

CMYK 12 / 32 / 0 / 9

HEX #CD9EE9

RGB 205 158 233

HSL 277.6, 0.63%, 0.77%

LAB 71.77, 30.92, -31.16

 

CMYK 0 / 0 / 32 / 9

HEX #E8E99E

RGB 232 233 158

HSL 60.8, 0.63%, 0.77%

LAB 90.74, -11.59, 36.42

 

CMYK 32 / 14 / 0 / 8

HEX #9ECAEA

RGB 158 202 234

HSL 205.26, 0.64%, 0.77%

LAB 79.3, -6.95, -20.5

 

CMYK 0 / 32 / 13 / 9

HEX #E99ECA

RGB 233 158 202

HSL 324.8, 0.63%, 0.77%

LAB 73.57, 34.3, -11.14

 

CMYK 13 / 0 / 32 / 9

HEX #CAE99E

RGB 202 233 158

HSL 84.8, 0.63%, 0.77%

LAB 88.59, -22.7, 33.2

 

CMYK 32 / 14 / 0 / 8

HEX #9ECAEA

RGB 158 202 234

HSL 205.26, 0.64%, 0.77%

LAB 79.3, -6.95, -20.5

 

CMYK 12 / 32 / 0 / 9

HEX #CD9EE9

RGB 205 158 233

HSL 277.6, 0.63%, 0.77%

LAB 71.77, 30.92, -31.16

 

CMYK 0 / 18 / 32 / 9

HEX #E9BE9E

RGB 233 190 158

HSL 25.6, 0.63%, 0.77%

LAB 79.96, 10.92, 21.97

 

CMYK 20 / 0 / 32 / 9

HEX #BBE99E

RGB 187 233 158

HSL 96.8, 0.63%, 0.77%

LAB 87.64, -28.03, 31.75

 

CMYK 32 / 14 / 0 / 8

HEX #9ECAEA

RGB 158 202 234

HSL 205.26, 0.64%, 0.77%

LAB 79.3, -6.95, -20.5

 

CMYK 3 / 32 / 0 / 9

HEX #E39EE9

RGB 227 158 233

HSL 295.2, 0.63%, 0.77%

LAB 73.98, 37.76, -27.57

 

CMYK 0 / 18 / 32 / 9

HEX #E9BE9E

RGB 233 190 158

HSL 25.6, 0.63%, 0.77%

LAB 79.96, 10.92, 21.97

 

CMYK 29 / 0 / 32 / 9

HEX #A5E99E

RGB 165 233 158

HSL 114.4, 0.63%, 0.77%

LAB 86.38, -35.44, 29.85

 

Description

Color code: HEX #9ECAEA | qconv.com Color code: HEX #9ECAEA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 202 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 202 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 14 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 14% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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