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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ECD89 it is the complementary color #613276. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ECD89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ECD89 shade: #A3CD84, #B4DF97, #C5F1AA, #D6FFBD and #E7FFD0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ECD89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ECD89 shade: #9ECD89, #8DBB76, #7CA963, #6B9750 and #5A853D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ECD89 shade: #9DCC89, #B0CC89, #C2CC89, #CCC489 and #CCB289

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ECD89 shade: #9DCC89, #8BCC89, #89CC98, #89CCAA and #89CCBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ECD89 shade matches the following richer shades: #9DCC89, #98DA7B, #93E76D and #8EF560

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ECD89 shade: #9DCC89, #A3BE96, #A8B1A4, #ADA3B2 and #B296BF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ECD89 shade: #C2CC89, #B0CC89, #9ECC89, #8CCC89 and #89CC97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ECD89 shade: #6EB34F, #86C06C, #9DCC89, #B5D8A6 and #CDE5C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ECD89 shade: #9ECD89, #89CCC4 and #CC89B9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ECD89 shade: #9ECD89, #899ECC and #CC899E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ECD89 shade: #9ECD89, #89CCC4, #B789CC and #CC8991

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ECD89 shade: #9ECD89, #89C0CC, #B789CC and #CC9589

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 33 / 20

HEX #9ECD89

RGB 158 205 137

HSL 101.47, 0.4%, 0.67%

LAB 77.72, -27.88, 29.01

 

Complementary color

CMYK 18 / 58 / 0 / 54

HEX #613276

RGB 97 50 118

HSL 281.47, 0.4%, 0.33%

LAB 29.74, 33.58, -30.56

 

CMYK 20 / 0 / 36 / 20

HEX #A3CD84

RGB 163 205 132

HSL 94.52, 0.42%, 0.66%

LAB 77.94, -26.83, 31.95

 

CMYK 19 / 0 / 32 / 13

HEX #B4DF97

RGB 180 223 151

HSL 95.83, 0.53%, 0.73%

LAB 84.34, -26.72, 30.85

 

CMYK 18 / 0 / 29 / 5

HEX #C5F1AA

RGB 197 241 170

HSL 97.18, 0.72%, 0.81%

LAB 90.64, -26.62, 29.79

 

CMYK 16 / 0 / 26 / 0

HEX #D6FFBD

RGB 214 255 189

HSL 97.27, 1%, 0.87%

LAB 95.78, -24.61, 27.33

 

CMYK 9 / 0 / 18 / 0

HEX #E7FFD0

RGB 231 255 208

HSL 90.64, 1%, 0.91%

LAB 97.25, -15.88, 19.89

 

CMYK 23 / 0 / 33 / 20

HEX #9ECD89

RGB 158 205 137

HSL 101.47, 0.4%, 0.67%

LAB 77.72, -27.88, 29.01

 

CMYK 25 / 0 / 37 / 27

HEX #8DBB76

RGB 141 187 118

HSL 100, 0.34%, 0.6%

LAB 71.22, -28.03, 30.15

 

CMYK 27 / 0 / 41 / 34

HEX #7CA963

RGB 124 169 99

HSL 98.57, 0.29%, 0.53%

LAB 64.61, -28.17, 31.34

 

CMYK 29 / 0 / 47 / 41

HEX #6B9750

RGB 107 151 80

HSL 97.18, 0.31%, 0.45%

LAB 57.88, -28.29, 32.58

 

CMYK 32 / 0 / 54 / 48

HEX #5A853D

RGB 90 133 61

HSL 95.83, 0.37%, 0.38%

LAB 51.02, -28.35, 33.83

 

CMYK 23 / 0 / 33 / 20

HEX #9DCC89

RGB 157 204 137

HSL 102.09, 0.4%, 0.67%

LAB 77.38, -27.75, 28.54

 

CMYK 14 / 0 / 33 / 20

HEX #B0CC89

RGB 176 204 137

HSL 85.07, 0.4%, 0.67%

LAB 78.59, -20.89, 30.38

 

CMYK 5 / 0 / 33 / 20

HEX #C2CC89

RGB 194 204 137

HSL 68.96, 0.4%, 0.67%

LAB 79.88, -14.1, 32.31

 

CMYK 0 / 4 / 33 / 20

HEX #CCC489

RGB 204 196 137

HSL 52.84, 0.4%, 0.67%

LAB 78.53, -6.13, 30.68

 

CMYK 0 / 13 / 33 / 20

HEX #CCB289

RGB 204 178 137

HSL 36.72, 0.4%, 0.67%

LAB 73.86, 3.35, 24.43

 

CMYK 23 / 0 / 33 / 20

HEX #9DCC89

RGB 157 204 137

HSL 102.09, 0.4%, 0.67%

LAB 77.38, -27.75, 28.54

 

CMYK 32 / 0 / 33 / 20

HEX #8BCC89

RGB 139 204 137

HSL 118.21, 0.4%, 0.67%

LAB 76.36, -33.84, 27.01

 

CMYK 33 / 0 / 25 / 20

HEX #89CC98

RGB 137 204 152

HSL 133.43, 0.4%, 0.67%

LAB 76.54, -31.91, 19.33

 

CMYK 33 / 0 / 17 / 20

HEX #89CCAA

RGB 137 204 170

HSL 149.55, 0.4%, 0.67%

LAB 76.92, -28.47, 10.27

 

CMYK 33 / 0 / 7 / 20

HEX #89CCBD

RGB 137 204 189

HSL 166.57, 0.4%, 0.67%

LAB 77.39, -24.45, 0.72

 

CMYK 23 / 0 / 33 / 20

HEX #9DCC89

RGB 157 204 137

HSL 102.09, 0.4%, 0.67%

LAB 77.38, -27.75, 28.54

 

CMYK 30 / 0 / 44 / 15

HEX #98DA7B

RGB 152 218 123

HSL 101.68, 0.56%, 0.67%

LAB 80.88, -37.96, 40.16

 

CMYK 36 / 0 / 53 / 9

HEX #93E76D

RGB 147 231 109

HSL 101.31, 0.72%, 0.67%

LAB 84.2, -46.98, 50.91

 

CMYK 42 / 0 / 61 / 4

HEX #8EF560

RGB 142 245 96

HSL 101.48, 0.88%, 0.67%

LAB 87.92, -55.6, 60.89

 

CMYK 23 / 0 / 33 / 20

HEX #9DCC89

RGB 157 204 137

HSL 102.09, 0.4%, 0.67%

LAB 77.38, -27.75, 28.54

 

CMYK 14 / 0 / 21 / 25

HEX #A3BE96

RGB 163 190 150

HSL 100.5, 0.24%, 0.67%

LAB 74.07, -16.62, 17.21

 

CMYK 5 / 0 / 7 / 31

HEX #A8B1A4

RGB 168 177 164

HSL 101.54, 0.08%, 0.67%

LAB 71.18, -5.59, 5.56

 

CMYK 3 / 8 / 0 / 30

HEX #ADA3B2

RGB 173 163 178

HSL 280, 0.09%, 0.67%

LAB 68.24, 6.44, -6.44

 

CMYK 7 / 21 / 0 / 25

HEX #B296BF

RGB 178 150 191

HSL 280.98, 0.24%, 0.67%

LAB 65.78, 18, -17.33

 

CMYK 5 / 0 / 33 / 20

HEX #C2CC89

RGB 194 204 137

HSL 68.96, 0.4%, 0.67%

LAB 79.88, -14.1, 32.31

 

CMYK 14 / 0 / 33 / 20

HEX #B0CC89

RGB 176 204 137

HSL 85.07, 0.4%, 0.67%

LAB 78.59, -20.89, 30.38

 

CMYK 23 / 0 / 33 / 20

HEX #9ECC89

RGB 158 204 137

HSL 101.19, 0.4%, 0.67%

LAB 77.44, -27.4, 28.63

 

CMYK 31 / 0 / 33 / 20

HEX #8CCC89

RGB 140 204 137

HSL 117.31, 0.4%, 0.67%

LAB 76.42, -33.51, 27.09

 

CMYK 33 / 0 / 26 / 20

HEX #89CC97

RGB 137 204 151

HSL 132.54, 0.4%, 0.67%

LAB 76.52, -32.09, 19.83

 

CMYK 39 / 0 / 56 / 30

HEX #6EB34F

RGB 110 179 79

HSL 101.4, 0.4%, 0.51%

LAB 66.61, -40.22, 43.68

 

CMYK 30 / 0 / 44 / 25

HEX #86C06C

RGB 134 192 108

HSL 101.43, 0.4%, 0.59%

LAB 72.13, -34.26, 36.4

 

CMYK 23 / 0 / 33 / 20

HEX #9DCC89

RGB 157 204 137

HSL 102.09, 0.4%, 0.67%

LAB 77.38, -27.75, 28.54

 

CMYK 16 / 0 / 23 / 15

HEX #B5D8A6

RGB 181 216 166

HSL 102, 0.39%, 0.75%

LAB 82.75, -20.68, 20.92

 

CMYK 10 / 0 / 15 / 10

HEX #CDE5C2

RGB 205 229 194

HSL 101.14, 0.4%, 0.83%

LAB 88.41, -14.23, 14.42

 

CMYK 23 / 0 / 33 / 20

HEX #9ECD89

RGB 158 205 137

HSL 101.47, 0.4%, 0.67%

LAB 77.72, -27.88, 29.01

 

CMYK 33 / 0 / 4 / 20

HEX #89CCC4

RGB 137 204 196

HSL 172.84, 0.4%, 0.67%

LAB 77.57, -22.88, -2.77

 

CMYK 0 / 33 / 9 / 20

HEX #CC89B9

RGB 204 137 185

HSL 317.01, 0.4%, 0.67%

LAB 65.15, 32.89, -14.66

 

CMYK 23 / 0 / 33 / 20

HEX #9ECD89

RGB 158 205 137

HSL 101.47, 0.4%, 0.67%

LAB 77.72, -27.88, 29.01

 

CMYK 33 / 23 / 0 / 20

HEX #899ECC

RGB 137 158 204

HSL 221.19, 0.4%, 0.67%

LAB 65.07, 3.56, -25.96

 

CMYK 0 / 33 / 23 / 20

HEX #CC899E

RGB 204 137 158

HSL 341.19, 0.4%, 0.67%

LAB 64.32, 28.55, -0.64

 

CMYK 23 / 0 / 33 / 20

HEX #9ECD89

RGB 158 205 137

HSL 101.47, 0.4%, 0.67%

LAB 77.72, -27.88, 29.01

 

CMYK 33 / 0 / 4 / 20

HEX #89CCC4

RGB 137 204 196

HSL 172.84, 0.4%, 0.67%

LAB 77.57, -22.88, -2.77

 

CMYK 10 / 33 / 0 / 20

HEX #B789CC

RGB 183 137 204

HSL 281.19, 0.4%, 0.67%

LAB 63.61, 29.6, -27.88

 

CMYK 0 / 33 / 29 / 20

HEX #CC8991

RGB 204 137 145

HSL 352.84, 0.4%, 0.67%

LAB 63.98, 26.69, 6.23

 

CMYK 23 / 0 / 33 / 20

HEX #9ECD89

RGB 158 205 137

HSL 101.47, 0.4%, 0.67%

LAB 77.72, -27.88, 29.01

 

CMYK 33 / 6 / 0 / 20

HEX #89C0CC

RGB 137 192 204

HSL 190.75, 0.4%, 0.67%

LAB 74.43, -14.89, -11.76

 

CMYK 10 / 33 / 0 / 20

HEX #B789CC

RGB 183 137 204

HSL 281.19, 0.4%, 0.67%

LAB 63.61, 29.6, -27.88

 

CMYK 0 / 27 / 33 / 20

HEX #CC9589

RGB 204 149 137

HSL 10.75, 0.4%, 0.67%

LAB 66.63, 19.06, 14.48

 

Description

Color code: HEX #9ECD89 | qconv.com Color code: HEX #9ECD89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 205 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 205 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 33 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 33% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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