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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ECEFF it is the complementary color #613100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ECEFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ECEFF shade: #A3CEFA, #B4E0FF, #C5F2FF, #D6FFFF and #E7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ECEFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ECEFF shade: #9ECEFF, #8DBCEC, #7CAAD9, #6B98C6 and #5A86B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ECEFF shade: #9ECEFF, #9EB3FF, #A29EFF, #BC9EFF and #D69EFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ECEFF shade: #9ECEFF, #9EB3FF and #9E9EFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ECEFF shade matches the following richer shades: #9ECEFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ECEFF shade: #9ECEFF, #A5CEF7, #ADCEEF, #B5CEE7 and #BDCEDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ECEFF shade: #9EFFFB, #9EE8FF, #9ECEFF, #9EB4FF and #A19EFF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ECEFF shade: #4BA4FF, #74B9FF, #9ECEFF, #C7E2FF and #F0F7FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ECEFF shade: #9ECEFF, #E19EFF and #F5FF9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ECEFF shade: #9ECEFF, #FF9ECE and #CEFF9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ECEFF shade: #9ECEFF, #E19EFF, #FFCE9E and #BBFF9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ECEFF shade: #9ECEFF, #FF9EFF, #FFCE9E and #9EFF9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

Complementary color

CMYK 0 / 49 / 100 / 62

HEX #613100

RGB 97 49 0

HSL 30.31, 1%, 0.19%

LAB 25.97, 18.47, 36.25

 

CMYK 35 / 18 / 0 / 2

HEX #A3CEFA

RGB 163 206 250

HSL 210.34, 0.9%, 0.81%

LAB 81.2, -3.75, -26.13

 

CMYK 29 / 12 / 0 / 0

HEX #B4E0FF

RGB 180 224 255

HSL 204.8, 1%, 0.85%

LAB 87.11, -7.28, -19.7

 

CMYK 23 / 5 / 0 / 0

HEX #C5F2FF

RGB 197 242 255

HSL 193.45, 1%, 0.89%

LAB 92.84, -11.59, -11.01

 

CMYK 16 / 0 / 0 / 0

HEX #D6FFFF

RGB 214 255 255

HSL 180, 1%, 0.92%

LAB 97.24, -13.01, -4.38

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 40 / 20 / 0 / 7

HEX #8DBCEC

RGB 141 188 236

HSL 210.32, 0.71%, 0.74%

LAB 74.63, -3.52, -28.79

 

CMYK 43 / 22 / 0 / 15

HEX #7CAAD9

RGB 124 170 217

HSL 210.32, 0.55%, 0.67%

LAB 68.05, -3.2, -28.62

 

CMYK 46 / 23 / 0 / 22

HEX #6B98C6

RGB 107 152 198

HSL 210.33, 0.44%, 0.6%

LAB 61.36, -2.81, -28.47

 

CMYK 50 / 25 / 0 / 30

HEX #5A86B3

RGB 90 134 179

HSL 210.34, 0.37%, 0.53%

LAB 54.53, -2.33, -28.34

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 38 / 30 / 0 / 0

HEX #9EB3FF

RGB 158 179 255

HSL 227.01, 1%, 0.81%

LAB 74.02, 10.92, -39.91

 

CMYK 36 / 38 / 0 / 0

HEX #A29EFF

RGB 162 158 255

HSL 242.47, 1%, 0.81%

LAB 69.01, 23.8, -47.73

 

CMYK 26 / 38 / 0 / 0

HEX #BC9EFF

RGB 188 158 255

HSL 258.56, 1%, 0.81%

LAB 71.12, 30.82, -44.26

 

CMYK 16 / 38 / 0 / 0

HEX #D69EFF

RGB 214 158 255

HSL 274.64, 1%, 0.81%

LAB 73.53, 38.23, -40.33

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 38 / 30 / 0 / 0

HEX #9EB3FF

RGB 158 179 255

HSL 227.01, 1%, 0.81%

LAB 74.02, 10.92, -39.91

 

CMYK 38 / 38 / 0 / 0

HEX #9E9EFF

RGB 158 158 255

HSL 240, 1%, 0.81%

LAB 68.71, 22.76, -48.22

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 33 / 17 / 0 / 3

HEX #A5CEF7

RGB 165 206 247

HSL 210, 0.84%, 0.81%

LAB 81.21, -3.95, -24.5

 

CMYK 28 / 14 / 0 / 6

HEX #ADCEEF

RGB 173 206 239

HSL 210, 0.67%, 0.81%

LAB 81.43, -3.61, -19.85

 

CMYK 22 / 11 / 0 / 9

HEX #B5CEE7

RGB 181 206 231

HSL 210, 0.51%, 0.81%

LAB 81.69, -3.05, -15.14

 

CMYK 15 / 8 / 0 / 13

HEX #BDCEDF

RGB 189 206 223

HSL 210, 0.35%, 0.81%

LAB 82, -2.29, -10.36

 

CMYK 38 / 0 / 2 / 0

HEX #9EFFFB

RGB 158 255 251

HSL 177.53, 1%, 0.81%

LAB 94.21, -29.44, -7.12

 

CMYK 38 / 9 / 0 / 0

HEX #9EE8FF

RGB 158 232 255

HSL 194.23, 1%, 0.81%

LAB 88.07, -17.26, -18.38

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 38 / 29 / 0 / 0

HEX #9EB4FF

RGB 158 180 255

HSL 226.39, 1%, 0.81%

LAB 74.27, 10.36, -39.5

 

CMYK 37 / 38 / 0 / 0

HEX #A19EFF

RGB 161 158 255

HSL 241.86, 1%, 0.81%

LAB 68.93, 23.54, -47.85

 

CMYK 71 / 36 / 0 / 0

HEX #4BA4FF

RGB 75 164 255

HSL 210.33, 1%, 0.65%

LAB 65.96, 2.47, -52.85

 

CMYK 55 / 27 / 0 / 0

HEX #74B9FF

RGB 116 185 255

HSL 210.22, 1%, 0.73%

LAB 73.31, -2.29, -41.19

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 22 / 11 / 0 / 0

HEX #C7E2FF

RGB 199 226 255

HSL 211.07, 1%, 0.89%

LAB 88.81, -2.81, -17.03

 

CMYK 6 / 3 / 0 / 0

HEX #F0F7FF

RGB 240 247 255

HSL 212, 1%, 0.97%

LAB 96.93, -0.84, -4.64

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 12 / 38 / 0 / 0

HEX #E19EFF

RGB 225 158 255

HSL 281.44, 1%, 0.81%

LAB 74.62, 41.44, -38.53

 

CMYK 4 / 0 / 38 / 0

HEX #F5FF9E

RGB 245 255 158

HSL 66.19, 1%, 0.81%

LAB 97.39, -17.48, 45.23

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 0 / 38 / 19 / 0

HEX #FF9ECE

RGB 255 158 206

HSL 330.31, 1%, 0.81%

LAB 76.17, 42.33, -9.2

 

CMYK 19 / 0 / 38 / 0

HEX #CEFF9E

RGB 206 255 158

HSL 90.31, 1%, 0.81%

LAB 94.79, -31.68, 41.36

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 12 / 38 / 0 / 0

HEX #E19EFF

RGB 225 158 255

HSL 281.44, 1%, 0.81%

LAB 74.62, 41.44, -38.53

 

CMYK 0 / 19 / 38 / 0

HEX #FFCE9E

RGB 255 206 158

HSL 29.69, 1%, 0.81%

LAB 85.94, 11.01, 30.42

 

CMYK 27 / 0 / 38 / 0

HEX #BBFF9E

RGB 187 255 158

HSL 102.06, 1%, 0.81%

LAB 93.69, -38.18, 39.73

 

CMYK 38 / 19 / 0 / 0

HEX #9ECEFF

RGB 158 206 255

HSL 210.31, 1%, 0.81%

LAB 81.09, -3.8, -28.98

 

CMYK 0 / 38 / 0 / 0

HEX #FF9EFF

RGB 255 158 255

HSL 300, 1%, 0.81%

LAB 77.84, 50.31, -33.3

 

CMYK 0 / 19 / 38 / 0

HEX #FFCE9E

RGB 255 206 158

HSL 29.69, 1%, 0.81%

LAB 85.94, 11.01, 30.42

 

CMYK 38 / 0 / 38 / 0

HEX #9EFF9E

RGB 158 255 158

HSL 120, 1%, 0.81%

LAB 92.25, -47.33, 37.57

 

Description

Color code: HEX #9ECEFF | qconv.com Color code: HEX #9ECEFF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 206 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 206 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 19 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 19% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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