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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9ED25F it is the complementary color #612DA0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9ED25F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9ED25F shade: #A3D25A, #B4E46D, #C5F680, #D6FF93 and #E7FFA6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9ED25F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9ED25F shade: #9ED25F, #8DC04C, #7CAE39, #6B9C26 and #5A8A13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9ED25F shade: #9ED25F, #BDD25F, #D2C85F, #D2A95F and #D28A5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9ED25F shade: #9ED25F, #7FD25F, #60D25F, #5FD27D and #5FD29C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9ED25F shade matches the following richer shades: #9ED25F, #A0E24F and #A1F33E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9ED25F shade: #9ED25F, #9CC170, #9BB180, #99A091 and #9890A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9ED25F shade: #D2C85F, #BDD25F, #9ED25F, #80D25F and #61D25F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9ED25F shade: #75AE31, #8AC93F, #9ED25F, #B1DB80 and #C5E4A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9ED25F shade: #9ED25F, #5FD2AA and #D25FCC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9ED25F shade: #9ED25F, #5F9ED2 and #D25F9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9ED25F shade: #9ED25F, #5FD2AA, #935FD2 and #D25F87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9ED25F shade: #9ED25F, #5FD2CC, #935FD2 and #D25F65

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

Complementary color

CMYK 39 / 72 / 0 / 37

HEX #612DA0

RGB 97 45 160

HSL 267.13, 0.56%, 0.4%

LAB 31.71, 46.68, -53.38

 

CMYK 22 / 0 / 57 / 18

HEX #A3D25A

RGB 163 210 90

HSL 83.5, 0.57%, 0.59%

LAB 78.82, -34.03, 53.5

 

CMYK 21 / 0 / 52 / 11

HEX #B4E46D

RGB 180 228 109

HSL 84.2, 0.69%, 0.66%

LAB 85.15, -34.17, 52.47

 

CMYK 20 / 0 / 48 / 4

HEX #C5F680

RGB 197 246 128

HSL 84.92, 0.87%, 0.73%

LAB 91.39, -34.25, 51.38

 

CMYK 16 / 0 / 42 / 0

HEX #D6FF93

RGB 214 255 147

HSL 82.78, 1%, 0.79%

LAB 95.13, -30.15, 47.24

 

CMYK 9 / 0 / 35 / 0

HEX #E7FFA6

RGB 231 255 166

HSL 76.18, 1%, 0.83%

LAB 96.52, -21.73, 40

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 27 / 0 / 60 / 25

HEX #8DC04C

RGB 141 192 76

HSL 86.38, 0.48%, 0.53%

LAB 72.15, -35.27, 51.85

 

CMYK 29 / 0 / 67 / 32

HEX #7CAE39

RGB 124 174 57

HSL 85.64, 0.51%, 0.45%

LAB 65.63, -35.02, 52.6

 

CMYK 31 / 0 / 76 / 39

HEX #6B9C26

RGB 107 156 38

HSL 84.92, 0.61%, 0.38%

LAB 59.01, -34.61, 52.85

 

CMYK 35 / 0 / 86 / 46

HEX #5A8A13

RGB 90 138 19

HSL 84.2, 0.76%, 0.31%

LAB 52.28, -33.95, 52.11

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 10 / 0 / 55 / 18

HEX #BDD25F

RGB 189 210 95

HSL 70.96, 0.56%, 0.6%

LAB 80.59, -23.51, 53.73

 

CMYK 0 / 5 / 55 / 18

HEX #D2C85F

RGB 210 200 95

HSL 54.78, 0.56%, 0.6%

LAB 79.52, -10, 52.92

 

CMYK 0 / 20 / 55 / 18

HEX #D2A95F

RGB 210 169 95

HSL 38.61, 0.56%, 0.6%

LAB 71.49, 6.23, 43.47

 

CMYK 0 / 34 / 55 / 18

HEX #D28A5F

RGB 210 138 95

HSL 22.43, 0.56%, 0.6%

LAB 63.92, 22.99, 34.16

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 40 / 0 / 55 / 18

HEX #7FD25F

RGB 127 210 95

HSL 103.3, 0.56%, 0.6%

LAB 76.94, -46.14, 48.54

 

CMYK 54 / 0 / 55 / 18

HEX #60D25F

RGB 96 210 95

HSL 119.48, 0.56%, 0.6%

LAB 75.7, -55.08, 46.77

 

CMYK 55 / 0 / 40 / 18

HEX #5FD27D

RGB 95 210 125

HSL 135.65, 0.56%, 0.6%

LAB 76.07, -50.97, 32.49

 

CMYK 55 / 0 / 26 / 18

HEX #5FD29C

RGB 95 210 156

HSL 151.83, 0.56%, 0.6%

LAB 76.63, -45.16, 17.07

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 29 / 0 / 65 / 11

HEX #A0E24F

RGB 160 226 79

HSL 86.94, 0.72%, 0.6%

LAB 83.14, -43.19, 62.87

 

CMYK 34 / 0 / 74 / 5

HEX #A1F33E

RGB 161 243 62

HSL 87.18, 0.88%, 0.6%

LAB 87.98, -51.08, 73.85

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 19 / 0 / 42 / 24

HEX #9CC170

RGB 156 193 112

HSL 87.41, 0.4%, 0.6%

LAB 73.79, -26.25, 36.75

 

CMYK 12 / 0 / 28 / 31

HEX #9BB180

RGB 155 177 128

HSL 86.94, 0.24%, 0.6%

LAB 69.45, -16.41, 22.63

 

CMYK 4 / 0 / 9 / 37

HEX #99A091

RGB 153 160 145

HSL 88, 0.07%, 0.6%

LAB 64.93, -5.33, 6.95

 

CMYK 6 / 11 / 0 / 37

HEX #9890A1

RGB 152 144 161

HSL 268.24, 0.08%, 0.6%

LAB 60.95, 6.28, -7.89

 

CMYK 0 / 5 / 55 / 18

HEX #D2C85F

RGB 210 200 95

HSL 54.78, 0.56%, 0.6%

LAB 79.52, -10, 52.92

 

CMYK 10 / 0 / 55 / 18

HEX #BDD25F

RGB 189 210 95

HSL 70.96, 0.56%, 0.6%

LAB 80.59, -23.51, 53.73

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 39 / 0 / 55 / 18

HEX #80D25F

RGB 128 210 95

HSL 102.78, 0.56%, 0.6%

LAB 76.99, -45.82, 48.61

 

CMYK 54 / 0 / 55 / 18

HEX #61D25F

RGB 97 210 95

HSL 118.96, 0.56%, 0.6%

LAB 75.74, -54.83, 46.82

 

CMYK 33 / 0 / 72 / 32

HEX #75AE31

RGB 117 174 49

HSL 87.36, 0.56%, 0.44%

LAB 65.18, -38.22, 55.14

 

CMYK 31 / 0 / 69 / 21

HEX #8AC93F

RGB 138 201 63

HSL 87.39, 0.56%, 0.52%

LAB 74.53, -41.43, 59.73

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 19 / 0 / 42 / 14

HEX #B1DB80

RGB 177 219 128

HSL 87.69, 0.56%, 0.68%

LAB 82.68, -28.97, 40.28

 

CMYK 14 / 0 / 30 / 11

HEX #C5E4A0

RGB 197 228 160

HSL 87.35, 0.56%, 0.76%

LAB 86.95, -21.8, 29.92

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 55 / 0 / 19 / 18

HEX #5FD2AA

RGB 95 210 170

HSL 159.13, 0.56%, 0.6%

LAB 76.94, -42.14, 10.05

 

CMYK 0 / 55 / 3 / 18

HEX #D25FCC

RGB 210 95 204

HSL 303.13, 0.56%, 0.6%

LAB 58.27, 59.41, -35.92

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 55 / 25 / 0 / 18

HEX #5F9ED2

RGB 95 158 210

HSL 207.13, 0.56%, 0.6%

LAB 62.96, -5.38, -32.74

 

CMYK 0 / 55 / 25 / 18

HEX #D25F9E

RGB 210 95 158

HSL 327.13, 0.56%, 0.6%

LAB 56.44, 52.32, -12.24

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 55 / 0 / 19 / 18

HEX #5FD2AA

RGB 95 210 170

HSL 159.13, 0.56%, 0.6%

LAB 76.94, -42.14, 10.05

 

CMYK 30 / 55 / 0 / 18

HEX #935FD2

RGB 147 95 210

HSL 267.13, 0.56%, 0.6%

LAB 50.73, 44.08, -51.76

 

CMYK 0 / 55 / 36 / 18

HEX #D25F87

RGB 210 95 135

HSL 339.13, 0.56%, 0.6%

LAB 55.72, 49.39, 0.16

 

CMYK 25 / 0 / 55 / 18

HEX #9ED25F

RGB 158 210 95

HSL 87.13, 0.56%, 0.6%

LAB 78.57, -35.42, 50.86

 

CMYK 55 / 0 / 3 / 18

HEX #5FD2CC

RGB 95 210 204

HSL 176.87, 0.56%, 0.6%

LAB 77.81, -33.86, -6.92

 

CMYK 30 / 55 / 0 / 18

HEX #935FD2

RGB 147 95 210

HSL 267.13, 0.56%, 0.6%

LAB 50.73, 44.08, -51.76

 

CMYK 0 / 55 / 52 / 18

HEX #D25F65

RGB 210 95 101

HSL 356.87, 0.56%, 0.6%

LAB 54.89, 45.92, 18.99

 

Description

Color code: HEX #9ED25F | qconv.com Color code: HEX #9ED25F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 210 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 210 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 55 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 55% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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