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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EE563 it is the complementary color #611A9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EE563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EE563 shade: #A3E55E, #B4F771, #C5FF84, #D6FF97 and #E7FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EE563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EE563 shade: #9EE563, #8DD350, #7CC13D, #6BAF2A and #5A9D17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EE563 shade: #9DE462, #C0E462, #E3E462, #E4C262 and #E49E62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EE563 shade: #9DE462, #7AE462, #62E46D, #62E490 and #62E4B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EE563 shade matches the following richer shades: #9DE462 and #9BF353

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EE563 shade: #9DE462, #9ED570, #9FC67F, #A1B78E and #A2A89D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EE563 shade: #E4E462, #C1E462, #9EE462, #7CE462 and #62E46A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EE563 shade: #71D023, #87DE3E, #9DE462, #B3EA85 and #C9F0A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EE563 shade: #9EE563, #62E4C1 and #E462D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EE563 shade: #9EE563, #629EE4 and #E4629E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EE563 shade: #9EE563, #62E4C1, #A762E4 and #E46284

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EE563 shade: #9EE563, #62E0E4, #A762E4 and #E46662

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 57 / 10

HEX #9EE563

RGB 158 229 99

HSL 92.77, 0.71%, 0.64%

LAB 84.07, -43.48, 55.43

 

Complementary color

CMYK 38 / 83 / 0 / 39

HEX #611A9C

RGB 97 26 156

HSL 272.77, 0.71%, 0.36%

LAB 28.59, 53.65, -56.03

 

CMYK 29 / 0 / 59 / 10

HEX #A3E55E

RGB 163 229 94

HSL 89.33, 0.72%, 0.63%

LAB 84.29, -42.19, 57.95

 

CMYK 27 / 0 / 54 / 3

HEX #B4F771

RGB 180 247 113

HSL 90, 0.89%, 0.71%

LAB 90.51, -42.29, 56.97

 

CMYK 23 / 0 / 48 / 0

HEX #C5FF84

RGB 197 255 132

HSL 88.29, 1%, 0.76%

LAB 93.91, -37.9, 52.58

 

CMYK 16 / 0 / 41 / 0

HEX #D6FF97

RGB 214 255 151

HSL 83.65, 1%, 0.8%

LAB 95.18, -29.69, 45.38

 

CMYK 9 / 0 / 33 / 0

HEX #E7FFAA

RGB 231 255 170

HSL 76.94, 1%, 0.83%

LAB 96.58, -21.23, 38.1

 

CMYK 31 / 0 / 57 / 10

HEX #9EE563

RGB 158 229 99

HSL 92.77, 0.71%, 0.64%

LAB 84.07, -43.48, 55.43

 

CMYK 33 / 0 / 62 / 17

HEX #8DD350

RGB 141 211 80

HSL 92.06, 0.6%, 0.57%

LAB 77.77, -43.36, 56.35

 

CMYK 36 / 0 / 68 / 24

HEX #7CC13D

RGB 124 193 61

HSL 91.36, 0.52%, 0.5%

LAB 71.39, -43.12, 57.02

 

CMYK 39 / 0 / 76 / 31

HEX #6BAF2A

RGB 107 175 42

HSL 90.68, 0.61%, 0.43%

LAB 64.93, -42.7, 57.2

 

CMYK 43 / 0 / 85 / 38

HEX #5A9D17

RGB 90 157 23

HSL 90, 0.74%, 0.35%

LAB 58.37, -42.03, 56.45

 

CMYK 31 / 0 / 57 / 11

HEX #9DE462

RGB 157 228 98

HSL 92.77, 0.71%, 0.64%

LAB 83.72, -43.49, 55.46

 

CMYK 16 / 0 / 57 / 11

HEX #C0E462

RGB 192 228 98

HSL 76.62, 0.71%, 0.64%

LAB 85.79, -30.65, 58.37

 

CMYK 0 / 0 / 57 / 11

HEX #E3E462

RGB 227 228 98

HSL 60.46, 0.71%, 0.64%

LAB 88.3, -16.83, 61.87

 

CMYK 0 / 15 / 57 / 11

HEX #E4C262

RGB 228 194 98

HSL 44.31, 0.71%, 0.64%

LAB 79.59, 0.78, 52.01

 

CMYK 0 / 31 / 57 / 11

HEX #E49E62

RGB 228 158 98

HSL 27.69, 0.71%, 0.64%

LAB 70.75, 19.84, 41.5

 

CMYK 31 / 0 / 57 / 11

HEX #9DE462

RGB 157 228 98

HSL 92.77, 0.71%, 0.64%

LAB 83.72, -43.49, 55.46

 

CMYK 46 / 0 / 57 / 11

HEX #7AE462

RGB 122 228 98

HSL 108.92, 0.71%, 0.64%

LAB 82.11, -54.64, 53.18

 

CMYK 57 / 0 / 52 / 11

HEX #62E46D

RGB 98 228 109

HSL 125.08, 0.71%, 0.64%

LAB 81.39, -59.59, 47.08

 

CMYK 57 / 0 / 37 / 11

HEX #62E490

RGB 98 228 144

HSL 141.23, 0.71%, 0.64%

LAB 81.89, -54.2, 30.49

 

CMYK 57 / 0 / 21 / 11

HEX #62E4B3

RGB 98 228 179

HSL 157.38, 0.71%, 0.64%

LAB 82.56, -47.29, 13.27

 

CMYK 31 / 0 / 57 / 11

HEX #9DE462

RGB 157 228 98

HSL 92.77, 0.71%, 0.64%

LAB 83.72, -43.49, 55.46

 

CMYK 36 / 0 / 66 / 5

HEX #9BF353

RGB 155 243 83

HSL 93, 0.87%, 0.64%

LAB 87.82, -51.75, 66.19

 

CMYK 31 / 0 / 57 / 11

HEX #9DE462

RGB 157 228 98

HSL 92.77, 0.71%, 0.64%

LAB 83.72, -43.49, 55.46

 

CMYK 26 / 0 / 47 / 16

HEX #9ED570

RGB 158 213 112

HSL 92.67, 0.55%, 0.64%

LAB 79.63, -34.96, 44.08

 

CMYK 20 / 0 / 36 / 22

HEX #9FC67F

RGB 159 198 127

HSL 92.96, 0.38%, 0.64%

LAB 75.63, -25.58, 31.45

 

CMYK 12 / 0 / 22 / 28

HEX #A1B78E

RGB 161 183 142

HSL 92.2, 0.22%, 0.64%

LAB 71.82, -15.07, 18.39

 

CMYK 4 / 0 / 7 / 34

HEX #A2A89D

RGB 162 168 157

HSL 92.73, 0.06%, 0.64%

LAB 68.11, -4.2, 4.94

 

CMYK 0 / 0 / 57 / 11

HEX #E4E462

RGB 228 228 98

HSL 60, 0.71%, 0.64%

LAB 88.38, -16.42, 61.98

 

CMYK 15 / 0 / 57 / 11

HEX #C1E462

RGB 193 228 98

HSL 76.15, 0.71%, 0.64%

LAB 85.86, -30.27, 58.46

 

CMYK 31 / 0 / 57 / 11

HEX #9EE462

RGB 158 228 98

HSL 92.31, 0.71%, 0.64%

LAB 83.78, -43.14, 55.53

 

CMYK 46 / 0 / 57 / 11

HEX #7CE462

RGB 124 228 98

HSL 108, 0.71%, 0.64%

LAB 82.19, -54.06, 53.29

 

CMYK 57 / 0 / 54 / 11

HEX #62E46A

RGB 98 228 106

HSL 123.69, 0.71%, 0.64%

LAB 81.36, -59.97, 48.44

 

CMYK 46 / 0 / 83 / 18

HEX #71D023

RGB 113 208 35

HSL 92.95, 0.71%, 0.48%

LAB 75.29, -54.32, 68.9

 

CMYK 39 / 0 / 72 / 13

HEX #87DE3E

RGB 135 222 62

HSL 92.63, 0.71%, 0.56%

LAB 80.59, -51.33, 66.19

 

CMYK 31 / 0 / 57 / 11

HEX #9DE462

RGB 157 228 98

HSL 92.77, 0.71%, 0.64%

LAB 83.72, -43.49, 55.46

 

CMYK 24 / 0 / 43 / 8

HEX #B3EA85

RGB 179 234 133

HSL 92.67, 0.71%, 0.72%

LAB 87.06, -34.63, 43.38

 

CMYK 16 / 0 / 30 / 6

HEX #C9F0A8

RGB 201 240 168

HSL 92.5, 0.71%, 0.8%

LAB 90.58, -25.03, 30.77

 

CMYK 31 / 0 / 57 / 10

HEX #9EE563

RGB 158 229 99

HSL 92.77, 0.71%, 0.64%

LAB 84.07, -43.48, 55.43

 

CMYK 57 / 0 / 15 / 11

HEX #62E4C1

RGB 98 228 193

HSL 163.85, 0.71%, 0.64%

LAB 82.88, -44.14, 6.36

 

CMYK 0 / 57 / 8 / 11

HEX #E462D2

RGB 228 98 210

HSL 308.31, 0.71%, 0.64%

LAB 61.55, 63.88, -34.01

 

CMYK 31 / 0 / 57 / 10

HEX #9EE563

RGB 158 229 99

HSL 92.77, 0.71%, 0.64%

LAB 84.07, -43.48, 55.43

 

CMYK 57 / 31 / 0 / 11

HEX #629EE4

RGB 98 158 228

HSL 212.31, 0.71%, 0.64%

LAB 63.88, 0.86, -41.27

 

CMYK 0 / 57 / 31 / 11

HEX #E4629E

RGB 228 98 158

HSL 332.31, 0.71%, 0.64%

LAB 59.61, 56.52, -7.22

 

CMYK 31 / 0 / 57 / 10

HEX #9EE563

RGB 158 229 99

HSL 92.77, 0.71%, 0.64%

LAB 84.07, -43.48, 55.43

 

CMYK 57 / 0 / 15 / 11

HEX #62E4C1

RGB 98 228 193

HSL 163.85, 0.71%, 0.64%

LAB 82.88, -44.14, 6.36

 

CMYK 27 / 57 / 0 / 11

HEX #A762E4

RGB 167 98 228

HSL 271.85, 0.71%, 0.64%

LAB 54.61, 51.66, -55.63

 

CMYK 0 / 57 / 42 / 11

HEX #E46284

RGB 228 98 132

HSL 344.31, 0.71%, 0.64%

LAB 58.88, 53.59, 6.82

 

CMYK 31 / 0 / 57 / 10

HEX #9EE563

RGB 158 229 99

HSL 92.77, 0.71%, 0.64%

LAB 84.07, -43.48, 55.43

 

CMYK 57 / 2 / 0 / 11

HEX #62E0E4

RGB 98 224 228

HSL 181.85, 0.71%, 0.64%

LAB 82.65, -33.53, -12.51

 

CMYK 27 / 57 / 0 / 11

HEX #A762E4

RGB 167 98 228

HSL 271.85, 0.71%, 0.64%

LAB 54.61, 51.66, -55.63

 

CMYK 0 / 55 / 57 / 11

HEX #E46662

RGB 228 102 98

HSL 1.85, 0.71%, 0.64%

LAB 58.86, 48.71, 26.49

 

Description

Color code: HEX #9EE563 | qconv.com Color code: HEX #9EE563 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 229 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 229 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 57 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 57% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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