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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EF2C2 it is the complementary color #610D3D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EF2C2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EF2C2 shade: #A3F2BD, #B4FFD0, #C5FFE3, #D6FFF6 and #E7FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EF2C2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EF2C2 shade: #9EF2C2, #8DE0AF, #7CCE9C, #6BBC89 and #5AAA76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EF2C2 shade: #9CF1C0, #9CF1A9, #A5F19C, #BCF19C and #D3F19C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EF2C2 shade: #9CF1C0, #9CF1D7, #9CF1EE, #9CDDF1 and #9CC6F1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EF2C2 shade matches the following richer shades: #9CF1C0 and #93FABF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EF2C2 shade: #9CF1C0, #A5E8C2, #AEDFC3, #B7D6C4 and #C0CDC5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EF2C2 shade: #A6F19C, #9CF1A9, #9CF1BF, #9CF1D6 and #9CF1ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EF2C2 shade: #53E793, #77ECA9, #9CF1C0, #C0F6D7 and #E4FBEE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EF2C2 shade: #9EF2C2, #9CBCF1 and #F19D9C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EF2C2 shade: #9EF2C2, #BF9CF1 and #F1BF9C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EF2C2 shade: #9EF2C2, #9CBCF1, #F19CCE and #F1D09C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EF2C2 shade: #9EF2C2, #9CA3F1, #F19CCE and #F1EA9C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 20 / 5

HEX #9EF2C2

RGB 158 242 194

HSL 145.71, 0.76%, 0.78%

LAB 89.24, -35.47, 15.21

 

Complementary color

CMYK 0 / 87 / 37 / 62

HEX #610D3D

RGB 97 13 61

HSL 325.71, 0.76%, 0.22%

LAB 20.7, 39.97, -6.96

 

CMYK 33 / 0 / 22 / 5

HEX #A3F2BD

RGB 163 242 189

HSL 139.75, 0.75%, 0.79%

LAB 89.38, -34.94, 18.03

 

CMYK 29 / 0 / 18 / 0

HEX #B4FFD0

RGB 180 255 208

HSL 142.4, 1%, 0.85%

LAB 94.22, -32.38, 15.18

 

CMYK 23 / 0 / 11 / 0

HEX #C5FFE3

RGB 197 255 227

HSL 151.03, 1%, 0.89%

LAB 95.55, -23.67, 7.45

 

CMYK 16 / 0 / 4 / 0

HEX #D6FFF6

RGB 214 255 246

HSL 166.83, 1%, 0.92%

LAB 97.01, -14.79, -0.08

 

CMYK 9 / 0 / 0 / 0

HEX #E7FFFF

RGB 231 255 255

HSL 180, 1%, 0.95%

LAB 98.32, -7.74, -2.66

 

CMYK 35 / 0 / 20 / 5

HEX #9EF2C2

RGB 158 242 194

HSL 145.71, 0.76%, 0.78%

LAB 89.24, -35.47, 15.21

 

CMYK 37 / 0 / 22 / 12

HEX #8DE0AF

RGB 141 224 175

HSL 144.58, 0.57%, 0.72%

LAB 82.95, -35.72, 16.15

 

CMYK 40 / 0 / 24 / 19

HEX #7CCE9C

RGB 124 206 156

HSL 143.41, 0.46%, 0.65%

LAB 76.57, -35.98, 17.16

 

CMYK 43 / 0 / 27 / 26

HEX #6BBC89

RGB 107 188 137

HSL 142.22, 0.38%, 0.58%

LAB 70.1, -36.24, 18.23

 

CMYK 47 / 0 / 31 / 33

HEX #5AAA76

RGB 90 170 118

HSL 141, 0.32%, 0.51%

LAB 63.53, -36.47, 19.4

 

CMYK 35 / 0 / 20 / 5

HEX #9CF1C0

RGB 156 241 192

HSL 145.41, 0.75%, 0.78%

LAB 88.82, -35.97, 15.64

 

CMYK 35 / 0 / 30 / 5

HEX #9CF1A9

RGB 156 241 169

HSL 129.18, 0.75%, 0.78%

LAB 88.37, -40.09, 26.86

 

CMYK 32 / 0 / 35 / 5

HEX #A5F19C

RGB 165 241 156

HSL 113.65, 0.75%, 0.78%

LAB 88.6, -39.37, 33.82

 

CMYK 22 / 0 / 35 / 5

HEX #BCF19C

RGB 188 241 156

HSL 97.41, 0.75%, 0.78%

LAB 89.86, -31.72, 35.72

 

CMYK 12 / 0 / 35 / 5

HEX #D3F19C

RGB 211 241 156

HSL 81.18, 0.75%, 0.78%

LAB 91.31, -23.55, 37.89

 

CMYK 35 / 0 / 20 / 5

HEX #9CF1C0

RGB 156 241 192

HSL 145.41, 0.75%, 0.78%

LAB 88.82, -35.97, 15.64

 

CMYK 35 / 0 / 11 / 5

HEX #9CF1D7

RGB 156 241 215

HSL 161.65, 0.75%, 0.78%

LAB 89.34, -31.34, 4.43

 

CMYK 35 / 0 / 1 / 5

HEX #9CF1EE

RGB 156 241 238

HSL 177.88, 0.75%, 0.78%

LAB 89.93, -26.25, -6.71

 

CMYK 35 / 8 / 0 / 5

HEX #9CDDF1

RGB 156 221 241

HSL 194.12, 0.75%, 0.78%

LAB 84.55, -15.64, -16.31

 

CMYK 35 / 18 / 0 / 5

HEX #9CC6F1

RGB 156 198 241

HSL 210.35, 0.75%, 0.78%

LAB 78.35, -3.64, -25.71

 

CMYK 35 / 0 / 20 / 5

HEX #9CF1C0

RGB 156 241 192

HSL 145.41, 0.75%, 0.78%

LAB 88.82, -35.97, 15.64

 

CMYK 41 / 0 / 24 / 2

HEX #93FABF

RGB 147 250 191

HSL 145.63, 0.91%, 0.78%

LAB 90.93, -42.7, 19.06

 

CMYK 35 / 0 / 20 / 5

HEX #9CF1C0

RGB 156 241 192

HSL 145.41, 0.75%, 0.78%

LAB 88.82, -35.97, 15.64

 

CMYK 29 / 0 / 16 / 9

HEX #A5E8C2

RGB 165 232 194

HSL 145.97, 0.59%, 0.78%

LAB 86.8, -28.72, 11.81

 

CMYK 22 / 0 / 13 / 13

HEX #AEDFC3

RGB 174 223 195

HSL 145.71, 0.43%, 0.78%

LAB 84.85, -21.37, 8.57

 

CMYK 14 / 0 / 8 / 16

HEX #B7D6C4

RGB 183 214 196

HSL 145.16, 0.27%, 0.78%

LAB 82.99, -13.75, 5.44

 

CMYK 6 / 0 / 4 / 20

HEX #C0CDC5

RGB 192 205 197

HSL 143.08, 0.12%, 0.78%

LAB 81.24, -5.91, 2.45

 

CMYK 31 / 0 / 35 / 5

HEX #A6F19C

RGB 166 241 156

HSL 112.94, 0.75%, 0.78%

LAB 88.65, -39.05, 33.89

 

CMYK 35 / 0 / 30 / 5

HEX #9CF1A9

RGB 156 241 169

HSL 129.18, 0.75%, 0.78%

LAB 88.37, -40.09, 26.86

 

CMYK 35 / 0 / 21 / 5

HEX #9CF1BF

RGB 156 241 191

HSL 144.71, 0.75%, 0.78%

LAB 88.8, -36.16, 16.13

 

CMYK 35 / 0 / 11 / 5

HEX #9CF1D6

RGB 156 241 214

HSL 160.94, 0.75%, 0.78%

LAB 89.31, -31.55, 4.91

 

CMYK 35 / 0 / 2 / 5

HEX #9CF1ED

RGB 156 241 237

HSL 177.18, 0.75%, 0.78%

LAB 89.9, -26.48, -6.23

 

CMYK 64 / 0 / 36 / 9

HEX #53E793

RGB 83 231 147

HSL 145.95, 0.76%, 0.62%

LAB 82.43, -57.85, 29.61

 

CMYK 50 / 0 / 28 / 7

HEX #77ECA9

RGB 119 236 169

HSL 145.64, 0.75%, 0.7%

LAB 85.39, -48.01, 22.53

 

CMYK 35 / 0 / 20 / 5

HEX #9CF1C0

RGB 156 241 192

HSL 145.41, 0.75%, 0.78%

LAB 88.82, -35.97, 15.64

 

CMYK 22 / 0 / 13 / 4

HEX #C0F6D7

RGB 192 246 215

HSL 145.56, 0.75%, 0.86%

LAB 92.59, -23.14, 9.34

 

CMYK 9 / 0 / 5 / 2

HEX #E4FBEE

RGB 228 251 238

HSL 146.09, 0.74%, 0.94%

LAB 96.68, -9.86, 3.66

 

CMYK 35 / 0 / 20 / 5

HEX #9EF2C2

RGB 158 242 194

HSL 145.71, 0.76%, 0.78%

LAB 89.24, -35.47, 15.21

 

CMYK 35 / 22 / 0 / 5

HEX #9CBCF1

RGB 156 188 241

HSL 217.41, 0.75%, 0.78%

LAB 75.69, 1.76, -29.78

 

CMYK 0 / 35 / 35 / 5

HEX #F19D9C

RGB 241 157 156

HSL 0.71, 0.75%, 0.78%

LAB 73.03, 31.2, 13.54

 

CMYK 35 / 0 / 20 / 5

HEX #9EF2C2

RGB 158 242 194

HSL 145.71, 0.76%, 0.78%

LAB 89.24, -35.47, 15.21

 

CMYK 21 / 35 / 0 / 5

HEX #BF9CF1

RGB 191 156 241

HSL 264.71, 0.75%, 0.78%

LAB 70.32, 29.54, -37.88

 

CMYK 0 / 21 / 35 / 5

HEX #F1BF9C

RGB 241 191 156

HSL 24.71, 0.75%, 0.78%

LAB 80.94, 13.22, 24.49

 

CMYK 35 / 0 / 20 / 5

HEX #9EF2C2

RGB 158 242 194

HSL 145.71, 0.76%, 0.78%

LAB 89.24, -35.47, 15.21

 

CMYK 35 / 22 / 0 / 5

HEX #9CBCF1

RGB 156 188 241

HSL 217.41, 0.75%, 0.78%

LAB 75.69, 1.76, -29.78

 

CMYK 0 / 35 / 15 / 5

HEX #F19CCE

RGB 241 156 206

HSL 324.71, 0.75%, 0.78%

LAB 74.15, 38.69, -12.39

 

CMYK 0 / 14 / 35 / 5

HEX #F1D09C

RGB 241 208 156

HSL 36.71, 0.75%, 0.78%

LAB 85.1, 4.34, 30.11

 

CMYK 35 / 0 / 20 / 5

HEX #9EF2C2

RGB 158 242 194

HSL 145.71, 0.76%, 0.78%

LAB 89.24, -35.47, 15.21

 

CMYK 35 / 32 / 0 / 5

HEX #9CA3F1

RGB 156 163 241

HSL 235.06, 0.75%, 0.78%

LAB 69.19, 15.68, -39.84

 

CMYK 0 / 35 / 15 / 5

HEX #F19CCE

RGB 241 156 206

HSL 324.71, 0.75%, 0.78%

LAB 74.15, 38.69, -12.39

 

CMYK 0 / 3 / 35 / 5

HEX #F1EA9C

RGB 241 234 156

HSL 55.06, 0.75%, 0.78%

LAB 91.66, -8.9, 38.77

 

Description

Color code: HEX #9EF2C2 | qconv.com Color code: HEX #9EF2C2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 242 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 242 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 20 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 20% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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