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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9EF376 it is the complementary color #610C89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9EF376. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9EF376 shade: #A3F371, #B4FF84, #C5FF97, #D6FFAA and #E7FFBD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9EF376. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9EF376 shade: #9EF376, #8DE163, #7CCF50, #6BBD3D and #5AAB2A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9EF376 shade: #9EF376, #C0F376, #E1F376, #F3E376 and #F3C176

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9EF376 shade: #9EF376, #7DF376, #76F392, #76F3B3 and #76F3D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9EF376 shade matches the following richer shades: #9EF376

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9EF376 shade: #9EF376, #A2E782, #A7DB8E, #ABCF9A and #AFC3A6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9EF376 shade: #E2F376, #C1F376, #A0F376, #7FF376 and #76F38F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9EF376 shade: #68EC2B, #83EF50, #9EF376, #B9F69C and #D4F9C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9EF376 shade: #9EF376, #76F3E2 and #F376D2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9EF376 shade: #9EF376, #76A0F3 and #F376A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9EF376 shade: #9EF376, #76F3E2, #C976F3 and #F37687

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9EF376 shade: #9EF376, #76DEF3, #C976F3 and #F38B76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

Complementary color

CMYK 29 / 91 / 0 / 46

HEX #610C89

RGB 97 12 137

HSL 280.8, 0.84%, 0.29%

LAB 25.59, 53.37, -49.19

 

CMYK 33 / 0 / 53 / 5

HEX #A3F371

RGB 163 243 113

HSL 96.92, 0.84%, 0.7%

LAB 88.49, -46.38, 54.36

 

CMYK 29 / 0 / 48 / 0

HEX #B4FF84

RGB 180 255 132

HSL 96.59, 1%, 0.76%

LAB 92.97, -43.77, 51.22

 

CMYK 23 / 0 / 41 / 0

HEX #C5FF97

RGB 197 255 151

HSL 93.46, 1%, 0.8%

LAB 94.15, -35.7, 43.85

 

CMYK 16 / 0 / 33 / 0

HEX #D6FFAA

RGB 214 255 170

HSL 88.94, 1%, 0.83%

LAB 95.46, -27.31, 36.42

 

CMYK 9 / 0 / 26 / 0

HEX #E7FFBD

RGB 231 255 189

HSL 81.82, 1%, 0.87%

LAB 96.9, -18.7, 29.03

 

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

CMYK 37 / 0 / 56 / 12

HEX #8DE163

RGB 141 225 99

HSL 100, 0.68%, 0.64%

LAB 82.06, -47.48, 52.88

 

CMYK 40 / 0 / 61 / 19

HEX #7CCF50

RGB 124 207 80

HSL 99.21, 0.57%, 0.56%

LAB 75.76, -47.4, 53.88

 

CMYK 43 / 0 / 68 / 26

HEX #6BBD3D

RGB 107 189 61

HSL 98.44, 0.51%, 0.49%

LAB 69.37, -47.17, 54.65

 

CMYK 47 / 0 / 75 / 33

HEX #5AAB2A

RGB 90 171 42

HSL 97.67, 0.61%, 0.42%

LAB 62.9, -46.72, 54.96

 

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

CMYK 21 / 0 / 51 / 5

HEX #C0F376

RGB 192 243 118

HSL 84.48, 0.84%, 0.71%

LAB 90.14, -35.73, 54.45

 

CMYK 7 / 0 / 51 / 5

HEX #E1F376

RGB 225 243 118

HSL 68.64, 0.84%, 0.71%

LAB 92.32, -23.29, 57.55

 

CMYK 0 / 7 / 51 / 5

HEX #F3E376

RGB 243 227 118

HSL 52.32, 0.84%, 0.71%

LAB 89.53, -8.35, 54.61

 

CMYK 0 / 21 / 51 / 5

HEX #F3C176

RGB 243 193 118

HSL 36, 0.84%, 0.71%

LAB 81.02, 9.07, 44.31

 

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

CMYK 49 / 0 / 51 / 5

HEX #7DF376

RGB 125 243 118

HSL 116.64, 0.84%, 0.71%

LAB 86.88, -57.33, 49.75

 

CMYK 51 / 0 / 40 / 5

HEX #76F392

RGB 118 243 146

HSL 133.44, 0.84%, 0.71%

LAB 87.01, -55.15, 36.36

 

CMYK 51 / 0 / 26 / 5

HEX #76F3B3

RGB 118 243 179

HSL 149.28, 0.84%, 0.71%

LAB 87.59, -49.26, 20.4

 

CMYK 51 / 0 / 12 / 5

HEX #76F3D5

RGB 118 243 213

HSL 165.6, 0.84%, 0.71%

LAB 88.33, -42, 3.82

 

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

CMYK 30 / 0 / 44 / 9

HEX #A2E782

RGB 162 231 130

HSL 100.99, 0.68%, 0.71%

LAB 85.22, -39.51, 42.33

 

CMYK 24 / 0 / 35 / 14

HEX #A7DB8E

RGB 167 219 142

HSL 100.52, 0.52%, 0.71%

LAB 82.29, -30.66, 32.59

 

CMYK 17 / 0 / 26 / 19

HEX #ABCF9A

RGB 171 207 154

HSL 100.75, 0.36%, 0.71%

LAB 79.4, -21.66, 22.51

 

CMYK 10 / 0 / 15 / 24

HEX #AFC3A6

RGB 175 195 166

HSL 101.38, 0.19%, 0.71%

LAB 76.62, -12.19, 12.3

 

CMYK 7 / 0 / 51 / 5

HEX #E2F376

RGB 226 243 118

HSL 68.16, 0.84%, 0.71%

LAB 92.39, -22.9, 57.65

 

CMYK 21 / 0 / 51 / 5

HEX #C1F376

RGB 193 243 118

HSL 84, 0.84%, 0.71%

LAB 90.2, -35.36, 54.53

 

CMYK 34 / 0 / 51 / 5

HEX #A0F376

RGB 160 243 118

HSL 99.84, 0.84%, 0.71%

LAB 88.39, -46.83, 51.93

 

CMYK 48 / 0 / 51 / 5

HEX #7FF376

RGB 127 243 118

HSL 115.68, 0.84%, 0.71%

LAB 86.96, -56.78, 49.86

 

CMYK 51 / 0 / 41 / 5

HEX #76F38F

RGB 118 243 143

HSL 132, 0.84%, 0.71%

LAB 86.97, -55.63, 37.78

 

CMYK 56 / 0 / 82 / 7

HEX #68EC2B

RGB 104 236 43

HSL 101.04, 0.84%, 0.55%

LAB 83.5, -66.64, 74.19

 

CMYK 45 / 0 / 67 / 6

HEX #83EF50

RGB 131 239 80

HSL 100.75, 0.83%, 0.63%

LAB 85.57, -57.96, 64.65

 

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

CMYK 25 / 0 / 37 / 4

HEX #B9F69C

RGB 185 246 156

HSL 100.67, 0.83%, 0.79%

LAB 91.06, -35.05, 37.27

 

CMYK 15 / 0 / 22 / 2

HEX #D4F9C2

RGB 212 249 194

HSL 100.36, 0.82%, 0.87%

LAB 94.16, -21.65, 22.54

 

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

CMYK 51 / 0 / 7 / 5

HEX #76F3E2

RGB 118 243 226

HSL 171.84, 0.84%, 0.71%

LAB 88.66, -38.93, -2.49

 

CMYK 0 / 51 / 14 / 5

HEX #F376D2

RGB 243 118 210

HSL 315.84, 0.84%, 0.71%

LAB 67.02, 58.98, -25.38

 

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

CMYK 51 / 34 / 0 / 5

HEX #76A0F3

RGB 118 160 243

HSL 219.84, 0.84%, 0.71%

LAB 66.11, 8.58, -45.94

 

CMYK 0 / 51 / 34 / 5

HEX #F376A0

RGB 243 118 160

HSL 339.84, 0.84%, 0.71%

LAB 65.4, 52.2, 0.39

 

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

CMYK 51 / 0 / 7 / 5

HEX #76F3E2

RGB 118 243 226

HSL 171.84, 0.84%, 0.71%

LAB 88.66, -38.93, -2.49

 

CMYK 17 / 51 / 0 / 5

HEX #C976F3

RGB 201 118 243

HSL 279.84, 0.84%, 0.71%

LAB 63.21, 53.22, -50.05

 

CMYK 0 / 51 / 44 / 5

HEX #F37687

RGB 243 118 135

HSL 351.84, 0.84%, 0.71%

LAB 64.77, 49.5, 13.74

 

CMYK 35 / 0 / 51 / 5

HEX #9EF376

RGB 158 243 118

HSL 100.8, 0.84%, 0.71%

LAB 88.29, -47.48, 51.79

 

CMYK 51 / 9 / 0 / 5

HEX #76DEF3

RGB 118 222 243

HSL 190.08, 0.84%, 0.71%

LAB 83.21, -24.63, -19.55

 

CMYK 17 / 51 / 0 / 5

HEX #C976F3

RGB 201 118 243

HSL 279.84, 0.84%, 0.71%

LAB 63.21, 53.22, -50.05

 

CMYK 0 / 43 / 51 / 5

HEX #F38B76

RGB 243 139 118

HSL 10.08, 0.84%, 0.71%

LAB 68.63, 37.41, 28.5

 

Description

Color code: HEX #9EF376 | qconv.com Color code: HEX #9EF376 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 158 red, 243 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
158 243 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 51 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 51% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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