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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F14B2 it is the complementary color #60EB4D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F14B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F14B2 shade: #A414AD, #B526C0, #C638D3, #D74AE6 and #E85CF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F14B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F14B2 shade: #9F14B2, #8E029F, #7D008C, #6C0079 and #5B0066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F14B2 shade: #9F13B3, #B3139B, #B31370, #B31345 and #B3131A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F14B2 shade: #9F13B3, #7413B3, #4A13B3, #1F13B3 and #1313B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F14B2 shade matches the following richer shades: #9F13B3 and #AC03C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F14B2 shade: #9F13B3, #9323A2, #873492, #7B4482 and #6E5472

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F14B2 shade: #4813B3, #7313B3, #9D13B3, #B3139D and #B31373

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F14B2 shade: #5D0B68, #7E0F8D, #9F13B3, #C118D8 and #D231E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F14B2 shade: #9F14B2, #B31E13 and #13B35E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F14B2 shade: #9F14B2, #B39D13 and #13B39D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F14B2 shade: #9F14B2, #B31E13, #29B313 and #13A8B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F14B2 shade: #9F14B2, #B34E13, #29B313 and #1378B3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 89 / 0 / 30

HEX #9F14B2

RGB 159 20 178

HSL 292.78, 0.8%, 0.39%

LAB 39.72, 69.5, -50.74

 

Complementary color

CMYK 59 / 0 / 67 / 8

HEX #60EB4D

RGB 96 235 77

HSL 112.78, 0.8%, 0.61%

LAB 83.15, -66.02, 62.86

 

CMYK 5 / 88 / 0 / 32

HEX #A414AD

RGB 164 20 173

HSL 296.47, 0.79%, 0.38%

LAB 40.26, 69.53, -46.85

 

CMYK 6 / 80 / 0 / 25

HEX #B526C0

RGB 181 38 192

HSL 295.71, 0.67%, 0.45%

LAB 45.66, 71.87, -49.25

 

CMYK 6 / 73 / 0 / 17

HEX #C638D3

RGB 198 56 211

HSL 294.97, 0.64%, 0.52%

LAB 51.31, 73.17, -51.03

 

CMYK 7 / 68 / 0 / 10

HEX #D74AE6

RGB 215 74 230

HSL 294.23, 0.76%, 0.6%

LAB 57.13, 73.77, -52.36

 

CMYK 7 / 63 / 0 / 2

HEX #E85CF9

RGB 232 92 249

HSL 293.5, 0.93%, 0.67%

LAB 63.05, 73.9, -53.38

 

CMYK 11 / 89 / 0 / 30

HEX #9F14B2

RGB 159 20 178

HSL 292.78, 0.8%, 0.39%

LAB 39.72, 69.5, -50.74

 

CMYK 11 / 99 / 0 / 38

HEX #8E029F

RGB 142 2 159

HSL 293.5, 0.98%, 0.32%

LAB 34.59, 66.02, -47.76

 

CMYK 11 / 100 / 0 / 45

HEX #7D008C

RGB 125 0 140

HSL 293.57, 1%, 0.27%

LAB 30.04, 60.41, -43.61

 

CMYK 11 / 100 / 0 / 53

HEX #6C0079

RGB 108 0 121

HSL 293.55, 1%, 0.24%

LAB 25.47, 54.4, -39.2

 

CMYK 11 / 100 / 0 / 60

HEX #5B0066

RGB 91 0 102

HSL 293.53, 1%, 0.2%

LAB 20.76, 48.21, -34.67

 

CMYK 11 / 89 / 0 / 30

HEX #9F13B3

RGB 159 19 179

HSL 292.5, 0.81%, 0.39%

LAB 39.73, 69.84, -51.31

 

CMYK 0 / 89 / 13 / 30

HEX #B3139B

RGB 179 19 155

HSL 309, 0.81%, 0.39%

LAB 41.87, 69.8, -33.34

 

CMYK 0 / 89 / 37 / 30

HEX #B31370

RGB 179 19 112

HSL 325.13, 0.81%, 0.39%

LAB 39.95, 64.67, -9.84

 

CMYK 0 / 89 / 61 / 30

HEX #B31345

RGB 179 19 69

HSL 341.25, 0.81%, 0.39%

LAB 38.69, 61.16, 15.71

 

CMYK 0 / 89 / 85 / 30

HEX #B3131A

RGB 179 19 26

HSL 357.38, 0.81%, 0.39%

LAB 38.06, 59.37, 41.07

 

CMYK 11 / 89 / 0 / 30

HEX #9F13B3

RGB 159 19 179

HSL 292.5, 0.81%, 0.39%

LAB 39.73, 69.84, -51.31

 

CMYK 35 / 89 / 0 / 30

HEX #7413B3

RGB 116 19 179

HSL 276.38, 0.81%, 0.39%

LAB 32.77, 63.36, -62.94

 

CMYK 59 / 89 / 0 / 30

HEX #4A13B3

RGB 74 19 179

HSL 260.63, 0.81%, 0.39%

LAB 27.23, 58.74, -72.26

 

CMYK 83 / 89 / 0 / 30

HEX #1F13B3

RGB 31 19 179

HSL 244.5, 0.81%, 0.39%

LAB 23.71, 56.18, -78.21

 

CMYK 89 / 89 / 0 / 30

HEX #1313B3

RGB 19 19 179

HSL 240, 0.81%, 0.39%

LAB 23.2, 55.84, -79.08

 

CMYK 11 / 89 / 0 / 30

HEX #9F13B3

RGB 159 19 179

HSL 292.5, 0.81%, 0.39%

LAB 39.73, 69.84, -51.31

 

CMYK 12 / 98 / 0 / 24

HEX #AC03C3

RGB 172 3 195

HSL 292.81, 0.97%, 0.39%

LAB 42.42, 76.44, -56.28

 

CMYK 11 / 89 / 0 / 30

HEX #9F13B3

RGB 159 19 179

HSL 292.5, 0.81%, 0.39%

LAB 39.73, 69.84, -51.31

 

CMYK 9 / 78 / 0 / 36

HEX #9323A2

RGB 147 35 162

HSL 292.91, 0.64%, 0.39%

LAB 37.87, 60.96, -44.27

 

CMYK 8 / 64 / 0 / 43

HEX #873492

RGB 135 52 146

HSL 292.98, 0.47%, 0.39%

LAB 37.27, 48.81, -35.64

 

CMYK 5 / 48 / 0 / 49

HEX #7B4482

RGB 123 68 130

HSL 293.23, 0.31%, 0.39%

LAB 37.76, 33.97, -25.17

 

CMYK 4 / 26 / 0 / 55

HEX #6E5472

RGB 110 84 114

HSL 292, 0.15%, 0.39%

LAB 39.36, 16.57, -12.98

 

CMYK 60 / 89 / 0 / 30

HEX #4813B3

RGB 72 19 179

HSL 259.88, 0.81%, 0.39%

LAB 27.01, 58.57, -72.63

 

CMYK 36 / 89 / 0 / 30

HEX #7313B3

RGB 115 19 179

HSL 276, 0.81%, 0.39%

LAB 32.62, 63.23, -63.19

 

CMYK 12 / 89 / 0 / 30

HEX #9D13B3

RGB 157 19 179

HSL 291.75, 0.81%, 0.39%

LAB 39.39, 69.51, -51.88

 

CMYK 0 / 89 / 12 / 30

HEX #B3139D

RGB 179 19 157

HSL 308.25, 0.81%, 0.39%

LAB 41.97, 70.08, -34.38

 

CMYK 0 / 89 / 36 / 30

HEX #B31373

RGB 179 19 115

HSL 324, 0.81%, 0.39%

LAB 40.06, 64.97, -11.55

 

CMYK 11 / 89 / 0 / 59

HEX #5D0B68

RGB 93 11 104

HSL 292.9, 0.81%, 0.23%

LAB 22.18, 46.32, -33.67

 

CMYK 11 / 89 / 0 / 45

HEX #7E0F8D

RGB 126 15 141

HSL 292.86, 0.81%, 0.31%

LAB 31.11, 58.33, -42.49

 

CMYK 11 / 89 / 0 / 30

HEX #9F13B3

RGB 159 19 179

HSL 292.5, 0.81%, 0.39%

LAB 39.73, 69.84, -51.31

 

CMYK 11 / 89 / 0 / 15

HEX #C118D8

RGB 193 24 216

HSL 292.81, 0.8%, 0.47%

LAB 48.2, 80.7, -58.93

 

CMYK 9 / 79 / 0 / 9

HEX #D231E8

RGB 210 49 232

HSL 292.79, 0.8%, 0.55%

LAB 53.73, 80.99, -58.96

 

CMYK 11 / 89 / 0 / 30

HEX #9F14B2

RGB 159 20 178

HSL 292.78, 0.8%, 0.39%

LAB 39.72, 69.5, -50.74

 

CMYK 0 / 83 / 89 / 30

HEX #B31E13

RGB 179 30 19

HSL 4.13, 0.81%, 0.39%

LAB 38.83, 56.91, 45.1

 

CMYK 89 / 0 / 47 / 30

HEX #13B35E

RGB 19 179 94

HSL 148.13, 0.81%, 0.39%

LAB 64.31, -56.88, 32.87

 

CMYK 11 / 89 / 0 / 30

HEX #9F14B2

RGB 159 20 178

HSL 292.78, 0.8%, 0.39%

LAB 39.72, 69.5, -50.74

 

CMYK 0 / 12 / 89 / 30

HEX #B39D13

RGB 179 157 19

HSL 51.75, 0.81%, 0.39%

LAB 64.76, -4.8, 65.27

 

CMYK 89 / 0 / 12 / 30

HEX #13B39D

RGB 19 179 157

HSL 171.75, 0.81%, 0.39%

LAB 65.6, -42.55, 0.59

 

CMYK 11 / 89 / 0 / 30

HEX #9F14B2

RGB 159 20 178

HSL 292.78, 0.8%, 0.39%

LAB 39.72, 69.5, -50.74

 

CMYK 0 / 83 / 89 / 30

HEX #B31E13

RGB 179 30 19

HSL 4.13, 0.81%, 0.39%

LAB 38.83, 56.91, 45.1

 

CMYK 77 / 0 / 89 / 30

HEX #29B313

RGB 41 179 19

HSL 111.75, 0.81%, 0.39%

LAB 63.96, -62.13, 61.61

 

CMYK 89 / 6 / 0 / 30

HEX #13A8B3

RGB 19 168 179

HSL 184.13, 0.81%, 0.39%

LAB 62.84, -30.96, -15.78

 

CMYK 11 / 89 / 0 / 30

HEX #9F14B2

RGB 159 20 178

HSL 292.78, 0.8%, 0.39%

LAB 39.72, 69.5, -50.74

 

CMYK 0 / 56 / 89 / 30

HEX #B34E13

RGB 179 78 19

HSL 22.13, 0.81%, 0.39%

LAB 45.74, 38.2, 50.4

 

CMYK 77 / 0 / 89 / 30

HEX #29B313

RGB 41 179 19

HSL 111.75, 0.81%, 0.39%

LAB 63.96, -62.13, 61.61

 

CMYK 89 / 33 / 0 / 30

HEX #1378B3

RGB 19 120 179

HSL 202.13, 0.81%, 0.39%

LAB 48.04, -5.1, -38.67

 

Description

Color code: HEX #9F14B2 | qconv.com Color code: HEX #9F14B2 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 20 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 20 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 89 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 89% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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