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Color name
HEX #9F2184

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2184 it is the complementary color #60DE7B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2184. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2184 shade: #A4217F, #B53392, #C645A5, #D757B8 and #E869CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2184. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2184 shade: #9F2184, #8E0F71, #7D005E, #6C004B and #5B0038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2184 shade: #A02085, #A02062, #A02040 and #A02020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2184 shade: #A02085, #9920A0, #7720A0, #5420A0 and #3220A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2184 shade matches the following richer shades: #A02085, #B0118E and #C00197

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2184 shade: #A02085, #91307C, #814073, #714F6A and #625F61

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2184 shade: #7620A0, #9820A0, #A02087, #A02065 and #A02043

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2184 shade: #5C124C, #7E1969, #A02085, #C327A1 and #D73DB6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2184 shade: #9F2184, #A05420 and #20A087

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2184 shade: #9F2184, #87A020 and #2087A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2184 shade: #9F2184, #A05420, #20A03A and #206DA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2184 shade: #9F2184, #A07A20, #20A03A and #2047A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 17 / 38

HEX #9F2184

RGB 159 33 132

HSL 312.86, 0.66%, 0.38%

LAB 38.07, 59.35, -25.52

 

Complementary color

CMYK 57 / 0 / 45 / 13

HEX #60DE7B

RGB 96 222 123

HSL 132.86, 0.66%, 0.62%

LAB 79.7, -55.78, 38.19

 

CMYK 0 / 80 / 23 / 36

HEX #A4217F

RGB 164 33 127

HSL 316.95, 0.66%, 0.39%

LAB 38.75, 59.84, -21.29

 

CMYK 0 / 72 / 19 / 29

HEX #B53392

RGB 181 51 146

HSL 316.15, 0.56%, 0.45%

LAB 44.61, 60.91, -23.59

 

CMYK 0 / 65 / 17 / 22

HEX #C645A5

RGB 198 69 165

HSL 315.35, 0.53%, 0.52%

LAB 50.66, 61.25, -25.33

 

CMYK 0 / 60 / 14 / 16

HEX #D757B8

RGB 215 87 184

HSL 314.53, 0.62%, 0.59%

LAB 56.81, 61.14, -26.7

 

CMYK 0 / 55 / 13 / 9

HEX #E869CB

RGB 232 105 203

HSL 313.7, 0.73%, 0.66%

LAB 62.99, 60.76, -27.79

 

CMYK 0 / 79 / 17 / 38

HEX #9F2184

RGB 159 33 132

HSL 312.86, 0.66%, 0.38%

LAB 38.07, 59.35, -25.52

 

CMYK 0 / 89 / 20 / 44

HEX #8E0F71

RGB 142 15 113

HSL 313.7, 0.81%, 0.31%

LAB 32.45, 57.15, -22.61

 

CMYK 0 / 100 / 25 / 51

HEX #7D005E

RGB 125 0 94

HSL 314.88, 1%, 0.25%

LAB 27.21, 53.5, -18.75

 

CMYK 0 / 100 / 31 / 58

HEX #6C004B

RGB 108 0 75

HSL 318.33, 1%, 0.21%

LAB 22.64, 47.47, -13.41

 

CMYK 0 / 100 / 38 / 64

HEX #5B0038

RGB 91 0 56

HSL 323.08, 1%, 0.18%

LAB 17.96, 41.31, -7.71

 

CMYK 0 / 80 / 17 / 37

HEX #A02085

RGB 160 32 133

HSL 312.66, 0.67%, 0.38%

LAB 38.2, 60, -25.91

 

CMYK 0 / 80 / 39 / 37

HEX #A02062

RGB 160 32 98

HSL 329.06, 0.67%, 0.38%

LAB 36.72, 55.67, -6.2

 

CMYK 0 / 80 / 60 / 37

HEX #A02040

RGB 160 32 64

HSL 345, 0.67%, 0.38%

LAB 35.75, 52.68, 14.3

 

CMYK 0 / 80 / 80 / 37

HEX #A02020

RGB 160 32 32

HSL 0, 0.67%, 0.38%

LAB 35.22, 51.05, 33.65

 

CMYK 0 / 80 / 17 / 37

HEX #A02085

RGB 160 32 133

HSL 312.66, 0.67%, 0.38%

LAB 38.2, 60, -25.91

 

CMYK 4 / 80 / 0 / 37

HEX #9920A0

RGB 153 32 160

HSL 296.72, 0.67%, 0.38%

LAB 38.45, 62.68, -42.07

 

CMYK 26 / 80 / 0 / 37

HEX #7720A0

RGB 119 32 160

HSL 280.78, 0.67%, 0.38%

LAB 32.9, 56.18, -51.29

 

CMYK 48 / 80 / 0 / 37

HEX #5420A0

RGB 84 32 160

HSL 264.38, 0.67%, 0.38%

LAB 28, 50.41, -59.51

 

CMYK 69 / 80 / 0 / 37

HEX #3220A0

RGB 50 32 160

HSL 248.44, 0.67%, 0.38%

LAB 24.48, 46.25, -65.42

 

CMYK 0 / 80 / 17 / 37

HEX #A02085

RGB 160 32 133

HSL 312.66, 0.67%, 0.38%

LAB 38.2, 60, -25.91

 

CMYK 0 / 90 / 19 / 31

HEX #B0118E

RGB 176 17 142

HSL 312.83, 0.82%, 0.38%

LAB 40.55, 67.78, -27.56

 

CMYK 0 / 99 / 21 / 25

HEX #C00197

RGB 192 1 151

HSL 312.88, 0.99%, 0.38%

LAB 43.45, 73.78, -28.27

 

CMYK 0 / 80 / 17 / 37

HEX #A02085

RGB 160 32 133

HSL 312.66, 0.67%, 0.38%

LAB 38.2, 60, -25.91

 

CMYK 0 / 67 / 14 / 43

HEX #91307C

RGB 145 48 124

HSL 312.99, 0.5%, 0.38%

LAB 37.09, 49.35, -22.25

 

CMYK 0 / 50 / 11 / 49

HEX #814073

RGB 129 64 115

HSL 312.92, 0.34%, 0.38%

LAB 37.06, 35.22, -16.9

 

CMYK 0 / 30 / 6 / 56

HEX #714F6A

RGB 113 79 106

HSL 312.35, 0.18%, 0.38%

LAB 38.1, 19.09, -9.91

 

CMYK 0 / 3 / 1 / 62

HEX #625F61

RGB 98 95 97

HSL 320, 0.02%, 0.38%

LAB 40.64, 1.6, -0.72

 

CMYK 26 / 80 / 0 / 37

HEX #7620A0

RGB 118 32 160

HSL 280.31, 0.67%, 0.38%

LAB 32.75, 56, -51.55

 

CMYK 5 / 80 / 0 / 37

HEX #9820A0

RGB 152 32 160

HSL 296.25, 0.67%, 0.38%

LAB 38.28, 62.48, -42.35

 

CMYK 0 / 80 / 16 / 37

HEX #A02087

RGB 160 32 135

HSL 311.72, 0.67%, 0.38%

LAB 38.3, 60.28, -26.99

 

CMYK 0 / 80 / 37 / 37

HEX #A02065

RGB 160 32 101

HSL 327.66, 0.67%, 0.38%

LAB 36.83, 55.99, -7.95

 

CMYK 0 / 80 / 58 / 37

HEX #A02043

RGB 160 32 67

HSL 343.59, 0.67%, 0.38%

LAB 35.81, 52.9, 12.45

 

CMYK 0 / 80 / 17 / 64

HEX #5C124C

RGB 92 18 76

HSL 312.97, 0.67%, 0.22%

LAB 20.94, 39.13, -16.99

 

CMYK 0 / 80 / 17 / 51

HEX #7E1969

RGB 126 25 105

HSL 312.48, 0.67%, 0.3%

LAB 29.79, 49.94, -21.87

 

CMYK 0 / 80 / 17 / 37

HEX #A02085

RGB 160 32 133

HSL 312.66, 0.67%, 0.38%

LAB 38.2, 60, -25.91

 

CMYK 0 / 80 / 17 / 24

HEX #C327A1

RGB 195 39 161

HSL 313.08, 0.67%, 0.46%

LAB 46.48, 69.85, -29.5

 

CMYK 0 / 72 / 15 / 16

HEX #D73DB6

RGB 215 61 182

HSL 312.86, 0.66%, 0.54%

LAB 53.13, 70.82, -31.25

 

CMYK 0 / 79 / 17 / 38

HEX #9F2184

RGB 159 33 132

HSL 312.86, 0.66%, 0.38%

LAB 38.07, 59.35, -25.52

 

CMYK 0 / 48 / 80 / 37

HEX #A05420

RGB 160 84 32

HSL 24.38, 0.67%, 0.38%

LAB 44.12, 27.63, 42.52

 

CMYK 80 / 0 / 16 / 37

HEX #20A087

RGB 32 160 135

HSL 168.28, 0.67%, 0.38%

LAB 59.16, -39.29, 3.55

 

CMYK 0 / 79 / 17 / 38

HEX #9F2184

RGB 159 33 132

HSL 312.86, 0.66%, 0.38%

LAB 38.07, 59.35, -25.52

 

CMYK 16 / 0 / 80 / 37

HEX #87A020

RGB 135 160 32

HSL 71.72, 0.67%, 0.38%

LAB 62, -25.41, 58.24

 

CMYK 80 / 16 / 0 / 37

HEX #2087A0

RGB 32 135 160

HSL 191.72, 0.67%, 0.38%

LAB 52.03, -19.46, -21.42

 

CMYK 0 / 79 / 17 / 38

HEX #9F2184

RGB 159 33 132

HSL 312.86, 0.66%, 0.38%

LAB 38.07, 59.35, -25.52

 

CMYK 0 / 48 / 80 / 37

HEX #A05420

RGB 160 84 32

HSL 24.38, 0.67%, 0.38%

LAB 44.12, 27.63, 42.52

 

CMYK 80 / 0 / 64 / 37

HEX #20A03A

RGB 32 160 58

HSL 132.19, 0.67%, 0.38%

LAB 57.8, -54.5, 42.65

 

CMYK 80 / 32 / 0 / 37

HEX #206DA0

RGB 32 109 160

HSL 203.91, 0.67%, 0.38%

LAB 43.92, -4.62, -34.04

 

CMYK 0 / 79 / 17 / 38

HEX #9F2184

RGB 159 33 132

HSL 312.86, 0.66%, 0.38%

LAB 38.07, 59.35, -25.52

 

CMYK 0 / 24 / 80 / 37

HEX #A07A20

RGB 160 122 32

HSL 42.19, 0.67%, 0.38%

LAB 53.49, 6.15, 51.33

 

CMYK 80 / 0 / 64 / 37

HEX #20A03A

RGB 32 160 58

HSL 132.19, 0.67%, 0.38%

LAB 57.8, -54.5, 42.65

 

CMYK 80 / 56 / 0 / 37

HEX #2047A0

RGB 32 71 160

HSL 221.72, 0.67%, 0.38%

LAB 32.59, 20.06, -52.16

 

Description

Color code: HEX #9F2184 | qconv.com Color code: HEX #9F2184 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 33 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 33 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 17 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 17% 38% C M Y K

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Provide designers and agencies with accurate color values.

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