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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2CAE it is the complementary color #60D351. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2CAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2CAE shade: #A42CA9, #B53EBC, #C650CF, #D762E2 and #E874F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2CAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2CAE shade: #9F2CAE, #8E1A9B, #7D0888, #6C0075 and #5B0062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2CAE shade: #A02BAF, #AF2B9B, #AF2B77, #AF2B54 and #AF2B30

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2CAE shade: #A02BAF, #7C2BAF, #592BAF, #352BAF and #2B2BAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2CAE shade matches the following richer shades: #A02BAF, #AD1AC1 and #BB08D2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2CAE shade: #A02BAF, #923D9D, #844F8B, #77617A and #697268

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2CAE shade: #592BAF, #7D2BAF, #A02BAF, #AF2B9B and #AF2B78

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2CAE shade: #631B6D, #82238E, #A02BAF, #BB37CD and #C658D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2CAE shade: #9F2CAE, #AF362B and #2BAF6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2CAE shade: #9F2CAE, #AFA02B and #2BAFA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2CAE shade: #9F2CAE, #AF362B, #3BAF2B and #2BA4AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2CAE shade: #9F2CAE, #AF5E2B, #3BAF2B and #2B7DAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 75 / 0 / 32

HEX #9F2CAE

RGB 159 44 174

HSL 293.08, 0.6%, 0.43%

LAB 41.58, 62.67, -45.39

 

Complementary color

CMYK 55 / 0 / 62 / 17

HEX #60D351

RGB 96 211 81

HSL 113.08, 0.6%, 0.57%

LAB 75.87, -57.05, 53.27

 

CMYK 3 / 74 / 0 / 34

HEX #A42CA9

RGB 164 44 169

HSL 297.6, 0.59%, 0.42%

LAB 42.09, 62.86, -41.55

 

CMYK 4 / 67 / 0 / 26

HEX #B53EBC

RGB 181 62 188

HSL 296.67, 0.5%, 0.49%

LAB 48.13, 63.45, -42.97

 

CMYK 4 / 61 / 0 / 19

HEX #C650CF

RGB 198 80 207

HSL 295.75, 0.57%, 0.56%

LAB 54.29, 63.49, -44

 

CMYK 5 / 57 / 0 / 11

HEX #D762E2

RGB 215 98 226

HSL 294.84, 0.69%, 0.64%

LAB 60.49, 63.19, -44.79

 

CMYK 5 / 53 / 0 / 4

HEX #E874F5

RGB 232 116 245

HSL 293.95, 0.87%, 0.71%

LAB 66.7, 62.71, -45.4

 

CMYK 9 / 75 / 0 / 32

HEX #9F2CAE

RGB 159 44 174

HSL 293.08, 0.6%, 0.43%

LAB 41.58, 62.67, -45.39

 

CMYK 8 / 83 / 0 / 39

HEX #8E1A9B

RGB 142 26 155

HSL 293.95, 0.71%, 0.35%

LAB 35.71, 61.26, -43.55

 

CMYK 8 / 94 / 0 / 47

HEX #7D0888

RGB 125 8 136

HSL 294.84, 0.89%, 0.28%

LAB 30.18, 58.47, -40.89

 

CMYK 8 / 100 / 0 / 54

HEX #6C0075

RGB 108 0 117

HSL 295.38, 1%, 0.23%

LAB 25.18, 53.7, -37.12

 

CMYK 7 / 100 / 0 / 62

HEX #5B0062

RGB 91 0 98

HSL 295.71, 1%, 0.19%

LAB 20.46, 47.5, -32.52

 

CMYK 9 / 75 / 0 / 31

HEX #A02BAF

RGB 160 43 175

HSL 293.18, 0.61%, 0.43%

LAB 41.68, 63.39, -45.8

 

CMYK 0 / 75 / 11 / 31

HEX #AF2B9B

RGB 175 43 155

HSL 309.09, 0.61%, 0.43%

LAB 43.08, 63.4, -31.49

 

CMYK 0 / 75 / 32 / 31

HEX #AF2B77

RGB 175 43 119

HSL 325.45, 0.61%, 0.43%

LAB 41.49, 58.6, -11.95

 

CMYK 0 / 75 / 52 / 31

HEX #AF2B54

RGB 175 43 84

HSL 341.36, 0.61%, 0.43%

LAB 40.38, 55.08, 8.37

 

CMYK 0 / 75 / 73 / 31

HEX #AF2B30

RGB 175 43 48

HSL 357.73, 0.61%, 0.43%

LAB 39.67, 52.78, 29.92

 

CMYK 9 / 75 / 0 / 31

HEX #A02BAF

RGB 160 43 175

HSL 293.18, 0.61%, 0.43%

LAB 41.68, 63.39, -45.8

 

CMYK 29 / 75 / 0 / 31

HEX #7C2BAF

RGB 124 43 175

HSL 276.82, 0.61%, 0.43%

LAB 36.19, 56.27, -54.93

 

CMYK 49 / 75 / 0 / 31

HEX #592BAF

RGB 89 43 175

HSL 260.91, 0.61%, 0.43%

LAB 31.69, 50.22, -62.47

 

CMYK 70 / 75 / 0 / 31

HEX #352BAF

RGB 53 43 175

HSL 244.55, 0.61%, 0.43%

LAB 28.33, 45.53, -68.12

 

CMYK 75 / 75 / 0 / 31

HEX #2B2BAF

RGB 43 43 175

HSL 240, 0.61%, 0.43%

LAB 27.67, 44.59, -69.22

 

CMYK 9 / 75 / 0 / 31

HEX #A02BAF

RGB 160 43 175

HSL 293.18, 0.61%, 0.43%

LAB 41.68, 63.39, -45.8

 

CMYK 10 / 87 / 0 / 24

HEX #AD1AC1

RGB 173 26 193

HSL 292.81, 0.76%, 0.43%

LAB 43.47, 73.28, -53.42

 

CMYK 11 / 96 / 0 / 18

HEX #BB08D2

RGB 187 8 210

HSL 293.17, 0.93%, 0.43%

LAB 46.17, 80.65, -58.81

 

CMYK 9 / 75 / 0 / 31

HEX #A02BAF

RGB 160 43 175

HSL 293.18, 0.61%, 0.43%

LAB 41.68, 63.39, -45.8

 

CMYK 7 / 61 / 0 / 38

HEX #923D9D

RGB 146 61 157

HSL 293.13, 0.44%, 0.43%

LAB 41.03, 49.63, -36.23

 

CMYK 5 / 43 / 0 / 45

HEX #844F8B

RGB 132 79 139

HSL 293, 0.28%, 0.43%

LAB 41.79, 32.48, -24.32

 

CMYK 2 / 20 / 0 / 52

HEX #77617A

RGB 119 97 122

HSL 292.8, 0.11%, 0.43%

LAB 44.06, 13.7, -10.67

 

CMYK 8 / 0 / 9 / 55

HEX #697268

RGB 105 114 104

HSL 114, 0.05%, 0.43%

LAB 47.02, -5.46, 4.38

 

CMYK 49 / 75 / 0 / 31

HEX #592BAF

RGB 89 43 175

HSL 260.91, 0.61%, 0.43%

LAB 31.69, 50.22, -62.47

 

CMYK 29 / 75 / 0 / 31

HEX #7D2BAF

RGB 125 43 175

HSL 277.27, 0.61%, 0.43%

LAB 36.33, 56.46, -54.7

 

CMYK 9 / 75 / 0 / 31

HEX #A02BAF

RGB 160 43 175

HSL 293.18, 0.61%, 0.43%

LAB 41.68, 63.39, -45.8

 

CMYK 0 / 75 / 11 / 31

HEX #AF2B9B

RGB 175 43 155

HSL 309.09, 0.61%, 0.43%

LAB 43.08, 63.4, -31.49

 

CMYK 0 / 75 / 31 / 31

HEX #AF2B78

RGB 175 43 120

HSL 325, 0.61%, 0.43%

LAB 41.53, 58.72, -12.51

 

CMYK 9 / 75 / 0 / 57

HEX #631B6D

RGB 99 27 109

HSL 292.68, 0.6%, 0.27%

LAB 25.38, 43.43, -31.73

 

CMYK 8 / 75 / 0 / 44

HEX #82238E

RGB 130 35 142

HSL 293.27, 0.6%, 0.35%

LAB 33.78, 53.77, -38.8

 

CMYK 9 / 75 / 0 / 31

HEX #A02BAF

RGB 160 43 175

HSL 293.18, 0.61%, 0.43%

LAB 41.68, 63.39, -45.8

 

CMYK 9 / 73 / 0 / 20

HEX #BB37CD

RGB 187 55 205

HSL 292.8, 0.6%, 0.51%

LAB 49.14, 70.23, -51.15

 

CMYK 7 / 59 / 0 / 16

HEX #C658D5

RGB 198 88 213

HSL 292.8, 0.6%, 0.59%

LAB 55.88, 61.06, -44.91

 

CMYK 9 / 75 / 0 / 32

HEX #9F2CAE

RGB 159 44 174

HSL 293.08, 0.6%, 0.43%

LAB 41.58, 62.67, -45.39

 

CMYK 0 / 69 / 75 / 31

HEX #AF362B

RGB 175 54 43

HSL 5, 0.61%, 0.43%

LAB 41.1, 48.45, 34.47

 

CMYK 75 / 0 / 39 / 31

HEX #2BAF6B

RGB 43 175 107

HSL 149.09, 0.61%, 0.43%

LAB 63.54, -50.58, 25.11

 

CMYK 9 / 75 / 0 / 32

HEX #9F2CAE

RGB 159 44 174

HSL 293.08, 0.6%, 0.43%

LAB 41.58, 62.67, -45.39

 

CMYK 0 / 9 / 75 / 31

HEX #AFA02B

RGB 175 160 43

HSL 53.18, 0.61%, 0.43%

LAB 65.3, -7.43, 58.88

 

CMYK 75 / 0 / 9 / 31

HEX #2BAFA0

RGB 43 175 160

HSL 173.18, 0.61%, 0.43%

LAB 64.73, -37.9, -2.32

 

CMYK 9 / 75 / 0 / 32

HEX #9F2CAE

RGB 159 44 174

HSL 293.08, 0.6%, 0.43%

LAB 41.58, 62.67, -45.39

 

CMYK 0 / 69 / 75 / 31

HEX #AF362B

RGB 175 54 43

HSL 5, 0.61%, 0.43%

LAB 41.1, 48.45, 34.47

 

CMYK 66 / 0 / 75 / 31

HEX #3BAF2B

RGB 59 175 43

HSL 112.73, 0.61%, 0.43%

LAB 63.15, -56.33, 54.51

 

CMYK 75 / 6 / 0 / 31

HEX #2BA4AF

RGB 43 164 175

HSL 185, 0.61%, 0.43%

LAB 61.79, -28.27, -15.09

 

CMYK 9 / 75 / 0 / 32

HEX #9F2CAE

RGB 159 44 174

HSL 293.08, 0.6%, 0.43%

LAB 41.58, 62.67, -45.39

 

CMYK 0 / 46 / 75 / 31

HEX #AF5E2B

RGB 175 94 43

HSL 23.18, 0.61%, 0.43%

LAB 48.63, 28.97, 42.5

 

CMYK 66 / 0 / 75 / 31

HEX #3BAF2B

RGB 59 175 43

HSL 112.73, 0.61%, 0.43%

LAB 63.15, -56.33, 54.51

 

CMYK 75 / 29 / 0 / 31

HEX #2B7DAF

RGB 43 125 175

HSL 202.73, 0.61%, 0.43%

LAB 49.83, -7.28, -33.51

 

Description

Color code: HEX #9F2CAE | qconv.com Color code: HEX #9F2CAE | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 44 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 44 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 75 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 75% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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