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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F2E83 it is the complementary color #60D17C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F2E83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F2E83 shade: #A42E7E, #B54091, #C652A4, #D764B7 and #E876CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F2E83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F2E83 shade: #9F2E83, #8E1C70, #7D0A5D, #6C004A and #5B0037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F2E83 shade: #9E2D82, #9E2D64, #9E2D45 and #9E2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F2E83 shade: #9E2D82, #9B2D9E, #7D2D9E, #5F2D9E and #402D9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F2E83 shade matches the following richer shades: #9E2D82, #AE1D8A and #BF0C92

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F2E83 shade: #9E2D82, #8D3E79, #7D4E71, #6C5F69 and #5C6F60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F2E83 shade: #7C2D9E, #9A2D9E, #9E2D83, #9E2D66 and #9E2D48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F2E83 shade: #5E1B4D, #7E2467, #9E2D82, #BE379C and #CC51AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F2E83 shade: #9F2E83, #9E5E2D and #2D9E8B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F2E83 shade: #9F2E83, #839E2D and #2D839E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F2E83 shade: #9F2E83, #9E5E2D, #2D9E48 and #2D6D9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F2E83 shade: #9F2E83, #9E802D, #2D9E48 and #2D4B9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 18 / 38

HEX #9F2E83

RGB 159 46 131

HSL 314.87, 0.55%, 0.4%

LAB 39.52, 54.94, -22.64

 

Complementary color

CMYK 54 / 0 / 41 / 18

HEX #60D17C

RGB 96 209 124

HSL 134.87, 0.55%, 0.6%

LAB 75.79, -50.5, 32.63

 

CMYK 0 / 72 / 23 / 36

HEX #A42E7E

RGB 164 46 126

HSL 319.32, 0.56%, 0.41%

LAB 40.17, 55.55, -18.48

 

CMYK 0 / 65 / 20 / 29

HEX #B54091

RGB 181 64 145

HSL 318.46, 0.48%, 0.48%

LAB 46.36, 55.79, -20.3

 

CMYK 0 / 59 / 17 / 22

HEX #C652A4

RGB 198 82 164

HSL 317.59, 0.5%, 0.55%

LAB 52.64, 55.57, -21.69

 

CMYK 0 / 53 / 15 / 16

HEX #D764B7

RGB 215 100 183

HSL 316.7, 0.59%, 0.62%

LAB 58.96, 55.1, -22.81

 

CMYK 0 / 49 / 13 / 9

HEX #E876CA

RGB 232 118 202

HSL 315.79, 0.71%, 0.69%

LAB 65.26, 54.49, -23.73

 

CMYK 0 / 71 / 18 / 38

HEX #9F2E83

RGB 159 46 131

HSL 314.87, 0.55%, 0.4%

LAB 39.52, 54.94, -22.64

 

CMYK 0 / 80 / 21 / 44

HEX #8E1C70

RGB 142 28 112

HSL 315.79, 0.67%, 0.33%

LAB 33.46, 53.95, -20.4

 

CMYK 0 / 92 / 26 / 51

HEX #7D0A5D

RGB 125 10 93

HSL 316.7, 0.85%, 0.26%

LAB 27.76, 51.62, -17.24

 

CMYK 0 / 100 / 31 / 58

HEX #6C004A

RGB 108 0 74

HSL 318.89, 1%, 0.21%

LAB 22.59, 47.35, -12.8

 

CMYK 0 / 100 / 40 / 64

HEX #5B0037

RGB 91 0 55

HSL 323.74, 1%, 0.18%

LAB 17.92, 41.2, -7.07

 

CMYK 0 / 72 / 18 / 38

HEX #9E2D82

RGB 158 45 130

HSL 314.87, 0.56%, 0.4%

LAB 39.17, 54.9, -22.58

 

CMYK 0 / 72 / 37 / 38

HEX #9E2D64

RGB 158 45 100

HSL 330.8, 0.56%, 0.4%

LAB 37.96, 50.99, -5.66

 

CMYK 0 / 72 / 56 / 38

HEX #9E2D45

RGB 158 45 69

HSL 347.26, 0.56%, 0.4%

LAB 37.07, 47.98, 12.82

 

CMYK 0 / 72 / 72 / 38

HEX #9E2D2D

RGB 158 45 45

HSL 0, 0.56%, 0.4%

LAB 36.62, 46.43, 27.34

 

CMYK 0 / 72 / 18 / 38

HEX #9E2D82

RGB 158 45 130

HSL 314.87, 0.56%, 0.4%

LAB 39.17, 54.9, -22.58

 

CMYK 2 / 72 / 0 / 38

HEX #9B2D9E

RGB 155 45 158

HSL 298.41, 0.56%, 0.4%

LAB 40.1, 58.64, -38.21

 

CMYK 21 / 72 / 0 / 38

HEX #7D2D9E

RGB 125 45 158

HSL 282.48, 0.56%, 0.4%

LAB 35.41, 51.97, -45.98

 

CMYK 40 / 72 / 0 / 38

HEX #5F2D9E

RGB 95 45 158

HSL 266.55, 0.56%, 0.4%

LAB 31.3, 45.77, -52.84

 

CMYK 59 / 72 / 0 / 38

HEX #402D9E

RGB 64 45 158

HSL 250.09, 0.56%, 0.4%

LAB 27.94, 40.37, -58.46

 

CMYK 0 / 72 / 18 / 38

HEX #9E2D82

RGB 158 45 130

HSL 314.87, 0.56%, 0.4%

LAB 39.17, 54.9, -22.58

 

CMYK 0 / 83 / 21 / 32

HEX #AE1D8A

RGB 174 29 138

HSL 314.9, 0.71%, 0.4%

LAB 40.76, 64.59, -24.81

 

CMYK 0 / 94 / 24 / 25

HEX #BF0C92

RGB 191 12 146

HSL 315.08, 0.88%, 0.4%

LAB 43.38, 71.94, -25.36

 

CMYK 0 / 72 / 18 / 38

HEX #9E2D82

RGB 158 45 130

HSL 314.87, 0.56%, 0.4%

LAB 39.17, 54.9, -22.58

 

CMYK 0 / 56 / 14 / 45

HEX #8D3E79

RGB 141 62 121

HSL 315.19, 0.39%, 0.4%

LAB 38.71, 41.19, -17.95

 

CMYK 0 / 38 / 10 / 51

HEX #7D4E71

RGB 125 78 113

HSL 315.32, 0.23%, 0.4%

LAB 39.58, 25.5, -11.86

 

CMYK 0 / 12 / 3 / 58

HEX #6C5F69

RGB 108 95 105

HSL 313.85, 0.06%, 0.4%

LAB 41.83, 7.18, -3.77

 

CMYK 17 / 0 / 14 / 56

HEX #5C6F60

RGB 92 111 96

HSL 132.63, 0.09%, 0.4%

LAB 44.93, -10.33, 6.01

 

CMYK 22 / 72 / 0 / 38

HEX #7C2D9E

RGB 124 45 158

HSL 281.95, 0.56%, 0.4%

LAB 35.26, 51.75, -46.23

 

CMYK 3 / 72 / 0 / 38

HEX #9A2D9E

RGB 154 45 158

HSL 297.88, 0.56%, 0.4%

LAB 39.94, 58.42, -38.48

 

CMYK 0 / 72 / 17 / 38

HEX #9E2D83

RGB 158 45 131

HSL 314.34, 0.56%, 0.4%

LAB 39.22, 55.05, -23.12

 

CMYK 0 / 72 / 35 / 38

HEX #9E2D66

RGB 158 45 102

HSL 329.73, 0.56%, 0.4%

LAB 38.03, 51.22, -6.82

 

CMYK 0 / 72 / 54 / 38

HEX #9E2D48

RGB 158 45 72

HSL 345.66, 0.56%, 0.4%

LAB 37.14, 48.22, 11

 

CMYK 0 / 71 / 18 / 63

HEX #5E1B4D

RGB 94 27 77

HSL 315.22, 0.55%, 0.24%

LAB 22.65, 36.26, -14.98

 

CMYK 0 / 71 / 18 / 51

HEX #7E2467

RGB 126 36 103

HSL 315.33, 0.56%, 0.32%

LAB 31.06, 45.76, -18.6

 

CMYK 0 / 72 / 18 / 38

HEX #9E2D82

RGB 158 45 130

HSL 314.87, 0.56%, 0.4%

LAB 39.17, 54.9, -22.58

 

CMYK 0 / 71 / 18 / 25

HEX #BE379C

RGB 190 55 156

HSL 315.11, 0.55%, 0.48%

LAB 47.08, 63.17, -25.65

 

CMYK 0 / 60 / 15 / 20

HEX #CC51AE

RGB 204 81 174

HSL 314.63, 0.55%, 0.56%

LAB 53.79, 59.2, -25.69

 

CMYK 0 / 71 / 18 / 38

HEX #9F2E83

RGB 159 46 131

HSL 314.87, 0.55%, 0.4%

LAB 39.52, 54.94, -22.64

 

CMYK 0 / 41 / 72 / 38

HEX #9E5E2D

RGB 158 94 45

HSL 26.02, 0.56%, 0.4%

LAB 46.26, 21.79, 38.26

 

CMYK 72 / 0 / 12 / 38

HEX #2D9E8B

RGB 45 158 139

HSL 169.91, 0.56%, 0.4%

LAB 58.86, -35.7, 0.88

 

CMYK 0 / 71 / 18 / 38

HEX #9F2E83

RGB 159 46 131

HSL 314.87, 0.55%, 0.4%

LAB 39.52, 54.94, -22.64

 

CMYK 17 / 0 / 72 / 38

HEX #839E2D

RGB 131 158 45

HSL 74.34, 0.56%, 0.4%

LAB 61.19, -25.45, 52.94

 

CMYK 72 / 17 / 0 / 38

HEX #2D839E

RGB 45 131 158

HSL 194.34, 0.56%, 0.4%

LAB 50.99, -16.34, -21.84

 

CMYK 0 / 71 / 18 / 38

HEX #9F2E83

RGB 159 46 131

HSL 314.87, 0.55%, 0.4%

LAB 39.52, 54.94, -22.64

 

CMYK 0 / 41 / 72 / 38

HEX #9E5E2D

RGB 158 94 45

HSL 26.02, 0.56%, 0.4%

LAB 46.26, 21.79, 38.26

 

CMYK 72 / 0 / 54 / 38

HEX #2D9E48

RGB 45 158 72

HSL 134.34, 0.56%, 0.4%

LAB 57.54, -49.95, 35.71

 

CMYK 72 / 31 / 0 / 38

HEX #2D6D9E

RGB 45 109 158

HSL 206.02, 0.56%, 0.4%

LAB 44.18, -3.63, -32.42

 

CMYK 0 / 71 / 18 / 38

HEX #9F2E83

RGB 159 46 131

HSL 314.87, 0.55%, 0.4%

LAB 39.52, 54.94, -22.64

 

CMYK 0 / 19 / 72 / 38

HEX #9E802D

RGB 158 128 45

HSL 44.07, 0.56%, 0.4%

LAB 54.97, 2.47, 47.42

 

CMYK 72 / 0 / 54 / 38

HEX #2D9E48

RGB 45 158 72

HSL 134.34, 0.56%, 0.4%

LAB 57.54, -49.95, 35.71

 

CMYK 72 / 53 / 0 / 38

HEX #2D4B9E

RGB 45 75 158

HSL 224.07, 0.56%, 0.4%

LAB 34.1, 18.25, -48.48

 

Description

Color code: HEX #9F2E83 | qconv.com Color code: HEX #9F2E83 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 46 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 46 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 18 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 18% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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