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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F34F7 it is the complementary color #60CB08. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F34F7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F34F7 shade: #A434F2, #B546FF, #C658FF, #D76AFF and #E87CFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F34F7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F34F7 shade: #9F34F7, #8E22E4, #7D10D1, #6C00BE and #5B00AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F34F7 shade: #9F36F6, #D336F6, #F636E5, #F636B1 and #F6367D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F34F7 shade: #9F36F6, #6B36F6, #3836F6 and #3636F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F34F7 shade matches the following richer shades: #9F36F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F34F7 shade: #9F36F6, #9E47E5, #9C58D4, #9A69C3 and #9979B2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F34F7 shade: #3636F6, #6936F6, #9C36F6, #D036F6 and #F636E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F34F7 shade: #7608D1, #8D0EF4, #9F36F6, #B25DF8 and #C585F9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F34F7 shade: #9F34F7, #F63669 and #36F64F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F34F7 shade: #9F34F7, #F69C36 and #36F69C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F34F7 shade: #9F34F7, #F63669, #90F636 and #36F6C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F34F7 shade: #9F34F7, #F63C36, #90F636 and #36F0F6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 79 / 0 / 3

HEX #9F34F7

RGB 159 52 247

HSL 272.92, 0.92%, 0.59%

LAB 47.68, 74.5, -77.55

 

Complementary color

CMYK 53 / 0 / 96 / 20

HEX #60CB08

RGB 96 203 8

HSL 92.92, 0.92%, 0.41%

LAB 73.03, -58.26, 71.25

 

CMYK 32 / 79 / 0 / 5

HEX #A434F2

RGB 164 52 242

HSL 275.37, 0.88%, 0.58%

LAB 47.96, 74.2, -74.26

 

CMYK 29 / 73 / 0 / 0

HEX #B546FF

RGB 181 70 255

HSL 276, 1%, 0.64%

LAB 53.41, 73.3, -72.55

 

CMYK 22 / 65 / 0 / 0

HEX #C658FF

RGB 198 88 255

HSL 279.52, 1%, 0.67%

LAB 58.23, 69.24, -64.66

 

CMYK 16 / 58 / 0 / 0

HEX #D76AFF

RGB 215 106 255

HSL 283.89, 1%, 0.71%

LAB 63.32, 65, -56.39

 

CMYK 9 / 51 / 0 / 0

HEX #E87CFF

RGB 232 124 255

HSL 289.47, 1%, 0.74%

LAB 68.6, 60.75, -47.9

 

CMYK 36 / 79 / 0 / 3

HEX #9F34F7

RGB 159 52 247

HSL 272.92, 0.92%, 0.59%

LAB 47.68, 74.5, -77.55

 

CMYK 38 / 85 / 0 / 11

HEX #8E22E4

RGB 142 34 228

HSL 273.4, 0.78%, 0.51%

LAB 41.99, 73.48, -76.21

 

CMYK 40 / 92 / 0 / 18

HEX #7D10D1

RGB 125 16 209

HSL 273.89, 0.86%, 0.44%

LAB 36.62, 71.33, -74.21

 

CMYK 43 / 100 / 0 / 25

HEX #6C00BE

RGB 108 0 190

HSL 274.11, 1%, 0.37%

LAB 31.59, 67.91, -71.45

 

CMYK 47 / 100 / 0 / 33

HEX #5B00AB

RGB 91 0 171

HSL 271.93, 1%, 0.34%

LAB 27.2, 62.28, -67.45

 

CMYK 35 / 78 / 0 / 4

HEX #9F36F6

RGB 159 54 246

HSL 272.81, 0.91%, 0.59%

LAB 47.83, 73.6, -76.74

 

CMYK 14 / 78 / 0 / 4

HEX #D336F6

RGB 211 54 246

HSL 289.06, 0.91%, 0.59%

LAB 55.22, 82.2, -64.42

 

CMYK 0 / 78 / 7 / 4

HEX #F636E5

RGB 246 54 229

HSL 305.31, 0.91%, 0.59%

LAB 59.79, 86.08, -47.28

 

CMYK 0 / 78 / 28 / 4

HEX #F636B1

RGB 246 54 177

HSL 321.56, 0.91%, 0.59%

LAB 57.47, 79.44, -21.2

 

CMYK 0 / 78 / 49 / 4

HEX #F6367D

RGB 246 54 125

HSL 337.81, 0.91%, 0.59%

LAB 55.8, 74.44, 6.95

 

CMYK 35 / 78 / 0 / 4

HEX #9F36F6

RGB 159 54 246

HSL 272.81, 0.91%, 0.59%

LAB 47.83, 73.6, -76.74

 

CMYK 57 / 78 / 0 / 4

HEX #6B36F6

RGB 107 54 246

HSL 256.56, 0.91%, 0.59%

LAB 41.87, 66.65, -86.74

 

CMYK 77 / 78 / 0 / 4

HEX #3836F6

RGB 56 54 246

HSL 240.63, 0.91%, 0.59%

LAB 38.08, 62.22, -93.13

 

CMYK 78 / 78 / 0 / 4

HEX #3636F6

RGB 54 54 246

HSL 240, 0.91%, 0.59%

LAB 37.98, 62.1, -93.3

 

CMYK 35 / 78 / 0 / 4

HEX #9F36F6

RGB 159 54 246

HSL 272.81, 0.91%, 0.59%

LAB 47.83, 73.6, -76.74

 

CMYK 35 / 78 / 0 / 4

HEX #9F36F6

RGB 159 54 246

HSL 272.81, 0.91%, 0.59%

LAB 47.83, 73.6, -76.74

 

CMYK 31 / 69 / 0 / 10

HEX #9E47E5

RGB 158 71 229

HSL 273.04, 0.75%, 0.59%

LAB 48.8, 62.99, -65.6

 

CMYK 26 / 58 / 0 / 17

HEX #9C58D4

RGB 156 88 212

HSL 272.9, 0.59%, 0.59%

LAB 50.45, 50.49, -53.29

 

CMYK 21 / 46 / 0 / 24

HEX #9A69C3

RGB 154 105 195

HSL 272.67, 0.43%, 0.59%

LAB 52.85, 36.81, -39.77

 

CMYK 14 / 32 / 0 / 30

HEX #9979B2

RGB 153 121 178

HSL 273.68, 0.27%, 0.59%

LAB 55.75, 23.48, -25.5

 

CMYK 78 / 78 / 0 / 4

HEX #3636F6

RGB 54 54 246

HSL 240, 0.91%, 0.59%

LAB 37.98, 62.1, -93.3

 

CMYK 57 / 78 / 0 / 4

HEX #6936F6

RGB 105 54 246

HSL 255.94, 0.91%, 0.59%

LAB 41.68, 66.43, -87.06

 

CMYK 37 / 78 / 0 / 4

HEX #9C36F6

RGB 156 54 246

HSL 271.88, 0.91%, 0.59%

LAB 47.44, 73.15, -77.39

 

CMYK 15 / 78 / 0 / 4

HEX #D036F6

RGB 208 54 246

HSL 288.13, 0.91%, 0.59%

LAB 54.76, 81.67, -65.17

 

CMYK 0 / 78 / 5 / 4

HEX #F636E9

RGB 246 54 233

HSL 304.06, 0.91%, 0.59%

LAB 59.99, 86.65, -49.2

 

CMYK 44 / 96 / 0 / 18

HEX #7608D1

RGB 118 8 209

HSL 272.84, 0.93%, 0.43%

LAB 35.26, 71.75, -76.48

 

CMYK 42 / 94 / 0 / 4

HEX #8D0EF4

RGB 141 14 244

HSL 273.13, 0.91%, 0.51%

LAB 42.01, 80.53, -85.25

 

CMYK 35 / 78 / 0 / 4

HEX #9F36F6

RGB 159 54 246

HSL 272.81, 0.91%, 0.59%

LAB 47.83, 73.6, -76.74

 

CMYK 28 / 63 / 0 / 3

HEX #B25DF8

RGB 178 93 248

HSL 272.9, 0.92%, 0.67%

LAB 56.16, 61.21, -64.24

 

CMYK 21 / 47 / 0 / 2

HEX #C585F9

RGB 197 133 249

HSL 273.1, 0.91%, 0.75%

LAB 66.12, 45.6, -48.79

 

CMYK 36 / 79 / 0 / 3

HEX #9F34F7

RGB 159 52 247

HSL 272.92, 0.92%, 0.59%

LAB 47.68, 74.5, -77.55

 

CMYK 0 / 78 / 57 / 4

HEX #F63669

RGB 246 54 105

HSL 344.06, 0.91%, 0.59%

LAB 55.33, 73, 18.23

 

CMYK 78 / 0 / 68 / 4

HEX #36F64F

RGB 54 246 79

HSL 127.81, 0.91%, 0.59%

LAB 85.64, -76.69, 64.48

 

CMYK 36 / 79 / 0 / 3

HEX #9F34F7

RGB 159 52 247

HSL 272.92, 0.92%, 0.59%

LAB 47.68, 74.5, -77.55

 

CMYK 0 / 37 / 78 / 4

HEX #F69C36

RGB 246 156 54

HSL 31.88, 0.91%, 0.59%

LAB 71.98, 25.89, 63.78

 

CMYK 78 / 0 / 37 / 4

HEX #36F69C

RGB 54 246 156

HSL 151.88, 0.91%, 0.59%

LAB 86.55, -65.85, 30.47

 

CMYK 36 / 79 / 0 / 3

HEX #9F34F7

RGB 159 52 247

HSL 272.92, 0.92%, 0.59%

LAB 47.68, 74.5, -77.55

 

CMYK 0 / 78 / 57 / 4

HEX #F63669

RGB 246 54 105

HSL 344.06, 0.91%, 0.59%

LAB 55.33, 73, 18.23

 

CMYK 41 / 0 / 78 / 4

HEX #90F636

RGB 144 246 54

HSL 91.88, 0.91%, 0.59%

LAB 88.02, -58.31, 75.98

 

CMYK 78 / 0 / 21 / 4

HEX #36F6C3

RGB 54 246 195

HSL 164.06, 0.91%, 0.59%

LAB 87.31, -57.55, 11.52

 

CMYK 36 / 79 / 0 / 3

HEX #9F34F7

RGB 159 52 247

HSL 272.92, 0.92%, 0.59%

LAB 47.68, 74.5, -77.55

 

CMYK 0 / 76 / 78 / 4

HEX #F63C36

RGB 246 60 54

HSL 1.88, 0.91%, 0.59%

LAB 55.17, 68.84, 47.35

 

CMYK 41 / 0 / 78 / 4

HEX #90F636

RGB 144 246 54

HSL 91.88, 0.91%, 0.59%

LAB 88.02, -58.31, 75.98

 

CMYK 78 / 2 / 0 / 4

HEX #36F0F6

RGB 54 240 246

HSL 181.88, 0.91%, 0.59%

LAB 86.88, -41.66, -15.76

 

Description

Color code: HEX #9F34F7 | qconv.com Color code: HEX #9F34F7 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 52 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 52 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 79 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 79% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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