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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F3177 it is the complementary color #60CE88. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F3177. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F3177 shade: #A43172, #B54385, #C65598, #D767AB and #E879BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F3177. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F3177 shade: #9F3177, #8E1F64, #7D0D51, #6C003E and #5B002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F3177 shade: #9F3177, #9F3159, #9F313B and #9F3131

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F3177 shade: #9F3177, #9F3195, #8C319F, #6E319F and #50319F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F3177 shade matches the following richer shades: #9F3177, #B0207C and #C10F80

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F3177 shade: #9F3177, #8F4273, #7E526E, #6D6369 and #5C7465

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F3177 shade: #8B319F, #9F3196, #9F3179, #9F315B and #9F313E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F3177 shade: #601D48, #802760, #9F3177, #BF3A8F and #CB57A1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F3177 shade: #9F3177, #9F6E31 and #319F9A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F3177 shade: #9F3177, #799F31 and #31799F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F3177 shade: #9F3177, #9F6E31, #319F57 and #31639F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F3177 shade: #9F3177, #9F8F31, #319F57 and #31419F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

Complementary color

CMYK 53 / 0 / 34 / 19

HEX #60CE88

RGB 96 206 136

HSL 141.82, 0.53%, 0.59%

LAB 75.08, -47.17, 25.49

 

CMYK 0 / 70 / 30 / 36

HEX #A43172

RGB 164 49 114

HSL 326.09, 0.54%, 0.42%

LAB 40.09, 52.86, -11.15

 

CMYK 0 / 63 / 27 / 29

HEX #B54385

RGB 181 67 133

HSL 325.26, 0.46%, 0.49%

LAB 46.35, 52.86, -13.06

 

CMYK 0 / 57 / 23 / 22

HEX #C65598

RGB 198 85 152

HSL 324.42, 0.5%, 0.55%

LAB 52.7, 52.47, -14.55

 

CMYK 0 / 52 / 20 / 16

HEX #D767AB

RGB 215 103 171

HSL 323.57, 0.58%, 0.62%

LAB 59.06, 51.88, -15.76

 

CMYK 0 / 48 / 18 / 9

HEX #E879BE

RGB 232 121 190

HSL 322.7, 0.71%, 0.69%

LAB 65.4, 51.19, -16.77

 

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

CMYK 0 / 78 / 30 / 44

HEX #8E1F64

RGB 142 31 100

HSL 322.7, 0.64%, 0.34%

LAB 33.24, 51.45, -13.07

 

CMYK 0 / 90 / 35 / 51

HEX #7D0D51

RGB 125 13 81

HSL 323.57, 0.81%, 0.27%

LAB 27.41, 49.6, -9.83

 

CMYK 0 / 100 / 43 / 58

HEX #6C003E

RGB 108 0 62

HSL 325.56, 1%, 0.21%

LAB 22.07, 46.01, -5.34

 

CMYK 0 / 100 / 53 / 64

HEX #5B002B

RGB 91 0 43

HSL 331.65, 1%, 0.18%

LAB 17.45, 39.98, 0.85

 

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

CMYK 0 / 69 / 44 / 38

HEX #9F3159

RGB 159 49 89

HSL 338.18, 0.53%, 0.41%

LAB 38.36, 48.52, 1.91

 

CMYK 0 / 69 / 63 / 38

HEX #9F313B

RGB 159 49 59

HSL 354.55, 0.53%, 0.41%

LAB 37.63, 45.97, 19.94

 

CMYK 0 / 69 / 69 / 38

HEX #9F3131

RGB 159 49 49

HSL 0, 0.53%, 0.41%

LAB 37.46, 45.36, 25.94

 

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

CMYK 0 / 69 / 6 / 38

HEX #9F3195

RGB 159 49 149

HSL 305.45, 0.53%, 0.41%

LAB 40.8, 56.6, -31.64

 

CMYK 12 / 69 / 0 / 38

HEX #8C319F

RGB 140 49 159

HSL 289.64, 0.53%, 0.41%

LAB 38.33, 53.85, -41.78

 

CMYK 31 / 69 / 0 / 38

HEX #6E319F

RGB 110 49 159

HSL 273.27, 0.53%, 0.41%

LAB 34.01, 47.13, -48.95

 

CMYK 50 / 69 / 0 / 38

HEX #50319F

RGB 80 49 159

HSL 256.91, 0.53%, 0.41%

LAB 30.41, 41.1, -54.96

 

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

CMYK 0 / 82 / 30 / 31

HEX #B0207C

RGB 176 32 124

HSL 321.67, 0.69%, 0.41%

LAB 40.76, 62.59, -16.14

 

CMYK 0 / 92 / 34 / 24

HEX #C10F80

RGB 193 15 128

HSL 321.91, 0.86%, 0.41%

LAB 43.12, 70, -14.72

 

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

CMYK 0 / 54 / 20 / 44

HEX #8F4273

RGB 143 66 115

HSL 321.82, 0.37%, 0.41%

LAB 39.54, 38.81, -12.94

 

CMYK 0 / 35 / 13 / 51

HEX #7E526E

RGB 126 82 110

HSL 321.82, 0.21%, 0.41%

LAB 40.57, 22.95, -8.51

 

CMYK 0 / 9 / 4 / 57

HEX #6D6369

RGB 109 99 105

HSL 324, 0.05%, 0.41%

LAB 43.06, 5.15, -1.95

 

CMYK 21 / 0 / 13 / 55

HEX #5C7465

RGB 92 116 101

HSL 142.5, 0.12%, 0.41%

LAB 46.59, -12.1, 5.4

 

CMYK 13 / 69 / 0 / 38

HEX #8B319F

RGB 139 49 159

HSL 289.09, 0.53%, 0.41%

LAB 38.18, 53.62, -42.03

 

CMYK 0 / 69 / 6 / 38

HEX #9F3196

RGB 159 49 150

HSL 304.91, 0.53%, 0.41%

LAB 40.85, 56.77, -32.16

 

CMYK 0 / 69 / 24 / 38

HEX #9F3179

RGB 159 49 121

HSL 320.73, 0.53%, 0.41%

LAB 39.49, 52.38, -16.49

 

CMYK 0 / 69 / 43 / 38

HEX #9F315B

RGB 159 49 91

HSL 337.09, 0.53%, 0.41%

LAB 38.42, 48.73, 0.73

 

CMYK 0 / 69 / 61 / 38

HEX #9F313E

RGB 159 49 62

HSL 352.91, 0.53%, 0.41%

LAB 37.69, 46.18, 18.13

 

CMYK 0 / 70 / 25 / 62

HEX #601D48

RGB 96 29 72

HSL 321.49, 0.54%, 0.25%

LAB 23.11, 35.17, -10.86

 

CMYK 0 / 70 / 25 / 50

HEX #802760

RGB 128 39 96

HSL 321.57, 0.53%, 0.33%

LAB 31.54, 44.07, -13.32

 

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

CMYK 0 / 70 / 25 / 25

HEX #BF3A8F

RGB 191 58 143

HSL 321.65, 0.53%, 0.49%

LAB 47.09, 60.6, -17.83

 

CMYK 0 / 57 / 21 / 20

HEX #CB57A1

RGB 203 87 161

HSL 321.72, 0.53%, 0.57%

LAB 54.12, 54.33, -17.61

 

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

CMYK 0 / 31 / 69 / 38

HEX #9F6E31

RGB 159 110 49

HSL 33.27, 0.53%, 0.41%

LAB 50.39, 13.35, 40.77

 

CMYK 69 / 0 / 3 / 38

HEX #319F9A

RGB 49 159 154

HSL 177.27, 0.53%, 0.41%

LAB 59.69, -31.37, -6.38

 

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

CMYK 24 / 0 / 69 / 38

HEX #799F31

RGB 121 159 49

HSL 80.73, 0.53%, 0.41%

LAB 60.85, -29.78, 50.81

 

CMYK 69 / 24 / 0 / 38

HEX #31799F

RGB 49 121 159

HSL 200.73, 0.53%, 0.41%

LAB 48.05, -9.75, -26.96

 

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

CMYK 0 / 31 / 69 / 38

HEX #9F6E31

RGB 159 110 49

HSL 33.27, 0.53%, 0.41%

LAB 50.39, 13.35, 40.77

 

CMYK 69 / 0 / 45 / 38

HEX #319F57

RGB 49 159 87

HSL 140.73, 0.53%, 0.41%

LAB 58.17, -47.19, 28.76

 

CMYK 69 / 38 / 0 / 38

HEX #31639F

RGB 49 99 159

HSL 212.73, 0.53%, 0.41%

LAB 41.34, 3.57, -37.48

 

CMYK 0 / 69 / 25 / 38

HEX #9F3177

RGB 159 49 119

HSL 321.82, 0.53%, 0.41%

LAB 39.41, 52.1, -15.38

 

CMYK 0 / 10 / 69 / 38

HEX #9F8F31

RGB 159 143 49

HSL 51.27, 0.53%, 0.41%

LAB 59.19, -5.15, 50.05

 

CMYK 69 / 0 / 45 / 38

HEX #319F57

RGB 49 159 87

HSL 140.73, 0.53%, 0.41%

LAB 58.17, -47.19, 28.76

 

CMYK 69 / 59 / 0 / 38

HEX #31419F

RGB 49 65 159

HSL 231.27, 0.53%, 0.41%

LAB 31.66, 25.9, -53.03

 

Description

Color code: HEX #9F3177 | qconv.com Color code: HEX #9F3177 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 49 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 49 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 25 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 25% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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