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Color name
HEX #9F3B21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F3B21 it is the complementary color #60C4DE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F3B21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F3B21 shade: #A43B1C, #B54D2F, #C65F42, #D77155 and #E88368

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F3B21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F3B21 shade: #9F3B21, #8E290E, #7D1700, #6C0500 and #5B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F3B21 shade: #A03B20 and #A02020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F3B21 shade: #A03B20, #A05D20, #A08020, #9EA020 and #7CA020

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F3B21 shade matches the following richer shades: #A03B20, #B03211 and #C02801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F3B21 shade: #A03B20, #914430, #814D40, #71564F and #62605F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F3B21 shade: #A0204B, #A02029, #A03A20, #A05C20 and #A07E20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F3B21 shade: #5C2212, #7E2E19, #A03B20, #C34727 and #D75C3D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F3B21 shade: #9F3B21, #6DA020 and #203AA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F3B21 shade: #9F3B21, #20A03A and #3A20A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F3B21 shade: #9F3B21, #6DA020, #2087A0 and #5420A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F3B21 shade: #9F3B21, #47A020, #2087A0 and #7A20A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 79 / 38

HEX #9F3B21

RGB 159 59 33

HSL 12.38, 0.66%, 0.38%

LAB 38.91, 40.16, 36.82

 

Complementary color

CMYK 57 / 12 / 0 / 13

HEX #60C4DE

RGB 96 196 222

HSL 192.38, 0.66%, 0.62%

LAB 74.34, -21.88, -21.83

 

CMYK 0 / 64 / 83 / 36

HEX #A43B1C

RGB 164 59 28

HSL 13.68, 0.71%, 0.38%

LAB 39.76, 41.85, 40.51

 

CMYK 0 / 57 / 74 / 29

HEX #B54D2F

RGB 181 77 47

HSL 13.43, 0.59%, 0.45%

LAB 46.09, 40.39, 38.02

 

CMYK 0 / 52 / 67 / 22

HEX #C65F42

RGB 198 95 66

HSL 13.18, 0.54%, 0.52%

LAB 52.49, 38.91, 35.62

 

CMYK 0 / 47 / 60 / 16

HEX #D77155

RGB 215 113 85

HSL 12.92, 0.62%, 0.59%

LAB 58.89, 37.5, 33.47

 

CMYK 0 / 44 / 55 / 9

HEX #E88368

RGB 232 131 104

HSL 12.66, 0.74%, 0.66%

LAB 65.27, 36.18, 31.54

 

CMYK 0 / 63 / 79 / 38

HEX #9F3B21

RGB 159 59 33

HSL 12.38, 0.66%, 0.38%

LAB 38.91, 40.16, 36.82

 

CMYK 0 / 71 / 90 / 44

HEX #8E290E

RGB 142 41 14

HSL 12.66, 0.82%, 0.31%

LAB 32.63, 41.41, 39.29

 

CMYK 0 / 82 / 100 / 51

HEX #7D1700

RGB 125 23 0

HSL 11.04, 1%, 0.25%

LAB 26.66, 42.02, 38.84

 

CMYK 0 / 95 / 100 / 58

HEX #6C0500

RGB 108 5 0

HSL 2.78, 1%, 0.21%

LAB 21.19, 41.37, 32.14

 

CMYK 0 / 100 / 100 / 64

HEX #5B0000

RGB 91 0 0

HSL 0, 1%, 0.18%

LAB 16.62, 37.75, 25.77

 

CMYK 0 / 63 / 80 / 37

HEX #A03B20

RGB 160 59 32

HSL 12.66, 0.67%, 0.38%

LAB 39.08, 40.5, 37.58

 

CMYK 0 / 80 / 80 / 37

HEX #A02020

RGB 160 32 32

HSL 0, 0.67%, 0.38%

LAB 35.22, 51.05, 33.65

 

CMYK 0 / 63 / 80 / 37

HEX #A03B20

RGB 160 59 32

HSL 12.66, 0.67%, 0.38%

LAB 39.08, 40.5, 37.58

 

CMYK 0 / 42 / 80 / 37

HEX #A05D20

RGB 160 93 32

HSL 28.59, 0.67%, 0.38%

LAB 46.19, 22.62, 44.51

 

CMYK 0 / 20 / 80 / 37

HEX #A08020

RGB 160 128 32

HSL 45, 0.67%, 0.38%

LAB 55.09, 2.78, 52.79

 

CMYK 1 / 0 / 80 / 37

HEX #9EA020

RGB 158 160 32

HSL 60.94, 0.67%, 0.38%

LAB 63.77, -15.41, 60.49

 

CMYK 23 / 0 / 80 / 37

HEX #7CA020

RGB 124 160 32

HSL 76.88, 0.67%, 0.38%

LAB 61.25, -30, 57.28

 

CMYK 0 / 63 / 80 / 37

HEX #A03B20

RGB 160 59 32

HSL 12.66, 0.67%, 0.38%

LAB 39.08, 40.5, 37.58

 

CMYK 0 / 72 / 90 / 31

HEX #B03211

RGB 176 50 17

HSL 12.45, 0.82%, 0.38%

LAB 40.49, 49.59, 46.92

 

CMYK 0 / 79 / 99 / 25

HEX #C02801

RGB 192 40 1

HSL 12.25, 0.99%, 0.38%

LAB 42.35, 57.82, 54.9

 

CMYK 0 / 63 / 80 / 37

HEX #A03B20

RGB 160 59 32

HSL 12.66, 0.67%, 0.38%

LAB 39.08, 40.5, 37.58

 

CMYK 0 / 53 / 67 / 43

HEX #914430

RGB 145 68 48

HSL 12.37, 0.5%, 0.38%

LAB 38.49, 30.91, 27.22

 

CMYK 0 / 40 / 50 / 49

HEX #814D40

RGB 129 77 64

HSL 12, 0.34%, 0.38%

LAB 38.45, 20.45, 17.02

 

CMYK 0 / 24 / 30 / 56

HEX #71564F

RGB 113 86 79

HSL 12.35, 0.18%, 0.38%

LAB 39.12, 10.05, 8.37

 

CMYK 0 / 2 / 3 / 62

HEX #62605F

RGB 98 96 95

HSL 20, 0.02%, 0.38%

LAB 40.88, 0.59, 0.84

 

CMYK 0 / 80 / 53 / 37

HEX #A0204B

RGB 160 32 75

HSL 339.84, 0.67%, 0.38%

LAB 36.01, 53.51, 7.55

 

CMYK 0 / 80 / 74 / 37

HEX #A02029

RGB 160 32 41

HSL 355.78, 0.67%, 0.38%

LAB 35.33, 51.4, 28.38

 

CMYK 0 / 64 / 80 / 37

HEX #A03A20

RGB 160 58 32

HSL 12.19, 0.67%, 0.38%

LAB 38.91, 40.97, 37.4

 

CMYK 0 / 43 / 80 / 37

HEX #A05C20

RGB 160 92 32

HSL 28.13, 0.67%, 0.38%

LAB 45.95, 23.18, 44.28

 

CMYK 0 / 21 / 80 / 37

HEX #A07E20

RGB 160 126 32

HSL 44.06, 0.67%, 0.38%

LAB 54.55, 3.9, 52.3

 

CMYK 0 / 63 / 80 / 64

HEX #5C2212

RGB 92 34 18

HSL 12.97, 0.67%, 0.22%

LAB 21.81, 25.55, 23.7

 

CMYK 0 / 63 / 80 / 51

HEX #7E2E19

RGB 126 46 25

HSL 12.48, 0.67%, 0.3%

LAB 30.54, 33.49, 30.73

 

CMYK 0 / 63 / 80 / 37

HEX #A03B20

RGB 160 59 32

HSL 12.66, 0.67%, 0.38%

LAB 39.08, 40.5, 37.58

 

CMYK 0 / 64 / 80 / 24

HEX #C34727

RGB 195 71 39

HSL 12.31, 0.67%, 0.46%

LAB 47.31, 48.02, 44.18

 

CMYK 0 / 57 / 72 / 16

HEX #D75C3D

RGB 215 92 61

HSL 12.08, 0.66%, 0.54%

LAB 54.49, 46.5, 41.33

 

CMYK 0 / 63 / 79 / 38

HEX #9F3B21

RGB 159 59 33

HSL 12.38, 0.66%, 0.38%

LAB 38.91, 40.16, 36.82

 

CMYK 32 / 0 / 80 / 37

HEX #6DA020

RGB 109 160 32

HSL 83.91, 0.67%, 0.38%

LAB 60.34, -35.97, 56.11

 

CMYK 80 / 64 / 0 / 37

HEX #203AA0

RGB 32 58 160

HSL 227.81, 0.67%, 0.38%

LAB 29.09, 28.86, -57.88

 

CMYK 0 / 63 / 79 / 38

HEX #9F3B21

RGB 159 59 33

HSL 12.38, 0.66%, 0.38%

LAB 38.91, 40.16, 36.82

 

CMYK 80 / 0 / 64 / 37

HEX #20A03A

RGB 32 160 58

HSL 132.19, 0.67%, 0.38%

LAB 57.8, -54.5, 42.65

 

CMYK 64 / 80 / 0 / 37

HEX #3A20A0

RGB 58 32 160

HSL 252.19, 0.67%, 0.38%

LAB 25.17, 47.07, -64.26

 

CMYK 0 / 63 / 79 / 38

HEX #9F3B21

RGB 159 59 33

HSL 12.38, 0.66%, 0.38%

LAB 38.91, 40.16, 36.82

 

CMYK 32 / 0 / 80 / 37

HEX #6DA020

RGB 109 160 32

HSL 83.91, 0.67%, 0.38%

LAB 60.34, -35.97, 56.11

 

CMYK 80 / 16 / 0 / 37

HEX #2087A0

RGB 32 135 160

HSL 191.72, 0.67%, 0.38%

LAB 52.03, -19.46, -21.42

 

CMYK 48 / 80 / 0 / 37

HEX #5420A0

RGB 84 32 160

HSL 264.38, 0.67%, 0.38%

LAB 28, 50.41, -59.51

 

CMYK 0 / 63 / 79 / 38

HEX #9F3B21

RGB 159 59 33

HSL 12.38, 0.66%, 0.38%

LAB 38.91, 40.16, 36.82

 

CMYK 56 / 0 / 80 / 37

HEX #47A020

RGB 71 160 32

HSL 101.72, 0.67%, 0.38%

LAB 58.59, -48.74, 53.85

 

CMYK 80 / 16 / 0 / 37

HEX #2087A0

RGB 32 135 160

HSL 191.72, 0.67%, 0.38%

LAB 52.03, -19.46, -21.42

 

CMYK 24 / 80 / 0 / 37

HEX #7A20A0

RGB 122 32 160

HSL 282.19, 0.67%, 0.38%

LAB 33.37, 56.73, -50.52

 

Description

Color code: HEX #9F3B21 | qconv.com Color code: HEX #9F3B21 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 59 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 59 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 79 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 79% 38% C M Y K

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Provide designers and agencies with accurate color values.

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