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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F5B37 it is the complementary color #60A4C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F5B37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F5B37 shade: #A45B32, #B56D45, #C67F58, #D7916B and #E8A37E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F5B37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F5B37 shade: #9F5B37, #8E4924, #7D3711, #6C2500 and #5B1300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F5B37 shade: #9F5A36, #9F3E36 and #9F3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F5B37 shade: #9F5A36, #9F7736, #9F9336, #8F9F36 and #729F36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F5B37 shade matches the following richer shades: #9F5A36, #B05525, #C25013 and #D34A02

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F5B37 shade: #9F5A36, #8E6047, #7C6559, #6B6A6A and #5A707B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F5B37 shade: #9F364B, #9F3D36, #9F5936, #9F7536 and #9F9136

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F5B37 shade: #623721, #80492C, #9F5A36, #BE6C41 and #C88460

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F5B37 shade: #9F5B37, #679F36 and #363D9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F5B37 shade: #9F5B37, #369F59 and #59369F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F5B37 shade: #9F5B37, #679F36, #367C9F and #6E369F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F5B37 shade: #9F5B37, #489F36, #367C9F and #8E369F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 65 / 38

HEX #9F5B37

RGB 159 91 55

HSL 20.77, 0.49%, 0.42%

LAB 45.81, 24.53, 32.43

 

Complementary color

CMYK 52 / 18 / 0 / 22

HEX #60A4C8

RGB 96 164 200

HSL 200.77, 0.49%, 0.58%

LAB 64.33, -11.49, -25.06

 

CMYK 0 / 45 / 70 / 36

HEX #A45B32

RGB 164 91 50

HSL 21.58, 0.53%, 0.42%

LAB 46.45, 26.34, 36.08

 

CMYK 0 / 40 / 62 / 29

HEX #B56D45

RGB 181 109 69

HSL 21.43, 0.45%, 0.49%

LAB 53.16, 24.8, 34.19

 

CMYK 0 / 36 / 56 / 22

HEX #C67F58

RGB 198 127 88

HSL 21.27, 0.49%, 0.56%

LAB 59.79, 23.46, 32.45

 

CMYK 0 / 33 / 50 / 16

HEX #D7916B

RGB 215 145 107

HSL 21.11, 0.57%, 0.63%

LAB 66.34, 22.29, 30.86

 

CMYK 0 / 30 / 46 / 9

HEX #E8A37E

RGB 232 163 126

HSL 20.94, 0.7%, 0.7%

LAB 72.8, 21.26, 29.41

 

CMYK 0 / 43 / 65 / 38

HEX #9F5B37

RGB 159 91 55

HSL 20.77, 0.49%, 0.42%

LAB 45.81, 24.53, 32.43

 

CMYK 0 / 49 / 75 / 44

HEX #8E4924

RGB 142 73 36

HSL 20.94, 0.6%, 0.35%

LAB 38.97, 26.2, 34.42

 

CMYK 0 / 56 / 86 / 51

HEX #7D3711

RGB 125 55 17

HSL 21.11, 0.76%, 0.28%

LAB 32.11, 28.09, 36.27

 

CMYK 0 / 66 / 100 / 58

HEX #6C2500

RGB 108 37 0

HSL 20.56, 1%, 0.21%

LAB 25.29, 30.04, 36.32

 

CMYK 0 / 79 / 100 / 64

HEX #5B1300

RGB 91 19 0

HSL 12.53, 1%, 0.18%

LAB 18.76, 31.7, 28.34

 

CMYK 0 / 43 / 66 / 38

HEX #9F5A36

RGB 159 90 54

HSL 20.57, 0.49%, 0.42%

LAB 45.57, 25.03, 32.69

 

CMYK 0 / 61 / 66 / 38

HEX #9F3E36

RGB 159 62 54

HSL 4.57, 0.49%, 0.42%

LAB 39.72, 39.8, 25.66

 

CMYK 0 / 66 / 66 / 38

HEX #9F3636

RGB 159 54 54

HSL 0, 0.49%, 0.42%

LAB 38.33, 43.5, 23.94

 

CMYK 0 / 43 / 66 / 38

HEX #9F5A36

RGB 159 90 54

HSL 20.57, 0.49%, 0.42%

LAB 45.57, 25.03, 32.69

 

CMYK 0 / 25 / 66 / 38

HEX #9F7736

RGB 159 119 54

HSL 37.14, 0.49%, 0.42%

LAB 52.76, 8.54, 40.9

 

CMYK 0 / 8 / 66 / 38

HEX #9F9336

RGB 159 147 54

HSL 53.14, 0.49%, 0.42%

LAB 60.34, -7.01, 49.08

 

CMYK 10 / 0 / 66 / 38

HEX #8F9F36

RGB 143 159 54

HSL 69.14, 0.49%, 0.42%

LAB 62.43, -20.3, 50.86

 

CMYK 28 / 0 / 66 / 38

HEX #729F36

RGB 114 159 54

HSL 85.71, 0.49%, 0.42%

LAB 60.46, -32.17, 48.19

 

CMYK 0 / 43 / 66 / 38

HEX #9F5A36

RGB 159 90 54

HSL 20.57, 0.49%, 0.42%

LAB 45.57, 25.03, 32.69

 

CMYK 0 / 52 / 79 / 31

HEX #B05525

RGB 176 85 37

HSL 20.72, 0.65%, 0.42%

LAB 46.79, 33.94, 43.6

 

CMYK 0 / 59 / 90 / 24

HEX #C25013

RGB 194 80 19

HSL 20.91, 0.82%, 0.42%

LAB 48.58, 43, 53.63

 

CMYK 0 / 65 / 99 / 17

HEX #D34A02

RGB 211 74 2

HSL 20.67, 0.98%, 0.42%

LAB 50.39, 51.67, 60.57

 

CMYK 0 / 43 / 66 / 38

HEX #9F5A36

RGB 159 90 54

HSL 20.57, 0.49%, 0.42%

LAB 45.57, 25.03, 32.69

 

CMYK 0 / 32 / 50 / 44

HEX #8E6047

RGB 142 96 71

HSL 21.13, 0.33%, 0.42%

LAB 45.04, 15.68, 21.81

 

CMYK 0 / 19 / 28 / 51

HEX #7C6559

RGB 124 101 89

HSL 20.57, 0.16%, 0.42%

LAB 44.68, 7.26, 10.26

 

CMYK 0 / 1 / 1 / 58

HEX #6B6A6A

RGB 107 106 106

HSL 0, 0%, 0.42%

LAB 44.91, 0.39, 0.13

 

CMYK 27 / 9 / 0 / 52

HEX #5A707B

RGB 90 112 123

HSL 200, 0.15%, 0.42%

LAB 45.9, -5.37, -8.75

 

CMYK 0 / 66 / 53 / 38

HEX #9F364B

RGB 159 54 75

HSL 348, 0.49%, 0.42%

LAB 38.76, 45.07, 11.35

 

CMYK 0 / 62 / 66 / 38

HEX #9F3D36

RGB 159 61 54

HSL 4, 0.49%, 0.42%

LAB 39.54, 40.28, 25.44

 

CMYK 0 / 44 / 66 / 38

HEX #9F5936

RGB 159 89 54

HSL 20, 0.49%, 0.42%

LAB 45.33, 25.58, 32.42

 

CMYK 0 / 26 / 66 / 38

HEX #9F7536

RGB 159 117 54

HSL 36, 0.49%, 0.42%

LAB 52.24, 9.68, 40.32

 

CMYK 0 / 9 / 66 / 38

HEX #9F9136

RGB 159 145 54

HSL 52, 0.49%, 0.42%

LAB 59.79, -5.93, 48.5

 

CMYK 0 / 44 / 66 / 62

HEX #623721

RGB 98 55 33

HSL 20.31, 0.5%, 0.26%

LAB 27.95, 16.88, 21.83

 

CMYK 0 / 43 / 66 / 50

HEX #80492C

RGB 128 73 44

HSL 20.71, 0.49%, 0.34%

LAB 37, 20.57, 27.15

 

CMYK 0 / 43 / 66 / 38

HEX #9F5A36

RGB 159 90 54

HSL 20.57, 0.49%, 0.42%

LAB 45.57, 25.03, 32.69

 

CMYK 0 / 43 / 66 / 25

HEX #BE6C41

RGB 190 108 65

HSL 20.64, 0.49%, 0.5%

LAB 54.08, 28.82, 37.75

 

CMYK 0 / 34 / 52 / 22

HEX #C88460

RGB 200 132 96

HSL 20.77, 0.49%, 0.58%

LAB 61.33, 22.25, 30.07

 

CMYK 0 / 43 / 65 / 38

HEX #9F5B37

RGB 159 91 55

HSL 20.77, 0.49%, 0.42%

LAB 45.81, 24.53, 32.43

 

CMYK 35 / 0 / 66 / 38

HEX #679F36

RGB 103 159 54

HSL 92, 0.49%, 0.42%

LAB 59.84, -36.31, 47.34

 

CMYK 66 / 62 / 0 / 38

HEX #363D9F

RGB 54 61 159

HSL 236, 0.49%, 0.42%

LAB 30.94, 29.3, -54.2

 

CMYK 0 / 43 / 65 / 38

HEX #9F5B37

RGB 159 91 55

HSL 20.77, 0.49%, 0.42%

LAB 45.81, 24.53, 32.43

 

CMYK 66 / 0 / 44 / 38

HEX #369F59

RGB 54 159 89

HSL 140, 0.49%, 0.42%

LAB 58.32, -45.88, 27.92

 

CMYK 44 / 66 / 0 / 38

HEX #59369F

RGB 89 54 159

HSL 260, 0.49%, 0.42%

LAB 32.4, 40.07, -51.68

 

CMYK 0 / 43 / 65 / 38

HEX #9F5B37

RGB 159 91 55

HSL 20.77, 0.49%, 0.42%

LAB 45.81, 24.53, 32.43

 

CMYK 35 / 0 / 66 / 38

HEX #679F36

RGB 103 159 54

HSL 92, 0.49%, 0.42%

LAB 59.84, -36.31, 47.34

 

CMYK 66 / 22 / 0 / 38

HEX #367C9F

RGB 54 124 159

HSL 200, 0.49%, 0.42%

LAB 49.13, -10.63, -25.26

 

CMYK 31 / 66 / 0 / 38

HEX #6E369F

RGB 110 54 159

HSL 272, 0.49%, 0.42%

LAB 34.92, 44.64, -47.49

 

CMYK 0 / 43 / 65 / 38

HEX #9F5B37

RGB 159 91 55

HSL 20.77, 0.49%, 0.42%

LAB 45.81, 24.53, 32.43

 

CMYK 55 / 0 / 66 / 38

HEX #489F36

RGB 72 159 54

HSL 109.71, 0.49%, 0.42%

LAB 58.45, -46.36, 45.43

 

CMYK 66 / 22 / 0 / 38

HEX #367C9F

RGB 54 124 159

HSL 200, 0.49%, 0.42%

LAB 49.13, -10.63, -25.26

 

CMYK 11 / 66 / 0 / 38

HEX #8E369F

RGB 142 54 159

HSL 290.29, 0.49%, 0.42%

LAB 39.4, 52.19, -40.06

 

Description

Color code: HEX #9F5B37 | qconv.com Color code: HEX #9F5B37 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 91 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 91 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 65 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 65% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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