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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F5D1D it is the complementary color #60A2E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F5D1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F5D1D shade: #A45D18, #B56F2B, #C6813E, #D79351 and #E8A564

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F5D1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F5D1D shade: #9F5D1D, #8E4B0A, #7D3900, #6C2700 and #5B1500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F5D1D shade: #9F5D1D, #9F3A1D and #9F1D1D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F5D1D shade: #9F5D1D, #9F801D, #9B9F1D, #789F1D and #559F1D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F5D1D shade matches the following richer shades: #9F5D1D and #AE5D0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F5D1D shade: #9F5D1D, #905D2C, #805D3B, #715E4B and #625E5A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F5D1D shade: #9F1D23, #9F391D, #9F5C1D, #9F7E1D and #9D9F1D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F5D1D shade: #593410, #7C4816, #9F5D1D, #C27123 and #D98635

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F5D1D shade: #9F5D1D, #469F1D and #281D9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F5D1D shade: #9F5D1D, #1D9F5C and #5C1D9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F5D1D shade: #9F5D1D, #469F1D, #1D609F and #761D9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F5D1D shade: #9F5D1D, #1F9F1D, #1D609F and #9D1D9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

Complementary color

CMYK 58 / 28 / 0 / 11

HEX #60A2E2

RGB 96 162 226

HSL 209.54, 0.69%, 0.63%

LAB 64.82, -2.44, -38.71

 

CMYK 0 / 43 / 85 / 36

HEX #A45D18

RGB 164 93 24

HSL 29.57, 0.74%, 0.37%

LAB 46.69, 24.1, 48.44

 

CMYK 0 / 39 / 76 / 29

HEX #B56F2B

RGB 181 111 43

HSL 29.57, 0.62%, 0.44%

LAB 53.35, 22.19, 47.55

 

CMYK 0 / 35 / 69 / 22

HEX #C6813E

RGB 198 129 62

HSL 29.56, 0.54%, 0.51%

LAB 59.94, 20.55, 46.18

 

CMYK 0 / 32 / 62 / 16

HEX #D79351

RGB 215 147 81

HSL 29.55, 0.63%, 0.58%

LAB 66.45, 19.13, 44.67

 

CMYK 0 / 29 / 57 / 9

HEX #E8A564

RGB 232 165 100

HSL 29.55, 0.74%, 0.65%

LAB 72.88, 17.9, 43.17

 

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

CMYK 0 / 47 / 93 / 44

HEX #8E4B0A

RGB 142 75 10

HSL 29.55, 0.87%, 0.3%

LAB 39.25, 24.18, 45.77

 

CMYK 0 / 54 / 100 / 51

HEX #7D3900

RGB 125 57 0

HSL 27.36, 1%, 0.25%

LAB 32.45, 26.58, 43.31

 

CMYK 0 / 64 / 100 / 58

HEX #6C2700

RGB 108 39 0

HSL 21.67, 1%, 0.21%

LAB 25.68, 29.02, 36.68

 

CMYK 0 / 77 / 100 / 64

HEX #5B1500

RGB 91 21 0

HSL 13.85, 1%, 0.18%

LAB 19.06, 30.87, 28.69

 

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

CMYK 0 / 64 / 82 / 38

HEX #9F3A1D

RGB 159 58 29

HSL 13.38, 0.69%, 0.37%

LAB 38.7, 40.49, 38.7

 

CMYK 0 / 82 / 82 / 38

HEX #9F1D1D

RGB 159 29 29

HSL 0, 0.69%, 0.37%

LAB 34.68, 51.52, 34.75

 

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

CMYK 0 / 19 / 82 / 38

HEX #9F801D

RGB 159 128 29

HSL 45.69, 0.69%, 0.37%

LAB 54.97, 2.21, 53.67

 

CMYK 3 / 0 / 82 / 38

HEX #9B9F1D

RGB 155 159 29

HSL 61.85, 0.69%, 0.37%

LAB 63.22, -16.33, 60.77

 

CMYK 25 / 0 / 82 / 38

HEX #789F1D

RGB 120 159 29

HSL 78, 0.69%, 0.37%

LAB 60.67, -31.29, 57.54

 

CMYK 47 / 0 / 82 / 38

HEX #559F1D

RGB 85 159 29

HSL 94.15, 0.69%, 0.37%

LAB 58.8, -44.26, 55.15

 

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

CMYK 0 / 47 / 93 / 32

HEX #AE5D0D

RGB 174 93 13

HSL 29.81, 0.86%, 0.37%

LAB 48.08, 28.18, 53.6

 

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

CMYK 0 / 35 / 69 / 44

HEX #905D2C

RGB 144 93 44

HSL 29.4, 0.53%, 0.37%

LAB 44.15, 16.08, 35.93

 

CMYK 0 / 27 / 54 / 50

HEX #805D3B

RGB 128 93 59

HSL 29.57, 0.37%, 0.37%

LAB 42.36, 10.01, 25.03

 

CMYK 0 / 17 / 34 / 56

HEX #715E4B

RGB 113 94 75

HSL 30, 0.2%, 0.37%

LAB 41.25, 4.62, 13.77

 

CMYK 0 / 4 / 8 / 62

HEX #625E5A

RGB 98 94 90

HSL 30, 0.04%, 0.37%

LAB 40.15, 0.8, 2.85

 

CMYK 0 / 82 / 78 / 38

HEX #9F1D23

RGB 159 29 35

HSL 357.23, 0.69%, 0.37%

LAB 34.74, 51.72, 31.31

 

CMYK 0 / 64 / 82 / 38

HEX #9F391D

RGB 159 57 29

HSL 12.92, 0.69%, 0.37%

LAB 38.53, 40.95, 38.53

 

CMYK 0 / 42 / 82 / 38

HEX #9F5C1D

RGB 159 92 29

HSL 29.08, 0.69%, 0.37%

LAB 45.79, 22.63, 45.38

 

CMYK 0 / 21 / 82 / 38

HEX #9F7E1D

RGB 159 126 29

HSL 44.77, 0.69%, 0.37%

LAB 54.43, 3.33, 53.2

 

CMYK 1 / 0 / 82 / 38

HEX #9D9F1D

RGB 157 159 29

HSL 60.92, 0.69%, 0.37%

LAB 63.39, -15.44, 60.97

 

CMYK 0 / 42 / 82 / 65

HEX #593410

RGB 89 52 16

HSL 29.59, 0.7%, 0.21%

LAB 25.62, 13.33, 28.59

 

CMYK 0 / 42 / 82 / 51

HEX #7C4816

RGB 124 72 22

HSL 29.41, 0.7%, 0.29%

LAB 35.94, 18.1, 37.46

 

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

CMYK 0 / 42 / 82 / 24

HEX #C27123

RGB 194 113 35

HSL 29.43, 0.69%, 0.45%

LAB 55.48, 26.38, 53.55

 

CMYK 0 / 38 / 76 / 15

HEX #D98635

RGB 217 134 53

HSL 29.63, 0.68%, 0.53%

LAB 63.39, 25.43, 54.66

 

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

CMYK 56 / 0 / 82 / 38

HEX #469F1D

RGB 70 159 29

HSL 101.08, 0.69%, 0.37%

LAB 58.21, -48.82, 54.39

 

CMYK 75 / 82 / 0 / 38

HEX #281D9F

RGB 40 29 159

HSL 245.08, 0.69%, 0.37%

LAB 23.11, 46.56, -67.1

 

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

CMYK 82 / 0 / 42 / 38

HEX #1D9F5C

RGB 29 159 92

HSL 149.08, 0.69%, 0.37%

LAB 57.88, -49.21, 25.64

 

CMYK 42 / 82 / 0 / 38

HEX #5C1D9F

RGB 92 29 159

HSL 269.08, 0.69%, 0.37%

LAB 28.53, 52.54, -57.98

 

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

CMYK 56 / 0 / 82 / 38

HEX #469F1D

RGB 70 159 29

HSL 101.08, 0.69%, 0.37%

LAB 58.21, -48.82, 54.39

 

CMYK 82 / 40 / 0 / 38

HEX #1D609F

RGB 29 96 159

HSL 209.08, 0.69%, 0.37%

LAB 39.8, 2.76, -39.97

 

CMYK 26 / 82 / 0 / 38

HEX #761D9F

RGB 118 29 159

HSL 281.08, 0.69%, 0.37%

LAB 32.33, 56.78, -51.62

 

CMYK 0 / 42 / 82 / 38

HEX #9F5D1D

RGB 159 93 29

HSL 29.54, 0.69%, 0.37%

LAB 46.03, 22.07, 45.6

 

CMYK 81 / 0 / 82 / 38

HEX #1F9F1D

RGB 31 159 29

HSL 119.08, 0.69%, 0.37%

LAB 57.25, -56.89, 53.14

 

CMYK 82 / 40 / 0 / 38

HEX #1D609F

RGB 29 96 159

HSL 209.08, 0.69%, 0.37%

LAB 39.8, 2.76, -39.97

 

CMYK 1 / 82 / 0 / 38

HEX #9D1D9F

RGB 157 29 159

HSL 299.08, 0.69%, 0.37%

LAB 38.81, 64.09, -40.85

 

Description

Color code: HEX #9F5D1D | qconv.com Color code: HEX #9F5D1D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 93 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 93 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 82 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 82% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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