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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F65EF it is the complementary color #609A10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F65EF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F65EF shade: #A465EA, #B577FD, #C689FF, #D79BFF and #E8ADFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F65EF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F65EF shade: #9F65EF, #8E53DC, #7D41C9, #6C2FB6 and #5B1DA3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F65EF shade: #9F66EF, #C466EF, #E966EF, #EF66CF and #EF66AA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F65EF shade: #9F66EF, #7B66EF and #6666EF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F65EF shade matches the following richer shades: #9F66EF and #9D59FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F65EF shade: #9F66EF, #A274E1, #A481D3, #A68FC6 and #A89DB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F65EF shade: #6676EF, #7B66EF, #9F66EF, #C366EF and #E866EF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F65EF shade: #711CE7, #8841EB, #9F66EF, #B78CF2 and #CEB1F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F65EF shade: #9F65EF, #EF669A and #66EF68

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F65EF shade: #9F65EF, #EF9F66 and #66EF9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F65EF shade: #9F65EF, #EF669A, #B6EF66 and #66EFBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F65EF shade: #9F65EF, #EF6672, #B6EF66 and #66EFE3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 58 / 0 / 6

HEX #9F65EF

RGB 159 101 239

HSL 265.22, 0.81%, 0.67%

LAB 54.98, 50.83, -61.24

 

Complementary color

CMYK 38 / 0 / 90 / 40

HEX #609A10

RGB 96 154 16

HSL 85.22, 0.81%, 0.33%

LAB 57.69, -38.86, 57.55

 

CMYK 30 / 57 / 0 / 8

HEX #A465EA

RGB 164 101 234

HSL 268.42, 0.76%, 0.66%

LAB 55.22, 50.78, -58.04

 

CMYK 28 / 53 / 0 / 1

HEX #B577FD

RGB 181 119 253

HSL 267.76, 0.97%, 0.73%

LAB 61.75, 49.85, -58.03

 

CMYK 22 / 46 / 0 / 0

HEX #C689FF

RGB 198 137 255

HSL 271.02, 1%, 0.77%

LAB 67.36, 45.06, -50.1

 

CMYK 16 / 39 / 0 / 0

HEX #D79BFF

RGB 215 155 255

HSL 276, 1%, 0.8%

LAB 72.96, 40.13, -41.19

 

CMYK 9 / 32 / 0 / 0

HEX #E8ADFF

RGB 232 173 255

HSL 283.17, 1%, 0.84%

LAB 78.61, 35.55, -32.3

 

CMYK 33 / 58 / 0 / 6

HEX #9F65EF

RGB 159 101 239

HSL 265.22, 0.81%, 0.67%

LAB 54.98, 50.83, -61.24

 

CMYK 35 / 62 / 0 / 14

HEX #8E53DC

RGB 142 83 220

HSL 265.84, 0.66%, 0.59%

LAB 48.39, 51.81, -61.25

 

CMYK 38 / 68 / 0 / 21

HEX #7D41C9

RGB 125 65 201

HSL 266.47, 0.56%, 0.52%

LAB 41.78, 52.7, -61.14

 

CMYK 41 / 74 / 0 / 29

HEX #6C2FB6

RGB 108 47 182

HSL 267.11, 0.59%, 0.45%

LAB 35.2, 53.33, -60.8

 

CMYK 44 / 82 / 0 / 36

HEX #5B1DA3

RGB 91 29 163

HSL 267.76, 0.7%, 0.38%

LAB 28.77, 53.37, -60.03

 

CMYK 33 / 57 / 0 / 6

HEX #9F66EF

RGB 159 102 239

HSL 264.96, 0.81%, 0.67%

LAB 55.18, 50.3, -60.92

 

CMYK 18 / 57 / 0 / 6

HEX #C466EF

RGB 196 102 239

HSL 281.17, 0.81%, 0.67%

LAB 59.41, 59.09, -53.92

 

CMYK 3 / 57 / 0 / 6

HEX #E966EF

RGB 233 102 239

HSL 297.37, 0.81%, 0.67%

LAB 64.21, 68.23, -46.01

 

CMYK 0 / 57 / 13 / 6

HEX #EF66CF

RGB 239 102 207

HSL 314.01, 0.81%, 0.67%

LAB 63.64, 64.65, -28.96

 

CMYK 0 / 57 / 29 / 6

HEX #EF66AA

RGB 239 102 170

HSL 330.22, 0.81%, 0.67%

LAB 62.3, 59.57, -9.96

 

CMYK 33 / 57 / 0 / 6

HEX #9F66EF

RGB 159 102 239

HSL 264.96, 0.81%, 0.67%

LAB 55.18, 50.3, -60.92

 

CMYK 49 / 57 / 0 / 6

HEX #7B66EF

RGB 123 102 239

HSL 249.2, 0.81%, 0.67%

LAB 51.78, 42.52, -66.58

 

CMYK 57 / 57 / 0 / 6

HEX #6666EF

RGB 102 102 239

HSL 240, 0.81%, 0.67%

LAB 50.17, 38.58, -69.26

 

CMYK 33 / 57 / 0 / 6

HEX #9F66EF

RGB 159 102 239

HSL 264.96, 0.81%, 0.67%

LAB 55.18, 50.3, -60.92

 

CMYK 38 / 65 / 0 / 1

HEX #9D59FC

RGB 157 89 252

HSL 265.03, 0.96%, 0.67%

LAB 53.32, 59.75, -71.17

 

CMYK 33 / 57 / 0 / 6

HEX #9F66EF

RGB 159 102 239

HSL 264.96, 0.81%, 0.67%

LAB 55.18, 50.3, -60.92

 

CMYK 28 / 48 / 0 / 12

HEX #A274E1

RGB 162 116 225

HSL 265.32, 0.64%, 0.67%

LAB 57.66, 39.96, -49.11

 

CMYK 22 / 39 / 0 / 17

HEX #A481D3

RGB 164 129 211

HSL 265.61, 0.48%, 0.67%

LAB 60.16, 29.85, -37.31

 

CMYK 16 / 28 / 0 / 22

HEX #A68FC6

RGB 166 143 198

HSL 265.09, 0.33%, 0.67%

LAB 63.2, 19.51, -25.28

 

CMYK 9 / 15 / 0 / 28

HEX #A89DB8

RGB 168 157 184

HSL 264.44, 0.16%, 0.67%

LAB 66.44, 9.25, -12.5

 

CMYK 57 / 51 / 0 / 6

HEX #6676EF

RGB 102 118 239

HSL 232.99, 0.81%, 0.67%

LAB 54.04, 28.95, -63

 

CMYK 49 / 57 / 0 / 6

HEX #7B66EF

RGB 123 102 239

HSL 249.2, 0.81%, 0.67%

LAB 51.78, 42.52, -66.58

 

CMYK 33 / 57 / 0 / 6

HEX #9F66EF

RGB 159 102 239

HSL 264.96, 0.81%, 0.67%

LAB 55.18, 50.3, -60.92

 

CMYK 18 / 57 / 0 / 6

HEX #C366EF

RGB 195 102 239

HSL 280.73, 0.81%, 0.67%

LAB 59.28, 58.85, -54.12

 

CMYK 3 / 57 / 0 / 6

HEX #E866EF

RGB 232 102 239

HSL 296.93, 0.81%, 0.67%

LAB 64.07, 67.98, -46.23

 

CMYK 51 / 88 / 0 / 9

HEX #711CE7

RGB 113 28 231

HSL 265.12, 0.81%, 0.51%

LAB 38.04, 72.42, -84.56

 

CMYK 42 / 72 / 0 / 8

HEX #8841EB

RGB 136 65 235

HSL 265.06, 0.81%, 0.59%

LAB 45.65, 63.1, -74.23

 

CMYK 33 / 57 / 0 / 6

HEX #9F66EF

RGB 159 102 239

HSL 264.96, 0.81%, 0.67%

LAB 55.18, 50.3, -60.92

 

CMYK 24 / 42 / 0 / 5

HEX #B78CF2

RGB 183 140 242

HSL 265.29, 0.8%, 0.75%

LAB 65.93, 36.36, -45.34

 

CMYK 16 / 28 / 0 / 4

HEX #CEB1F6

RGB 206 177 246

HSL 265.22, 0.79%, 0.83%

LAB 76.81, 23.58, -30.44

 

CMYK 33 / 58 / 0 / 6

HEX #9F65EF

RGB 159 101 239

HSL 265.22, 0.81%, 0.67%

LAB 54.98, 50.83, -61.24

 

CMYK 0 / 57 / 36 / 6

HEX #EF669A

RGB 239 102 154

HSL 337.23, 0.81%, 0.67%

LAB 61.81, 57.67, -1.48

 

CMYK 57 / 0 / 56 / 6

HEX #66EF68

RGB 102 239 104

HSL 120.88, 0.81%, 0.67%

LAB 84.77, -63.3, 53.43

 

CMYK 33 / 58 / 0 / 6

HEX #9F65EF

RGB 159 101 239

HSL 265.22, 0.81%, 0.67%

LAB 54.98, 50.83, -61.24

 

CMYK 0 / 33 / 57 / 6

HEX #EF9F66

RGB 239 159 102

HSL 24.96, 0.81%, 0.67%

LAB 72.3, 24.08, 41.61

 

CMYK 57 / 0 / 33 / 6

HEX #66EF9F

RGB 102 239 159

HSL 144.96, 0.81%, 0.67%

LAB 85.53, -54.99, 27.76

 

CMYK 33 / 58 / 0 / 6

HEX #9F65EF

RGB 159 101 239

HSL 265.22, 0.81%, 0.67%

LAB 54.98, 50.83, -61.24

 

CMYK 0 / 57 / 36 / 6

HEX #EF669A

RGB 239 102 154

HSL 337.23, 0.81%, 0.67%

LAB 61.81, 57.67, -1.48

 

CMYK 24 / 0 / 57 / 6

HEX #B6EF66

RGB 182 239 102

HSL 84.96, 0.81%, 0.67%

LAB 88.27, -39.07, 59.27

 

CMYK 57 / 0 / 22 / 6

HEX #66EFBA

RGB 102 239 186

HSL 156.79, 0.81%, 0.67%

LAB 86.06, -49.6, 14.57

 

CMYK 33 / 58 / 0 / 6

HEX #9F65EF

RGB 159 101 239

HSL 265.22, 0.81%, 0.67%

LAB 54.98, 50.83, -61.24

 

CMYK 0 / 57 / 52 / 6

HEX #EF6672

RGB 239 102 114

HSL 354.74, 0.81%, 0.67%

LAB 60.84, 53.76, 20.25

 

CMYK 24 / 0 / 57 / 6

HEX #B6EF66

RGB 182 239 102

HSL 84.96, 0.81%, 0.67%

LAB 88.27, -39.07, 59.27

 

CMYK 57 / 0 / 5 / 6

HEX #66EFE3

RGB 102 239 227

HSL 174.74, 0.81%, 0.67%

LAB 87.05, -39.98, -5.44

 

Description

Color code: HEX #9F65EF | qconv.com Color code: HEX #9F65EF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 101 green and 239 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 101 239 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 58 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 58% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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