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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F7404 it is the complementary color #608BFB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F7404. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F7404 shade: #A47400, #B58612, #C69825, #D7AA38 and #E8BC4B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F7404. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F7404 shade: #9F7404, #8E6200, #7D5000, #6C3E00 and #5B2C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F7404 shade: #9F7404, #9F4A04, #9F2004 and #9F0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F7404 shade: #9F7404, #9F9D04, #769F04, #4C9F04 and #229F04

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F7404 shade matches the following richer shades: #9F7404

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F7404 shade: #9F7404, #916E11, #84681E, #77622B and #6A5C38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F7404 shade: #9F2004, #9F4904, #9F7304, #9F9C04 and #789F04

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F7404 shade: #4E3902, #765603, #9F7404, #C79105 and #EFAE06

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F7404 shade: #9F7404, #109F04 and #35049F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F7404 shade: #9F7404, #049F73 and #73049F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F7404 shade: #9F7404, #109F04, #04309F and #92049F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F7404 shade: #9F7404, #049F25, #04309F and #9F047D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

Complementary color

CMYK 62 / 45 / 0 / 2

HEX #608BFB

RGB 96 139 251

HSL 223.35, 0.95%, 0.68%

LAB 59.81, 19.12, -60.39

 

CMYK 0 / 29 / 100 / 36

HEX #A47400

RGB 164 116 0

HSL 42.44, 1%, 0.32%

LAB 52.27, 10.65, 58.68

 

CMYK 0 / 26 / 90 / 29

HEX #B58612

RGB 181 134 18

HSL 42.7, 0.82%, 0.39%

LAB 58.9, 8.63, 60.98

 

CMYK 0 / 23 / 81 / 22

HEX #C69825

RGB 198 152 37

HSL 42.86, 0.69%, 0.46%

LAB 65.43, 6.87, 61.87

 

CMYK 0 / 21 / 74 / 16

HEX #D7AA38

RGB 215 170 56

HSL 43.02, 0.67%, 0.53%

LAB 71.88, 5.38, 61.7

 

CMYK 0 / 19 / 68 / 9

HEX #E8BC4B

RGB 232 188 75

HSL 43.18, 0.77%, 0.6%

LAB 78.25, 4.1, 60.97

 

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

CMYK 0 / 31 / 100 / 44

HEX #8E6200

RGB 142 98 0

HSL 41.41, 1%, 0.28%

LAB 44.92, 10.71, 52.46

 

CMYK 0 / 36 / 100 / 51

HEX #7D5000

RGB 125 80 0

HSL 38.4, 1%, 0.25%

LAB 38.02, 13.22, 46.82

 

CMYK 0 / 43 / 100 / 58

HEX #6C3E00

RGB 108 62 0

HSL 34.44, 1%, 0.21%

LAB 30.96, 15.87, 41.02

 

CMYK 0 / 52 / 100 / 64

HEX #5B2C00

RGB 91 44 0

HSL 29.01, 1%, 0.18%

LAB 23.76, 18.64, 33.78

 

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

CMYK 0 / 53 / 97 / 38

HEX #9F4A04

RGB 159 74 4

HSL 27.1, 0.95%, 0.32%

LAB 41.65, 31.92, 50.41

 

CMYK 0 / 80 / 97 / 38

HEX #9F2004

RGB 159 32 4

HSL 10.84, 0.95%, 0.32%

LAB 34.83, 50.13, 46.36

 

CMYK 0 / 97 / 97 / 38

HEX #9F0404

RGB 159 4 4

HSL 0, 0.95%, 0.32%

LAB 32.85, 55.78, 45.2

 

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

CMYK 0 / 1 / 97 / 38

HEX #9F9D04

RGB 159 157 4

HSL 59.23, 0.95%, 0.32%

LAB 62.92, -14.05, 65.4

 

CMYK 26 / 0 / 97 / 38

HEX #769F04

RGB 118 159 4

HSL 75.87, 0.95%, 0.32%

LAB 60.48, -32.79, 62.21

 

CMYK 52 / 0 / 97 / 38

HEX #4C9F04

RGB 76 159 4

HSL 92.13, 0.95%, 0.32%

LAB 58.36, -47.93, 59.64

 

CMYK 79 / 0 / 97 / 38

HEX #229F04

RGB 34 159 4

HSL 108.39, 0.95%, 0.32%

LAB 57.22, -57.45, 58.24

 

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

CMYK 0 / 24 / 88 / 43

HEX #916E11

RGB 145 110 17

HSL 43.59, 0.79%, 0.32%

LAB 48.53, 5.53, 51.27

 

CMYK 0 / 21 / 77 / 48

HEX #84681E

RGB 132 104 30

HSL 43.53, 0.63%, 0.32%

LAB 45.5, 3.32, 43.49

 

CMYK 0 / 18 / 64 / 53

HEX #77622B

RGB 119 98 43

HSL 43.42, 0.47%, 0.32%

LAB 42.51, 1.48, 33.8

 

CMYK 0 / 13 / 47 / 58

HEX #6A5C38

RGB 106 92 56

HSL 43.2, 0.31%, 0.32%

LAB 39.59, 0.2, 22.76

 

CMYK 0 / 80 / 97 / 38

HEX #9F2004

RGB 159 32 4

HSL 10.84, 0.95%, 0.32%

LAB 34.83, 50.13, 46.36

 

CMYK 0 / 54 / 97 / 38

HEX #9F4904

RGB 159 73 4

HSL 26.71, 0.95%, 0.32%

LAB 41.45, 32.45, 50.27

 

CMYK 0 / 28 / 97 / 38

HEX #9F7304

RGB 159 115 4

HSL 42.97, 0.95%, 0.32%

LAB 51.43, 8.97, 57.03

 

CMYK 0 / 2 / 97 / 38

HEX #9F9C04

RGB 159 156 4

HSL 58.84, 0.95%, 0.32%

LAB 62.64, -13.52, 65.19

 

CMYK 25 / 0 / 97 / 38

HEX #789F04

RGB 120 159 4

HSL 75.1, 0.95%, 0.32%

LAB 60.6, -31.97, 62.36

 

CMYK 0 / 27 / 97 / 69

HEX #4E3902

RGB 78 57 2

HSL 43.42, 0.95%, 0.16%

LAB 25.41, 3.92, 33.91

 

CMYK 0 / 27 / 97 / 54

HEX #765603

RGB 118 86 3

HSL 43.3, 0.95%, 0.24%

LAB 38.75, 6.3, 45.97

 

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

CMYK 0 / 27 / 97 / 22

HEX #C79105

RGB 199 145 5

HSL 43.3, 0.95%, 0.4%

LAB 63.68, 10.48, 67.61

 

CMYK 0 / 27 / 97 / 6

HEX #EFAE06

RGB 239 174 6

HSL 43.26, 0.95%, 0.48%

LAB 75.22, 12.47, 77.61

 

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

CMYK 90 / 0 / 97 / 38

HEX #109F04

RGB 16 159 4

HSL 115.35, 0.95%, 0.32%

LAB 56.99, -59.45, 57.96

 

CMYK 67 / 97 / 0 / 38

HEX #35049F

RGB 53 4 159

HSL 258.97, 0.95%, 0.32%

LAB 21.38, 55.87, -69.94

 

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

CMYK 97 / 0 / 28 / 38

HEX #049F73

RGB 4 159 115

HSL 162.97, 0.95%, 0.32%

LAB 58.09, -45.95, 13.25

 

CMYK 28 / 97 / 0 / 38

HEX #73049F

RGB 115 4 159

HSL 282.97, 0.95%, 0.32%

LAB 30, 61.78, -55.44

 

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

CMYK 90 / 0 / 97 / 38

HEX #109F04

RGB 16 159 4

HSL 115.35, 0.95%, 0.32%

LAB 56.99, -59.45, 57.96

 

CMYK 97 / 70 / 0 / 38

HEX #04309F

RGB 4 48 159

HSL 222.97, 0.95%, 0.32%

LAB 25.69, 33.46, -62.88

 

CMYK 8 / 97 / 0 / 38

HEX #92049F

RGB 146 4 159

HSL 294.97, 0.95%, 0.32%

LAB 35.4, 66.4, -46.43

 

CMYK 0 / 27 / 97 / 38

HEX #9F7404

RGB 159 116 4

HSL 43.35, 0.95%, 0.32%

LAB 51.69, 8.4, 57.21

 

CMYK 97 / 0 / 77 / 38

HEX #049F25

RGB 4 159 37

HSL 132.77, 0.95%, 0.32%

LAB 57.03, -58.63, 50.26

 

CMYK 97 / 70 / 0 / 38

HEX #04309F

RGB 4 48 159

HSL 222.97, 0.95%, 0.32%

LAB 25.69, 33.46, -62.88

 

CMYK 0 / 97 / 21 / 38

HEX #9F047D

RGB 159 4 125

HSL 313.16, 0.95%, 0.32%

LAB 35.87, 63.8, -24.6

 

Description

Color code: HEX #9F7404 | qconv.com Color code: HEX #9F7404 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 116 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 116 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 97 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 97% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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