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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F79C5 it is the complementary color #60863A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F79C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F79C5 shade: #A479C0, #B58BD3, #C69DE6, #D7AFF9 and #E8C1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F79C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F79C5 shade: #9F79C5, #8E67B2, #7D559F, #6C438C and #5B3179

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F79C5 shade: #9E77C4, #B377C4, #C477C1, #C477AC and #C47798

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F79C5 shade: #9E77C4, #8977C4 and #7777C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F79C5 shade matches the following richer shades: #9E77C4, #9E67D4, #9E57E4 and #9E48F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F79C5 shade: #9E77C4, #9E87B5, #9E96A5, #9EA695 and #9EB686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F79C5 shade: #7779C4, #8977C4, #9E77C4, #B277C4 and #C477C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F79C5 shade: #7446A3, #895AB8, #9E77C4, #B294D1 and #C7B1DD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F79C5 shade: #9F79C5, #C4778E and #77C47F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F79C5 shade: #9F79C5, #C49E77 and #77C49E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F79C5 shade: #9F79C5, #C4778E, #9EC477 and #77C4AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F79C5 shade: #9F79C5, #C47777, #9EC477 and #77C4C4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 39 / 0 / 23

HEX #9F79C5

RGB 159 121 197

HSL 270, 0.4%, 0.62%

LAB 57.15, 29.66, -34.14

 

Complementary color

CMYK 28 / 0 / 57 / 47

HEX #60863A

RGB 96 134 58

HSL 90, 0.4%, 0.38%

LAB 51.66, -26.87, 36.19

 

CMYK 15 / 37 / 0 / 25

HEX #A479C0

RGB 164 121 192

HSL 276.34, 0.36%, 0.61%

LAB 57.44, 30.07, -30.81

 

CMYK 14 / 34 / 0 / 17

HEX #B58BD3

RGB 181 139 211

HSL 275, 0.45%, 0.69%

LAB 64.15, 29.35, -30.97

 

CMYK 14 / 32 / 0 / 10

HEX #C69DE6

RGB 198 157 230

HSL 273.7, 0.59%, 0.76%

LAB 70.76, 28.68, -31.13

 

CMYK 14 / 30 / 0 / 2

HEX #D7AFF9

RGB 215 175 249

HSL 272.43, 0.86%, 0.83%

LAB 77.25, 28.06, -31.31

 

CMYK 9 / 24 / 0 / 0

HEX #E8C1FF

RGB 232 193 255

HSL 277.74, 1%, 0.88%

LAB 83.19, 24.86, -25.3

 

CMYK 19 / 39 / 0 / 23

HEX #9F79C5

RGB 159 121 197

HSL 270, 0.4%, 0.62%

LAB 57.15, 29.66, -34.14

 

CMYK 20 / 42 / 0 / 30

HEX #8E67B2

RGB 142 103 178

HSL 271.2, 0.33%, 0.55%

LAB 50.29, 30.46, -34.07

 

CMYK 21 / 47 / 0 / 38

HEX #7D559F

RGB 125 85 159

HSL 272.43, 0.3%, 0.48%

LAB 43.3, 31.33, -34.02

 

CMYK 23 / 52 / 0 / 45

HEX #6C438C

RGB 108 67 140

HSL 273.7, 0.35%, 0.41%

LAB 36.17, 32.26, -33.95

 

CMYK 25 / 60 / 0 / 53

HEX #5B3179

RGB 91 49 121

HSL 275, 0.42%, 0.33%

LAB 28.91, 33.18, -33.83

 

CMYK 19 / 39 / 0 / 23

HEX #9E77C4

RGB 158 119 196

HSL 270.39, 0.39%, 0.62%

LAB 56.53, 30.27, -34.54

 

CMYK 9 / 39 / 0 / 23

HEX #B377C4

RGB 179 119 196

HSL 286.75, 0.39%, 0.62%

LAB 58.75, 36.68, -30.91

 

CMYK 0 / 39 / 2 / 23

HEX #C477C1

RGB 196 119 193

HSL 302.34, 0.39%, 0.62%

LAB 60.59, 41.39, -26.22

 

CMYK 0 / 39 / 12 / 23

HEX #C477AC

RGB 196 119 172

HSL 318.7, 0.39%, 0.62%

LAB 59.81, 37.7, -15.44

 

CMYK 0 / 39 / 22 / 23

HEX #C47798

RGB 196 119 152

HSL 334.29, 0.39%, 0.62%

LAB 59.16, 34.54, -4.91

 

CMYK 19 / 39 / 0 / 23

HEX #9E77C4

RGB 158 119 196

HSL 270.39, 0.39%, 0.62%

LAB 56.53, 30.27, -34.54

 

CMYK 30 / 39 / 0 / 23

HEX #8977C4

RGB 137 119 196

HSL 254.03, 0.39%, 0.62%

LAB 54.55, 24.09, -37.79

 

CMYK 39 / 39 / 0 / 23

HEX #7777C4

RGB 119 119 196

HSL 240, 0.39%, 0.62%

LAB 53.06, 19.09, -40.23

 

CMYK 19 / 39 / 0 / 23

HEX #9E77C4

RGB 158 119 196

HSL 270.39, 0.39%, 0.62%

LAB 56.53, 30.27, -34.54

 

CMYK 25 / 51 / 0 / 17

HEX #9E67D4

RGB 158 103 212

HSL 270.28, 0.56%, 0.62%

LAB 53.73, 42.99, -48.05

 

CMYK 31 / 62 / 0 / 11

HEX #9E57E4

RGB 158 87 228

HSL 270.21, 0.72%, 0.62%

LAB 51.48, 55.19, -60.7

 

CMYK 35 / 70 / 0 / 5

HEX #9E48F3

RGB 158 72 243

HSL 270.18, 0.88%, 0.62%

LAB 49.95, 65.72, -71.62

 

CMYK 19 / 39 / 0 / 23

HEX #9E77C4

RGB 158 119 196

HSL 270.39, 0.39%, 0.62%

LAB 56.53, 30.27, -34.54

 

CMYK 13 / 25 / 0 / 29

HEX #9E87B5

RGB 158 135 181

HSL 270, 0.24%, 0.62%

LAB 59.83, 17.72, -20.91

 

CMYK 4 / 9 / 0 / 35

HEX #9E96A5

RGB 158 150 165

HSL 272, 0.08%, 0.62%

LAB 63.18, 5.83, -6.8

 

CMYK 5 / 0 / 10 / 35

HEX #9EA695

RGB 158 166 149

HSL 88.24, 0.09%, 0.62%

LAB 67.06, -6.02, 7.82

 

CMYK 13 / 0 / 26 / 29

HEX #9EB686

RGB 158 182 134

HSL 90, 0.25%, 0.62%

LAB 71.18, -16.93, 21.78

 

CMYK 39 / 38 / 0 / 23

HEX #7779C4

RGB 119 121 196

HSL 238.44, 0.39%, 0.62%

LAB 53.58, 17.9, -39.41

 

CMYK 30 / 39 / 0 / 23

HEX #8977C4

RGB 137 119 196

HSL 254.03, 0.39%, 0.62%

LAB 54.55, 24.09, -37.79

 

CMYK 19 / 39 / 0 / 23

HEX #9E77C4

RGB 158 119 196

HSL 270.39, 0.39%, 0.62%

LAB 56.53, 30.27, -34.54

 

CMYK 9 / 39 / 0 / 23

HEX #B277C4

RGB 178 119 196

HSL 285.97, 0.39%, 0.62%

LAB 58.64, 36.37, -31.09

 

CMYK 0 / 39 / 1 / 23

HEX #C477C2

RGB 196 119 194

HSL 301.56, 0.39%, 0.62%

LAB 60.63, 41.57, -26.72

 

CMYK 29 / 57 / 0 / 36

HEX #7446A3

RGB 116 70 163

HSL 269.68, 0.4%, 0.46%

LAB 39.14, 38.45, -43.08

 

CMYK 26 / 51 / 0 / 28

HEX #895AB8

RGB 137 90 184

HSL 270, 0.4%, 0.54%

LAB 47.09, 37.91, -42.65

 

CMYK 19 / 39 / 0 / 23

HEX #9E77C4

RGB 158 119 196

HSL 270.39, 0.39%, 0.62%

LAB 56.53, 30.27, -34.54

 

CMYK 15 / 29 / 0 / 18

HEX #B294D1

RGB 178 148 209

HSL 269.51, 0.4%, 0.7%

LAB 65.94, 22.92, -27.12

 

CMYK 10 / 20 / 0 / 13

HEX #C7B1DD

RGB 199 177 221

HSL 270, 0.39%, 0.78%

LAB 75.33, 16.12, -19.22

 

CMYK 19 / 39 / 0 / 23

HEX #9F79C5

RGB 159 121 197

HSL 270, 0.4%, 0.62%

LAB 57.15, 29.66, -34.14

 

CMYK 0 / 39 / 28 / 23

HEX #C4778E

RGB 196 119 142

HSL 342.08, 0.39%, 0.62%

LAB 58.87, 33.09, 0.44

 

CMYK 39 / 0 / 35 / 23

HEX #77C47F

RGB 119 196 127

HSL 126.23, 0.39%, 0.62%

LAB 72.85, -38.13, 27.37

 

CMYK 19 / 39 / 0 / 23

HEX #9F79C5

RGB 159 121 197

HSL 270, 0.4%, 0.62%

LAB 57.15, 29.66, -34.14

 

CMYK 0 / 19 / 39 / 23

HEX #C49E77

RGB 196 158 119

HSL 30.39, 0.39%, 0.62%

LAB 67.67, 8.75, 25.7

 

CMYK 39 / 0 / 19 / 23

HEX #77C49E

RGB 119 196 158

HSL 150.39, 0.39%, 0.62%

LAB 73.46, -32.35, 11.68

 

CMYK 19 / 39 / 0 / 23

HEX #9F79C5

RGB 159 121 197

HSL 270, 0.4%, 0.62%

LAB 57.15, 29.66, -34.14

 

CMYK 0 / 39 / 28 / 23

HEX #C4778E

RGB 196 119 142

HSL 342.08, 0.39%, 0.62%

LAB 58.87, 33.09, 0.44

 

CMYK 19 / 0 / 39 / 23

HEX #9EC477

RGB 158 196 119

HSL 89.61, 0.39%, 0.62%

LAB 74.88, -26.06, 34.58

 

CMYK 39 / 0 / 12 / 23

HEX #77C4AD

RGB 119 196 173

HSL 162.08, 0.39%, 0.62%

LAB 73.82, -29.13, 4.08

 

CMYK 19 / 39 / 0 / 23

HEX #9F79C5

RGB 159 121 197

HSL 270, 0.4%, 0.62%

LAB 57.15, 29.66, -34.14

 

CMYK 0 / 39 / 39 / 23

HEX #C47777

RGB 196 119 119

HSL 0, 0.39%, 0.62%

LAB 58.28, 30.13, 12.89

 

CMYK 19 / 0 / 39 / 23

HEX #9EC477

RGB 158 196 119

HSL 89.61, 0.39%, 0.62%

LAB 74.88, -26.06, 34.58

 

CMYK 39 / 0 / 0 / 23

HEX #77C4C4

RGB 119 196 196

HSL 180, 0.39%, 0.62%

LAB 74.44, -23.71, -7.5

 

Description

Color code: HEX #9F79C5 | qconv.com Color code: HEX #9F79C5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 121 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 121 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 39 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 39% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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