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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F7088 it is the complementary color #608F77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F7088. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F7088 shade: #A47083, #B58296, #C694A9, #D7A6BC and #E8B8CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F7088. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F7088 shade: #9F7088, #8E5E75, #7D4C62, #6C3A4F and #5B283C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F7088 shade: #9F6F87, #9F6F7A and #9F6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F7088 shade: #9F6F87, #9F6F94, #9C6F9F, #8F6F9F and #826F9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F7088 shade matches the following richer shades: #9F6F87, #B25B88, #C54888, #D93588 and #EC2189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F7088 shade: #9F6F87, #8B8287, #789586, #64A986 and #51BC86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F7088 shade: #9C6F9F, #9F6F94, #9F6F87, #9F6F7B and #9F6F6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F7088 shade: #704B5E, #895B73, #9F6F87, #AF879C and #C0A0B0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F7088 shade: #9F7088, #9F8F6F and #6F9B9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F7088 shade: #9F7088, #879F6F and #6F879F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F7088 shade: #9F7088, #9F8F6F, #6F9F86 and #6F7E9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F7088 shade: #9F7088, #9F9E6F, #6F9F86 and #6F6F9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 14 / 38

HEX #9F7088

RGB 159 112 136

HSL 329.36, 0.2%, 0.53%

LAB 52.66, 22.42, -5.7

 

Complementary color

CMYK 33 / 0 / 17 / 44

HEX #608F77

RGB 96 143 119

HSL 149.36, 0.2%, 0.47%

LAB 55.55, -21.39, 7.74

 

CMYK 0 / 32 / 20 / 36

HEX #A47083

RGB 164 112 131

HSL 338.08, 0.22%, 0.54%

LAB 53.08, 23.46, -2.08

 

CMYK 0 / 28 / 17 / 29

HEX #B58296

RGB 181 130 150

HSL 336.47, 0.26%, 0.61%

LAB 59.88, 22.72, -2.89

 

CMYK 0 / 25 / 15 / 22

HEX #C694A9

RGB 198 148 169

HSL 334.8, 0.3%, 0.68%

LAB 66.56, 22.06, -3.63

 

CMYK 0 / 23 / 13 / 16

HEX #D7A6BC

RGB 215 166 188

HSL 333.06, 0.38%, 0.75%

LAB 73.12, 21.46, -4.31

 

CMYK 0 / 21 / 11 / 9

HEX #E8B8CF

RGB 232 184 207

HSL 331.25, 0.51%, 0.82%

LAB 79.58, 20.9, -4.96

 

CMYK 0 / 30 / 14 / 38

HEX #9F7088

RGB 159 112 136

HSL 329.36, 0.2%, 0.53%

LAB 52.66, 22.42, -5.7

 

CMYK 0 / 34 / 18 / 44

HEX #8E5E75

RGB 142 94 117

HSL 331.25, 0.2%, 0.46%

LAB 45.69, 23.18, -4.94

 

CMYK 0 / 39 / 22 / 51

HEX #7D4C62

RGB 125 76 98

HSL 333.06, 0.24%, 0.39%

LAB 38.57, 24.02, -4.06

 

CMYK 0 / 46 / 27 / 58

HEX #6C3A4F

RGB 108 58 79

HSL 334.8, 0.3%, 0.33%

LAB 31.3, 24.94, -3

 

CMYK 0 / 56 / 34 / 64

HEX #5B283C

RGB 91 40 60

HSL 336.47, 0.39%, 0.26%

LAB 23.89, 25.89, -1.62

 

CMYK 0 / 30 / 15 / 38

HEX #9F6F87

RGB 159 111 135

HSL 330, 0.2%, 0.53%

LAB 52.39, 22.82, -5.52

 

CMYK 0 / 30 / 23 / 38

HEX #9F6F7A

RGB 159 111 122

HSL 346.25, 0.2%, 0.53%

LAB 52, 20.69, 1.57

 

CMYK 0 / 30 / 30 / 38

HEX #9F6F6F

RGB 159 111 111

HSL 0, 0.2%, 0.53%

LAB 51.71, 19.05, 7.64

 

CMYK 0 / 30 / 15 / 38

HEX #9F6F87

RGB 159 111 135

HSL 330, 0.2%, 0.53%

LAB 52.39, 22.82, -5.52

 

CMYK 0 / 30 / 7 / 38

HEX #9F6F94

RGB 159 111 148

HSL 313.75, 0.2%, 0.53%

LAB 52.82, 25.13, -12.52

 

CMYK 2 / 30 / 0 / 38

HEX #9C6F9F

RGB 156 111 159

HSL 296.25, 0.2%, 0.53%

LAB 52.88, 26.21, -18.88

 

CMYK 10 / 30 / 0 / 38

HEX #8F6F9F

RGB 143 111 159

HSL 280, 0.2%, 0.53%

LAB 51.51, 21.8, -21.1

 

CMYK 18 / 30 / 0 / 38

HEX #826F9F

RGB 130 111 159

HSL 263.75, 0.2%, 0.53%

LAB 50.24, 17.48, -23.17

 

CMYK 0 / 30 / 15 / 38

HEX #9F6F87

RGB 159 111 135

HSL 330, 0.2%, 0.53%

LAB 52.39, 22.82, -5.52

 

CMYK 0 / 49 / 24 / 30

HEX #B25B88

RGB 178 91 136

HSL 328.97, 0.36%, 0.53%

LAB 50.36, 40.78, -8.87

 

CMYK 0 / 63 / 31 / 23

HEX #C54888

RGB 197 72 136

HSL 329.28, 0.52%, 0.53%

LAB 49.84, 55.85, -9.37

 

CMYK 0 / 76 / 37 / 15

HEX #D93588

RGB 217 53 136

HSL 329.63, 0.68%, 0.53%

LAB 50.78, 68.26, -7.61

 

CMYK 0 / 86 / 42 / 7

HEX #EC2189

RGB 236 33 137

HSL 329.26, 0.84%, 0.53%

LAB 52.65, 77.7, -5.04

 

CMYK 0 / 30 / 15 / 38

HEX #9F6F87

RGB 159 111 135

HSL 330, 0.2%, 0.53%

LAB 52.39, 22.82, -5.52

 

CMYK 0 / 6 / 3 / 45

HEX #8B8287

RGB 139 130 135

HSL 326.67, 0.04%, 0.53%

LAB 55.28, 4.35, -1.48

 

CMYK 19 / 0 / 10 / 42

HEX #789586

RGB 120 149 134

HSL 148.97, 0.12%, 0.53%

LAB 59.17, -13.34, 4.56

 

CMYK 41 / 0 / 21 / 34

HEX #64A986

RGB 100 169 134

HSL 149.57, 0.29%, 0.53%

LAB 64, -29.93, 11.31

 

CMYK 57 / 0 / 29 / 26

HEX #51BC86

RGB 81 188 134

HSL 149.72, 0.44%, 0.53%

LAB 69.07, -43.43, 18.26

 

CMYK 2 / 30 / 0 / 38

HEX #9C6F9F

RGB 156 111 159

HSL 296.25, 0.2%, 0.53%

LAB 52.88, 26.21, -18.88

 

CMYK 0 / 30 / 7 / 38

HEX #9F6F94

RGB 159 111 148

HSL 313.75, 0.2%, 0.53%

LAB 52.82, 25.13, -12.52

 

CMYK 0 / 30 / 15 / 38

HEX #9F6F87

RGB 159 111 135

HSL 330, 0.2%, 0.53%

LAB 52.39, 22.82, -5.52

 

CMYK 0 / 30 / 23 / 38

HEX #9F6F7B

RGB 159 111 123

HSL 345, 0.2%, 0.53%

LAB 52.03, 20.85, 1.03

 

CMYK 0 / 30 / 30 / 38

HEX #9F6F6F

RGB 159 111 111

HSL 0, 0.2%, 0.53%

LAB 51.71, 19.05, 7.64

 

CMYK 0 / 33 / 16 / 56

HEX #704B5E

RGB 112 75 94

HSL 329.19, 0.2%, 0.37%

LAB 36.53, 18.85, -4.76

 

CMYK 0 / 34 / 16 / 46

HEX #895B73

RGB 137 91 115

HSL 328.7, 0.2%, 0.45%

LAB 44.29, 22.69, -5.87

 

CMYK 0 / 30 / 15 / 38

HEX #9F6F87

RGB 159 111 135

HSL 330, 0.2%, 0.53%

LAB 52.39, 22.82, -5.52

 

CMYK 0 / 23 / 11 / 31

HEX #AF879C

RGB 175 135 156

HSL 328.5, 0.2%, 0.61%

LAB 60.64, 18.72, -5.27

 

CMYK 0 / 17 / 8 / 25

HEX #C0A0B0

RGB 192 160 176

HSL 330, 0.2%, 0.69%

LAB 69.1, 14.47, -3.86

 

CMYK 0 / 30 / 14 / 38

HEX #9F7088

RGB 159 112 136

HSL 329.36, 0.2%, 0.53%

LAB 52.66, 22.42, -5.7

 

CMYK 0 / 10 / 30 / 38

HEX #9F8F6F

RGB 159 143 111

HSL 40, 0.2%, 0.53%

LAB 60.04, 0.9, 19.23

 

CMYK 30 / 3 / 0 / 38

HEX #6F9B9F

RGB 111 155 159

HSL 185, 0.2%, 0.53%

LAB 61.07, -13.83, -6.9

 

CMYK 0 / 30 / 14 / 38

HEX #9F7088

RGB 159 112 136

HSL 329.36, 0.2%, 0.53%

LAB 52.66, 22.42, -5.7

 

CMYK 15 / 0 / 30 / 38

HEX #879F6F

RGB 135 159 111

HSL 90, 0.2%, 0.53%

LAB 62.59, -17.28, 22.36

 

CMYK 30 / 15 / 0 / 38

HEX #6F879F

RGB 111 135 159

HSL 210, 0.2%, 0.53%

LAB 55.29, -2.73, -15.58

 

CMYK 0 / 30 / 14 / 38

HEX #9F7088

RGB 159 112 136

HSL 329.36, 0.2%, 0.53%

LAB 52.66, 22.42, -5.7

 

CMYK 0 / 10 / 30 / 38

HEX #9F8F6F

RGB 159 143 111

HSL 40, 0.2%, 0.53%

LAB 60.04, 0.9, 19.23

 

CMYK 30 / 0 / 16 / 38

HEX #6F9F86

RGB 111 159 134

HSL 148.75, 0.2%, 0.53%

LAB 61.57, -21.6, 7.93

 

CMYK 30 / 21 / 0 / 38

HEX #6F7E9F

RGB 111 126 159

HSL 221.25, 0.2%, 0.53%

LAB 52.73, 2.48, -19.46

 

CMYK 0 / 30 / 14 / 38

HEX #9F7088

RGB 159 112 136

HSL 329.36, 0.2%, 0.53%

LAB 52.66, 22.42, -5.7

 

CMYK 0 / 1 / 30 / 38

HEX #9F9E6F

RGB 159 158 111

HSL 58.75, 0.2%, 0.53%

LAB 64.14, -7.3, 24.76

 

CMYK 30 / 0 / 16 / 38

HEX #6F9F86

RGB 111 159 134

HSL 148.75, 0.2%, 0.53%

LAB 61.57, -21.6, 7.93

 

CMYK 30 / 30 / 0 / 38

HEX #6F6F9F

RGB 111 111 159

HSL 240, 0.2%, 0.53%

LAB 48.58, 11.41, -25.87

 

Description

Color code: HEX #9F7088 | qconv.com Color code: HEX #9F7088 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 112 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 112 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 14 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 14% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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