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Color name
HEX #9F70C9

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F70C9 it is the complementary color #608F36. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F70C9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F70C9 shade: #A470C4, #B582D7, #C694EA, #D7A6FD and #E8B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F70C9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F70C9 shade: #9F70C9, #8E5EB6, #7D4CA3, #6C3A90 and #5B287D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F70C9 shade: #9E6EC8, #B66EC8, #C86EC2, #C86EAA and #C86E91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F70C9 shade: #9E6EC8, #856EC8 and #6E6EC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F70C9 shade matches the following richer shades: #9E6EC8, #9E5ED8, #9F4EE8 and #A03EF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F70C9 shade: #9E6EC8, #9D7EB8, #9C8EA8, #9B9F98 and #9AAF87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F70C9 shade: #6E70C8, #856EC8, #9D6EC8, #B46EC8 and #C86EC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F70C9 shade: #753EA5, #8950BC, #9E6EC8, #B28CD3 and #C6AADE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F70C9 shade: #9F70C9, #C86E88 and #6EC879

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F70C9 shade: #9F70C9, #C89D6E and #6EC89D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F70C9 shade: #9F70C9, #C86E88, #9AC86E and #6EC8AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F70C9 shade: #9F70C9, #C8706E, #9AC86E and #6EC6C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 44 / 0 / 21

HEX #9F70C9

RGB 159 112 201

HSL 271.69, 0.45%, 0.61%

LAB 55.25, 35.69, -39.38

 

Complementary color

CMYK 33 / 0 / 62 / 44

HEX #608F36

RGB 96 143 54

HSL 91.69, 0.45%, 0.39%

LAB 54.45, -31.59, 41.32

 

CMYK 16 / 43 / 0 / 23

HEX #A470C4

RGB 164 112 196

HSL 277.14, 0.42%, 0.6%

LAB 55.55, 36.02, -36.03

 

CMYK 16 / 40 / 0 / 16

HEX #B582D7

RGB 181 130 215

HSL 276, 0.52%, 0.68%

LAB 62.25, 35.23, -36.16

 

CMYK 15 / 37 / 0 / 8

HEX #C694EA

RGB 198 148 234

HSL 274.88, 0.67%, 0.75%

LAB 68.84, 34.48, -36.29

 

CMYK 15 / 34 / 0 / 1

HEX #D7A6FD

RGB 215 166 253

HSL 273.79, 0.96%, 0.82%

LAB 75.33, 33.78, -36.43

 

CMYK 9 / 28 / 0 / 0

HEX #E8B8FF

RGB 232 184 255

HSL 280.56, 1%, 0.86%

LAB 81.1, 29.67, -28.48

 

CMYK 21 / 44 / 0 / 21

HEX #9F70C9

RGB 159 112 201

HSL 271.69, 0.45%, 0.61%

LAB 55.25, 35.69, -39.38

 

CMYK 22 / 48 / 0 / 29

HEX #8E5EB6

RGB 142 94 182

HSL 272.73, 0.38%, 0.54%

LAB 48.43, 36.56, -39.33

 

CMYK 23 / 53 / 0 / 36

HEX #7D4CA3

RGB 125 76 163

HSL 273.79, 0.36%, 0.47%

LAB 41.49, 37.47, -39.26

 

CMYK 25 / 60 / 0 / 44

HEX #6C3A90

RGB 108 58 144

HSL 274.88, 0.43%, 0.4%

LAB 34.45, 38.36, -39.13

 

CMYK 27 / 68 / 0 / 51

HEX #5B287D

RGB 91 40 125

HSL 276, 0.52%, 0.32%

LAB 27.36, 39.09, -38.83

 

CMYK 21 / 45 / 0 / 22

HEX #9E6EC8

RGB 158 110 200

HSL 272, 0.45%, 0.61%

LAB 54.65, 36.3, -39.77

 

CMYK 9 / 45 / 0 / 22

HEX #B66EC8

RGB 182 110 200

HSL 288, 0.45%, 0.61%

LAB 57.33, 43.28, -35.37

 

CMYK 0 / 45 / 3 / 22

HEX #C86EC2

RGB 200 110 194

HSL 304, 0.45%, 0.61%

LAB 59.28, 47.51, -28.77

 

CMYK 0 / 45 / 15 / 22

HEX #C86EAA

RGB 200 110 170

HSL 320, 0.45%, 0.61%

LAB 58.35, 43.45, -16.44

 

CMYK 0 / 45 / 28 / 22

HEX #C86E91

RGB 200 110 145

HSL 336.67, 0.45%, 0.61%

LAB 57.54, 39.72, -3.19

 

CMYK 21 / 45 / 0 / 22

HEX #9E6EC8

RGB 158 110 200

HSL 272, 0.45%, 0.61%

LAB 54.65, 36.3, -39.77

 

CMYK 34 / 45 / 0 / 22

HEX #856EC8

RGB 133 110 200

HSL 255.33, 0.45%, 0.61%

LAB 52.18, 29.32, -43.83

 

CMYK 45 / 45 / 0 / 22

HEX #6E6EC8

RGB 110 110 200

HSL 240, 0.45%, 0.61%

LAB 50.26, 23.39, -47

 

CMYK 21 / 45 / 0 / 22

HEX #9E6EC8

RGB 158 110 200

HSL 272, 0.45%, 0.61%

LAB 54.65, 36.3, -39.77

 

CMYK 27 / 56 / 0 / 15

HEX #9E5ED8

RGB 158 94 216

HSL 271.48, 0.61%, 0.61%

LAB 52.1, 48.78, -52.92

 

CMYK 31 / 66 / 0 / 9

HEX #9F4EE8

RGB 159 78 232

HSL 271.56, 0.77%, 0.61%

LAB 50.27, 60.69, -64.91

 

CMYK 35 / 75 / 0 / 3

HEX #A03EF8

RGB 160 62 248

HSL 271.61, 0.93%, 0.61%

LAB 49.13, 71.29, -75.74

 

CMYK 21 / 45 / 0 / 22

HEX #9E6EC8

RGB 158 110 200

HSL 272, 0.45%, 0.61%

LAB 54.65, 36.3, -39.77

 

CMYK 15 / 32 / 0 / 28

HEX #9D7EB8

RGB 157 126 184

HSL 272.07, 0.29%, 0.61%

LAB 57.61, 23.22, -26.04

 

CMYK 7 / 15 / 0 / 34

HEX #9C8EA8

RGB 156 142 168

HSL 272.31, 0.13%, 0.61%

LAB 60.99, 10.26, -11.78

 

CMYK 3 / 0 / 4 / 38

HEX #9B9F98

RGB 155 159 152

HSL 94.29, 0.04%, 0.61%

LAB 64.99, -2.77, 3.14

 

CMYK 12 / 0 / 23 / 31

HEX #9AAF87

RGB 154 175 135

HSL 91.5, 0.2%, 0.61%

LAB 68.95, -14.65, 18.14

 

CMYK 45 / 44 / 0 / 22

HEX #6E70C8

RGB 110 112 200

HSL 238.67, 0.45%, 0.61%

LAB 50.77, 22.17, -46.19

 

CMYK 34 / 45 / 0 / 22

HEX #856EC8

RGB 133 110 200

HSL 255.33, 0.45%, 0.61%

LAB 52.18, 29.32, -43.83

 

CMYK 22 / 45 / 0 / 22

HEX #9D6EC8

RGB 157 110 200

HSL 271.33, 0.45%, 0.61%

LAB 54.54, 36.01, -39.95

 

CMYK 10 / 45 / 0 / 22

HEX #B46EC8

RGB 180 110 200

HSL 286.67, 0.45%, 0.61%

LAB 57.1, 42.69, -35.75

 

CMYK 0 / 45 / 3 / 22

HEX #C86EC3

RGB 200 110 195

HSL 303.33, 0.45%, 0.61%

LAB 59.32, 47.68, -29.27

 

CMYK 29 / 62 / 0 / 35

HEX #753EA5

RGB 117 62 165

HSL 272.04, 0.45%, 0.45%

LAB 37.74, 43.57, -46.51

 

CMYK 27 / 57 / 0 / 26

HEX #8950BC

RGB 137 80 188

HSL 271.67, 0.45%, 0.53%

LAB 45.2, 44.41, -47.99

 

CMYK 21 / 45 / 0 / 22

HEX #9E6EC8

RGB 158 110 200

HSL 272, 0.45%, 0.61%

LAB 54.65, 36.3, -39.77

 

CMYK 16 / 34 / 0 / 17

HEX #B28CD3

RGB 178 140 211

HSL 272.11, 0.45%, 0.69%

LAB 64.1, 27.86, -31.07

 

CMYK 11 / 23 / 0 / 13

HEX #C6AADE

RGB 198 170 222

HSL 272.31, 0.44%, 0.77%

LAB 73.56, 19.84, -22.45

 

CMYK 21 / 44 / 0 / 21

HEX #9F70C9

RGB 159 112 201

HSL 271.69, 0.45%, 0.61%

LAB 55.25, 35.69, -39.38

 

CMYK 0 / 45 / 32 / 22

HEX #C86E88

RGB 200 110 136

HSL 342.67, 0.45%, 0.61%

LAB 57.28, 38.52, 1.67

 

CMYK 45 / 0 / 40 / 22

HEX #6EC879

RGB 110 200 121

HSL 127.33, 0.45%, 0.61%

LAB 73.55, -43.54, 31.34

 

CMYK 21 / 44 / 0 / 21

HEX #9F70C9

RGB 159 112 201

HSL 271.69, 0.45%, 0.61%

LAB 55.25, 35.69, -39.38

 

CMYK 0 / 22 / 45 / 22

HEX #C89D6E

RGB 200 157 110

HSL 31.33, 0.45%, 0.61%

LAB 67.66, 9.94, 30.65

 

CMYK 45 / 0 / 22 / 22

HEX #6EC89D

RGB 110 200 157

HSL 151.33, 0.45%, 0.61%

LAB 74.23, -36.88, 13.25

 

CMYK 21 / 44 / 0 / 21

HEX #9F70C9

RGB 159 112 201

HSL 271.69, 0.45%, 0.61%

LAB 55.25, 35.69, -39.38

 

CMYK 0 / 45 / 32 / 22

HEX #C86E88

RGB 200 110 136

HSL 342.67, 0.45%, 0.61%

LAB 57.28, 38.52, 1.67

 

CMYK 23 / 0 / 45 / 22

HEX #9AC86E

RGB 154 200 110

HSL 90.67, 0.45%, 0.61%

LAB 75.64, -30.59, 40.06

 

CMYK 45 / 0 / 13 / 22

HEX #6EC8AE

RGB 110 200 174

HSL 162.67, 0.45%, 0.61%

LAB 74.62, -33.17, 4.65

 

CMYK 21 / 44 / 0 / 21

HEX #9F70C9

RGB 159 112 201

HSL 271.69, 0.45%, 0.61%

LAB 55.25, 35.69, -39.38

 

CMYK 0 / 44 / 45 / 22

HEX #C8706E

RGB 200 112 110

HSL 1.33, 0.45%, 0.61%

LAB 57.07, 34.43, 16.49

 

CMYK 23 / 0 / 45 / 22

HEX #9AC86E

RGB 154 200 110

HSL 90.67, 0.45%, 0.61%

LAB 75.64, -30.59, 40.06

 

CMYK 45 / 1 / 0 / 22

HEX #6EC6C8

RGB 110 198 200

HSL 181.33, 0.45%, 0.61%

LAB 74.74, -25.9, -9.25

 

Description

Color code: HEX #9F70C9 | qconv.com Color code: HEX #9F70C9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 112 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 112 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 44 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 44% 0% 21% C M Y K

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Provide designers and agencies with accurate color values.

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