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Color name
HEX #9F712C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F712C it is the complementary color #608ED3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F712C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F712C shade: #A47127, #B5833A, #C6954D, #D7A760 and #E8B973

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F712C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F712C shade: #9F712C, #8E5F19, #7D4D06, #6C3B00 and #5B2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F712C shade: #A0712B, #A0522B, #A0322B and #A02B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F712C shade: #A0712B, #A0902B, #8FA02B, #70A02B and #51A02B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F712C shade matches the following richer shades: #A0712B, #B0741B and #C1780A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F712C shade: #A0712B, #8F6E3C, #7F6B4C, #6E675D and #5E646D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F712C shade: #A0332B, #A0522B, #A0712B, #A0902B and #90A02B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F712C shade: #5F431A, #7F5A22, #A0712B, #C08834 and #CE9B4F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F712C shade: #9F712C, #43A02B and #432BA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F712C shade: #9F712C, #2BA071 and #712BA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F712C shade: #9F712C, #43A02B, #2B5AA0 and #882BA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F712C shade: #9F712C, #2BA037, #2B5AA0 and #A02B94

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 72 / 38

HEX #9F712C

RGB 159 113 44

HSL 36, 0.57%, 0.4%

LAB 51.11, 11.36, 43.94

 

Complementary color

CMYK 55 / 33 / 0 / 17

HEX #608ED3

RGB 96 142 211

HSL 216, 0.57%, 0.6%

LAB 58.54, 4.33, -40.2

 

CMYK 0 / 31 / 76 / 36

HEX #A47127

RGB 164 113 39

HSL 35.52, 0.62%, 0.4%

LAB 51.67, 13.37, 46.94

 

CMYK 0 / 28 / 68 / 29

HEX #B5833A

RGB 181 131 58

HSL 35.61, 0.51%, 0.47%

LAB 58.38, 11.84, 45.82

 

CMYK 0 / 25 / 61 / 22

HEX #C6954D

RGB 198 149 77

HSL 35.7, 0.51%, 0.54%

LAB 64.99, 10.56, 44.49

 

CMYK 0 / 22 / 55 / 16

HEX #D7A760

RGB 215 167 96

HSL 35.8, 0.6%, 0.61%

LAB 71.51, 9.47, 43.1

 

CMYK 0 / 20 / 50 / 9

HEX #E8B973

RGB 232 185 115

HSL 35.9, 0.72%, 0.68%

LAB 77.93, 8.54, 41.75

 

CMYK 0 / 29 / 72 / 38

HEX #9F712C

RGB 159 113 44

HSL 36, 0.57%, 0.4%

LAB 51.11, 11.36, 43.94

 

CMYK 0 / 33 / 82 / 44

HEX #8E5F19

RGB 142 95 25

HSL 35.9, 0.7%, 0.33%

LAB 44.24, 13.06, 44.76

 

CMYK 0 / 38 / 95 / 51

HEX #7D4D06

RGB 125 77 6

HSL 35.8, 0.91%, 0.26%

LAB 37.26, 15.14, 44.39

 

CMYK 0 / 45 / 100 / 58

HEX #6C3B00

RGB 108 59 0

HSL 32.78, 1%, 0.21%

LAB 30.2, 17.68, 40.47

 

CMYK 0 / 55 / 100 / 64

HEX #5B2900

RGB 91 41 0

HSL 27.03, 1%, 0.18%

LAB 23.03, 20.43, 33.04

 

CMYK 0 / 29 / 73 / 37

HEX #A0712B

RGB 160 113 43

HSL 35.9, 0.58%, 0.4%

LAB 51.22, 11.76, 44.55

 

CMYK 0 / 49 / 73 / 37

HEX #A0522B

RGB 160 82 43

HSL 20, 0.58%, 0.4%

LAB 43.77, 29.22, 36.68

 

CMYK 0 / 69 / 73 / 37

HEX #A0322B

RGB 160 50 43

HSL 3.59, 0.58%, 0.4%

LAB 37.72, 44.97, 29.91

 

CMYK 0 / 73 / 73 / 37

HEX #A02B2B

RGB 160 43 43

HSL 0, 0.58%, 0.4%

LAB 36.7, 47.76, 28.74

 

CMYK 0 / 29 / 73 / 37

HEX #A0712B

RGB 160 113 43

HSL 35.9, 0.58%, 0.4%

LAB 51.22, 11.76, 44.55

 

CMYK 0 / 10 / 73 / 37

HEX #A0902B

RGB 160 144 43

HSL 51.79, 0.58%, 0.4%

LAB 59.52, -5.56, 52.86

 

CMYK 11 / 0 / 73 / 37

HEX #8FA02B

RGB 143 160 43

HSL 68.72, 0.58%, 0.4%

LAB 62.64, -21.47, 55.4

 

CMYK 30 / 0 / 73 / 37

HEX #70A02B

RGB 112 160 43

HSL 84.62, 0.58%, 0.4%

LAB 60.57, -34.2, 52.67

 

CMYK 49 / 0 / 73 / 37

HEX #51A02B

RGB 81 160 43

HSL 100.51, 0.58%, 0.4%

LAB 59.03, -45.07, 50.63

 

CMYK 0 / 29 / 73 / 37

HEX #A0712B

RGB 160 113 43

HSL 35.9, 0.58%, 0.4%

LAB 51.22, 11.76, 44.55

 

CMYK 0 / 34 / 85 / 31

HEX #B0741B

RGB 176 116 27

HSL 35.84, 0.73%, 0.4%

LAB 53.81, 16.63, 54.1

 

CMYK 0 / 38 / 95 / 24

HEX #C1780A

RGB 193 120 10

HSL 36.07, 0.9%, 0.4%

LAB 56.87, 21.58, 61.71

 

CMYK 0 / 29 / 73 / 37

HEX #A0712B

RGB 160 113 43

HSL 35.9, 0.58%, 0.4%

LAB 51.22, 11.76, 44.55

 

CMYK 0 / 23 / 58 / 44

HEX #8F6E3C

RGB 143 110 60

HSL 36.14, 0.41%, 0.4%

LAB 48.66, 6.93, 32.58

 

CMYK 0 / 16 / 40 / 50

HEX #7F6B4C

RGB 127 107 76

HSL 36.47, 0.25%, 0.4%

LAB 46.38, 3.21, 20.32

 

CMYK 0 / 6 / 15 / 57

HEX #6E675D

RGB 110 103 93

HSL 35.29, 0.08%, 0.4%

LAB 43.95, 0.88, 6.63

 

CMYK 14 / 8 / 0 / 57

HEX #5E646D

RGB 94 100 109

HSL 216, 0.07%, 0.4%

LAB 42.15, -0.28, -5.87

 

CMYK 0 / 68 / 73 / 37

HEX #A0332B

RGB 160 51 43

HSL 4.1, 0.58%, 0.4%

LAB 37.87, 44.55, 30.09

 

CMYK 0 / 49 / 73 / 37

HEX #A0522B

RGB 160 82 43

HSL 20, 0.58%, 0.4%

LAB 43.77, 29.22, 36.68

 

CMYK 0 / 29 / 73 / 37

HEX #A0712B

RGB 160 113 43

HSL 35.9, 0.58%, 0.4%

LAB 51.22, 11.76, 44.55

 

CMYK 0 / 10 / 73 / 37

HEX #A0902B

RGB 160 144 43

HSL 51.79, 0.58%, 0.4%

LAB 59.52, -5.56, 52.86

 

CMYK 10 / 0 / 73 / 37

HEX #90A02B

RGB 144 160 43

HSL 68.21, 0.58%, 0.4%

LAB 62.71, -21.04, 55.5

 

CMYK 0 / 29 / 73 / 63

HEX #5F431A

RGB 95 67 26

HSL 35.65, 0.57%, 0.24%

LAB 30.69, 7.45, 28.89

 

CMYK 0 / 29 / 73 / 50

HEX #7F5A22

RGB 127 90 34

HSL 36.13, 0.58%, 0.32%

LAB 41.12, 9.39, 37.09

 

CMYK 0 / 29 / 73 / 37

HEX #A0712B

RGB 160 113 43

HSL 35.9, 0.58%, 0.4%

LAB 51.22, 11.76, 44.55

 

CMYK 0 / 29 / 73 / 25

HEX #C08834

RGB 192 136 52

HSL 36, 0.57%, 0.48%

LAB 60.84, 13.58, 51.54

 

CMYK 0 / 25 / 62 / 19

HEX #CE9B4F

RGB 206 155 79

HSL 35.91, 0.56%, 0.56%

LAB 67.37, 10.86, 46.47

 

CMYK 0 / 29 / 72 / 38

HEX #9F712C

RGB 159 113 44

HSL 36, 0.57%, 0.4%

LAB 51.11, 11.36, 43.94

 

CMYK 58 / 0 / 73 / 37

HEX #43A02B

RGB 67 160 43

HSL 107.69, 0.58%, 0.4%

LAB 58.52, -49.08, 49.93

 

CMYK 58 / 73 / 0 / 37

HEX #432BA0

RGB 67 43 160

HSL 252.31, 0.58%, 0.4%

LAB 28, 42.56, -59.56

 

CMYK 0 / 29 / 72 / 38

HEX #9F712C

RGB 159 113 44

HSL 36, 0.57%, 0.4%

LAB 51.11, 11.36, 43.94

 

CMYK 73 / 0 / 29 / 37

HEX #2BA071

RGB 43 160 113

HSL 155.9, 0.58%, 0.4%

LAB 58.83, -43.36, 15.46

 

CMYK 29 / 73 / 0 / 37

HEX #712BA0

RGB 113 43 160

HSL 275.9, 0.58%, 0.4%

LAB 33.51, 50.76, -50.35

 

CMYK 0 / 29 / 72 / 38

HEX #9F712C

RGB 159 113 44

HSL 36, 0.57%, 0.4%

LAB 51.11, 11.36, 43.94

 

CMYK 58 / 0 / 73 / 37

HEX #43A02B

RGB 67 160 43

HSL 107.69, 0.58%, 0.4%

LAB 58.52, -49.08, 49.93

 

CMYK 73 / 44 / 0 / 37

HEX #2B5AA0

RGB 43 90 160

HSL 215.9, 0.58%, 0.4%

LAB 38.49, 8.78, -42.64

 

CMYK 15 / 73 / 0 / 37

HEX #882BA0

RGB 136 43 160

HSL 287.69, 0.58%, 0.4%

LAB 36.93, 55.56, -44.66

 

CMYK 0 / 29 / 72 / 38

HEX #9F712C

RGB 159 113 44

HSL 36, 0.57%, 0.4%

LAB 51.11, 11.36, 43.94

 

CMYK 73 / 0 / 66 / 37

HEX #2BA037

RGB 43 160 55

HSL 126.15, 0.58%, 0.4%

LAB 57.97, -53.18, 44.23

 

CMYK 73 / 44 / 0 / 37

HEX #2B5AA0

RGB 43 90 160

HSL 215.9, 0.58%, 0.4%

LAB 38.49, 8.78, -42.64

 

CMYK 0 / 73 / 7 / 37

HEX #A02B94

RGB 160 43 148

HSL 306.15, 0.58%, 0.4%

LAB 40.15, 58.85, -32.04

 

Description

Color code: HEX #9F712C | qconv.com Color code: HEX #9F712C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 113 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 113 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 72 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 72% 38% C M Y K

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Provide designers and agencies with accurate color values.

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