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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F88D2 it is the complementary color #60772D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F88D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F88D2 shade: #A488CD, #B59AE0, #C6ACF3, #D7BEFF and #E8D0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F88D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F88D2 shade: #9F88D2, #8E76BF, #7D64AC, #6C5299 and #5B4086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F88D2 shade: #9F88D2, #B388D2, #C788D2, #D288C9 and #D288B5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F88D2 shade: #9F88D2, #8B88D2 and #8888D2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F88D2 shade matches the following richer shades: #9F88D2, #9A7BDF, #956EEC and #9061F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F88D2 shade: #9F88D2, #A495C4, #A9A3B7, #AEB0AA and #B3BD9D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F88D2 shade: #8899D2, #8B88D2, #9E88D2, #B288D2 and #C588D2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F88D2 shade: #6F4CBB, #876AC6, #9F88D2, #B7A6DD and #CFC4E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F88D2 shade: #9F88D2, #D288AD and #90D288

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F88D2 shade: #9F88D2, #D29E88 and #88D29E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F88D2 shade: #9F88D2, #D288AD, #BCD288 and #88D2AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F88D2 shade: #9F88D2, #D28897, #BCD288 and #88D2C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

Complementary color

CMYK 19 / 0 / 62 / 53

HEX #60772D

RGB 96 119 45

HSL 78.65, 0.45%, 0.32%

LAB 46.8, -20.61, 37.05

 

CMYK 20 / 34 / 0 / 20

HEX #A488CD

RGB 164 136 205

HSL 264.35, 0.41%, 0.67%

LAB 61.58, 24.46, -31.73

 

CMYK 19 / 31 / 0 / 12

HEX #B59AE0

RGB 181 154 224

HSL 263.14, 0.53%, 0.74%

LAB 68.25, 23.82, -31.83

 

CMYK 19 / 29 / 0 / 5

HEX #C6ACF3

RGB 198 172 243

HSL 261.97, 0.75%, 0.81%

LAB 74.81, 23.24, -31.95

 

CMYK 16 / 25 / 0 / 0

HEX #D7BEFF

RGB 215 190 255

HSL 263.08, 1%, 0.87%

LAB 81.01, 21.2, -28.75

 

CMYK 9 / 18 / 0 / 0

HEX #E8D0FF

RGB 232 208 255

HSL 270.64, 1%, 0.91%

LAB 86.74, 16.87, -19.9

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 26 / 38 / 0 / 25

HEX #8E76BF

RGB 142 118 191

HSL 259.73, 0.36%, 0.61%

LAB 54.52, 24.87, -34.94

 

CMYK 27 / 42 / 0 / 33

HEX #7D64AC

RGB 125 100 172

HSL 260.83, 0.3%, 0.53%

LAB 47.56, 25.68, -34.98

 

CMYK 29 / 46 / 0 / 40

HEX #6C5299

RGB 108 82 153

HSL 261.97, 0.3%, 0.46%

LAB 40.45, 26.6, -35.06

 

CMYK 32 / 52 / 0 / 47

HEX #5B4086

RGB 91 64 134

HSL 263.14, 0.35%, 0.39%

LAB 33.16, 27.63, -35.16

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 15 / 35 / 0 / 18

HEX #B388D2

RGB 179 136 210

HSL 274.86, 0.45%, 0.68%

LAB 63.21, 30.19, -31.88

 

CMYK 5 / 35 / 0 / 18

HEX #C788D2

RGB 199 136 210

HSL 291.08, 0.45%, 0.68%

LAB 65.28, 36.41, -28.52

 

CMYK 0 / 35 / 4 / 18

HEX #D288C9

RGB 210 136 201

HSL 307.3, 0.45%, 0.68%

LAB 66.16, 38.23, -22.04

 

CMYK 0 / 35 / 14 / 18

HEX #D288B5

RGB 210 136 181

HSL 323.51, 0.45%, 0.68%

LAB 65.47, 34.8, -11.85

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 34 / 35 / 0 / 18

HEX #8B88D2

RGB 139 136 210

HSL 242.43, 0.45%, 0.68%

LAB 59.66, 18.35, -37.68

 

CMYK 35 / 35 / 0 / 18

HEX #8888D2

RGB 136 136 210

HSL 240, 0.45%, 0.68%

LAB 59.43, 17.52, -38.06

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 31 / 45 / 0 / 13

HEX #9A7BDF

RGB 154 123 223

HSL 258.6, 0.61%, 0.68%

LAB 58.38, 33.38, -46.9

 

CMYK 37 / 53 / 0 / 7

HEX #956EEC

RGB 149 110 236

HSL 258.57, 0.77%, 0.68%

LAB 55.68, 42.84, -58.49

 

CMYK 42 / 61 / 0 / 2

HEX #9061F9

RGB 144 97 249

HSL 258.55, 0.93%, 0.68%

LAB 53.3, 52.29, -69.6

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 16 / 24 / 0 / 23

HEX #A495C4

RGB 164 149 196

HSL 259.15, 0.28%, 0.68%

LAB 64.46, 15.02, -22.24

 

CMYK 8 / 11 / 0 / 28

HEX #A9A3B7

RGB 169 163 183

HSL 258, 0.12%, 0.68%

LAB 68.06, 6.05, -9.52

 

CMYK 1 / 0 / 3 / 31

HEX #AEB0AA

RGB 174 176 170

HSL 80, 0.04%, 0.68%

LAB 71.52, -1.82, 2.81

 

CMYK 5 / 0 / 17 / 26

HEX #B3BD9D

RGB 179 189 157

HSL 78.75, 0.2%, 0.68%

LAB 75.08, -9.15, 15.03

 

CMYK 35 / 27 / 0 / 18

HEX #8899D2

RGB 136 153 210

HSL 226.22, 0.45%, 0.68%

LAB 63.89, 7.69, -31.11

 

CMYK 34 / 35 / 0 / 18

HEX #8B88D2

RGB 139 136 210

HSL 242.43, 0.45%, 0.68%

LAB 59.66, 18.35, -37.68

 

CMYK 25 / 35 / 0 / 18

HEX #9E88D2

RGB 158 136 210

HSL 257.84, 0.45%, 0.68%

LAB 61.25, 23.84, -35.09

 

CMYK 15 / 35 / 0 / 18

HEX #B288D2

RGB 178 136 210

HSL 274.05, 0.45%, 0.68%

LAB 63.12, 29.88, -32.04

 

CMYK 6 / 35 / 0 / 18

HEX #C588D2

RGB 197 136 210

HSL 289.46, 0.45%, 0.68%

LAB 65.07, 35.78, -28.86

 

CMYK 41 / 59 / 0 / 27

HEX #6F4CBB

RGB 111 76 187

HSL 258.92, 0.45%, 0.52%

LAB 41.43, 40.16, -53.62

 

CMYK 32 / 46 / 0 / 22

HEX #876AC6

RGB 135 106 198

HSL 258.91, 0.45%, 0.6%

LAB 51.31, 31.68, -44.06

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 17 / 25 / 0 / 13

HEX #B7A6DD

RGB 183 166 221

HSL 258.55, 0.45%, 0.76%

LAB 71.26, 17.08, -25.55

 

CMYK 11 / 16 / 0 / 9

HEX #CFC4E8

RGB 207 196 232

HSL 258.33, 0.44%, 0.84%

LAB 81.06, 10.66, -16.45

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 0 / 35 / 18 / 18

HEX #D288AD

RGB 210 136 173

HSL 330, 0.45%, 0.68%

LAB 65.22, 33.52, -7.71

 

CMYK 31 / 0 / 35 / 18

HEX #90D288

RGB 144 210 136

HSL 113.51, 0.45%, 0.68%

LAB 78.35, -35.14, 30.22

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 0 / 25 / 35 / 18

HEX #D29E88

RGB 210 158 136

HSL 17.84, 0.45%, 0.68%

LAB 69.42, 16.38, 19.01

 

CMYK 35 / 0 / 25 / 18

HEX #88D29E

RGB 136 210 158

HSL 137.84, 0.45%, 0.68%

LAB 78.34, -33.93, 18.64

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 0 / 35 / 18 / 18

HEX #D288AD

RGB 210 136 173

HSL 330, 0.45%, 0.68%

LAB 65.22, 33.52, -7.71

 

CMYK 10 / 0 / 35 / 18

HEX #BCD288

RGB 188 210 136

HSL 77.84, 0.45%, 0.68%

LAB 81.05, -19.51, 34.28

 

CMYK 35 / 0 / 18 / 18

HEX #88D2AD

RGB 136 210 173

HSL 150, 0.45%, 0.68%

LAB 78.66, -31.03, 11.13

 

CMYK 24 / 35 / 0 / 18

HEX #9F88D2

RGB 159 136 210

HSL 258.65, 0.45%, 0.68%

LAB 61.34, 24.13, -34.95

 

CMYK 0 / 35 / 28 / 18

HEX #D28897

RGB 210 136 151

HSL 347.84, 0.45%, 0.68%

LAB 64.6, 30.28, 3.82

 

CMYK 10 / 0 / 35 / 18

HEX #BCD288

RGB 188 210 136

HSL 77.84, 0.45%, 0.68%

LAB 81.05, -19.51, 34.28

 

CMYK 35 / 0 / 7 / 18

HEX #88D2C3

RGB 136 210 195

HSL 167.84, 0.45%, 0.68%

LAB 79.2, -26.34, 0.14

 

Description

Color code: HEX #9F88D2 | qconv.com Color code: HEX #9F88D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 136 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 136 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 35 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 35% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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