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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F8043 it is the complementary color #607FBC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F8043. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F8043 shade: #A4803E, #B59251, #C6A464, #D7B677 and #E8C88A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F8043. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F8043 shade: #9F8043, #8E6E30, #7D5C1D, #6C4A0A and #5B3800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F8043 shade: #9E7F42, #9E6642, #9E4D42 and #9E4242

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F8043 shade: #9E7F42, #9E9842, #8B9E42, #729E42 and #599E42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F8043 shade matches the following richer shades: #9E7F42, #B08530, #C28B1D and #D4900B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F8043 shade: #9E7F42, #8C7954, #797366, #676D78 and #55678A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F8043 shade: #9E4C42, #9E6542, #9E7E42, #9E9642 and #8D9E42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F8043 shade: #645029, #816736, #9E7F42, #B69552 and #C3A76F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F8043 shade: #9F8043, #4F9E42 and #59429E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F8043 shade: #9F8043, #429E7E and #7E429E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F8043 shade: #9F8043, #4F9E42, #42629E and #90429E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F8043 shade: #9F8043, #429E4F, #42629E and #9E4290

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 58 / 38

HEX #9F8043

RGB 159 128 67

HSL 39.78, 0.41%, 0.44%

LAB 55.29, 4.42, 37.18

 

Complementary color

CMYK 49 / 32 / 0 / 26

HEX #607FBC

RGB 96 127 188

HSL 219.78, 0.41%, 0.56%

LAB 53.27, 6.02, -35.43

 

CMYK 0 / 22 / 62 / 36

HEX #A4803E

RGB 164 128 62

HSL 38.82, 0.45%, 0.44%

LAB 55.76, 6.25, 40.43

 

CMYK 0 / 19 / 55 / 29

HEX #B59251

RGB 181 146 81

HSL 39, 0.4%, 0.51%

LAB 62.49, 5.2, 39.06

 

CMYK 0 / 17 / 49 / 22

HEX #C6A464

RGB 198 164 100

HSL 39.18, 0.46%, 0.58%

LAB 69.1, 4.32, 37.71

 

CMYK 0 / 15 / 45 / 16

HEX #D7B677

RGB 215 182 119

HSL 39.38, 0.55%, 0.65%

LAB 75.6, 3.58, 36.41

 

CMYK 0 / 14 / 41 / 9

HEX #E8C88A

RGB 232 200 138

HSL 39.57, 0.67%, 0.73%

LAB 82, 2.95, 35.17

 

CMYK 0 / 19 / 58 / 38

HEX #9F8043

RGB 159 128 67

HSL 39.78, 0.41%, 0.44%

LAB 55.29, 4.42, 37.18

 

CMYK 0 / 23 / 66 / 44

HEX #8E6E30

RGB 142 110 48

HSL 39.57, 0.49%, 0.37%

LAB 48.41, 5.56, 38.53

 

CMYK 0 / 26 / 77 / 51

HEX #7D5C1D

RGB 125 92 29

HSL 39.38, 0.62%, 0.3%

LAB 41.38, 6.99, 39.62

 

CMYK 0 / 31 / 91 / 58

HEX #6C4A0A

RGB 108 74 10

HSL 39.18, 0.83%, 0.23%

LAB 34.21, 8.83, 39.77

 

CMYK 0 / 38 / 100 / 64

HEX #5B3800

RGB 91 56 0

HSL 36.92, 1%, 0.18%

LAB 26.88, 11.19, 36.72

 

CMYK 0 / 20 / 58 / 38

HEX #9E7F42

RGB 158 127 66

HSL 39.78, 0.41%, 0.44%

LAB 54.91, 4.46, 37.22

 

CMYK 0 / 35 / 58 / 38

HEX #9E6642

RGB 158 102 66

HSL 23.48, 0.41%, 0.44%

LAB 48.47, 18.7, 29.45

 

CMYK 0 / 51 / 58 / 38

HEX #9E4D42

RGB 158 77 66

HSL 7.17, 0.41%, 0.44%

LAB 42.72, 32.63, 22.19

 

CMYK 0 / 58 / 58 / 38

HEX #9E4242

RGB 158 66 66

HSL 0, 0.41%, 0.44%

LAB 40.51, 38.33, 19.31

 

CMYK 0 / 20 / 58 / 38

HEX #9E7F42

RGB 158 127 66

HSL 39.78, 0.41%, 0.44%

LAB 54.91, 4.46, 37.22

 

CMYK 0 / 4 / 58 / 38

HEX #9E9842

RGB 158 152 66

HSL 56.09, 0.41%, 0.44%

LAB 61.76, -9.29, 45.11

 

CMYK 12 / 0 / 58 / 38

HEX #8B9E42

RGB 139 158 66

HSL 72.39, 0.41%, 0.44%

LAB 61.94, -20.56, 44.9

 

CMYK 28 / 0 / 58 / 38

HEX #729E42

RGB 114 158 66

HSL 88.7, 0.41%, 0.44%

LAB 60.27, -30.62, 42.55

 

CMYK 44 / 0 / 58 / 38

HEX #599E42

RGB 89 158 66

HSL 105, 0.41%, 0.44%

LAB 58.95, -39.52, 40.68

 

CMYK 0 / 20 / 58 / 38

HEX #9E7F42

RGB 158 127 66

HSL 39.78, 0.41%, 0.44%

LAB 54.91, 4.46, 37.22

 

CMYK 0 / 24 / 73 / 31

HEX #B08530

RGB 176 133 48

HSL 39.84, 0.57%, 0.44%

LAB 58.24, 7.96, 50.07

 

CMYK 0 / 28 / 85 / 24

HEX #C28B1D

RGB 194 139 29

HSL 40, 0.74%, 0.44%

LAB 61.67, 11.95, 60.96

 

CMYK 0 / 32 / 95 / 17

HEX #D4900B

RGB 212 144 11

HSL 39.7, 0.9%, 0.44%

LAB 64.94, 16.82, 68.34

 

CMYK 0 / 20 / 58 / 38

HEX #9E7F42

RGB 158 127 66

HSL 39.78, 0.41%, 0.44%

LAB 54.91, 4.46, 37.22

 

CMYK 0 / 14 / 40 / 45

HEX #8C7954

RGB 140 121 84

HSL 39.64, 0.25%, 0.44%

LAB 51.71, 1.78, 23

 

CMYK 0 / 5 / 16 / 53

HEX #797366

RGB 121 115 102

HSL 41.05, 0.09%, 0.44%

LAB 48.62, -0.09, 8.02

 

CMYK 14 / 9 / 0 / 53

HEX #676D78

RGB 103 109 120

HSL 218.82, 0.08%, 0.44%

LAB 45.88, 0.17, -6.89

 

CMYK 38 / 25 / 0 / 46

HEX #55678A

RGB 85 103 138

HSL 219.62, 0.24%, 0.44%

LAB 43.46, 2.54, -21.48

 

CMYK 0 / 52 / 58 / 38

HEX #9E4C42

RGB 158 76 66

HSL 6.52, 0.41%, 0.44%

LAB 42.51, 33.17, 21.92

 

CMYK 0 / 36 / 58 / 38

HEX #9E6542

RGB 158 101 66

HSL 22.83, 0.41%, 0.44%

LAB 48.22, 19.27, 29.15

 

CMYK 0 / 20 / 58 / 38

HEX #9E7E42

RGB 158 126 66

HSL 39.13, 0.41%, 0.44%

LAB 54.64, 5.02, 36.91

 

CMYK 0 / 5 / 58 / 38

HEX #9E9642

RGB 158 150 66

HSL 54.78, 0.41%, 0.44%

LAB 61.2, -8.22, 44.48

 

CMYK 11 / 0 / 58 / 38

HEX #8D9E42

RGB 141 158 66

HSL 71.09, 0.41%, 0.44%

LAB 62.09, -19.72, 45.11

 

CMYK 0 / 20 / 59 / 61

HEX #645029

RGB 100 80 41

HSL 39.66, 0.42%, 0.28%

LAB 35.22, 3.05, 25.89

 

CMYK 0 / 20 / 58 / 49

HEX #816736

RGB 129 103 54

HSL 39.2, 0.41%, 0.36%

LAB 45.13, 4.1, 31.25

 

CMYK 0 / 20 / 58 / 38

HEX #9E7F42

RGB 158 127 66

HSL 39.78, 0.41%, 0.44%

LAB 54.91, 4.46, 37.22

 

CMYK 0 / 18 / 55 / 29

HEX #B69552

RGB 182 149 82

HSL 40.2, 0.41%, 0.52%

LAB 63.38, 4.07, 39.65

 

CMYK 0 / 14 / 43 / 24

HEX #C3A76F

RGB 195 167 111

HSL 40, 0.41%, 0.6%

LAB 69.74, 2.57, 32.71

 

CMYK 0 / 19 / 58 / 38

HEX #9F8043

RGB 159 128 67

HSL 39.78, 0.41%, 0.44%

LAB 55.29, 4.42, 37.18

 

CMYK 50 / 0 / 58 / 38

HEX #4F9E42

RGB 79 158 66

HSL 111.52, 0.41%, 0.44%

LAB 58.52, -42.64, 40.07

 

CMYK 44 / 58 / 0 / 38

HEX #59429E

RGB 89 66 158

HSL 255, 0.41%, 0.44%

LAB 34.98, 32.75, -46.91

 

CMYK 0 / 19 / 58 / 38

HEX #9F8043

RGB 159 128 67

HSL 39.78, 0.41%, 0.44%

LAB 55.29, 4.42, 37.18

 

CMYK 58 / 0 / 20 / 38

HEX #429E7E

RGB 66 158 126

HSL 159.13, 0.41%, 0.44%

LAB 59.08, -35.24, 8.62

 

CMYK 20 / 58 / 0 / 38

HEX #7E429E

RGB 126 66 158

HSL 279.13, 0.41%, 0.44%

LAB 39.24, 42.06, -39.84

 

CMYK 0 / 19 / 58 / 38

HEX #9F8043

RGB 159 128 67

HSL 39.78, 0.41%, 0.44%

LAB 55.29, 4.42, 37.18

 

CMYK 50 / 0 / 58 / 38

HEX #4F9E42

RGB 79 158 66

HSL 111.52, 0.41%, 0.44%

LAB 58.52, -42.64, 40.07

 

CMYK 58 / 38 / 0 / 38

HEX #42629E

RGB 66 98 158

HSL 219.13, 0.41%, 0.44%

LAB 41.79, 7.12, -36.13

 

CMYK 9 / 58 / 0 / 38

HEX #90429E

RGB 144 66 158

HSL 290.87, 0.41%, 0.44%

LAB 41.68, 46.89, -35.82

 

CMYK 0 / 19 / 58 / 38

HEX #9F8043

RGB 159 128 67

HSL 39.78, 0.41%, 0.44%

LAB 55.29, 4.42, 37.18

 

CMYK 58 / 0 / 50 / 38

HEX #429E4F

RGB 66 158 79

HSL 128.48, 0.41%, 0.44%

LAB 58.2, -44.43, 33.09

 

CMYK 58 / 38 / 0 / 38

HEX #42629E

RGB 66 98 158

HSL 219.13, 0.41%, 0.44%

LAB 41.79, 7.12, -36.13

 

CMYK 0 / 58 / 9 / 38

HEX #9E4290

RGB 158 66 144

HSL 309.13, 0.41%, 0.44%

LAB 43.03, 48.22, -25.13

 

Description

Color code: HEX #9F8043 | qconv.com Color code: HEX #9F8043 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 128 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 128 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 58 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 58% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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