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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F8270 it is the complementary color #607D8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F8270. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F8270 shade: #A4826B, #B5947E, #C6A691, #D7B8A4 and #E8CAB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F8270. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F8270 shade: #9F8270, #8E705D, #7D5E4A, #6C4C37 and #5B3A24

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F8270 shade: #9F816F, #9F746F and #9F6F6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F8270 shade: #9F816F, #9F8E6F, #9F9B6F, #959F6F and #889F6F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F8270 shade matches the following richer shades: #9F816F, #B27D5B, #C57848, #D97335 and #EC6F21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F8270 shade: #9F816F, #8B8682, #788A95, #648FA9 and #5193BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F8270 shade: #9F6F77, #9F736F, #9F806F, #9F8D6F and #9F9A6F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F8270 shade: #70594B, #896D5B, #9F816F, #AF9787 and #C0ACA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F8270 shade: #9F8270, #839F6F and #6F709F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F8270 shade: #9F8270, #6F9F80 and #806F9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F8270 shade: #9F8270, #839F6F, #6F8D9F and #8A6F9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F8270 shade: #9F8270, #759F6F, #6F8D9F and #986F9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 30 / 38

HEX #9F8270

RGB 159 130 112

HSL 22.98, 0.2%, 0.53%

LAB 56.59, 8.34, 13.92

 

Complementary color

CMYK 33 / 13 / 0 / 44

HEX #607D8F

RGB 96 125 143

HSL 202.98, 0.2%, 0.47%

LAB 50.85, -5.79, -13.1

 

CMYK 0 / 21 / 35 / 36

HEX #A4826B

RGB 164 130 107

HSL 24.21, 0.24%, 0.53%

LAB 57, 9.71, 17.42

 

CMYK 0 / 18 / 30 / 29

HEX #B5947E

RGB 181 148 126

HSL 24, 0.27%, 0.6%

LAB 63.76, 9.08, 16.29

 

CMYK 0 / 16 / 27 / 22

HEX #C6A691

RGB 198 166 145

HSL 23.77, 0.32%, 0.67%

LAB 70.4, 8.53, 15.24

 

CMYK 0 / 14 / 24 / 16

HEX #D7B8A4

RGB 215 184 164

HSL 23.53, 0.39%, 0.74%

LAB 76.93, 8.04, 14.27

 

CMYK 0 / 13 / 21 / 9

HEX #E8CAB7

RGB 232 202 183

HSL 23.27, 0.52%, 0.81%

LAB 83.35, 7.61, 13.36

 

CMYK 0 / 18 / 30 / 38

HEX #9F8270

RGB 159 130 112

HSL 22.98, 0.2%, 0.53%

LAB 56.59, 8.34, 13.92

 

CMYK 0 / 21 / 35 / 44

HEX #8E705D

RGB 142 112 93

HSL 23.27, 0.21%, 0.46%

LAB 49.65, 8.98, 15.07

 

CMYK 0 / 25 / 41 / 51

HEX #7D5E4A

RGB 125 94 74

HSL 23.53, 0.26%, 0.39%

LAB 42.55, 9.76, 16.36

 

CMYK 0 / 30 / 49 / 58

HEX #6C4C37

RGB 108 76 55

HSL 23.77, 0.33%, 0.32%

LAB 35.27, 10.72, 17.83

 

CMYK 0 / 36 / 60 / 64

HEX #5B3A24

RGB 91 58 36

HSL 24, 0.43%, 0.25%

LAB 27.78, 11.96, 19.55

 

CMYK 0 / 19 / 30 / 38

HEX #9F816F

RGB 159 129 111

HSL 22.5, 0.2%, 0.53%

LAB 56.31, 8.77, 14.1

 

CMYK 0 / 27 / 30 / 38

HEX #9F746F

RGB 159 116 111

HSL 6.25, 0.2%, 0.53%

LAB 52.96, 16.19, 9.42

 

CMYK 0 / 30 / 30 / 38

HEX #9F6F6F

RGB 159 111 111

HSL 0, 0.2%, 0.53%

LAB 51.71, 19.05, 7.64

 

CMYK 0 / 19 / 30 / 38

HEX #9F816F

RGB 159 129 111

HSL 22.5, 0.2%, 0.53%

LAB 56.31, 8.77, 14.1

 

CMYK 0 / 11 / 30 / 38

HEX #9F8E6F

RGB 159 142 111

HSL 38.75, 0.2%, 0.53%

LAB 59.77, 1.46, 18.86

 

CMYK 0 / 3 / 30 / 38

HEX #9F9B6F

RGB 159 155 111

HSL 55, 0.2%, 0.53%

LAB 63.31, -5.68, 23.65

 

CMYK 6 / 0 / 30 / 38

HEX #959F6F

RGB 149 159 111

HSL 72.5, 0.2%, 0.53%

LAB 63.62, -11.83, 23.92

 

CMYK 14 / 0 / 30 / 38

HEX #889F6F

RGB 136 159 111

HSL 88.75, 0.2%, 0.53%

LAB 62.66, -16.9, 22.47

 

CMYK 0 / 19 / 30 / 38

HEX #9F816F

RGB 159 129 111

HSL 22.5, 0.2%, 0.53%

LAB 56.31, 8.77, 14.1

 

CMYK 0 / 30 / 49 / 30

HEX #B27D5B

RGB 178 125 91

HSL 23.45, 0.36%, 0.53%

LAB 56.97, 16.52, 26.7

 

CMYK 0 / 39 / 63 / 23

HEX #C57848

RGB 197 120 72

HSL 23.04, 0.52%, 0.53%

LAB 57.82, 25.66, 38.64

 

CMYK 0 / 47 / 76 / 15

HEX #D97335

RGB 217 115 53

HSL 22.68, 0.68%, 0.53%

LAB 59.22, 35.46, 50.48

 

CMYK 0 / 53 / 86 / 7

HEX #EC6F21

RGB 236 111 33

HSL 23.05, 0.84%, 0.53%

LAB 61.06, 44.27, 61.43

 

CMYK 0 / 19 / 30 / 38

HEX #9F816F

RGB 159 129 111

HSL 22.5, 0.2%, 0.53%

LAB 56.31, 8.77, 14.1

 

CMYK 0 / 4 / 6 / 45

HEX #8B8682

RGB 139 134 130

HSL 26.67, 0.04%, 0.53%

LAB 56.24, 1.11, 2.81

 

CMYK 19 / 7 / 0 / 42

HEX #788A95

RGB 120 138 149

HSL 202.76, 0.12%, 0.53%

LAB 56.43, -3.99, -8.04

 

CMYK 41 / 15 / 0 / 34

HEX #648FA9

RGB 100 143 169

HSL 202.61, 0.29%, 0.53%

LAB 57.29, -7.79, -18.34

 

CMYK 57 / 22 / 0 / 26

HEX #5193BC

RGB 81 147 188

HSL 202.99, 0.44%, 0.53%

LAB 58.27, -8.99, -27.71

 

CMYK 0 / 30 / 25 / 38

HEX #9F6F77

RGB 159 111 119

HSL 350, 0.2%, 0.53%

LAB 51.92, 20.23, 3.22

 

CMYK 0 / 28 / 30 / 38

HEX #9F736F

RGB 159 115 111

HSL 5, 0.2%, 0.53%

LAB 52.71, 16.76, 9.06

 

CMYK 0 / 19 / 30 / 38

HEX #9F806F

RGB 159 128 111

HSL 21.25, 0.2%, 0.53%

LAB 56.04, 9.34, 13.74

 

CMYK 0 / 11 / 30 / 38

HEX #9F8D6F

RGB 159 141 111

HSL 37.5, 0.2%, 0.53%

LAB 59.5, 2.01, 18.5

 

CMYK 0 / 3 / 30 / 38

HEX #9F9A6F

RGB 159 154 111

HSL 53.75, 0.2%, 0.53%

LAB 63.04, -5.14, 23.28

 

CMYK 0 / 21 / 33 / 56

HEX #70594B

RGB 112 89 75

HSL 22.7, 0.2%, 0.37%

LAB 39.74, 7.2, 11.68

 

CMYK 0 / 20 / 34 / 46

HEX #896D5B

RGB 137 109 91

HSL 23.48, 0.2%, 0.45%

LAB 48.27, 8.34, 14.27

 

CMYK 0 / 19 / 30 / 38

HEX #9F816F

RGB 159 129 111

HSL 22.5, 0.2%, 0.53%

LAB 56.31, 8.77, 14.1

 

CMYK 0 / 14 / 23 / 31

HEX #AF9787

RGB 175 151 135

HSL 24, 0.2%, 0.61%

LAB 64.16, 6.33, 11.71

 

CMYK 0 / 10 / 17 / 25

HEX #C0ACA0

RGB 192 172 160

HSL 22.5, 0.2%, 0.69%

LAB 71.72, 5.23, 8.79

 

CMYK 0 / 18 / 30 / 38

HEX #9F8270

RGB 159 130 112

HSL 22.98, 0.2%, 0.53%

LAB 56.59, 8.34, 13.92

 

CMYK 18 / 0 / 30 / 38

HEX #839F6F

RGB 131 159 111

HSL 95, 0.2%, 0.53%

LAB 62.31, -18.79, 21.94

 

CMYK 30 / 30 / 0 / 38

HEX #6F709F

RGB 111 112 159

HSL 238.75, 0.2%, 0.53%

LAB 48.85, 10.81, -25.45

 

CMYK 0 / 18 / 30 / 38

HEX #9F8270

RGB 159 130 112

HSL 22.98, 0.2%, 0.53%

LAB 56.59, 8.34, 13.92

 

CMYK 30 / 0 / 19 / 38

HEX #6F9F80

RGB 111 159 128

HSL 141.25, 0.2%, 0.53%

LAB 61.42, -22.83, 11.09

 

CMYK 19 / 30 / 0 / 38

HEX #806F9F

RGB 128 111 159

HSL 261.25, 0.2%, 0.53%

LAB 50.05, 16.82, -23.47

 

CMYK 0 / 18 / 30 / 38

HEX #9F8270

RGB 159 130 112

HSL 22.98, 0.2%, 0.53%

LAB 56.59, 8.34, 13.92

 

CMYK 18 / 0 / 30 / 38

HEX #839F6F

RGB 131 159 111

HSL 95, 0.2%, 0.53%

LAB 62.31, -18.79, 21.94

 

CMYK 30 / 11 / 0 / 38

HEX #6F8D9F

RGB 111 141 159

HSL 202.5, 0.2%, 0.53%

LAB 57.01, -6.14, -12.97

 

CMYK 13 / 30 / 0 / 38

HEX #8A6F9F

RGB 138 111 159

HSL 273.75, 0.2%, 0.53%

LAB 51.01, 20.13, -21.91

 

CMYK 0 / 18 / 30 / 38

HEX #9F8270

RGB 159 130 112

HSL 22.98, 0.2%, 0.53%

LAB 56.59, 8.34, 13.92

 

CMYK 26 / 0 / 30 / 38

HEX #759F6F

RGB 117 159 111

HSL 112.5, 0.2%, 0.53%

LAB 61.42, -23.92, 20.58

 

CMYK 30 / 11 / 0 / 38

HEX #6F8D9F

RGB 111 141 159

HSL 202.5, 0.2%, 0.53%

LAB 57.01, -6.14, -12.97

 

CMYK 4 / 30 / 0 / 38

HEX #986F9F

RGB 152 111 159

HSL 291.25, 0.2%, 0.53%

LAB 52.45, 24.85, -19.58

 

Description

Color code: HEX #9F8270 | qconv.com Color code: HEX #9F8270 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 130 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 130 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 30 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 30% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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