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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F83F9 it is the complementary color #607C06. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F83F9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F83F9 shade: #A483F4, #B595FF, #C6A7FF, #D7B9FF and #E8CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F83F9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F83F9 shade: #9F83F9, #8E71E6, #7D5FD3, #6C4DC0 and #5B3BAD

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F83F9 shade: #A085F9, #C085F9, #DF85F9, #F985F3 and #F985D4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F83F9 shade: #A085F9 and #8585F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F83F9 shade matches the following richer shades: #A085F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F83F9 shade: #A085F9, #A68FEE, #AB99E4, #B1A4DA and #B6AED0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F83F9 shade: #85A8F9, #8589F9, #A085F9, #BF85F9 and #DE85F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F83F9 shade: #6336F5, #825DF7, #A085F9, #BFACFB and #DDD4FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F83F9 shade: #9F83F9, #F985C6 and #98F985

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F83F9 shade: #9F83F9, #F9A085 and #85F9A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F83F9 shade: #9F83F9, #F985C6, #DEF985 and #85F9B7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F83F9 shade: #9F83F9, #F985A4, #DEF985 and #85F9DA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 47 / 0 / 2

HEX #9F83F9

RGB 159 131 249

HSL 254.24, 0.91%, 0.75%

LAB 62.03, 36.81, -55.5

 

Complementary color

CMYK 23 / 0 / 95 / 51

HEX #607C06

RGB 96 124 6

HSL 74.24, 0.91%, 0.25%

LAB 48.15, -25.24, 51.57

 

CMYK 33 / 46 / 0 / 4

HEX #A483F4

RGB 164 131 244

HSL 257.52, 0.84%, 0.74%

LAB 62.22, 36.79, -52.43

 

CMYK 29 / 42 / 0 / 0

HEX #B595FF

RGB 181 149 255

HSL 258.11, 1%, 0.79%

LAB 68.42, 33.91, -48.55

 

CMYK 22 / 35 / 0 / 0

HEX #C6A7FF

RGB 198 167 255

HSL 261.14, 1%, 0.83%

LAB 74.1, 28.68, -39.54

 

CMYK 16 / 27 / 0 / 0

HEX #D7B9FF

RGB 215 185 255

HSL 265.71, 1%, 0.86%

LAB 79.82, 23.9, -30.58

 

CMYK 9 / 20 / 0 / 0

HEX #E8CBFF

RGB 232 203 255

HSL 273.46, 1%, 0.9%

LAB 85.55, 19.53, -21.71

 

CMYK 36 / 47 / 0 / 2

HEX #9F83F9

RGB 159 131 249

HSL 254.24, 0.91%, 0.75%

LAB 62.03, 36.81, -55.5

 

CMYK 38 / 51 / 0 / 10

HEX #8E71E6

RGB 142 113 230

HSL 254.87, 0.7%, 0.67%

LAB 55.35, 37.88, -55.7

 

CMYK 41 / 55 / 0 / 17

HEX #7D5FD3

RGB 125 95 211

HSL 255.52, 0.57%, 0.6%

LAB 48.57, 39.05, -55.92

 

CMYK 44 / 60 / 0 / 25

HEX #6C4DC0

RGB 108 77 192

HSL 256.17, 0.48%, 0.53%

LAB 41.69, 40.32, -56.13

 

CMYK 47 / 66 / 0 / 32

HEX #5B3BAD

RGB 91 59 173

HSL 256.84, 0.49%, 0.45%

LAB 34.74, 41.66, -56.28

 

CMYK 36 / 47 / 0 / 2

HEX #A085F9

RGB 160 133 249

HSL 253.97, 0.91%, 0.75%

LAB 62.58, 35.93, -54.62

 

CMYK 23 / 47 / 0 / 2

HEX #C085F9

RGB 192 133 249

HSL 270.52, 0.91%, 0.75%

LAB 65.61, 44.25, -49.63

 

CMYK 10 / 47 / 0 / 2

HEX #DF85F9

RGB 223 133 249

HSL 286.55, 0.91%, 0.75%

LAB 68.97, 52.71, -44.11

 

CMYK 0 / 47 / 2 / 2

HEX #F985F3

RGB 249 133 243

HSL 303.1, 0.91%, 0.75%

LAB 71.82, 58.89, -36.16

 

CMYK 0 / 47 / 15 / 2

HEX #F985D4

RGB 249 133 212

HSL 319.14, 0.91%, 0.75%

LAB 70.64, 53.88, -20.9

 

CMYK 36 / 47 / 0 / 2

HEX #A085F9

RGB 160 133 249

HSL 253.97, 0.91%, 0.75%

LAB 62.58, 35.93, -54.62

 

CMYK 47 / 47 / 0 / 2

HEX #8585F9

RGB 133 133 249

HSL 240, 0.91%, 0.75%

LAB 60.43, 29.49, -58.18

 

CMYK 36 / 47 / 0 / 2

HEX #A085F9

RGB 160 133 249

HSL 253.97, 0.91%, 0.75%

LAB 62.58, 35.93, -54.62

 

CMYK 36 / 47 / 0 / 2

HEX #A085F9

RGB 160 133 249

HSL 253.97, 0.91%, 0.75%

LAB 62.58, 35.93, -54.62

 

CMYK 30 / 40 / 0 / 7

HEX #A68FEE

RGB 166 143 238

HSL 254.53, 0.74%, 0.75%

LAB 64.9, 29.01, -44.87

 

CMYK 25 / 33 / 0 / 11

HEX #AB99E4

RGB 171 153 228

HSL 254.4, 0.58%, 0.75%

LAB 67.31, 22.32, -35.57

 

CMYK 19 / 25 / 0 / 15

HEX #B1A4DA

RGB 177 164 218

HSL 254.44, 0.42%, 0.75%

LAB 70.15, 15.64, -25.64

 

CMYK 13 / 16 / 0 / 18

HEX #B6AED0

RGB 182 174 208

HSL 254.12, 0.27%, 0.75%

LAB 72.74, 9.53, -16.18

 

CMYK 47 / 33 / 0 / 2

HEX #85A8F9

RGB 133 168 249

HSL 221.9, 0.91%, 0.75%

LAB 69.35, 9.21, -44.06

 

CMYK 47 / 45 / 0 / 2

HEX #8589F9

RGB 133 137 249

HSL 237.93, 0.91%, 0.75%

LAB 61.41, 27.15, -56.62

 

CMYK 36 / 47 / 0 / 2

HEX #A085F9

RGB 160 133 249

HSL 253.97, 0.91%, 0.75%

LAB 62.58, 35.93, -54.62

 

CMYK 23 / 47 / 0 / 2

HEX #BF85F9

RGB 191 133 249

HSL 270, 0.91%, 0.75%

LAB 65.51, 43.99, -49.8

 

CMYK 11 / 47 / 0 / 2

HEX #DE85F9

RGB 222 133 249

HSL 286.03, 0.91%, 0.75%

LAB 68.86, 52.44, -44.3

 

CMYK 60 / 78 / 0 / 4

HEX #6336F5

RGB 99 54 245

HSL 254.14, 0.91%, 0.59%

LAB 41.03, 65.51, -87.59

 

CMYK 47 / 62 / 0 / 3

HEX #825DF7

RGB 130 93 247

HSL 254.42, 0.91%, 0.67%

LAB 51.02, 51.19, -72.24

 

CMYK 36 / 47 / 0 / 2

HEX #A085F9

RGB 160 133 249

HSL 253.97, 0.91%, 0.75%

LAB 62.58, 35.93, -54.62

 

CMYK 24 / 31 / 0 / 2

HEX #BFACFB

RGB 191 172 251

HSL 254.43, 0.91%, 0.83%

LAB 74.54, 22.97, -36.75

 

CMYK 12 / 16 / 0 / 1

HEX #DDD4FC

RGB 221 212 252

HSL 253.5, 0.87%, 0.91%

LAB 86.74, 10.66, -18.4

 

CMYK 36 / 47 / 0 / 2

HEX #9F83F9

RGB 159 131 249

HSL 254.24, 0.91%, 0.75%

LAB 62.03, 36.81, -55.5

 

CMYK 0 / 47 / 20 / 2

HEX #F985C6

RGB 249 133 198

HSL 326.38, 0.91%, 0.75%

LAB 70.17, 51.81, -13.84

 

CMYK 39 / 0 / 47 / 2

HEX #98F985

RGB 152 249 133

HSL 110.17, 0.91%, 0.75%

LAB 89.92, -50.08, 46.67

 

CMYK 36 / 47 / 0 / 2

HEX #9F83F9

RGB 159 131 249

HSL 254.24, 0.91%, 0.75%

LAB 62.03, 36.81, -55.5

 

CMYK 0 / 36 / 47 / 2

HEX #F9A085

RGB 249 160 133

HSL 13.97, 0.91%, 0.75%

LAB 74.17, 30.17, 27.82

 

CMYK 47 / 0 / 36 / 2

HEX #85F9A0

RGB 133 249 160

HSL 133.97, 0.91%, 0.75%

LAB 89.52, -51.5, 32.79

 

CMYK 36 / 47 / 0 / 2

HEX #9F83F9

RGB 159 131 249

HSL 254.24, 0.91%, 0.75%

LAB 62.03, 36.81, -55.5

 

CMYK 0 / 47 / 20 / 2

HEX #F985C6

RGB 249 133 198

HSL 326.38, 0.91%, 0.75%

LAB 70.17, 51.81, -13.84

 

CMYK 11 / 0 / 47 / 2

HEX #DEF985

RGB 222 249 133

HSL 73.97, 0.91%, 0.75%

LAB 93.87, -25.88, 52.44

 

CMYK 47 / 0 / 27 / 2

HEX #85F9B7

RGB 133 249 183

HSL 145.86, 0.91%, 0.75%

LAB 89.93, -47.41, 21.69

 

CMYK 36 / 47 / 0 / 2

HEX #9F83F9

RGB 159 131 249

HSL 254.24, 0.91%, 0.75%

LAB 62.03, 36.81, -55.5

 

CMYK 0 / 47 / 34 / 2

HEX #F985A4

RGB 249 133 164

HSL 343.97, 0.91%, 0.75%

LAB 69.18, 47.36, 3.73

 

CMYK 11 / 0 / 47 / 2

HEX #DEF985

RGB 222 249 133

HSL 73.97, 0.91%, 0.75%

LAB 93.87, -25.88, 52.44

 

CMYK 47 / 0 / 12 / 2

HEX #85F9DA

RGB 133 249 218

HSL 163.97, 0.91%, 0.75%

LAB 90.69, -40.19, 4.7

 

Description

Color code: HEX #9F83F9 | qconv.com Color code: HEX #9F83F9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 131 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 131 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 47 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 47% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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