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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F8BC6 it is the complementary color #607439. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F8BC6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F8BC6 shade: #A48BC1, #B59DD4, #C6AFE7, #D7C1FA and #E8D3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F8BC6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F8BC6 shade: #9F8BC6, #8E79B3, #7D67A0, #6C558D and #5B437A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F8BC6 shade: #9E8AC5, #AE8AC5, #BE8AC5, #C58ABD and #C58AAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F8BC6 shade: #9E8AC5, #8E8AC5 and #8A8AC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F8BC6 shade matches the following richer shades: #9E8AC5, #9A7CD3, #956EE1, #9160EF and #8C52FD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F8BC6 shade: #9E8AC5, #A398B7, #A7A6A9, #ACB49B and #B0C28D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F8BC6 shade: #8A96C5, #8E8AC5, #9E8AC5, #AE8AC5 and #BD8AC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F8BC6 shade: #7153AA, #876FB8, #9E8AC5, #B5A6D3 and #CCC2E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F8BC6 shade: #9F8BC6, #C58AA6 and #8EC58A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F8BC6 shade: #9F8BC6, #C59E8A and #8AC59E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F8BC6 shade: #9F8BC6, #C58AA6, #B2C58A and #8AC5AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F8BC6 shade: #9F8BC6, #C58A94, #B2C58A and #8AC5BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 30 / 0 / 22

HEX #9F8BC6

RGB 159 139 198

HSL 260.34, 0.34%, 0.66%

LAB 61.58, 19.58, -27.83

 

Complementary color

CMYK 17 / 0 / 51 / 55

HEX #607439

RGB 96 116 57

HSL 80.34, 0.34%, 0.34%

LAB 46.01, -17.78, 29.98

 

CMYK 15 / 28 / 0 / 24

HEX #A48BC1

RGB 164 139 193

HSL 267.78, 0.3%, 0.65%

LAB 61.83, 20.03, -24.58

 

CMYK 15 / 26 / 0 / 17

HEX #B59DD4

RGB 181 157 212

HSL 266.18, 0.39%, 0.72%

LAB 68.53, 19.49, -24.79

 

CMYK 14 / 24 / 0 / 9

HEX #C6AFE7

RGB 198 175 231

HSL 264.64, 0.54%, 0.8%

LAB 75.1, 18.99, -25.01

 

CMYK 14 / 23 / 0 / 2

HEX #D7C1FA

RGB 215 193 250

HSL 263.16, 0.85%, 0.87%

LAB 81.56, 18.53, -25.24

 

CMYK 9 / 17 / 0 / 0

HEX #E8D3FF

RGB 232 211 255

HSL 268.64, 1%, 0.91%

LAB 87.47, 15.28, -18.81

 

CMYK 20 / 30 / 0 / 22

HEX #9F8BC6

RGB 159 139 198

HSL 260.34, 0.34%, 0.66%

LAB 61.58, 19.58, -27.83

 

CMYK 21 / 32 / 0 / 30

HEX #8E79B3

RGB 142 121 179

HSL 261.72, 0.28%, 0.59%

LAB 54.74, 20.19, -27.72

 

CMYK 22 / 36 / 0 / 37

HEX #7D67A0

RGB 125 103 160

HSL 263.16, 0.23%, 0.52%

LAB 47.75, 20.88, -27.64

 

CMYK 23 / 40 / 0 / 45

HEX #6C558D

RGB 108 85 141

HSL 264.64, 0.25%, 0.44%

LAB 40.59, 21.65, -27.6

 

CMYK 25 / 45 / 0 / 52

HEX #5B437A

RGB 91 67 122

HSL 266.18, 0.29%, 0.37%

LAB 33.23, 22.54, -27.6

 

CMYK 20 / 30 / 0 / 23

HEX #9E8AC5

RGB 158 138 197

HSL 260.34, 0.34%, 0.66%

LAB 61.2, 19.61, -27.86

 

CMYK 12 / 30 / 0 / 23

HEX #AE8AC5

RGB 174 138 197

HSL 276.61, 0.34%, 0.66%

LAB 62.68, 24.69, -25.45

 

CMYK 4 / 30 / 0 / 23

HEX #BE8AC5

RGB 190 138 197

HSL 292.88, 0.34%, 0.66%

LAB 64.29, 29.88, -22.85

 

CMYK 0 / 30 / 4 / 23

HEX #C58ABD

RGB 197 138 189

HSL 308.14, 0.34%, 0.66%

LAB 64.74, 30.69, -17.6

 

CMYK 0 / 30 / 12 / 23

HEX #C58AAD

RGB 197 138 173

HSL 324.41, 0.34%, 0.66%

LAB 64.21, 27.88, -9.37

 

CMYK 20 / 30 / 0 / 23

HEX #9E8AC5

RGB 158 138 197

HSL 260.34, 0.34%, 0.66%

LAB 61.2, 19.61, -27.86

 

CMYK 28 / 30 / 0 / 23

HEX #8E8AC5

RGB 142 138 197

HSL 244.07, 0.34%, 0.66%

LAB 59.85, 14.7, -30.05

 

CMYK 30 / 30 / 0 / 23

HEX #8A8AC5

RGB 138 138 197

HSL 240, 0.34%, 0.66%

LAB 59.54, 13.51, -30.57

 

CMYK 20 / 30 / 0 / 23

HEX #9E8AC5

RGB 158 138 197

HSL 260.34, 0.34%, 0.66%

LAB 61.2, 19.61, -27.86

 

CMYK 27 / 41 / 0 / 17

HEX #9A7CD3

RGB 154 124 211

HSL 260.69, 0.5%, 0.66%

LAB 58.03, 29.81, -40.72

 

CMYK 34 / 51 / 0 / 12

HEX #956EE1

RGB 149 110 225

HSL 260.35, 0.66%, 0.66%

LAB 55.05, 39.99, -53.35

 

CMYK 39 / 60 / 0 / 6

HEX #9160EF

RGB 145 96 239

HSL 260.56, 0.82%, 0.66%

LAB 52.53, 50.41, -65.27

 

CMYK 45 / 68 / 0 / 1

HEX #8C52FD

RGB 140 82 253

HSL 260.35, 0.98%, 0.66%

LAB 50.34, 60.31, -76.65

 

CMYK 20 / 30 / 0 / 23

HEX #9E8AC5

RGB 158 138 197

HSL 260.34, 0.34%, 0.66%

LAB 61.2, 19.61, -27.86

 

CMYK 11 / 17 / 0 / 28

HEX #A398B7

RGB 163 152 183

HSL 261.29, 0.18%, 0.66%

LAB 64.69, 10.16, -14.62

 

CMYK 1 / 2 / 0 / 34

HEX #A7A6A9

RGB 167 166 169

HSL 260, 0.02%, 0.66%

LAB 68.28, 0.93, -1.43

 

CMYK 4 / 0 / 14 / 29

HEX #ACB49B

RGB 172 180 155

HSL 79.2, 0.14%, 0.66%

LAB 72.08, -7.32, 11.81

 

CMYK 9 / 0 / 27 / 24

HEX #B0C28D

RGB 176 194 141

HSL 80.38, 0.3%, 0.66%

LAB 75.91, -15.3, 24.68

 

CMYK 30 / 24 / 0 / 23

HEX #8A96C5

RGB 138 150 197

HSL 227.8, 0.34%, 0.66%

LAB 62.72, 6.6, -25.66

 

CMYK 28 / 30 / 0 / 23

HEX #8E8AC5

RGB 142 138 197

HSL 244.07, 0.34%, 0.66%

LAB 59.85, 14.7, -30.05

 

CMYK 20 / 30 / 0 / 23

HEX #9E8AC5

RGB 158 138 197

HSL 260.34, 0.34%, 0.66%

LAB 61.2, 19.61, -27.86

 

CMYK 12 / 30 / 0 / 23

HEX #AE8AC5

RGB 174 138 197

HSL 276.61, 0.34%, 0.66%

LAB 62.68, 24.69, -25.45

 

CMYK 4 / 30 / 0 / 23

HEX #BD8AC5

RGB 189 138 197

HSL 291.86, 0.34%, 0.66%

LAB 64.18, 29.56, -23.02

 

CMYK 34 / 51 / 0 / 33

HEX #7153AA

RGB 113 83 170

HSL 260.69, 0.34%, 0.5%

LAB 42.15, 31.93, -42.45

 

CMYK 27 / 40 / 0 / 28

HEX #876FB8

RGB 135 111 184

HSL 259.73, 0.34%, 0.58%

LAB 51.82, 25.16, -35.21

 

CMYK 20 / 30 / 0 / 23

HEX #9E8AC5

RGB 158 138 197

HSL 260.34, 0.34%, 0.66%

LAB 61.2, 19.61, -27.86

 

CMYK 14 / 21 / 0 / 17

HEX #B5A6D3

RGB 181 166 211

HSL 260, 0.34%, 0.74%

LAB 70.73, 14.26, -20.87

 

CMYK 9 / 14 / 0 / 12

HEX #CCC2E1

RGB 204 194 225

HSL 259.35, 0.34%, 0.82%

LAB 80.1, 9.35, -14.15

 

CMYK 20 / 30 / 0 / 22

HEX #9F8BC6

RGB 159 139 198

HSL 260.34, 0.34%, 0.66%

LAB 61.58, 19.58, -27.83

 

CMYK 0 / 30 / 16 / 23

HEX #C58AA6

RGB 197 138 166

HSL 331.53, 0.34%, 0.66%

LAB 64, 26.71, -5.73

 

CMYK 28 / 0 / 30 / 23

HEX #8EC58A

RGB 142 197 138

HSL 115.93, 0.34%, 0.66%

LAB 74.52, -29.39, 24.03

 

CMYK 20 / 30 / 0 / 22

HEX #9F8BC6

RGB 159 139 198

HSL 260.34, 0.34%, 0.66%

LAB 61.58, 19.58, -27.83

 

CMYK 0 / 20 / 30 / 23

HEX #C59E8A

RGB 197 158 138

HSL 20.34, 0.34%, 0.66%

LAB 68.14, 11.53, 15.93

 

CMYK 30 / 0 / 20 / 23

HEX #8AC59E

RGB 138 197 158

HSL 140.34, 0.34%, 0.66%

LAB 74.7, -27.13, 13.57

 

CMYK 20 / 30 / 0 / 22

HEX #9F8BC6

RGB 159 139 198

HSL 260.34, 0.34%, 0.66%

LAB 61.58, 19.58, -27.83

 

CMYK 0 / 30 / 16 / 23

HEX #C58AA6

RGB 197 138 166

HSL 331.53, 0.34%, 0.66%

LAB 64, 26.71, -5.73

 

CMYK 10 / 0 / 30 / 23

HEX #B2C58A

RGB 178 197 138

HSL 79.32, 0.34%, 0.66%

LAB 76.82, -16.5, 27.52

 

CMYK 30 / 0 / 14 / 23

HEX #8AC5AA

RGB 138 197 170

HSL 152.54, 0.34%, 0.66%

LAB 74.97, -24.75, 7.49

 

CMYK 20 / 30 / 0 / 22

HEX #9F8BC6

RGB 159 139 198

HSL 260.34, 0.34%, 0.66%

LAB 61.58, 19.58, -27.83

 

CMYK 0 / 30 / 25 / 23

HEX #C58A94

RGB 197 138 148

HSL 349.83, 0.34%, 0.66%

LAB 63.5, 23.93, 3.74

 

CMYK 10 / 0 / 30 / 23

HEX #B2C58A

RGB 178 197 138

HSL 79.32, 0.34%, 0.66%

LAB 76.82, -16.5, 27.52

 

CMYK 30 / 0 / 5 / 23

HEX #8AC5BB

RGB 138 197 187

HSL 169.83, 0.34%, 0.66%

LAB 75.4, -21.12, -1.09

 

Description

Color code: HEX #9F8BC6 | qconv.com Color code: HEX #9F8BC6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 139 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 139 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 30 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 30% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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