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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F93BC it is the complementary color #606C43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F93BC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F93BC shade: #A493B7, #B5A5CA, #C6B7DD, #D7C9F0 and #E8DBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F93BC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F93BC shade: #9F93BC, #8E81A9, #7D6F96, #6C5D83 and #5B4B70

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F93BC shade: #A094BC, #AA94BC, #B594BC, #BC94B8 and #BC94AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F93BC shade: #A094BC, #9594BC and #9494BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F93BC shade matches the following richer shades: #A094BC, #9A86CA, #9478D8, #8E6AE6 and #885CF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F93BC shade: #A094BC, #A5A2AE, #ABB0A0, #B1BE92 and #B7CC84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F93BC shade: #949EBC, #9594BC, #9F94BC, #AA94BC and #B494BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F93BC shade: #72619C, #897AAC, #A094BC, #B6ADCC and #CDC7DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F93BC shade: #9F93BC, #BC94A8 and #99BC94

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F93BC shade: #9F93BC, #BC9F94 and #94BC9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F93BC shade: #9F93BC, #BC94A8, #B0BC94 and #94BCA7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F93BC shade: #9F93BC, #BC949D, #B0BC94 and #94BCB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 22 / 0 / 26

HEX #9F93BC

RGB 159 147 188

HSL 257.56, 0.23%, 0.66%

LAB 63.23, 12.74, -19.67

 

Complementary color

CMYK 11 / 0 / 38 / 58

HEX #606C43

RGB 96 108 67

HSL 77.56, 0.23%, 0.34%

LAB 43.68, -12.11, 21.47

 

CMYK 10 / 20 / 0 / 28

HEX #A493B7

RGB 164 147 183

HSL 268.33, 0.2%, 0.65%

LAB 63.49, 13.31, -16.42

 

CMYK 10 / 18 / 0 / 21

HEX #B5A5CA

RGB 181 165 202

HSL 265.95, 0.26%, 0.72%

LAB 70.17, 12.9, -16.76

 

CMYK 10 / 17 / 0 / 13

HEX #C6B7DD

RGB 198 183 221

HSL 263.68, 0.36%, 0.79%

LAB 76.74, 12.53, -17.1

 

CMYK 10 / 16 / 0 / 6

HEX #D7C9F0

RGB 215 201 240

HSL 261.54, 0.57%, 0.86%

LAB 83.18, 12.18, -17.45

 

CMYK 9 / 14 / 0 / 0

HEX #E8DBFF

RGB 232 219 255

HSL 261.67, 1%, 0.93%

LAB 89.41, 11.06, -15.88

 

CMYK 15 / 22 / 0 / 26

HEX #9F93BC

RGB 159 147 188

HSL 257.56, 0.23%, 0.66%

LAB 63.23, 12.74, -19.67

 

CMYK 16 / 24 / 0 / 34

HEX #8E81A9

RGB 142 129 169

HSL 259.5, 0.19%, 0.58%

LAB 56.4, 13.19, -19.42

 

CMYK 17 / 26 / 0 / 41

HEX #7D6F96

RGB 125 111 150

HSL 261.54, 0.16%, 0.51%

LAB 49.41, 13.69, -19.19

 

CMYK 18 / 29 / 0 / 49

HEX #6C5D83

RGB 108 93 131

HSL 263.68, 0.17%, 0.44%

LAB 42.24, 14.25, -18.99

 

CMYK 19 / 33 / 0 / 56

HEX #5B4B70

RGB 91 75 112

HSL 265.95, 0.2%, 0.37%

LAB 34.86, 14.9, -18.82

 

CMYK 15 / 21 / 0 / 26

HEX #A094BC

RGB 160 148 188

HSL 258, 0.23%, 0.66%

LAB 63.58, 12.5, -19.14

 

CMYK 10 / 21 / 0 / 26

HEX #AA94BC

RGB 170 148 188

HSL 273, 0.23%, 0.66%

LAB 64.45, 15.82, -17.73

 

CMYK 4 / 21 / 0 / 26

HEX #B594BC

RGB 181 148 188

HSL 289.5, 0.23%, 0.66%

LAB 65.46, 19.53, -16.1

 

CMYK 0 / 21 / 2 / 26

HEX #BC94B8

RGB 188 148 184

HSL 306, 0.23%, 0.66%

LAB 66.01, 21.16, -12.97

 

CMYK 0 / 21 / 8 / 26

HEX #BC94AD

RGB 188 148 173

HSL 322.5, 0.23%, 0.66%

LAB 65.66, 19.15, -7.31

 

CMYK 15 / 21 / 0 / 26

HEX #A094BC

RGB 160 148 188

HSL 258, 0.23%, 0.66%

LAB 63.58, 12.5, -19.14

 

CMYK 21 / 21 / 0 / 26

HEX #9594BC

RGB 149 148 188

HSL 241.5, 0.23%, 0.66%

LAB 62.68, 8.94, -20.59

 

CMYK 21 / 21 / 0 / 26

HEX #9494BC

RGB 148 148 188

HSL 240, 0.23%, 0.66%

LAB 62.6, 8.62, -20.72

 

CMYK 15 / 21 / 0 / 26

HEX #A094BC

RGB 160 148 188

HSL 258, 0.23%, 0.66%

LAB 63.58, 12.5, -19.14

 

CMYK 24 / 34 / 0 / 21

HEX #9A86CA

RGB 154 134 202

HSL 257.65, 0.39%, 0.66%

LAB 60.06, 21.86, -32.48

 

CMYK 31 / 44 / 0 / 15

HEX #9478D8

RGB 148 120 216

HSL 257.5, 0.55%, 0.66%

LAB 56.77, 31.71, -45.56

 

CMYK 38 / 54 / 0 / 10

HEX #8E6AE6

RGB 142 106 230

HSL 257.42, 0.71%, 0.66%

LAB 53.78, 41.86, -58.22

 

CMYK 44 / 62 / 0 / 4

HEX #885CF4

RGB 136 92 244

HSL 257.37, 0.87%, 0.66%

LAB 51.18, 52.05, -70.29

 

CMYK 15 / 21 / 0 / 26

HEX #A094BC

RGB 160 148 188

HSL 258, 0.23%, 0.66%

LAB 63.58, 12.5, -19.14

 

CMYK 5 / 7 / 0 / 32

HEX #A5A2AE

RGB 165 162 174

HSL 255, 0.07%, 0.66%

LAB 67.2, 3.41, -5.82

 

CMYK 3 / 0 / 9 / 31

HEX #ABB0A0

RGB 171 176 160

HSL 78.75, 0.09%, 0.66%

LAB 71.04, -4.7, 7.58

 

CMYK 7 / 0 / 23 / 25

HEX #B1BE92

RGB 177 190 146

HSL 77.73, 0.25%, 0.66%

LAB 74.98, -12.13, 20.77

 

CMYK 10 / 0 / 35 / 20

HEX #B7CC84

RGB 183 204 132

HSL 77.5, 0.41%, 0.66%

LAB 78.99, -18.94, 33.58

 

CMYK 21 / 16 / 0 / 26

HEX #949EBC

RGB 148 158 188

HSL 225, 0.23%, 0.66%

LAB 65.26, 2.97, -16.67

 

CMYK 21 / 21 / 0 / 26

HEX #9594BC

RGB 149 148 188

HSL 241.5, 0.23%, 0.66%

LAB 62.68, 8.94, -20.59

 

CMYK 15 / 21 / 0 / 26

HEX #9F94BC

RGB 159 148 188

HSL 256.5, 0.23%, 0.66%

LAB 63.49, 12.17, -19.27

 

CMYK 10 / 21 / 0 / 26

HEX #AA94BC

RGB 170 148 188

HSL 273, 0.23%, 0.66%

LAB 64.45, 15.82, -17.73

 

CMYK 4 / 21 / 0 / 26

HEX #B494BC

RGB 180 148 188

HSL 288, 0.23%, 0.66%

LAB 65.37, 19.19, -16.25

 

CMYK 27 / 38 / 0 / 39

HEX #72619C

RGB 114 97 156

HSL 257.29, 0.23%, 0.5%

LAB 44.98, 20.05, -29.68

 

CMYK 20 / 29 / 0 / 33

HEX #897AAC

RGB 137 122 172

HSL 258, 0.23%, 0.58%

LAB 54.26, 16.34, -24.48

 

CMYK 15 / 21 / 0 / 26

HEX #A094BC

RGB 160 148 188

HSL 258, 0.23%, 0.66%

LAB 63.58, 12.5, -19.14

 

CMYK 11 / 15 / 0 / 20

HEX #B6ADCC

RGB 182 173 204

HSL 257.42, 0.23%, 0.74%

LAB 72.36, 9.24, -14.56

 

CMYK 7 / 10 / 0 / 14

HEX #CDC7DC

RGB 205 199 220

HSL 257.14, 0.23%, 0.82%

LAB 81.29, 6.01, -9.68

 

CMYK 15 / 22 / 0 / 26

HEX #9F93BC

RGB 159 147 188

HSL 257.56, 0.23%, 0.66%

LAB 63.23, 12.74, -19.67

 

CMYK 0 / 21 / 11 / 26

HEX #BC94A8

RGB 188 148 168

HSL 330, 0.23%, 0.66%

LAB 65.51, 18.27, -4.72

 

CMYK 19 / 0 / 21 / 26

HEX #99BC94

RGB 153 188 148

HSL 112.5, 0.23%, 0.66%

LAB 72.81, -19.49, 16.44

 

CMYK 15 / 22 / 0 / 26

HEX #9F93BC

RGB 159 147 188

HSL 257.56, 0.23%, 0.66%

LAB 63.23, 12.74, -19.67

 

CMYK 0 / 15 / 21 / 26

HEX #BC9F94

RGB 188 159 148

HSL 16.5, 0.23%, 0.66%

LAB 67.74, 8.93, 9.7

 

CMYK 21 / 0 / 15 / 26

HEX #94BC9F

RGB 148 188 159

HSL 136.5, 0.23%, 0.66%

LAB 72.74, -19.21, 10.33

 

CMYK 15 / 22 / 0 / 26

HEX #9F93BC

RGB 159 147 188

HSL 257.56, 0.23%, 0.66%

LAB 63.23, 12.74, -19.67

 

CMYK 0 / 21 / 11 / 26

HEX #BC94A8

RGB 188 148 168

HSL 330, 0.23%, 0.66%

LAB 65.51, 18.27, -4.72

 

CMYK 6 / 0 / 21 / 26

HEX #B0BC94

RGB 176 188 148

HSL 78, 0.23%, 0.66%

LAB 74.4, -11.16, 18.89

 

CMYK 21 / 0 / 11 / 26

HEX #94BCA7

RGB 148 188 167

HSL 148.5, 0.23%, 0.66%

LAB 72.93, -17.66, 6.25

 

CMYK 15 / 22 / 0 / 26

HEX #9F93BC

RGB 159 147 188

HSL 257.56, 0.23%, 0.66%

LAB 63.23, 12.74, -19.67

 

CMYK 0 / 21 / 16 / 26

HEX #BC949D

RGB 188 148 157

HSL 346.5, 0.23%, 0.66%

LAB 65.2, 16.42, 1.01

 

CMYK 6 / 0 / 21 / 26

HEX #B0BC94

RGB 176 188 148

HSL 78, 0.23%, 0.66%

LAB 74.4, -11.16, 18.89

 

CMYK 21 / 0 / 5 / 26

HEX #94BCB3

RGB 148 188 179

HSL 166.5, 0.23%, 0.66%

LAB 73.23, -15.2, 0.15

 

Description

Color code: HEX #9F93BC | qconv.com Color code: HEX #9F93BC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 147 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 147 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 22 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 22% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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