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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F9CA5 it is the complementary color #60635A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F9CA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F9CA5 shade: #A49CA0, #B5AEB3, #C6C0C6, #D7D2D9 and #E8E4EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F9CA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F9CA5 shade: #9F9CA5, #8E8A92, #7D787F, #6C666C and #5B5459

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F9CA5 shade: #9F9BA5, #A19BA5, #A49BA5, #A59BA4 and #A59BA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F9CA5 shade: #9F9BA5, #9C9BA5 and #9B9BA5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F9CA5 shade matches the following richer shades: #9F9BA5, #998CB4, #947DC3, #8F6ED3 and #8A5EE2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F9CA5 shade: #9F9BA5, #A4AB96, #A9BA86, #AEC977 and #B3D868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F9CA5 shade: #9B9DA5, #9C9BA5, #9F9BA5, #A19BA5 and #A49BA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F9CA5 shade: #75717D, #8A8691, #9F9BA5, #B4B1B8 and #C9C7CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F9CA5 shade: #9F9CA5, #A59BA0 and #9CA59B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F9CA5 shade: #9F9CA5, #A59F9B and #9BA59F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F9CA5 shade: #9F9CA5, #A59BA0, #A2A59B and #9BA5A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F9CA5 shade: #9F9CA5, #A59B9D, #A2A59B and #9BA5A3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 5 / 0 / 35

HEX #9F9CA5

RGB 159 156 165

HSL 260, 0.05%, 0.63%

LAB 64.85, 2.83, -4.31

 

Complementary color

CMYK 3 / 0 / 9 / 61

HEX #60635A

RGB 96 99 90

HSL 80, 0.05%, 0.37%

LAB 41.45, -3.01, 4.7

 

CMYK 0 / 5 / 2 / 36

HEX #A49CA0

RGB 164 156 160

HSL 330, 0.04%, 0.63%

LAB 65.13, 3.66, -1.05

 

CMYK 0 / 4 / 1 / 29

HEX #B5AEB3

RGB 181 174 179

HSL 317.14, 0.05%, 0.7%

LAB 71.79, 3.41, -1.67

 

CMYK 0 / 3 / 0 / 22

HEX #C6C0C6

RGB 198 192 198

HSL 300, 0.05%, 0.76%

LAB 78.33, 3.19, -2.27

 

CMYK 1 / 3 / 0 / 15

HEX #D7D2D9

RGB 215 210 217

HSL 282.86, 0.08%, 0.84%

LAB 84.77, 2.98, -2.85

 

CMYK 2 / 3 / 0 / 7

HEX #E8E4EC

RGB 232 228 236

HSL 270, 0.17%, 0.91%

LAB 91.1, 2.78, -3.42

 

CMYK 4 / 5 / 0 / 35

HEX #9F9CA5

RGB 159 156 165

HSL 260, 0.05%, 0.63%

LAB 64.85, 2.83, -4.31

 

CMYK 3 / 5 / 0 / 43

HEX #8E8A92

RGB 142 138 146

HSL 270, 0.04%, 0.56%

LAB 58.04, 3.06, -3.74

 

CMYK 2 / 6 / 0 / 50

HEX #7D787F

RGB 125 120 127

HSL 282.86, 0.03%, 0.48%

LAB 51.07, 3.3, -3.15

 

CMYK 0 / 6 / 0 / 58

HEX #6C666C

RGB 108 102 108

HSL 300, 0.03%, 0.41%

LAB 43.91, 3.57, -2.53

 

CMYK 0 / 8 / 2 / 64

HEX #5B5459

RGB 91 84 89

HSL 317.14, 0.04%, 0.34%

LAB 36.53, 3.88, -1.88

 

CMYK 4 / 6 / 0 / 35

HEX #9F9BA5

RGB 159 155 165

HSL 264, 0.05%, 0.63%

LAB 64.59, 3.39, -4.7

 

CMYK 2 / 6 / 0 / 35

HEX #A19BA5

RGB 161 155 165

HSL 276, 0.05%, 0.63%

LAB 64.75, 4.1, -4.44

 

CMYK 1 / 6 / 0 / 35

HEX #A49BA5

RGB 164 155 165

HSL 294, 0.05%, 0.63%

LAB 65, 5.16, -4.04

 

CMYK 0 / 6 / 1 / 35

HEX #A59BA4

RGB 165 155 164

HSL 306, 0.05%, 0.63%

LAB 65.06, 5.33, -3.39

 

CMYK 0 / 6 / 2 / 35

HEX #A59BA1

RGB 165 155 161

HSL 324, 0.05%, 0.63%

LAB 64.97, 4.76, -1.83

 

CMYK 4 / 6 / 0 / 35

HEX #9F9BA5

RGB 159 155 165

HSL 264, 0.05%, 0.63%

LAB 64.59, 3.39, -4.7

 

CMYK 5 / 6 / 0 / 35

HEX #9C9BA5

RGB 156 155 165

HSL 246, 0.05%, 0.63%

LAB 64.34, 2.33, -5.09

 

CMYK 6 / 6 / 0 / 35

HEX #9B9BA5

RGB 155 155 165

HSL 240, 0.05%, 0.63%

LAB 64.26, 1.98, -5.21

 

CMYK 4 / 6 / 0 / 35

HEX #9F9BA5

RGB 159 155 165

HSL 264, 0.05%, 0.63%

LAB 64.59, 3.39, -4.7

 

CMYK 15 / 22 / 0 / 29

HEX #998CB4

RGB 153 140 180

HSL 259.5, 0.21%, 0.63%

LAB 60.63, 12.97, -19.17

 

CMYK 24 / 36 / 0 / 24

HEX #947DC3

RGB 148 125 195

HSL 259.71, 0.37%, 0.63%

LAB 56.98, 23.56, -33.34

 

CMYK 32 / 48 / 0 / 17

HEX #8F6ED3

RGB 143 110 211

HSL 259.6, 0.53%, 0.63%

LAB 53.7, 34.85, -47.62

 

CMYK 39 / 58 / 0 / 11

HEX #8A5EE2

RGB 138 94 226

HSL 260, 0.69%, 0.63%

LAB 50.57, 46.59, -61.16

 

CMYK 4 / 6 / 0 / 35

HEX #9F9BA5

RGB 159 155 165

HSL 264, 0.05%, 0.63%

LAB 64.59, 3.39, -4.7

 

CMYK 4 / 0 / 12 / 33

HEX #A4AB96

RGB 164 171 150

HSL 80, 0.11%, 0.63%

LAB 68.91, -6.33, 9.97

 

CMYK 9 / 0 / 28 / 27

HEX #A9BA86

RGB 169 186 134

HSL 79.62, 0.27%, 0.63%

LAB 73.07, -14.87, 24.48

 

CMYK 13 / 0 / 41 / 21

HEX #AEC977

RGB 174 201 119

HSL 79.76, 0.43%, 0.63%

LAB 77.34, -22.5, 37.96

 

CMYK 17 / 0 / 52 / 15

HEX #B3D868

RGB 179 216 104

HSL 79.82, 0.59%, 0.63%

LAB 81.67, -29.45, 50.66

 

CMYK 6 / 5 / 0 / 35

HEX #9B9DA5

RGB 155 157 165

HSL 228, 0.05%, 0.63%

LAB 64.8, 0.87, -4.42

 

CMYK 5 / 6 / 0 / 35

HEX #9C9BA5

RGB 156 155 165

HSL 246, 0.05%, 0.63%

LAB 64.34, 2.33, -5.09

 

CMYK 4 / 6 / 0 / 35

HEX #9F9BA5

RGB 159 155 165

HSL 264, 0.05%, 0.63%

LAB 64.59, 3.39, -4.7

 

CMYK 2 / 6 / 0 / 35

HEX #A19BA5

RGB 161 155 165

HSL 276, 0.05%, 0.63%

LAB 64.75, 4.1, -4.44

 

CMYK 1 / 6 / 0 / 35

HEX #A49BA5

RGB 164 155 165

HSL 294, 0.05%, 0.63%

LAB 65, 5.16, -4.04

 

CMYK 6 / 10 / 0 / 51

HEX #75717D

RGB 117 113 125

HSL 260, 0.05%, 0.47%

LAB 48.35, 4.02, -6.06

 

CMYK 5 / 8 / 0 / 43

HEX #8A8691

RGB 138 134 145

HSL 261.82, 0.05%, 0.55%

LAB 56.58, 3.69, -5.35

 

CMYK 4 / 6 / 0 / 35

HEX #9F9BA5

RGB 159 155 165

HSL 264, 0.05%, 0.63%

LAB 64.59, 3.39, -4.7

 

CMYK 2 / 4 / 0 / 28

HEX #B4B1B8

RGB 180 177 184

HSL 265.71, 0.05%, 0.71%

LAB 72.63, 2.38, -3.19

 

CMYK 1 / 2 / 0 / 20

HEX #C9C7CC

RGB 201 199 204

HSL 264, 0.05%, 0.79%

LAB 80.53, 1.61, -2.26

 

CMYK 4 / 5 / 0 / 35

HEX #9F9CA5

RGB 159 156 165

HSL 260, 0.05%, 0.63%

LAB 64.85, 2.83, -4.31

 

CMYK 0 / 6 / 3 / 35

HEX #A59BA0

RGB 165 155 160

HSL 330, 0.05%, 0.63%

LAB 64.95, 4.57, -1.31

 

CMYK 5 / 0 / 6 / 35

HEX #9CA59B

RGB 156 165 155

HSL 114, 0.05%, 0.63%

LAB 66.78, -5.11, 4.07

 

CMYK 4 / 5 / 0 / 35

HEX #9F9CA5

RGB 159 156 165

HSL 260, 0.05%, 0.63%

LAB 64.85, 2.83, -4.31

 

CMYK 0 / 4 / 6 / 35

HEX #A59F9B

RGB 165 159 155

HSL 24, 0.05%, 0.63%

LAB 65.87, 1.44, 2.85

 

CMYK 6 / 0 / 4 / 35

HEX #9BA59F

RGB 155 165 159

HSL 144, 0.05%, 0.63%

LAB 66.81, -4.7, 1.88

 

CMYK 4 / 5 / 0 / 35

HEX #9F9CA5

RGB 159 156 165

HSL 260, 0.05%, 0.63%

LAB 64.85, 2.83, -4.31

 

CMYK 0 / 6 / 3 / 35

HEX #A59BA0

RGB 165 155 160

HSL 330, 0.05%, 0.63%

LAB 64.95, 4.57, -1.31

 

CMYK 2 / 0 / 6 / 35

HEX #A2A59B

RGB 162 165 155

HSL 78, 0.05%, 0.63%

LAB 67.25, -2.94, 4.8

 

CMYK 6 / 0 / 3 / 35

HEX #9BA5A0

RGB 155 165 160

HSL 150, 0.05%, 0.63%

LAB 66.84, -4.51, 1.36

 

CMYK 4 / 5 / 0 / 35

HEX #9F9CA5

RGB 159 156 165

HSL 260, 0.05%, 0.63%

LAB 64.85, 2.83, -4.31

 

CMYK 0 / 6 / 5 / 35

HEX #A59B9D

RGB 165 155 157

HSL 348, 0.05%, 0.63%

LAB 64.86, 4.02, 0.26

 

CMYK 2 / 0 / 6 / 35

HEX #A2A59B

RGB 162 165 155

HSL 78, 0.05%, 0.63%

LAB 67.25, -2.94, 4.8

 

CMYK 6 / 0 / 1 / 35

HEX #9BA5A3

RGB 155 165 163

HSL 168, 0.05%, 0.63%

LAB 66.92, -3.92, -0.19

 

Description

Color code: HEX #9F9CA5 | qconv.com Color code: HEX #9F9CA5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 156 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 156 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 5 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 5% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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