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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9F9CA9 it is the complementary color #606356. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9F9CA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9F9CA9 shade: #A49CA4, #B5AEB7, #C6C0CA, #D7D2DD and #E8E4F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9F9CA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9F9CA9 shade: #9F9CA9, #8E8A96, #7D7883, #6C6670 and #5B545D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9F9CA9 shade: #9F9CA9, #A39CA9, #A69CA9, #A99CA9 and #A99CA5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9F9CA9 shade: #9F9CA9 and #9C9CA9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9F9CA9 shade matches the following richer shades: #9F9CA9, #978DB8, #8F7FC7, #8770D6 and #7F61E5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9F9CA9 shade: #9F9CA9, #A7AB9A, #AFBA8B, #B7C97D and #BFD86E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9F9CA9 shade: #9CA0A9, #9C9DA9, #9F9CA9, #A29CA9 and #A69CA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9F9CA9 shade: #757182, #8A8696, #9F9CA9, #B5B2BC and #CAC8CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9F9CA9 shade: #9F9CA9, #A99CA4 and #9FA99C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9F9CA9 shade: #9F9CA9, #A99F9C and #9CA99F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9F9CA9 shade: #9F9CA9, #A99CA4, #A6A99C and #9CA9A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9F9CA9 shade: #9F9CA9, #A99CA0, #A6A99C and #9CA9A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

Complementary color

CMYK 3 / 0 / 13 / 61

HEX #606356

RGB 96 99 86

HSL 73.85, 0.07%, 0.36%

LAB 41.35, -3.78, 6.99

 

CMYK 0 / 5 / 0 / 36

HEX #A49CA4

RGB 164 156 164

HSL 300, 0.04%, 0.63%

LAB 65.24, 4.42, -3.13

 

CMYK 1 / 5 / 0 / 28

HEX #B5AEB7

RGB 181 174 183

HSL 286.67, 0.06%, 0.7%

LAB 71.9, 4.17, -3.71

 

CMYK 2 / 5 / 0 / 21

HEX #C6C0CA

RGB 198 192 202

HSL 276, 0.09%, 0.77%

LAB 78.44, 3.94, -4.27

 

CMYK 3 / 5 / 0 / 13

HEX #D7D2DD

RGB 215 210 221

HSL 267.27, 0.14%, 0.85%

LAB 84.87, 3.72, -4.82

 

CMYK 3 / 5 / 0 / 6

HEX #E8E4F0

RGB 232 228 240

HSL 260, 0.29%, 0.92%

LAB 91.2, 3.52, -5.35

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 5 / 8 / 0 / 41

HEX #8E8A96

RGB 142 138 150

HSL 260, 0.05%, 0.56%

LAB 58.16, 3.87, -5.85

 

CMYK 5 / 8 / 0 / 49

HEX #7D7883

RGB 125 120 131

HSL 267.27, 0.04%, 0.49%

LAB 51.19, 4.13, -5.32

 

CMYK 4 / 9 / 0 / 56

HEX #6C6670

RGB 108 102 112

HSL 276, 0.05%, 0.42%

LAB 44.03, 4.42, -4.77

 

CMYK 2 / 10 / 0 / 64

HEX #5B545D

RGB 91 84 93

HSL 286.67, 0.05%, 0.35%

LAB 36.66, 4.74, -4.19

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 4 / 8 / 0 / 34

HEX #A39CA9

RGB 163 156 169

HSL 272.31, 0.07%, 0.64%

LAB 65.3, 5.04, -5.85

 

CMYK 2 / 8 / 0 / 34

HEX #A69CA9

RGB 166 156 169

HSL 286.15, 0.07%, 0.64%

LAB 65.55, 6.1, -5.45

 

CMYK 0 / 8 / 0 / 34

HEX #A99CA9

RGB 169 156 169

HSL 300, 0.07%, 0.64%

LAB 65.81, 7.16, -5.05

 

CMYK 0 / 8 / 2 / 34

HEX #A99CA5

RGB 169 156 165

HSL 318.46, 0.07%, 0.64%

LAB 65.69, 6.4, -2.97

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 8 / 8 / 0 / 34

HEX #9C9CA9

RGB 156 156 169

HSL 240, 0.07%, 0.64%

LAB 64.73, 2.59, -6.76

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 18 / 23 / 0 / 28

HEX #978DB8

RGB 151 141 184

HSL 253.95, 0.23%, 0.64%

LAB 60.86, 12.65, -21.09

 

CMYK 28 / 36 / 0 / 22

HEX #8F7FC7

RGB 143 127 199

HSL 253.33, 0.39%, 0.64%

LAB 57.21, 21.9, -35.28

 

CMYK 37 / 48 / 0 / 16

HEX #8770D6

RGB 135 112 214

HSL 253.53, 0.55%, 0.64%

LAB 53.59, 32.42, -49.54

 

CMYK 45 / 58 / 0 / 10

HEX #7F61E5

RGB 127 97 229

HSL 253.64, 0.72%, 0.64%

LAB 50.36, 43.35, -63.24

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 2 / 0 / 10 / 33

HEX #A7AB9A

RGB 167 171 154

HSL 74.12, 0.09%, 0.64%

LAB 69.24, -4.53, 8.26

 

CMYK 6 / 0 / 25 / 27

HEX #AFBA8B

RGB 175 186 139

HSL 74.04, 0.25%, 0.64%

LAB 73.61, -11.86, 22.61

 

CMYK 9 / 0 / 38 / 21

HEX #B7C97D

RGB 183 201 125

HSL 74.21, 0.41%, 0.64%

LAB 78.06, -18.32, 35.96

 

CMYK 12 / 0 / 49 / 15

HEX #BFD86E

RGB 191 216 110

HSL 74.15, 0.58%, 0.64%

LAB 82.55, -24.25, 49.08

 

CMYK 8 / 5 / 0 / 34

HEX #9CA0A9

RGB 156 160 169

HSL 221.54, 0.07%, 0.64%

LAB 65.81, 0.37, -5.17

 

CMYK 8 / 7 / 0 / 34

HEX #9C9DA9

RGB 156 157 169

HSL 235.38, 0.07%, 0.64%

LAB 65, 2.03, -6.36

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 4 / 8 / 0 / 34

HEX #A29CA9

RGB 162 156 169

HSL 267.69, 0.07%, 0.64%

LAB 65.22, 4.68, -5.99

 

CMYK 2 / 8 / 0 / 34

HEX #A69CA9

RGB 166 156 169

HSL 286.15, 0.07%, 0.64%

LAB 65.55, 6.1, -5.45

 

CMYK 10 / 13 / 0 / 49

HEX #757182

RGB 117 113 130

HSL 254.12, 0.07%, 0.48%

LAB 48.52, 5.11, -8.78

 

CMYK 8 / 11 / 0 / 41

HEX #8A8696

RGB 138 134 150

HSL 255, 0.07%, 0.56%

LAB 56.74, 4.73, -8

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 4 / 5 / 0 / 26

HEX #B5B2BC

RGB 181 178 188

HSL 258, 0.07%, 0.72%

LAB 73.09, 2.96, -4.71

 

CMYK 2 / 3 / 0 / 19

HEX #CAC8CF

RGB 202 200 207

HSL 257.14, 0.07%, 0.8%

LAB 80.94, 1.99, -3.25

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 0 / 8 / 3 / 34

HEX #A99CA4

RGB 169 156 164

HSL 323.08, 0.07%, 0.64%

LAB 65.66, 6.21, -2.46

 

CMYK 6 / 0 / 8 / 34

HEX #9FA99C

RGB 159 169 156

HSL 106.15, 0.07%, 0.64%

LAB 68.13, -6, 5.49

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 0 / 6 / 8 / 34

HEX #A99F9C

RGB 169 159 156

HSL 13.85, 0.07%, 0.64%

LAB 66.24, 3.09, 2.86

 

CMYK 8 / 0 / 6 / 34

HEX #9CA99F

RGB 156 169 159

HSL 133.85, 0.07%, 0.64%

LAB 67.98, -6.51, 3.58

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 0 / 8 / 3 / 34

HEX #A99CA4

RGB 169 156 164

HSL 323.08, 0.07%, 0.64%

LAB 65.66, 6.21, -2.46

 

CMYK 2 / 0 / 8 / 34

HEX #A6A99C

RGB 166 169 156

HSL 73.85, 0.07%, 0.64%

LAB 68.67, -3.47, 6.33

 

CMYK 8 / 0 / 4 / 34

HEX #9CA9A2

RGB 156 169 162

HSL 147.69, 0.07%, 0.64%

LAB 68.06, -5.93, 2.03

 

CMYK 6 / 8 / 0 / 34

HEX #9F9CA9

RGB 159 156 169

HSL 253.85, 0.07%, 0.64%

LAB 64.97, 3.63, -6.38

 

CMYK 0 / 8 / 5 / 34

HEX #A99CA0

RGB 169 156 160

HSL 341.54, 0.07%, 0.64%

LAB 65.55, 5.47, -0.38

 

CMYK 2 / 0 / 8 / 34

HEX #A6A99C

RGB 166 169 156

HSL 73.85, 0.07%, 0.64%

LAB 68.67, -3.47, 6.33

 

CMYK 8 / 0 / 2 / 34

HEX #9CA9A5

RGB 156 169 165

HSL 161.54, 0.07%, 0.64%

LAB 68.14, -5.35, 0.49

 

Description

Color code: HEX #9F9CA9 | qconv.com Color code: HEX #9F9CA9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 156 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 156 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, 8 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 8% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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