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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FA5A4 it is the complementary color #605A5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FA5A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FA5A4 shade: #A4A59F, #B5B7B2, #C6C9C5, #D7DBD8 and #E8EDEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FA5A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FA5A4 shade: #9FA5A4, #8E9391, #7D817E, #6C6F6B and #5B5D58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FA5A4 shade: #A0A5A5, #A0A5A3, #A0A5A2, #A0A5A0 and #A1A5A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FA5A4 shade: #A0A5A5, #A0A5A5, #A0A3A5, #A0A2A5 and #A0A0A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FA5A4 shade matches the following richer shades: #A0A5A5, #91B4AE, #82C3B8, #73D2C2 and #65E1CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FA5A4 shade: #A0A5A5, #AF979B, #BE8891, #CD7987 and #DB6A7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FA5A4 shade: #A0A5A2, #A0A5A3, #A0A5A5, #A0A5A5 and #A0A3A5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FA5A4 shade: #767D7C, #8B9190, #A0A5A5, #B5B9B9 and #CACDCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FA5A4 shade: #9FA5A4, #A0A0A5 and #A5A2A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FA5A4 shade: #9FA5A4, #A5A0A5 and #A5A5A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FA5A4 shade: #9FA5A4, #A0A0A5, #A5A0A1 and #A5A5A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FA5A4 shade: #9FA5A4, #A2A0A5, #A5A0A1 and #A4A5A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 0 / 1 / 35

HEX #9FA5A4

RGB 159 165 164

HSL 170, 0.03%, 0.64%

LAB 67.25, -2.32, -0.23

 

Complementary color

CMYK 0 / 6 / 5 / 62

HEX #605A5B

RGB 96 90 91

HSL 350, 0.03%, 0.36%

LAB 38.82, 2.61, 0.29

 

CMYK 1 / 0 / 4 / 35

HEX #A4A59F

RGB 164 165 159

HSL 70, 0.03%, 0.64%

LAB 67.51, -1.48, 2.97

 

CMYK 1 / 0 / 3 / 28

HEX #B5B7B2

RGB 181 183 178

HSL 84, 0.03%, 0.71%

LAB 74.13, -1.62, 2.28

 

CMYK 1 / 0 / 2 / 21

HEX #C6C9C5

RGB 198 201 197

HSL 105, 0.04%, 0.78%

LAB 80.63, -1.76, 1.62

 

CMYK 2 / 0 / 1 / 14

HEX #D7DBD8

RGB 215 219 216

HSL 135, 0.05%, 0.85%

LAB 87.03, -1.89, 0.99

 

CMYK 2 / 0 / 1 / 7

HEX #E8EDEB

RGB 232 237 235

HSL 156, 0.12%, 0.92%

LAB 93.33, -2.02, 0.37

 

CMYK 4 / 0 / 1 / 35

HEX #9FA5A4

RGB 159 165 164

HSL 170, 0.03%, 0.64%

LAB 67.25, -2.32, -0.23

 

CMYK 3 / 0 / 1 / 42

HEX #8E9391

RGB 142 147 145

HSL 156, 0.02%, 0.57%

LAB 60.48, -2.21, 0.42

 

CMYK 3 / 0 / 2 / 49

HEX #7D817E

RGB 125 129 126

HSL 135, 0.02%, 0.5%

LAB 53.56, -2.09, 1.1

 

CMYK 3 / 0 / 4 / 56

HEX #6C6F6B

RGB 108 111 107

HSL 105, 0.02%, 0.43%

LAB 46.47, -1.96, 1.82

 

CMYK 2 / 0 / 5 / 64

HEX #5B5D58

RGB 91 93 88

HSL 84, 0.03%, 0.35%

LAB 39.17, -1.83, 2.59

 

CMYK 3 / 0 / 0 / 35

HEX #A0A5A5

RGB 160 165 165

HSL 180, 0.03%, 0.64%

LAB 67.35, -1.77, -0.63

HEX #A0A5A5

CMYK 3 / 0 / 1 / 35

HEX #A0A5A3

RGB 160 165 163

HSL 156, 0.03%, 0.64%

LAB 67.3, -2.16, 0.41

HEX #A0A5A3

CMYK 3 / 0 / 2 / 35

HEX #A0A5A2

RGB 160 165 162

HSL 144, 0.03%, 0.64%

LAB 67.27, -2.35, 0.92

HEX #A0A5A2

CMYK 3 / 0 / 3 / 35

HEX #A0A5A0

RGB 160 165 160

HSL 120, 0.03%, 0.64%

LAB 67.22, -2.73, 1.96

HEX #A0A5A0

CMYK 2 / 0 / 3 / 35

HEX #A1A5A0

RGB 161 165 160

HSL 108, 0.03%, 0.64%

LAB 67.3, -2.37, 2.08

HEX #A1A5A0

CMYK 3 / 0 / 0 / 35

HEX #A0A5A5

RGB 160 165 165

HSL 180, 0.03%, 0.64%

LAB 67.35, -1.77, -0.63

HEX #A0A5A5

CMYK 3 / 0 / 0 / 35

HEX #A0A5A5

RGB 160 165 165

HSL 180, 0.03%, 0.64%

LAB 67.35, -1.77, -0.63

HEX #A0A5A5

CMYK 3 / 1 / 0 / 35

HEX #A0A3A5

RGB 160 163 165

HSL 204, 0.03%, 0.64%

LAB 66.81, -0.68, -1.42

HEX #A0A3A5

CMYK 3 / 2 / 0 / 35

HEX #A0A2A5

RGB 160 162 165

HSL 216, 0.03%, 0.64%

LAB 66.54, -0.13, -1.81

HEX #A0A2A5

CMYK 3 / 3 / 0 / 35

HEX #A0A0A5

RGB 160 160 165

HSL 240, 0.03%, 0.64%

LAB 66.01, 0.97, -2.6

HEX #A0A0A5

CMYK 3 / 0 / 0 / 35

HEX #A0A5A5

RGB 160 165 165

HSL 180, 0.03%, 0.64%

LAB 67.35, -1.77, -0.63

HEX #A0A5A5

CMYK 19 / 0 / 3 / 29

HEX #91B4AE

RGB 145 180 174

HSL 169.71, 0.19%, 0.64%

LAB 70.68, -13.06, -0.87

HEX #91B4AE

CMYK 33 / 0 / 6 / 24

HEX #82C3B8

RGB 130 195 184

HSL 169.85, 0.35%, 0.64%

LAB 74.34, -23.1, -1.07

HEX #82C3B8

CMYK 45 / 0 / 8 / 18

HEX #73D2C2

RGB 115 210 194

HSL 169.89, 0.51%, 0.64%

LAB 78.25, -32, -0.82

HEX #73D2C2

CMYK 55 / 0 / 9 / 12

HEX #65E1CC

RGB 101 225 204

HSL 169.84, 0.67%, 0.64%

LAB 82.37, -39.59, -0.19

HEX #65E1CC

CMYK 3 / 0 / 0 / 35

HEX #A0A5A5

RGB 160 165 165

HSL 180, 0.03%, 0.64%

LAB 67.35, -1.77, -0.63

HEX #A0A5A5

CMYK 0 / 14 / 11 / 31

HEX #AF979B

RGB 175 151 155

HSL 350, 0.13%, 0.64%

LAB 64.65, 9.58, 1.19

HEX #AF979B

CMYK 0 / 28 / 24 / 25

HEX #BE8891

RGB 190 136 145

HSL 350, 0.29%, 0.64%

LAB 62.17, 21.96, 3.43

HEX #BE8891

CMYK 0 / 41 / 34 / 20

HEX #CD7987

RGB 205 121 135

HSL 350, 0.46%, 0.64%

LAB 60.25, 34.39, 6.62

HEX #CD7987

CMYK 0 / 52 / 43 / 14

HEX #DB6A7D

RGB 219 106 125

HSL 349.91, 0.61%, 0.64%

LAB 58.83, 46, 10.65

HEX #DB6A7D

CMYK 3 / 0 / 2 / 35

HEX #A0A5A2

RGB 160 165 162

HSL 144, 0.03%, 0.64%

LAB 67.27, -2.35, 0.92

 

CMYK 3 / 0 / 1 / 35

HEX #A0A5A3

RGB 160 165 163

HSL 156, 0.03%, 0.64%

LAB 67.3, -2.16, 0.41

 

CMYK 3 / 0 / 0 / 35

HEX #A0A5A5

RGB 160 165 165

HSL 180, 0.03%, 0.64%

LAB 67.35, -1.77, -0.63

HEX #A0A5A5

CMYK 3 / 0 / 0 / 35

HEX #A0A5A5

RGB 160 165 165

HSL 180, 0.03%, 0.64%

LAB 67.35, -1.77, -0.63

HEX #A0A5A5

CMYK 3 / 1 / 0 / 35

HEX #A0A3A5

RGB 160 163 165

HSL 204, 0.03%, 0.64%

LAB 66.81, -0.68, -1.42

HEX #A0A3A5

CMYK 6 / 0 / 1 / 51

HEX #767D7C

RGB 118 125 124

HSL 171.43, 0.03%, 0.48%

LAB 51.81, -2.81, -0.36

 

CMYK 4 / 0 / 1 / 43

HEX #8B9190

RGB 139 145 144

HSL 170, 0.03%, 0.56%

LAB 59.67, -2.37, -0.24

 

CMYK 3 / 0 / 0 / 35

HEX #A0A5A5

RGB 160 165 165

HSL 180, 0.03%, 0.64%

LAB 67.35, -1.77, -0.63

HEX #A0A5A5

CMYK 2 / 0 / 0 / 27

HEX #B5B9B9

RGB 181 185 185

HSL 180, 0.03%, 0.72%

LAB 74.84, -1.39, -0.5

HEX #B5B9B9

CMYK 1 / 0 / 0 / 20

HEX #CACDCD

RGB 202 205 205

HSL 180, 0.03%, 0.8%

LAB 82.18, -1.02, -0.37

HEX #CACDCD

CMYK 4 / 0 / 1 / 35

HEX #9FA5A4

RGB 159 165 164

HSL 170, 0.03%, 0.64%

LAB 67.25, -2.32, -0.23

 

CMYK 3 / 3 / 0 / 35

HEX #A0A0A5

RGB 160 160 165

HSL 240, 0.03%, 0.64%

LAB 66.01, 0.97, -2.6

 

CMYK 0 / 2 / 3 / 35

HEX #A5A2A0

RGB 165 162 160

HSL 24, 0.03%, 0.64%

LAB 66.81, 0.71, 1.41

 

CMYK 4 / 0 / 1 / 35

HEX #9FA5A4

RGB 159 165 164

HSL 170, 0.03%, 0.64%

LAB 67.25, -2.32, -0.23

 

CMYK 0 / 3 / 0 / 35

HEX #A5A0A5

RGB 165 160 165

HSL 300, 0.03%, 0.64%

LAB 66.41, 2.75, -1.96

 

CMYK 0 / 0 / 3 / 35

HEX #A5A5A0

RGB 165 165 160

HSL 60, 0.03%, 0.64%

LAB 67.61, -0.93, 2.58

 

CMYK 4 / 0 / 1 / 35

HEX #9FA5A4

RGB 159 165 164

HSL 170, 0.03%, 0.64%

LAB 67.25, -2.32, -0.23

 

CMYK 3 / 3 / 0 / 35

HEX #A0A0A5

RGB 160 160 165

HSL 240, 0.03%, 0.64%

LAB 66.01, 0.97, -2.6

 

CMYK 0 / 3 / 2 / 35

HEX #A5A0A1

RGB 165 160 161

HSL 348, 0.03%, 0.64%

LAB 66.3, 1.99, 0.11

 

CMYK 0 / 0 / 3 / 35

HEX #A5A5A0

RGB 165 165 160

HSL 60, 0.03%, 0.64%

LAB 67.61, -0.93, 2.58

 

CMYK 4 / 0 / 1 / 35

HEX #9FA5A4

RGB 159 165 164

HSL 170, 0.03%, 0.64%

LAB 67.25, -2.32, -0.23

 

CMYK 2 / 3 / 0 / 35

HEX #A2A0A5

RGB 162 160 165

HSL 264, 0.03%, 0.64%

LAB 66.17, 1.68, -2.35

 

CMYK 0 / 3 / 2 / 35

HEX #A5A0A1

RGB 165 160 161

HSL 348, 0.03%, 0.64%

LAB 66.3, 1.99, 0.11

 

CMYK 1 / 0 / 3 / 35

HEX #A4A5A0

RGB 164 165 160

HSL 72, 0.03%, 0.64%

LAB 67.53, -1.29, 2.45

 

Description

Color code: HEX #9FA5A4 | qconv.com Color code: HEX #9FA5A4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 165 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 165 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, none magenta, 1 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 0% 1% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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