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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FA5B6 it is the complementary color #605A49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FA5B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FA5B6 shade: #A4A5B1, #B5B7C4, #C6C9D7, #D7DBEA and #E8EDFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FA5B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FA5B6 shade: #9FA5B6, #8E93A3, #7D8190, #6C6F7D and #5B5D6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FA5B6 shade: #9FA5B6, #9F9FB6, #A59FB6, #AB9FB6 and #B29FB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FA5B6 shade: #9FA5B6 and #9F9FB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FA5B6 shade matches the following richer shades: #9FA5B6, #919EC4, #8398D1, #7691DF and #688BED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FA5B6 shade: #9FA5B6, #ACABA9, #BAB29B, #C7B88D and #D5BF80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FA5B6 shade: #9FB1B6, #9FABB6, #9FA5B6, #9F9FB6 and #A59FB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FA5B6 shade: #707993, #878FA4, #9FA5B6, #B6BBC8 and #CED1DA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FA5B6 shade: #9FA5B6, #B59FB6 and #AEB69F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FA5B6 shade: #9FA5B6, #B69FA5 and #A5B69F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FA5B6 shade: #9FA5B6, #B59FB6, #B6B09F and #A0B69F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FA5B6 shade: #9FA5B6, #B69FB1, #B6B09F and #9FB6A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

Complementary color

CMYK 0 / 6 / 24 / 62

HEX #605A49

RGB 96 90 73

HSL 44.35, 0.14%, 0.33%

LAB 38.34, -0.71, 10.71

 

CMYK 7 / 7 / 0 / 31

HEX #A4A5B1

RGB 164 165 177

HSL 235.38, 0.08%, 0.67%

LAB 68, 2.01, -6.31

 

CMYK 8 / 7 / 0 / 23

HEX #B5B7C4

RGB 181 183 196

HSL 232, 0.11%, 0.74%

LAB 74.62, 1.83, -6.82

 

CMYK 8 / 7 / 0 / 16

HEX #C6C9D7

RGB 198 201 215

HSL 229.41, 0.18%, 0.81%

LAB 81.12, 1.65, -7.31

 

CMYK 8 / 6 / 0 / 8

HEX #D7DBEA

RGB 215 219 234

HSL 227.37, 0.31%, 0.88%

LAB 87.51, 1.48, -7.8

 

CMYK 8 / 6 / 0 / 1

HEX #E8EDFD

RGB 232 237 253

HSL 225.71, 0.84%, 0.95%

LAB 93.8, 1.32, -8.29

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 13 / 10 / 0 / 36

HEX #8E93A3

RGB 142 147 163

HSL 225.71, 0.1%, 0.6%

LAB 61.01, 1.53, -9.03

 

CMYK 13 / 10 / 0 / 44

HEX #7D8190

RGB 125 129 144

HSL 227.37, 0.08%, 0.53%

LAB 54.11, 1.72, -8.57

 

CMYK 14 / 11 / 0 / 51

HEX #6C6F7D

RGB 108 111 125

HSL 229.41, 0.07%, 0.46%

LAB 47.02, 1.93, -8.12

 

CMYK 14 / 12 / 0 / 58

HEX #5B5D6A

RGB 91 93 106

HSL 232, 0.08%, 0.39%

LAB 39.74, 2.15, -7.67

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 13 / 13 / 0 / 29

HEX #9F9FB6

RGB 159 159 182

HSL 240, 0.14%, 0.67%

LAB 66.17, 4.68, -11.87

 

CMYK 9 / 13 / 0 / 29

HEX #A59FB6

RGB 165 159 182

HSL 255.65, 0.14%, 0.67%

LAB 66.65, 6.7, -11.1

 

CMYK 6 / 13 / 0 / 29

HEX #AB9FB6

RGB 171 159 182

HSL 271.3, 0.14%, 0.67%

LAB 67.15, 8.76, -10.3

 

CMYK 2 / 13 / 0 / 29

HEX #B29FB6

RGB 178 159 182

HSL 289.57, 0.14%, 0.67%

LAB 67.75, 11.18, -9.33

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 13 / 13 / 0 / 29

HEX #9F9FB6

RGB 159 159 182

HSL 240, 0.14%, 0.67%

LAB 66.17, 4.68, -11.87

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 26 / 19 / 0 / 23

HEX #919EC4

RGB 145 158 196

HSL 224.71, 0.3%, 0.67%

LAB 65.33, 3.94, -21.06

 

CMYK 37 / 27 / 0 / 18

HEX #8398D1

RGB 131 152 209

HSL 223.85, 0.46%, 0.67%

LAB 63.25, 6.6, -31.58

 

CMYK 47 / 35 / 0 / 13

HEX #7691DF

RGB 118 145 223

HSL 224.57, 0.62%, 0.67%

LAB 61.16, 11.28, -42.7

 

CMYK 56 / 41 / 0 / 7

HEX #688BED

RGB 104 139 237

HSL 224.21, 0.79%, 0.67%

LAB 59.46, 16.05, -53.22

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 0 / 1 / 2 / 33

HEX #ACABA9

RGB 172 171 169

HSL 40, 0.02%, 0.67%

LAB 70.01, -0.01, 1.14

 

CMYK 0 / 4 / 17 / 27

HEX #BAB29B

RGB 186 178 155

HSL 44.52, 0.18%, 0.67%

LAB 72.66, -1.05, 12.78

 

CMYK 0 / 8 / 29 / 22

HEX #C7B88D

RGB 199 184 141

HSL 44.48, 0.34%, 0.67%

LAB 75.04, -1.29, 23.81

 

CMYK 0 / 10 / 40 / 16

HEX #D5BF80

RGB 213 191 128

HSL 44.47, 0.5%, 0.67%

LAB 77.86, -1.01, 34.62

 

CMYK 13 / 3 / 0 / 29

HEX #9FB1B6

RGB 159 177 182

HSL 193.04, 0.14%, 0.67%

LAB 71, -5.18, -4.68

 

CMYK 13 / 6 / 0 / 29

HEX #9FABB6

RGB 159 171 182

HSL 208.7, 0.14%, 0.67%

LAB 69.38, -1.94, -7.08

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 13 / 13 / 0 / 29

HEX #9F9FB6

RGB 159 159 182

HSL 240, 0.14%, 0.67%

LAB 66.17, 4.68, -11.87

 

CMYK 9 / 13 / 0 / 29

HEX #A59FB6

RGB 165 159 182

HSL 255.65, 0.14%, 0.67%

LAB 66.65, 6.7, -11.1

 

CMYK 24 / 18 / 0 / 42

HEX #707993

RGB 112 121 147

HSL 224.57, 0.14%, 0.51%

LAB 50.95, 2.67, -15.18

 

CMYK 18 / 13 / 0 / 36

HEX #878FA4

RGB 135 143 164

HSL 223.45, 0.14%, 0.59%

LAB 59.41, 1.65, -12.05

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 9 / 7 / 0 / 22

HEX #B6BBC8

RGB 182 187 200

HSL 223.33, 0.14%, 0.75%

LAB 75.86, 0.81, -7.15

 

CMYK 6 / 4 / 0 / 15

HEX #CED1DA

RGB 206 209 218

HSL 225, 0.14%, 0.83%

LAB 83.85, 0.67, -4.81

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 1 / 13 / 0 / 29

HEX #B59FB6

RGB 181 159 182

HSL 297.39, 0.14%, 0.67%

LAB 68.02, 12.23, -8.91

 

CMYK 4 / 0 / 13 / 29

HEX #AEB69F

RGB 174 182 159

HSL 80.87, 0.14%, 0.67%

LAB 72.86, -6.97, 10.76

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 0 / 13 / 9 / 29

HEX #B69FA5

RGB 182 159 165

HSL 344.35, 0.14%, 0.67%

LAB 67.62, 9.46, -0.02

 

CMYK 9 / 0 / 13 / 29

HEX #A5B69F

RGB 165 182 159

HSL 104.35, 0.14%, 0.67%

LAB 72.2, -10.21, 9.72

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 1 / 13 / 0 / 29

HEX #B59FB6

RGB 181 159 182

HSL 297.39, 0.14%, 0.67%

LAB 68.02, 12.23, -8.91

 

CMYK 0 / 3 / 13 / 29

HEX #B6B09F

RGB 182 176 159

HSL 44.35, 0.14%, 0.67%

LAB 71.89, -0.83, 9.46

 

CMYK 12 / 0 / 13 / 29

HEX #A0B69F

RGB 160 182 159

HSL 117.39, 0.14%, 0.67%

LAB 71.85, -11.99, 9.17

 

CMYK 13 / 9 / 0 / 29

HEX #9FA5B6

RGB 159 165 182

HSL 224.35, 0.14%, 0.67%

LAB 67.77, 1.35, -9.48

 

CMYK 0 / 13 / 3 / 29

HEX #B69FB1

RGB 182 159 177

HSL 313.04, 0.14%, 0.67%

LAB 67.96, 11.63, -6.21

 

CMYK 0 / 3 / 13 / 29

HEX #B6B09F

RGB 182 176 159

HSL 44.35, 0.14%, 0.67%

LAB 71.89, -0.83, 9.46

 

CMYK 13 / 0 / 10 / 29

HEX #9FB6A4

RGB 159 182 164

HSL 133.04, 0.14%, 0.67%

LAB 71.9, -11.41, 6.5

 

Description

Color code: HEX #9FA5B6 | qconv.com Color code: HEX #9FA5B6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 165 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 165 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 9 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 9% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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