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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FBEE8 it is the complementary color #604117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FBEE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FBEE8 shade: #A4BEE3, #B5D0F6, #C6E2FF, #D7F4FF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FBEE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FBEE8 shade: #9FBEE8, #8EACD5, #7D9AC2, #6C88AF and #5B769C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FBEE8 shade: #A0BEE8, #A0ABE8, #A8A0E8, #BCA0E8 and #CFA0E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FBEE8 shade: #A0BEE8, #A0ABE8 and #A0A0E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FBEE8 shade matches the following richer shades: #A0BEE8, #97BDF1 and #8DBCFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FBEE8 shade: #A0BEE8, #AAC0DE, #B3C1D5, #BDC3CB and #C6C4C2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FBEE8 shade: #A0E5E8, #A0D2E8, #A0BFE8, #A0ACE8 and #A7A0E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FBEE8 shade: #5E91D8, #7FA8E0, #A0BEE8, #C1D5F0 and #E3ECF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FBEE8 shade: #9FBEE8, #D7A0E8 and #DCE8A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FBEE8 shade: #9FBEE8, #E8A0BF and #BFE8A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FBEE8 shade: #9FBEE8, #D7A0E8, #E8C9A0 and #B1E8A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FBEE8 shade: #9FBEE8, #E8A0E3, #E8C9A0 and #A0E8A5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 18 / 0 / 9

HEX #9FBEE8

RGB 159 190 232

HSL 214.52, 0.61%, 0.77%

LAB 76.08, -0.75, -24.31

 

Complementary color

CMYK 0 / 32 / 76 / 62

HEX #604117

RGB 96 65 23

HSL 34.52, 0.61%, 0.23%

LAB 30.23, 9.01, 30.01

 

CMYK 28 / 16 / 0 / 11

HEX #A4BEE3

RGB 164 190 227

HSL 215.24, 0.53%, 0.77%

LAB 76.23, -0.52, -21.35

 

CMYK 26 / 15 / 0 / 4

HEX #B5D0F6

RGB 181 208 246

HSL 215.08, 0.78%, 0.84%

LAB 82.69, -0.71, -21.62

 

CMYK 22 / 11 / 0 / 0

HEX #C6E2FF

RGB 198 226 255

HSL 210.53, 1%, 0.89%

LAB 88.74, -3.11, -17.13

 

CMYK 16 / 4 / 0 / 0

HEX #D7F4FF

RGB 215 244 255

HSL 196.5, 1%, 0.92%

LAB 94.47, -7.2, -8.47

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 31 / 18 / 0 / 9

HEX #9FBEE8

RGB 159 190 232

HSL 214.52, 0.61%, 0.77%

LAB 76.08, -0.75, -24.31

 

CMYK 33 / 19 / 0 / 16

HEX #8EACD5

RGB 142 172 213

HSL 214.65, 0.46%, 0.7%

LAB 69.51, -0.51, -24.09

 

CMYK 36 / 21 / 0 / 24

HEX #7D9AC2

RGB 125 154 194

HSL 214.78, 0.36%, 0.63%

LAB 62.82, -0.24, -23.9

 

CMYK 38 / 22 / 0 / 31

HEX #6C88AF

RGB 108 136 175

HSL 214.93, 0.3%, 0.55%

LAB 55.98, 0.08, -23.73

 

CMYK 42 / 24 / 0 / 39

HEX #5B769C

RGB 91 118 156

HSL 215.08, 0.26%, 0.48%

LAB 48.98, 0.46, -23.59

 

CMYK 31 / 18 / 0 / 9

HEX #A0BEE8

RGB 160 190 232

HSL 215, 0.61%, 0.77%

LAB 76.15, -0.47, -24.2

 

CMYK 31 / 26 / 0 / 9

HEX #A0ABE8

RGB 160 171 232

HSL 230.83, 0.61%, 0.77%

LAB 71.16, 9.99, -31.85

 

CMYK 28 / 31 / 0 / 9

HEX #A8A0E8

RGB 168 160 232

HSL 246.67, 0.61%, 0.77%

LAB 68.96, 18.46, -35.21

 

CMYK 19 / 31 / 0 / 9

HEX #BCA0E8

RGB 188 160 232

HSL 263.33, 0.61%, 0.77%

LAB 70.64, 24.4, -32.49

 

CMYK 11 / 31 / 0 / 9

HEX #CFA0E8

RGB 207 160 232

HSL 279.17, 0.61%, 0.77%

LAB 72.38, 30.24, -29.65

 

CMYK 31 / 18 / 0 / 9

HEX #A0BEE8

RGB 160 190 232

HSL 215, 0.61%, 0.77%

LAB 76.15, -0.47, -24.2

 

CMYK 31 / 26 / 0 / 9

HEX #A0ABE8

RGB 160 171 232

HSL 230.83, 0.61%, 0.77%

LAB 71.16, 9.99, -31.85

 

CMYK 31 / 31 / 0 / 9

HEX #A0A0E8

RGB 160 160 232

HSL 240, 0.61%, 0.77%

LAB 68.34, 16.17, -36.22

 

CMYK 31 / 18 / 0 / 9

HEX #A0BEE8

RGB 160 190 232

HSL 215, 0.61%, 0.77%

LAB 76.15, -0.47, -24.2

 

CMYK 37 / 22 / 0 / 5

HEX #97BDF1

RGB 151 189 241

HSL 214.67, 0.76%, 0.77%

LAB 75.65, -0.13, -29.86

 

CMYK 44 / 25 / 0 / 2

HEX #8DBCFB

RGB 141 188 251

HSL 214.36, 0.93%, 0.77%

LAB 75.2, 0.55, -36

 

CMYK 31 / 18 / 0 / 9

HEX #A0BEE8

RGB 160 190 232

HSL 215, 0.61%, 0.77%

LAB 76.15, -0.47, -24.2

 

CMYK 23 / 14 / 0 / 13

HEX #AAC0DE

RGB 170 192 222

HSL 214.62, 0.44%, 0.77%

LAB 76.99, -0.97, -17.46

 

CMYK 16 / 9 / 0 / 16

HEX #B3C1D5

RGB 179 193 213

HSL 215.29, 0.29%, 0.77%

LAB 77.6, -0.69, -11.63

 

CMYK 7 / 4 / 0 / 20

HEX #BDC3CB

RGB 189 195 203

HSL 214.29, 0.12%, 0.77%

LAB 78.56, -0.52, -4.73

 

CMYK 0 / 1 / 2 / 22

HEX #C6C4C2

RGB 198 196 194

HSL 30, 0.03%, 0.77%

LAB 79.26, 0.33, 1.24

 

CMYK 31 / 1 / 0 / 9

HEX #A0E5E8

RGB 160 229 232

HSL 182.5, 0.61%, 0.77%

LAB 86.67, -20.7, -8.37

 

CMYK 31 / 9 / 0 / 9

HEX #A0D2E8

RGB 160 210 232

HSL 198.33, 0.61%, 0.77%

LAB 81.51, -11.06, -16.08

 

CMYK 31 / 18 / 0 / 9

HEX #A0BFE8

RGB 160 191 232

HSL 214.17, 0.61%, 0.77%

LAB 76.41, -1.01, -23.8

 

CMYK 31 / 26 / 0 / 9

HEX #A0ACE8

RGB 160 172 232

HSL 230, 0.61%, 0.77%

LAB 71.42, 9.43, -31.45

 

CMYK 28 / 31 / 0 / 9

HEX #A7A0E8

RGB 167 160 232

HSL 245.83, 0.61%, 0.77%

LAB 68.88, 18.17, -35.34

 

CMYK 56 / 33 / 0 / 15

HEX #5E91D8

RGB 94 145 216

HSL 214.92, 0.61%, 0.61%

LAB 59.52, 3.74, -41.47

 

CMYK 43 / 25 / 0 / 12

HEX #7FA8E0

RGB 127 168 224

HSL 214.64, 0.61%, 0.69%

LAB 67.95, 0.63, -32.62

 

CMYK 31 / 18 / 0 / 9

HEX #A0BEE8

RGB 160 190 232

HSL 215, 0.61%, 0.77%

LAB 76.15, -0.47, -24.2

 

CMYK 20 / 11 / 0 / 6

HEX #C1D5F0

RGB 193 213 240

HSL 214.47, 0.61%, 0.85%

LAB 84.6, -1.1, -15.49

 

CMYK 8 / 5 / 0 / 3

HEX #E3ECF8

RGB 227 236 248

HSL 214.29, 0.6%, 0.93%

LAB 93.06, -0.73, -6.83

 

CMYK 31 / 18 / 0 / 9

HEX #9FBEE8

RGB 159 190 232

HSL 214.52, 0.61%, 0.77%

LAB 76.08, -0.75, -24.31

 

CMYK 7 / 31 / 0 / 9

HEX #D7A0E8

RGB 215 160 232

HSL 285.83, 0.61%, 0.77%

LAB 73.16, 32.73, -28.38

 

CMYK 5 / 0 / 31 / 9

HEX #DCE8A0

RGB 220 232 160

HSL 70, 0.61%, 0.77%

LAB 89.61, -15.35, 33.76

 

CMYK 31 / 18 / 0 / 9

HEX #9FBEE8

RGB 159 190 232

HSL 214.52, 0.61%, 0.77%

LAB 76.08, -0.75, -24.31

 

CMYK 0 / 31 / 18 / 9

HEX #E8A0BF

RGB 232 160 191

HSL 334.17, 0.61%, 0.77%

LAB 73.58, 31.16, -5.08

 

CMYK 18 / 0 / 31 / 9

HEX #BFE8A0

RGB 191 232 160

HSL 94.17, 0.61%, 0.77%

LAB 87.64, -25.87, 30.79

 

CMYK 31 / 18 / 0 / 9

HEX #9FBEE8

RGB 159 190 232

HSL 214.52, 0.61%, 0.77%

LAB 76.08, -0.75, -24.31

 

CMYK 7 / 31 / 0 / 9

HEX #D7A0E8

RGB 215 160 232

HSL 285.83, 0.61%, 0.77%

LAB 73.16, 32.73, -28.38

 

CMYK 0 / 13 / 31 / 9

HEX #E8C9A0

RGB 232 201 160

HSL 34.17, 0.61%, 0.77%

LAB 82.63, 5.01, 24.54

 

CMYK 24 / 0 / 31 / 9

HEX #B1E8A0

RGB 177 232 160

HSL 105.83, 0.61%, 0.77%

LAB 86.8, -30.7, 29.51

 

CMYK 31 / 18 / 0 / 9

HEX #9FBEE8

RGB 159 190 232

HSL 214.52, 0.61%, 0.77%

LAB 76.08, -0.75, -24.31

 

CMYK 0 / 31 / 2 / 9

HEX #E8A0E3

RGB 232 160 227

HSL 304.17, 0.61%, 0.77%

LAB 74.73, 37.18, -23.11

 

CMYK 0 / 13 / 31 / 9

HEX #E8C9A0

RGB 232 201 160

HSL 34.17, 0.61%, 0.77%

LAB 82.63, 5.01, 24.54

 

CMYK 31 / 0 / 29 / 9

HEX #A0E8A5

RGB 160 232 165

HSL 124.17, 0.61%, 0.77%

LAB 85.96, -35.46, 25.65

 

Description

Color code: HEX #9FBEE8 | qconv.com Color code: HEX #9FBEE8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 190 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 190 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 18 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 18% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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