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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FC0DF it is the complementary color #603F20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FC0DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FC0DF shade: #A4C0DA, #B5D2ED, #C6E4FF, #D7F6FF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FC0DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FC0DF shade: #9FC0DF, #8EAECC, #7D9CB9, #6C8AA6 and #5B7893

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FC0DF shade: #9FC0DF, #9FAFDF, #A09FDF, #B29FDF and #C39FDF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FC0DF shade: #9FC0DF, #9FAFDF and #9F9FDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FC0DF shade matches the following richer shades: #9FC0DF, #95C0E9, #8AC0F3 and #80C1FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FC0DF shade: #9FC0DF, #A9BFD4, #B4BFCA, #BEBFC0 and #C8BEB5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FC0DF shade: #9FDFDB, #9FD1DF, #9FC0DF, #9FAFDF and #A09FDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FC0DF shade: #6197CA, #80ABD4, #9FC0DF, #BED4E9 and #DDE8F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FC0DF shade: #9FC0DF, #CA9FDF and #D9DF9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FC0DF shade: #9FC0DF, #DF9FC0 and #C0DF9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FC0DF shade: #9FC0DF, #CA9FDF, #DFBE9F and #B3DF9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FC0DF shade: #9FC0DF, #DE9FDF, #DFBE9F and #A0DF9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

Complementary color

CMYK 0 / 34 / 67 / 62

HEX #603F20

RGB 96 63 32

HSL 29.06, 0.5%, 0.25%

LAB 29.78, 10.88, 24.53

 

CMYK 25 / 12 / 0 / 15

HEX #A4C0DA

RGB 164 192 218

HSL 208.89, 0.42%, 0.75%

LAB 76.47, -3.71, -16.13

 

CMYK 24 / 11 / 0 / 7

HEX #B5D2ED

RGB 181 210 237

HSL 208.93, 0.61%, 0.82%

LAB 82.93, -3.82, -16.48

 

CMYK 22 / 11 / 0 / 0

HEX #C6E4FF

RGB 198 228 255

HSL 208.42, 1%, 0.89%

LAB 89.26, -4.15, -16.36

 

CMYK 16 / 4 / 0 / 0

HEX #D7F6FF

RGB 215 246 255

HSL 193.5, 1%, 0.92%

LAB 94.98, -8.21, -7.7

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 30 / 15 / 0 / 20

HEX #8EAECC

RGB 142 174 204

HSL 209.03, 0.38%, 0.68%

LAB 69.74, -3.87, -18.79

 

CMYK 32 / 16 / 0 / 27

HEX #7D9CB9

RGB 125 156 185

HSL 209, 0.3%, 0.61%

LAB 63.04, -3.7, -18.5

 

CMYK 35 / 17 / 0 / 35

HEX #6C8AA6

RGB 108 138 166

HSL 208.97, 0.25%, 0.54%

LAB 56.21, -3.51, -18.22

 

CMYK 38 / 18 / 0 / 42

HEX #5B7893

RGB 91 120 147

HSL 208.93, 0.24%, 0.47%

LAB 49.21, -3.29, -17.96

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 29 / 22 / 0 / 13

HEX #9FAFDF

RGB 159 175 223

HSL 225, 0.5%, 0.75%

LAB 71.8, 5.24, -25.97

 

CMYK 28 / 29 / 0 / 13

HEX #A09FDF

RGB 160 159 223

HSL 240.94, 0.5%, 0.75%

LAB 67.72, 14.49, -32.24

 

CMYK 20 / 29 / 0 / 13

HEX #B29FDF

RGB 178 159 223

HSL 257.81, 0.5%, 0.75%

LAB 69.18, 19.88, -29.88

 

CMYK 13 / 29 / 0 / 13

HEX #C39FDF

RGB 195 159 223

HSL 273.75, 0.5%, 0.75%

LAB 70.68, 25.16, -27.43

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 29 / 22 / 0 / 13

HEX #9FAFDF

RGB 159 175 223

HSL 225, 0.5%, 0.75%

LAB 71.8, 5.24, -25.97

 

CMYK 29 / 29 / 0 / 13

HEX #9F9FDF

RGB 159 159 223

HSL 240, 0.5%, 0.75%

LAB 67.65, 14.2, -32.36

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 36 / 18 / 0 / 9

HEX #95C0E9

RGB 149 192 233

HSL 209.29, 0.66%, 0.75%

LAB 76.05, -4.35, -24.95

 

CMYK 43 / 21 / 0 / 5

HEX #8AC0F3

RGB 138 192 243

HSL 209.14, 0.81%, 0.75%

LAB 75.81, -4.56, -30.77

 

CMYK 50 / 24 / 0 / 0

HEX #80C1FE

RGB 128 193 254

HSL 209.05, 0.98%, 0.75%

LAB 76, -4.38, -36.42

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 20 / 10 / 0 / 17

HEX #A9BFD4

RGB 169 191 212

HSL 209.3, 0.33%, 0.75%

LAB 76.34, -3, -13.03

 

CMYK 11 / 5 / 0 / 21

HEX #B4BFCA

RGB 180 191 202

HSL 210, 0.17%, 0.75%

LAB 76.82, -1.59, -6.83

 

CMYK 1 / 1 / 0 / 25

HEX #BEBFC0

RGB 190 191 192

HSL 210, 0.02%, 0.75%

LAB 77.29, -0.16, -0.63

 

CMYK 0 / 5 / 10 / 22

HEX #C8BEB5

RGB 200 190 181

HSL 28.42, 0.15%, 0.75%

LAB 77.54, 1.95, 5.79

 

CMYK 29 / 0 / 2 / 13

HEX #9FDFDB

RGB 159 223 219

HSL 176.25, 0.5%, 0.75%

LAB 84.62, -20.94, -4.55

 

CMYK 29 / 6 / 0 / 13

HEX #9FD1DF

RGB 159 209 223

HSL 193.13, 0.5%, 0.75%

LAB 80.91, -12.95, -12.19

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 29 / 22 / 0 / 13

HEX #9FAFDF

RGB 159 175 223

HSL 225, 0.5%, 0.75%

LAB 71.8, 5.24, -25.97

 

CMYK 28 / 29 / 0 / 13

HEX #A09FDF

RGB 160 159 223

HSL 240.94, 0.5%, 0.75%

LAB 67.72, 14.49, -32.24

 

CMYK 52 / 25 / 0 / 21

HEX #6197CA

RGB 97 151 202

HSL 209.14, 0.5%, 0.59%

LAB 60.73, -3.44, -31.73

 

CMYK 40 / 19 / 0 / 17

HEX #80ABD4

RGB 128 171 212

HSL 209.29, 0.49%, 0.67%

LAB 68.36, -4.07, -25.37

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 18 / 9 / 0 / 9

HEX #BED4E9

RGB 190 212 233

HSL 209.3, 0.49%, 0.83%

LAB 83.92, -3.01, -12.8

 

CMYK 9 / 5 / 0 / 5

HEX #DDE8F3

RGB 221 232 243

HSL 210, 0.48%, 0.91%

LAB 91.49, -1.56, -6.6

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 9 / 29 / 0 / 13

HEX #CA9FDF

RGB 202 159 223

HSL 280.31, 0.5%, 0.75%

LAB 71.34, 27.37, -26.37

 

CMYK 3 / 0 / 29 / 13

HEX #D9DF9F

RGB 217 223 159

HSL 65.63, 0.5%, 0.75%

LAB 87.01, -12.11, 30.77

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 0 / 29 / 14 / 13

HEX #DF9FC0

RGB 223 159 192

HSL 329.06, 0.5%, 0.75%

LAB 72.42, 28.71, -7.46

 

CMYK 14 / 0 / 29 / 13

HEX #C0DF9F

RGB 192 223 159

HSL 89.06, 0.5%, 0.75%

LAB 85.24, -21.3, 28.09

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 9 / 29 / 0 / 13

HEX #CA9FDF

RGB 202 159 223

HSL 280.31, 0.5%, 0.75%

LAB 71.34, 27.37, -26.37

 

CMYK 0 / 15 / 29 / 13

HEX #DFBE9F

RGB 223 190 159

HSL 29.06, 0.5%, 0.75%

LAB 79.05, 7.21, 20.03

 

CMYK 20 / 0 / 29 / 13

HEX #B3DF9F

RGB 179 223 159

HSL 101.25, 0.5%, 0.75%

LAB 84.41, -25.89, 26.82

 

CMYK 29 / 14 / 0 / 13

HEX #9FC0DF

RGB 159 192 223

HSL 209.06, 0.5%, 0.75%

LAB 76.31, -4.01, -19.1

 

CMYK 0 / 29 / 0 / 13

HEX #DE9FDF

RGB 222 159 223

HSL 299.06, 0.5%, 0.75%

LAB 73.32, 33.77, -23.16

 

CMYK 0 / 15 / 29 / 13

HEX #DFBE9F

RGB 223 190 159

HSL 29.06, 0.5%, 0.75%

LAB 79.05, 7.21, 20.03

 

CMYK 28 / 0 / 29 / 13

HEX #A0DF9F

RGB 160 223 159

HSL 119.06, 0.5%, 0.75%

LAB 83.31, -32.28, 25.15

 

Description

Color code: HEX #9FC0DF | qconv.com Color code: HEX #9FC0DF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 192 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 192 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 29 cyan, 14 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
29% 14% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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