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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FCAFD it is the complementary color #603502. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FCAFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FCAFD shade: #A4CAF8, #B5DCFF, #C6EEFF, #D7FFFF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FCAFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FCAFD shade: #9FCAFD, #8EB8EA, #7DA6D7, #6C94C4 and #5B82B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FCAFD shade: #A0CAFD, #A0B1FD, #A7A0FD, #C0A0FD and #D9A0FD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FCAFD shade: #A0CAFD, #A0B1FD and #A0A0FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FCAFD shade matches the following richer shades: #A0CAFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FCAFD shade: #A0CAFD, #A7CBF5, #AFCBED, #B7CCE5 and #BFCDDD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FCAFD shade: #A0FDFD, #A0E4FD, #A0CBFD, #A0B2FD and #A6A0FD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FCAFD shade: #4F9DFB, #77B4FC, #A0CAFD, #C8E0FD and #F0F7FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FCAFD shade: #9FCAFD, #E4A0FD and #F0FDA0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FCAFD shade: #9FCAFD, #FDA0CB and #CBFDA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FCAFD shade: #9FCAFD, #E4A0FD, #FDD1A0 and #B8FDA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FCAFD shade: #9FCAFD, #FDA0F9, #FDD1A0 and #A0FDA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 20 / 0 / 1

HEX #9FCAFD

RGB 159 202 253

HSL 212.55, 0.96%, 0.81%

LAB 80.01, -1.92, -29.56

 

Complementary color

CMYK 0 / 45 / 98 / 62

HEX #603502

RGB 96 53 2

HSL 32.55, 0.96%, 0.19%

LAB 26.84, 15.61, 36.15

 

CMYK 34 / 19 / 0 / 3

HEX #A4CAF8

RGB 164 202 248

HSL 212.86, 0.86%, 0.81%

LAB 80.13, -1.84, -26.69

 

CMYK 29 / 14 / 0 / 0

HEX #B5DCFF

RGB 181 220 255

HSL 208.38, 1%, 0.85%

LAB 86.12, -4.92, -21.19

 

CMYK 22 / 7 / 0 / 0

HEX #C6EEFF

RGB 198 238 255

HSL 197.89, 1%, 0.89%

LAB 91.85, -9.27, -12.47

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 37 / 20 / 0 / 1

HEX #9FCAFD

RGB 159 202 253

HSL 212.55, 0.96%, 0.81%

LAB 80.01, -1.92, -29.56

 

CMYK 39 / 21 / 0 / 8

HEX #8EB8EA

RGB 142 184 234

HSL 212.61, 0.69%, 0.74%

LAB 73.53, -1.62, -29.39

 

CMYK 42 / 23 / 0 / 16

HEX #7DA6D7

RGB 125 166 215

HSL 212.67, 0.53%, 0.67%

LAB 66.93, -1.27, -29.25

 

CMYK 45 / 24 / 0 / 23

HEX #6C94C4

RGB 108 148 196

HSL 212.73, 0.43%, 0.6%

LAB 60.21, -0.86, -29.12

 

CMYK 49 / 27 / 0 / 31

HEX #5B82B1

RGB 91 130 177

HSL 212.79, 0.36%, 0.53%

LAB 53.35, -0.36, -29.03

 

CMYK 37 / 20 / 0 / 1

HEX #A0CAFD

RGB 160 202 253

HSL 212.9, 0.96%, 0.81%

LAB 80.07, -1.66, -29.47

 

CMYK 37 / 30 / 0 / 1

HEX #A0B1FD

RGB 160 177 253

HSL 229.03, 0.96%, 0.81%

LAB 73.55, 12.03, -39.54

 

CMYK 34 / 37 / 0 / 1

HEX #A7A0FD

RGB 167 160 253

HSL 244.52, 0.96%, 0.81%

LAB 69.79, 23.46, -45.39

 

CMYK 24 / 37 / 0 / 1

HEX #C0A0FD

RGB 192 160 253

HSL 260.65, 0.96%, 0.81%

LAB 71.85, 30.37, -42.01

 

CMYK 14 / 37 / 0 / 1

HEX #D9A0FD

RGB 217 160 253

HSL 276.77, 0.96%, 0.81%

LAB 74.18, 37.61, -38.2

 

CMYK 37 / 20 / 0 / 1

HEX #A0CAFD

RGB 160 202 253

HSL 212.9, 0.96%, 0.81%

LAB 80.07, -1.66, -29.47

 

CMYK 37 / 30 / 0 / 1

HEX #A0B1FD

RGB 160 177 253

HSL 229.03, 0.96%, 0.81%

LAB 73.55, 12.03, -39.54

 

CMYK 37 / 37 / 0 / 1

HEX #A0A0FD

RGB 160 160 253

HSL 240, 0.96%, 0.81%

LAB 69.26, 21.61, -46.25

 

CMYK 37 / 20 / 0 / 1

HEX #A0CAFD

RGB 160 202 253

HSL 212.9, 0.96%, 0.81%

LAB 80.07, -1.66, -29.47

 

CMYK 37 / 20 / 0 / 1

HEX #A0CAFD

RGB 160 202 253

HSL 212.9, 0.96%, 0.81%

LAB 80.07, -1.66, -29.47

 

CMYK 32 / 17 / 0 / 4

HEX #A7CBF5

RGB 167 203 245

HSL 212.31, 0.8%, 0.81%

LAB 80.47, -2.29, -24.55

 

CMYK 26 / 14 / 0 / 7

HEX #AFCBED

RGB 175 203 237

HSL 212.9, 0.63%, 0.81%

LAB 80.71, -1.9, -19.87

 

CMYK 20 / 11 / 0 / 10

HEX #B7CCE5

RGB 183 204 229

HSL 212.61, 0.47%, 0.81%

LAB 81.24, -1.82, -14.74

 

CMYK 14 / 7 / 0 / 13

HEX #BFCDDD

RGB 191 205 221

HSL 212, 0.31%, 0.81%

LAB 81.82, -1.54, -9.54

 

CMYK 37 / 0 / 0 / 1

HEX #A0FDFD

RGB 160 253 253

HSL 180, 0.96%, 0.81%

LAB 93.8, -27.53, -8.75

 

CMYK 37 / 10 / 0 / 1

HEX #A0E4FD

RGB 160 228 253

HSL 196.13, 0.96%, 0.81%

LAB 87.02, -15.22, -18.89

 

CMYK 37 / 20 / 0 / 1

HEX #A0CBFD

RGB 160 203 253

HSL 212.26, 0.96%, 0.81%

LAB 80.34, -2.19, -29.06

 

CMYK 37 / 30 / 0 / 1

HEX #A0B2FD

RGB 160 178 253

HSL 228.39, 0.96%, 0.81%

LAB 73.81, 11.47, -39.14

 

CMYK 34 / 37 / 0 / 1

HEX #A6A0FD

RGB 166 160 253

HSL 243.87, 0.96%, 0.81%

LAB 69.71, 23.19, -45.51

 

CMYK 69 / 37 / 0 / 2

HEX #4F9DFB

RGB 79 157 251

HSL 212.79, 0.96%, 0.65%

LAB 63.95, 5.72, -53.84

 

CMYK 53 / 29 / 0 / 1

HEX #77B4FC

RGB 119 180 252

HSL 212.48, 0.96%, 0.73%

LAB 71.96, 0.2, -41.67

 

CMYK 37 / 20 / 0 / 1

HEX #A0CAFD

RGB 160 202 253

HSL 212.9, 0.96%, 0.81%

LAB 80.07, -1.66, -29.47

 

CMYK 21 / 11 / 0 / 1

HEX #C8E0FD

RGB 200 224 253

HSL 212.83, 0.93%, 0.89%

LAB 88.3, -1.91, -16.74

 

CMYK 6 / 3 / 0 / 0

HEX #F0F7FE

RGB 240 247 254

HSL 210, 0.88%, 0.97%

LAB 96.9, -1.02, -4.16

 

CMYK 37 / 20 / 0 / 1

HEX #9FCAFD

RGB 159 202 253

HSL 212.55, 0.96%, 0.81%

LAB 80.01, -1.92, -29.56

 

CMYK 10 / 37 / 0 / 1

HEX #E4A0FD

RGB 228 160 253

HSL 283.87, 0.96%, 0.81%

LAB 75.28, 40.86, -36.41

 

CMYK 5 / 0 / 37 / 1

HEX #F0FDA0

RGB 240 253 160

HSL 68.39, 0.96%, 0.81%

LAB 96.54, -18.16, 43.09

 

CMYK 37 / 20 / 0 / 1

HEX #9FCAFD

RGB 159 202 253

HSL 212.55, 0.96%, 0.81%

LAB 80.01, -1.92, -29.56

 

CMYK 0 / 37 / 20 / 1

HEX #FDA0CB

RGB 253 160 203

HSL 332.26, 0.96%, 0.81%

LAB 76.28, 40.18, -7.43

 

CMYK 20 / 0 / 37 / 1

HEX #CBFDA0

RGB 203 253 160

HSL 92.26, 0.96%, 0.81%

LAB 94.09, -31.55, 39.45

 

CMYK 37 / 20 / 0 / 1

HEX #9FCAFD

RGB 159 202 253

HSL 212.55, 0.96%, 0.81%

LAB 80.01, -1.92, -29.56

 

CMYK 10 / 37 / 0 / 1

HEX #E4A0FD

RGB 228 160 253

HSL 283.87, 0.96%, 0.81%

LAB 75.28, 40.86, -36.41

 

CMYK 0 / 17 / 37 / 1

HEX #FDD1A0

RGB 253 209 160

HSL 31.61, 0.96%, 0.81%

LAB 86.51, 8.91, 30.12

 

CMYK 27 / 0 / 37 / 1

HEX #B8FDA0

RGB 184 253 160

HSL 104.52, 0.96%, 0.81%

LAB 93.01, -38, 37.82

 

CMYK 37 / 20 / 0 / 1

HEX #9FCAFD

RGB 159 202 253

HSL 212.55, 0.96%, 0.81%

LAB 80.01, -1.92, -29.56

 

CMYK 0 / 37 / 2 / 1

HEX #FDA0F9

RGB 253 160 249

HSL 302.58, 0.96%, 0.81%

LAB 77.79, 47.63, -30.15

 

CMYK 0 / 17 / 37 / 1

HEX #FDD1A0

RGB 253 209 160

HSL 31.61, 0.96%, 0.81%

LAB 86.51, 8.91, 30.12

 

CMYK 37 / 0 / 36 / 1

HEX #A0FDA3

RGB 160 253 163

HSL 121.94, 0.96%, 0.81%

LAB 91.85, -45.12, 34.58

 

Description

Color code: HEX #9FCAFD | qconv.com Color code: HEX #9FCAFD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 202 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 202 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 20 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 20% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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