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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FD383 it is the complementary color #602C7C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FD383. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FD383 shade: #A4D37E, #B5E591, #C6F7A4, #D7FFB7 and #E8FFCA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FD383. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FD383 shade: #9FD383, #8EC170, #7DAF5D, #6C9D4A and #5B8B37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FD383 shade: #9ED382, #B4D382, #CAD382, #D3C682 and #D3B082

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FD383 shade: #9ED382, #88D382, #82D391, #82D3A7 and #82D3BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FD383 shade matches the following richer shades: #9ED382, #9AE074, #96EE67 and #92FC59

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FD383 shade: #9ED382, #A2C590, #A6B89D, #AAAAAB and #AF9CB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FD383 shade: #C9D382, #B4D382, #9ED382, #89D382 and #82D391

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FD383 shade: #6FBD45, #87C863, #9ED382, #B6DDA0 and #CDE8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FD383 shade: #9FD383, #82D3C7 and #D382BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FD383 shade: #9FD383, #829ED3 and #D3829E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FD383 shade: #9FD383, #82D3C7, #B682D3 and #D3828E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FD383 shade: #9FD383, #82C7D3, #B682D3 and #D38E82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 38 / 17

HEX #9FD383

RGB 159 211 131

HSL 99, 0.48%, 0.67%

LAB 79.38, -31.24, 34.3

 

Complementary color

CMYK 23 / 65 / 0 / 51

HEX #602C7C

RGB 96 44 124

HSL 279, 0.48%, 0.33%

LAB 28.76, 38.01, -35.92

 

CMYK 22 / 0 / 40 / 17

HEX #A4D37E

RGB 164 211 126

HSL 93.18, 0.49%, 0.66%

LAB 79.61, -30.14, 37.19

 

CMYK 21 / 0 / 37 / 10

HEX #B5E591

RGB 181 229 145

HSL 94.29, 0.62%, 0.73%

LAB 85.96, -30.06, 36.05

 

CMYK 20 / 0 / 34 / 3

HEX #C6F7A4

RGB 198 247 164

HSL 95.42, 0.84%, 0.81%

LAB 92.22, -29.96, 34.95

 

CMYK 16 / 0 / 28 / 0

HEX #D7FFB7

RGB 215 255 183

HSL 93.33, 1%, 0.86%

LAB 95.74, -25.15, 30.31

 

CMYK 9 / 0 / 21 / 0

HEX #E8FFCA

RGB 232 255 202

HSL 86.04, 1%, 0.9%

LAB 97.2, -16.45, 22.88

 

CMYK 25 / 0 / 38 / 17

HEX #9FD383

RGB 159 211 131

HSL 99, 0.48%, 0.67%

LAB 79.38, -31.24, 34.3

 

CMYK 26 / 0 / 42 / 24

HEX #8EC170

RGB 142 193 112

HSL 97.78, 0.4%, 0.6%

LAB 72.93, -31.37, 35.48

 

CMYK 29 / 0 / 47 / 31

HEX #7DAF5D

RGB 125 175 93

HSL 96.59, 0.34%, 0.53%

LAB 66.37, -31.48, 36.68

 

CMYK 31 / 0 / 53 / 38

HEX #6C9D4A

RGB 108 157 74

HSL 95.42, 0.36%, 0.45%

LAB 59.7, -31.53, 37.9

 

CMYK 35 / 0 / 60 / 45

HEX #5B8B37

RGB 91 139 55

HSL 94.29, 0.43%, 0.38%

LAB 52.91, -31.49, 39.03

 

CMYK 25 / 0 / 38 / 17

HEX #9ED382

RGB 158 211 130

HSL 99.26, 0.48%, 0.67%

LAB 79.31, -31.73, 34.71

 

CMYK 15 / 0 / 38 / 17

HEX #B4D382

RGB 180 211 130

HSL 82.96, 0.48%, 0.67%

LAB 80.69, -23.77, 36.75

 

CMYK 4 / 0 / 38 / 17

HEX #CAD382

RGB 202 211 130

HSL 66.67, 0.48%, 0.67%

LAB 82.25, -15.38, 39.07

 

CMYK 0 / 6 / 38 / 17

HEX #D3C682

RGB 211 198 130

HSL 50.37, 0.48%, 0.67%

LAB 79.53, -5.23, 35.72

 

CMYK 0 / 17 / 38 / 17

HEX #D3B082

RGB 211 176 130

HSL 34.07, 0.48%, 0.67%

LAB 73.88, 6.35, 28.31

 

CMYK 25 / 0 / 38 / 17

HEX #9ED382

RGB 158 211 130

HSL 99.26, 0.48%, 0.67%

LAB 79.31, -31.73, 34.71

 

CMYK 36 / 0 / 38 / 17

HEX #88D382

RGB 136 211 130

HSL 115.56, 0.48%, 0.67%

LAB 78.13, -39.09, 32.94

 

CMYK 38 / 0 / 31 / 17

HEX #82D391

RGB 130 211 145

HSL 131.11, 0.48%, 0.67%

LAB 78.1, -38.51, 25.09

 

CMYK 38 / 0 / 21 / 17

HEX #82D3A7

RGB 130 211 167

HSL 147.41, 0.48%, 0.67%

LAB 78.53, -34.43, 14.1

 

CMYK 38 / 0 / 10 / 17

HEX #82D3BD

RGB 130 211 189

HSL 163.7, 0.48%, 0.67%

LAB 79.05, -29.8, 3.1

 

CMYK 25 / 0 / 38 / 17

HEX #9ED382

RGB 158 211 130

HSL 99.26, 0.48%, 0.67%

LAB 79.31, -31.73, 34.71

 

CMYK 31 / 0 / 48 / 12

HEX #9AE074

RGB 154 224 116

HSL 98.89, 0.64%, 0.67%

LAB 82.62, -40.83, 45.77

 

CMYK 37 / 0 / 57 / 7

HEX #96EE67

RGB 150 238 103

HSL 99.11, 0.8%, 0.67%

LAB 86.31, -49.58, 56.14

 

CMYK 42 / 0 / 65 / 1

HEX #92FC59

RGB 146 252 89

HSL 99.02, 0.96%, 0.67%

LAB 90.07, -57.73, 66.14

 

CMYK 25 / 0 / 38 / 17

HEX #9ED382

RGB 158 211 130

HSL 99.26, 0.48%, 0.67%

LAB 79.31, -31.73, 34.71

 

CMYK 18 / 0 / 27 / 23

HEX #A2C590

RGB 162 197 144

HSL 99.62, 0.31%, 0.67%

LAB 75.84, -21.48, 22.84

 

CMYK 10 / 0 / 15 / 28

HEX #A6B89D

RGB 166 184 157

HSL 100, 0.16%, 0.67%

LAB 72.77, -11.26, 11.64

 

CMYK 1 / 1 / 0 / 33

HEX #AAAAAB

RGB 170 170 171

HSL 240, 0.01%, 0.67%

LAB 69.64, 0.19, -0.52

 

CMYK 5 / 15 / 0 / 28

HEX #AF9CB8

RGB 175 156 184

HSL 280.71, 0.16%, 0.67%

LAB 66.79, 12.21, -11.92

 

CMYK 5 / 0 / 38 / 17

HEX #C9D382

RGB 201 211 130

HSL 67.41, 0.48%, 0.67%

LAB 82.17, -15.77, 38.96

 

CMYK 15 / 0 / 38 / 17

HEX #B4D382

RGB 180 211 130

HSL 82.96, 0.48%, 0.67%

LAB 80.69, -23.77, 36.75

 

CMYK 25 / 0 / 38 / 17

HEX #9ED382

RGB 158 211 130

HSL 99.26, 0.48%, 0.67%

LAB 79.31, -31.73, 34.71

 

CMYK 35 / 0 / 38 / 17

HEX #89D382

RGB 137 211 130

HSL 114.81, 0.48%, 0.67%

LAB 78.18, -38.77, 33.02

 

CMYK 38 / 0 / 31 / 17

HEX #82D391

RGB 130 211 145

HSL 131.11, 0.48%, 0.67%

LAB 78.1, -38.51, 25.09

 

CMYK 41 / 0 / 63 / 26

HEX #6FBD45

RGB 111 189 69

HSL 99, 0.48%, 0.51%

LAB 69.61, -45.17, 51.64

 

CMYK 33 / 0 / 51 / 22

HEX #87C863

RGB 135 200 99

HSL 98.61, 0.48%, 0.59%

LAB 74.42, -38.68, 43.72

 

CMYK 25 / 0 / 38 / 17

HEX #9ED382

RGB 158 211 130

HSL 99.26, 0.48%, 0.67%

LAB 79.31, -31.73, 34.71

 

CMYK 18 / 0 / 28 / 13

HEX #B6DDA0

RGB 182 221 160

HSL 98.36, 0.47%, 0.75%

LAB 84.07, -23.72, 25.87

 

CMYK 12 / 0 / 18 / 9

HEX #CDE8BF

RGB 205 232 191

HSL 99.51, 0.47%, 0.83%

LAB 89.14, -16.22, 17.01

 

CMYK 25 / 0 / 38 / 17

HEX #9FD383

RGB 159 211 131

HSL 99, 0.48%, 0.67%

LAB 79.38, -31.24, 34.3

 

CMYK 38 / 0 / 6 / 17

HEX #82D3C7

RGB 130 211 199

HSL 171.11, 0.48%, 0.67%

LAB 79.3, -27.53, -1.88

 

CMYK 0 / 38 / 9 / 17

HEX #D382BF

RGB 211 130 191

HSL 314.81, 0.48%, 0.67%

LAB 64.62, 40, -18.75

 

CMYK 25 / 0 / 38 / 17

HEX #9FD383

RGB 159 211 131

HSL 99, 0.48%, 0.67%

LAB 79.38, -31.24, 34.3

 

CMYK 38 / 25 / 0 / 17

HEX #829ED3

RGB 130 158 211

HSL 219.26, 0.48%, 0.67%

LAB 64.89, 3.45, -30.16

 

CMYK 0 / 38 / 25 / 17

HEX #D3829E

RGB 211 130 158

HSL 339.26, 0.48%, 0.67%

LAB 63.58, 34.85, -1.63

 

CMYK 25 / 0 / 38 / 17

HEX #9FD383

RGB 159 211 131

HSL 99, 0.48%, 0.67%

LAB 79.38, -31.24, 34.3

 

CMYK 38 / 0 / 6 / 17

HEX #82D3C7

RGB 130 211 199

HSL 171.11, 0.48%, 0.67%

LAB 79.3, -27.53, -1.88

 

CMYK 14 / 38 / 0 / 17

HEX #B682D3

RGB 182 130 211

HSL 278.52, 0.48%, 0.67%

LAB 62.18, 34.66, -34.02

 

CMYK 0 / 38 / 33 / 17

HEX #D3828E

RGB 211 130 142

HSL 351.11, 0.48%, 0.67%

LAB 63.15, 32.68, 6.86

 

CMYK 25 / 0 / 38 / 17

HEX #9FD383

RGB 159 211 131

HSL 99, 0.48%, 0.67%

LAB 79.38, -31.24, 34.3

 

CMYK 38 / 6 / 0 / 17

HEX #82C7D3

RGB 130 199 211

HSL 188.89, 0.48%, 0.67%

LAB 76.25, -18.65, -12.86

 

CMYK 14 / 38 / 0 / 17

HEX #B682D3

RGB 182 130 211

HSL 278.52, 0.48%, 0.67%

LAB 62.18, 34.66, -34.02

 

CMYK 0 / 33 / 38 / 17

HEX #D38E82

RGB 211 142 130

HSL 8.89, 0.48%, 0.67%

LAB 65.6, 24.74, 17.09

 

Description

Color code: HEX #9FD383 | qconv.com Color code: HEX #9FD383 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 211 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 211 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 38 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 38% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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