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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FDD54 it is the complementary color #6022AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FDD54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FDD54 shade: #A4DD4F, #B5EF62, #C6FF75, #D7FF88 and #E8FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FDD54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FDD54 shade: #9FDD54, #8ECB41, #7DB92E, #6CA71B and #5B9508

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FDD54 shade: #9FDD54, #C4DD54, #DDD154, #DDAC54 and #DD8754

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FDD54 shade: #9FDD54, #7ADD54, #55DD54, #54DD78 and #54DD9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FDD54 shade matches the following richer shades: #9FDD54, #A1ED44 and #A2FE33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FDD54 shade: #9FDD54, #9DCC65, #9CBC75, #9AAB86 and #999B96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FDD54 shade: #DDD154, #C4DD54, #9FDD54, #7BDD54 and #56DD54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FDD54 shade: #76BA24, #8CD632, #9FDD54, #B2E477 and #C6EA99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FDD54 shade: #9FDD54, #54DDAD and #DD54D6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FDD54 shade: #9FDD54, #549FDD and #DD549F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FDD54 shade: #9FDD54, #54DDAD, #9254DD and #DD5484

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FDD54 shade: #9FDD54, #54DDD6, #9254DD and #DD545B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

Complementary color

CMYK 44 / 80 / 0 / 33

HEX #6022AB

RGB 96 34 171

HSL 267.15, 0.67%, 0.4%

LAB 30.81, 54.16, -61.48

 

CMYK 26 / 0 / 64 / 13

HEX #A4DD4F

RGB 164 221 79

HSL 84.08, 0.68%, 0.59%

LAB 81.93, -39.54, 61.65

 

CMYK 24 / 0 / 59 / 6

HEX #B5EF62

RGB 181 239 98

HSL 84.68, 0.82%, 0.66%

LAB 88.18, -39.78, 60.87

 

CMYK 22 / 0 / 54 / 0

HEX #C6FF75

RGB 198 255 117

HSL 84.78, 1%, 0.73%

LAB 93.8, -39.05, 59.29

 

CMYK 16 / 0 / 47 / 0

HEX #D7FF88

RGB 215 255 136

HSL 80.17, 1%, 0.77%

LAB 95.05, -30.99, 52.37

 

CMYK 9 / 0 / 39 / 0

HEX #E8FF9B

RGB 232 255 155

HSL 73.8, 1%, 0.8%

LAB 96.43, -22.66, 45.27

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 30 / 0 / 68 / 20

HEX #8ECB41

RGB 142 203 65

HSL 86.52, 0.57%, 0.53%

LAB 75.35, -40.7, 59.88

 

CMYK 32 / 0 / 75 / 27

HEX #7DB92E

RGB 125 185 46

HSL 85.9, 0.6%, 0.45%

LAB 68.94, -40.29, 60.05

 

CMYK 35 / 0 / 84 / 35

HEX #6CA71B

RGB 108 167 27

HSL 85.29, 0.72%, 0.38%

LAB 62.43, -39.66, 59.38

 

CMYK 39 / 0 / 95 / 42

HEX #5B9508

RGB 91 149 8

HSL 84.68, 0.9%, 0.31%

LAB 55.82, -38.75, 57.26

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 11 / 0 / 62 / 13

HEX #C4DD54

RGB 196 221 84

HSL 70.95, 0.67%, 0.6%

LAB 84.01, -26.86, 62.44

 

CMYK 0 / 5 / 62 / 13

HEX #DDD154

RGB 221 209 84

HSL 54.74, 0.67%, 0.6%

LAB 82.71, -10.79, 61.61

 

CMYK 0 / 22 / 62 / 13

HEX #DDAC54

RGB 221 172 84

HSL 38.54, 0.67%, 0.6%

LAB 73.23, 8.43, 51.15

 

CMYK 0 / 39 / 62 / 13

HEX #DD8754

RGB 221 135 84

HSL 22.34, 0.67%, 0.6%

LAB 64.44, 28.25, 40.94

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 45 / 0 / 62 / 13

HEX #7ADD54

RGB 122 221 84

HSL 103.36, 0.67%, 0.6%

LAB 79.89, -53.31, 56.75

 

CMYK 62 / 0 / 62 / 13

HEX #55DD54

RGB 85 221 84

HSL 119.56, 0.67%, 0.6%

LAB 78.63, -62.95, 54.99

 

CMYK 62 / 0 / 46 / 13

HEX #54DD78

RGB 84 221 120

HSL 135.77, 0.67%, 0.6%

LAB 79.01, -58.47, 38.73

 

CMYK 62 / 0 / 29 / 13

HEX #54DD9D

RGB 84 221 157

HSL 151.97, 0.67%, 0.6%

LAB 79.63, -51.79, 20.65

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 32 / 0 / 71 / 7

HEX #A1ED44

RGB 161 237 68

HSL 86.98, 0.82%, 0.6%

LAB 86.29, -48.26, 70.21

 

CMYK 36 / 0 / 80 / 0

HEX #A2FE33

RGB 162 254 51

HSL 87.19, 0.99%, 0.6%

LAB 91.15, -55.69, 79.95

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 23 / 0 / 50 / 20

HEX #9DCC65

RGB 157 204 101

HSL 87.38, 0.5%, 0.6%

LAB 76.86, -32.4, 46

 

CMYK 17 / 0 / 38 / 26

HEX #9CBC75

RGB 156 188 117

HSL 87.04, 0.35%, 0.6%

LAB 72.44, -23.16, 32.44

 

CMYK 10 / 0 / 22 / 33

HEX #9AAB86

RGB 154 171 134

HSL 87.57, 0.18%, 0.6%

LAB 67.81, -12.73, 17.11

 

CMYK 1 / 0 / 3 / 39

HEX #999B96

RGB 153 155 150

HSL 84, 0.02%, 0.6%

LAB 63.69, -1.67, 2.36

 

CMYK 0 / 5 / 62 / 13

HEX #DDD154

RGB 221 209 84

HSL 54.74, 0.67%, 0.6%

LAB 82.71, -10.79, 61.61

 

CMYK 11 / 0 / 62 / 13

HEX #C4DD54

RGB 196 221 84

HSL 70.95, 0.67%, 0.6%

LAB 84.01, -26.86, 62.44

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 44 / 0 / 62 / 13

HEX #7BDD54

RGB 123 221 84

HSL 102.92, 0.67%, 0.6%

LAB 79.93, -53, 56.81

 

CMYK 61 / 0 / 62 / 13

HEX #56DD54

RGB 86 221 84

HSL 119.12, 0.67%, 0.6%

LAB 78.65, -62.73, 55.03

 

CMYK 37 / 0 / 81 / 27

HEX #76BA24

RGB 118 186 36

HSL 87.2, 0.68%, 0.44%

LAB 68.82, -43.77, 62.9

 

CMYK 35 / 0 / 77 / 16

HEX #8CD632

RGB 140 214 50

HSL 87.07, 0.67%, 0.52%

LAB 78.4, -47.04, 68.08

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 22 / 0 / 48 / 11

HEX #B2E477

RGB 178 228 119

HSL 87.52, 0.67%, 0.68%

LAB 85.14, -33.86, 47.74

 

CMYK 15 / 0 / 35 / 8

HEX #C6EA99

RGB 198 234 153

HSL 86.67, 0.66%, 0.76%

LAB 88.52, -25.3, 35.58

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 62 / 0 / 22 / 13

HEX #54DDAD

RGB 84 221 173

HSL 158.98, 0.67%, 0.6%

LAB 79.96, -48.37, 12.7

 

CMYK 0 / 62 / 3 / 13

HEX #DD54D6

RGB 221 84 214

HSL 303.07, 0.67%, 0.6%

LAB 58.57, 68.63, -41

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 62 / 28 / 0 / 13

HEX #549FDD

RGB 84 159 221

HSL 207.15, 0.67%, 0.6%

LAB 63.26, -4.63, -38.41

 

CMYK 0 / 62 / 28 / 13

HEX #DD549F

RGB 221 84 159

HSL 327.15, 0.67%, 0.6%

LAB 56.3, 60.68, -12.87

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 62 / 0 / 22 / 13

HEX #54DDAD

RGB 84 221 173

HSL 158.98, 0.67%, 0.6%

LAB 79.96, -48.37, 12.7

 

CMYK 34 / 62 / 0 / 13

HEX #9254DD

RGB 146 84 221

HSL 267.15, 0.67%, 0.6%

LAB 49.1, 52.41, -60.66

 

CMYK 0 / 62 / 40 / 13

HEX #DD5484

RGB 221 84 132

HSL 338.98, 0.67%, 0.6%

LAB 55.46, 57.57, 1.75

 

CMYK 28 / 0 / 62 / 13

HEX #9FDD54

RGB 159 221 84

HSL 87.15, 0.67%, 0.6%

LAB 81.69, -40.97, 59.24

 

CMYK 62 / 0 / 3 / 13

HEX #54DDD6

RGB 84 221 214

HSL 176.93, 0.67%, 0.6%

LAB 80.99, -38.28, -7.59

 

CMYK 34 / 62 / 0 / 13

HEX #9254DD

RGB 146 84 221

HSL 267.15, 0.67%, 0.6%

LAB 49.1, 52.41, -60.66

 

CMYK 0 / 62 / 59 / 13

HEX #DD545B

RGB 221 84 91

HSL 356.93, 0.67%, 0.6%

LAB 54.52, 54, 24.65

 

Description

Color code: HEX #9FDD54 | qconv.com Color code: HEX #9FDD54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 221 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 221 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 62 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 62% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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