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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FE63C it is the complementary color #6019C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FE63C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FE63C shade: #A4E637, #B5F84A, #C6FF5D, #D7FF70 and #E8FF83

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FE63C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FE63C shade: #9FE63C, #8ED429, #7DC216, #6CB003 and #5B9E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FE63C shade: #9FE53C, #CCE53C, #E5D13C, #E5A33C and #E5763C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FE63C shade: #9FE53C, #71E53C, #44E53C, #3CE563 and #3CE590

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FE63C shade matches the following richer shades: #9FE53C and #A2F72B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FE63C shade: #9FE53C, #9CD44E, #99C260, #96B072 and #939E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FE63C shade: #E5D23C, #CCE53C, #9FE53C, #72E53C and #45E53C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FE63C shade: #75B817, #8CDC1C, #9FE53C, #B1EA61 and #C3EF85

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FE63C shade: #9FE63C, #3CE5A5 and #E53CE2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FE63C shade: #9FE63C, #3C9FE5 and #E53C9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FE63C shade: #9FE63C, #3CE5A5, #833CE5 and #E53C7D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FE63C shade: #9FE63C, #3CE5D7, #833CE5 and #E53C4A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 74 / 10

HEX #9FE63C

RGB 159 230 60

HSL 85.06, 0.77%, 0.57%

LAB 84.12, -46.48, 70.73

 

Complementary color

CMYK 51 / 87 / 0 / 24

HEX #6019C3

RGB 96 25 195

HSL 265.06, 0.77%, 0.43%

LAB 32.08, 63.08, -73.64

 

CMYK 29 / 0 / 76 / 10

HEX #A4E637

RGB 164 230 55

HSL 82.63, 0.78%, 0.56%

LAB 84.36, -44.93, 72.62

 

CMYK 27 / 0 / 70 / 3

HEX #B5F84A

RGB 181 248 74

HSL 83.1, 0.93%, 0.63%

LAB 90.53, -45.42, 72.72

 

CMYK 22 / 0 / 64 / 0

HEX #C6FF5D

RGB 198 255 93

HSL 81.11, 1%, 0.68%

LAB 93.59, -41.01, 69.12

 

CMYK 16 / 0 / 56 / 0

HEX #D7FF70

RGB 215 255 112

HSL 76.78, 1%, 0.72%

LAB 94.8, -33.23, 62.89

 

CMYK 9 / 0 / 49 / 0

HEX #E8FF83

RGB 232 255 131

HSL 71.13, 1%, 0.76%

LAB 96.13, -25.13, 56.25

 

CMYK 31 / 0 / 74 / 10

HEX #9FE63C

RGB 159 230 60

HSL 85.06, 0.77%, 0.57%

LAB 84.12, -46.48, 70.73

 

CMYK 33 / 0 / 81 / 17

HEX #8ED429

RGB 142 212 41

HSL 84.56, 0.68%, 0.5%

LAB 77.87, -45.91, 70.2

 

CMYK 36 / 0 / 89 / 24

HEX #7DC216

RGB 125 194 22

HSL 84.07, 0.8%, 0.42%

LAB 71.56, -45.12, 68.65

 

CMYK 39 / 0 / 98 / 31

HEX #6CB003

RGB 108 176 3

HSL 83.58, 0.97%, 0.35%

LAB 65.16, -44.1, 65.77

 

CMYK 42 / 0 / 100 / 38

HEX #5B9E00

RGB 91 158 0

HSL 85.44, 1%, 0.31%

LAB 58.67, -42.72, 60.76

 

CMYK 31 / 0 / 74 / 10

HEX #9FE53C

RGB 159 229 60

HSL 84.85, 0.76%, 0.57%

LAB 83.83, -46.06, 70.45

 

CMYK 11 / 0 / 74 / 10

HEX #CCE53C

RGB 204 229 60

HSL 68.88, 0.76%, 0.57%

LAB 86.6, -28.82, 74.07

 

CMYK 0 / 9 / 74 / 10

HEX #E5D13C

RGB 229 209 60

HSL 52.9, 0.76%, 0.57%

LAB 83.22, -8.7, 71.58

 

CMYK 0 / 29 / 74 / 10

HEX #E5A33C

RGB 229 163 60

HSL 36.57, 0.76%, 0.57%

LAB 71.68, 15.29, 60.41

 

CMYK 0 / 48 / 74 / 10

HEX #E5763C

RGB 229 118 60

HSL 20.59, 0.76%, 0.57%

LAB 61.6, 38.97, 50.15

 

CMYK 31 / 0 / 74 / 10

HEX #9FE53C

RGB 159 229 60

HSL 84.85, 0.76%, 0.57%

LAB 83.83, -46.06, 70.45

 

CMYK 51 / 0 / 74 / 10

HEX #71E53C

RGB 113 229 60

HSL 101.18, 0.76%, 0.57%

LAB 81.77, -60.85, 67.74

 

CMYK 70 / 0 / 74 / 10

HEX #44E53C

RGB 68 229 60

HSL 117.16, 0.76%, 0.57%

LAB 80.51, -71.02, 66.07

 

CMYK 74 / 0 / 57 / 10

HEX #3CE563

RGB 60 229 99

HSL 133.85, 0.76%, 0.57%

LAB 80.68, -68.41, 50.62

 

CMYK 74 / 0 / 37 / 10

HEX #3CE590

RGB 60 229 144

HSL 149.82, 0.76%, 0.57%

LAB 81.3, -61.29, 29.54

 

CMYK 31 / 0 / 74 / 10

HEX #9FE53C

RGB 159 229 60

HSL 84.85, 0.76%, 0.57%

LAB 83.83, -46.06, 70.45

 

CMYK 34 / 0 / 83 / 3

HEX #A2F72B

RGB 162 247 43

HSL 85, 0.93%, 0.57%

LAB 89.1, -53.2, 80.07

 

CMYK 31 / 0 / 74 / 10

HEX #9FE53C

RGB 159 229 60

HSL 84.85, 0.76%, 0.57%

LAB 83.83, -46.06, 70.45

 

CMYK 26 / 0 / 63 / 17

HEX #9CD44E

RGB 156 212 78

HSL 85.07, 0.61%, 0.57%

LAB 78.87, -38.56, 58.63

 

CMYK 21 / 0 / 51 / 24

HEX #99C260

RGB 153 194 96

HSL 85.1, 0.45%, 0.57%

LAB 73.68, -29.73, 44.52

 

CMYK 15 / 0 / 35 / 31

HEX #96B072

RGB 150 176 114

HSL 85.16, 0.28%, 0.57%

LAB 68.57, -19.83, 28.88

 

CMYK 7 / 0 / 17 / 38

HEX #939E83

RGB 147 158 131

HSL 84.44, 0.12%, 0.57%

LAB 63.59, -8.95, 12.8

 

CMYK 0 / 8 / 74 / 10

HEX #E5D23C

RGB 229 210 60

HSL 53.25, 0.76%, 0.57%

LAB 83.48, -9.2, 71.82

 

CMYK 11 / 0 / 74 / 10

HEX #CCE53C

RGB 204 229 60

HSL 68.88, 0.76%, 0.57%

LAB 86.6, -28.82, 74.07

 

CMYK 31 / 0 / 74 / 10

HEX #9FE53C

RGB 159 229 60

HSL 84.85, 0.76%, 0.57%

LAB 83.83, -46.06, 70.45

 

CMYK 50 / 0 / 74 / 10

HEX #72E53C

RGB 114 229 60

HSL 100.83, 0.76%, 0.57%

LAB 81.81, -60.58, 67.78

 

CMYK 70 / 0 / 74 / 10

HEX #45E53C

RGB 69 229 60

HSL 116.8, 0.76%, 0.57%

LAB 80.53, -70.85, 66.1

 

CMYK 36 / 0 / 88 / 28

HEX #75B817

RGB 117 184 23

HSL 84.97, 0.78%, 0.41%

LAB 68.11, -43.78, 65.4

 

CMYK 36 / 0 / 87 / 14

HEX #8CDC1C

RGB 140 220 28

HSL 85, 0.77%, 0.49%

LAB 80.09, -50.37, 75.02

 

CMYK 31 / 0 / 74 / 10

HEX #9FE53C

RGB 159 229 60

HSL 84.85, 0.76%, 0.57%

LAB 83.83, -46.06, 70.45

 

CMYK 24 / 0 / 59 / 8

HEX #B1EA61

RGB 177 234 97

HSL 84.96, 0.77%, 0.65%

LAB 86.53, -39.1, 59.39

 

CMYK 18 / 0 / 44 / 6

HEX #C3EF85

RGB 195 239 133

HSL 84.91, 0.77%, 0.73%

LAB 89.41, -31.2, 46.53

 

CMYK 31 / 0 / 74 / 10

HEX #9FE63C

RGB 159 230 60

HSL 85.06, 0.77%, 0.57%

LAB 84.12, -46.48, 70.73

 

CMYK 74 / 0 / 28 / 10

HEX #3CE5A5

RGB 60 229 165

HSL 157.28, 0.76%, 0.57%

LAB 81.68, -57.04, 19.23

 

CMYK 0 / 74 / 1 / 10

HEX #E53CE2

RGB 229 60 226

HSL 301.07, 0.76%, 0.57%

LAB 57.44, 80.65, -49.48

 

CMYK 31 / 0 / 74 / 10

HEX #9FE63C

RGB 159 230 60

HSL 85.06, 0.77%, 0.57%

LAB 84.12, -46.48, 70.73

 

CMYK 74 / 31 / 0 / 10

HEX #3C9FE5

RGB 60 159 229

HSL 204.85, 0.76%, 0.57%

LAB 62.86, -5.61, -43.53

 

CMYK 0 / 74 / 31 / 10

HEX #E53C9F

RGB 229 60 159

HSL 324.85, 0.76%, 0.57%

LAB 54.44, 71.65, -15.56

 

CMYK 31 / 0 / 74 / 10

HEX #9FE63C

RGB 159 230 60

HSL 85.06, 0.77%, 0.57%

LAB 84.12, -46.48, 70.73

 

CMYK 74 / 0 / 28 / 10

HEX #3CE5A5

RGB 60 229 165

HSL 157.28, 0.76%, 0.57%

LAB 81.68, -57.04, 19.23

 

CMYK 43 / 74 / 0 / 10

HEX #833CE5

RGB 131 60 229

HSL 265.21, 0.76%, 0.57%

LAB 43.82, 63.02, -73.85

 

CMYK 0 / 74 / 45 / 10

HEX #E53C7D

RGB 229 60 125

HSL 336.92, 0.76%, 0.57%

LAB 53.35, 68.21, 3.03

 

CMYK 31 / 0 / 74 / 10

HEX #9FE63C

RGB 159 230 60

HSL 85.06, 0.77%, 0.57%

LAB 84.12, -46.48, 70.73

 

CMYK 74 / 0 / 6 / 10

HEX #3CE5D7

RGB 60 229 215

HSL 175.03, 0.76%, 0.57%

LAB 82.86, -44.85, -5.4

 

CMYK 43 / 74 / 0 / 10

HEX #833CE5

RGB 131 60 229

HSL 265.21, 0.76%, 0.57%

LAB 43.82, 63.02, -73.85

 

CMYK 0 / 74 / 68 / 10

HEX #E53C4A

RGB 229 60 74

HSL 355.03, 0.76%, 0.57%

LAB 52.27, 64.68, 32.03

 

Description

Color code: HEX #9FE63C | qconv.com Color code: HEX #9FE63C | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 230 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 230 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 74 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 74% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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