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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FE744 it is the complementary color #6018BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FE744. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FE744 shade: #A4E73F, #B5F952, #C6FF65, #D7FF78 and #E8FF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FE744. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FE744 shade: #9FE744, #8ED531, #7DC31E, #6CB10B and #5B9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FE744 shade: #9FE645, #CBE645, #E6D745, #E6AB45 and #E68045

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FE744 shade: #9FE645, #74E645, #49E645, #45E66E and #45E699

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FE744 shade matches the following richer shades: #9FE645 and #A1F735

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FE744 shade: #9FE645, #9DD656, #9BC567, #99B478 and #97A389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FE744 shade: #E6D645, #CCE645, #A1E645, #76E645 and #4BE645

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FE744 shade: #76C119, #8DE221, #9FE645, #B2EB6A and #C5F08E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FE744 shade: #9FE744, #45E6AB and #E645E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FE744 shade: #9FE744, #45A1E6 and #E645A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FE744 shade: #9FE744, #45E6AB, #8B45E6 and #E64580

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FE744 shade: #9FE744, #45E6DC, #8B45E6 and #E64550

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 0 / 71 / 9

HEX #9FE744

RGB 159 231 68

HSL 86.5, 0.77%, 0.59%

LAB 84.45, -46.44, 68.34

 

Complementary color

CMYK 49 / 87 / 0 / 27

HEX #6018BB

RGB 96 24 187

HSL 266.5, 0.77%, 0.41%

LAB 31.18, 61.45, -70.41

 

CMYK 29 / 0 / 73 / 9

HEX #A4E73F

RGB 164 231 63

HSL 83.93, 0.78%, 0.58%

LAB 84.69, -44.94, 70.39

 

CMYK 27 / 0 / 67 / 2

HEX #B5F952

RGB 181 249 82

HSL 84.43, 0.93%, 0.65%

LAB 90.86, -45.35, 70.17

 

CMYK 22 / 0 / 60 / 0

HEX #C6FF65

RGB 198 255 101

HSL 82.21, 1%, 0.7%

LAB 93.65, -40.42, 65.97

 

CMYK 16 / 0 / 53 / 0

HEX #D7FF78

RGB 215 255 120

HSL 77.78, 1%, 0.74%

LAB 94.88, -32.54, 59.47

 

CMYK 9 / 0 / 45 / 0

HEX #E8FF8B

RGB 232 255 139

HSL 71.9, 1%, 0.77%

LAB 96.22, -24.36, 52.65

 

CMYK 31 / 0 / 71 / 9

HEX #9FE744

RGB 159 231 68

HSL 86.5, 0.77%, 0.59%

LAB 84.45, -46.44, 68.34

 

CMYK 33 / 0 / 77 / 16

HEX #8ED531

RGB 142 213 49

HSL 85.98, 0.66%, 0.51%

LAB 78.21, -45.96, 68.23

 

CMYK 36 / 0 / 85 / 24

HEX #7DC31E

RGB 125 195 30

HSL 85.45, 0.73%, 0.44%

LAB 71.88, -45.29, 67.29

 

CMYK 39 / 0 / 94 / 31

HEX #6CB10B

RGB 108 177 11

HSL 84.94, 0.88%, 0.37%

LAB 65.48, -44.37, 65.02

 

CMYK 43 / 0 / 100 / 38

HEX #5B9F00

RGB 91 159 0

HSL 85.66, 1%, 0.31%

LAB 58.99, -43.13, 61.01

 

CMYK 31 / 0 / 70 / 10

HEX #9FE645

RGB 159 230 69

HSL 86.46, 0.76%, 0.59%

LAB 84.17, -45.95, 67.7

 

CMYK 12 / 0 / 70 / 10

HEX #CBE645

RGB 203 230 69

HSL 70.06, 0.76%, 0.59%

LAB 86.86, -29.24, 71.28

 

CMYK 0 / 7 / 70 / 10

HEX #E6D745

RGB 230 215 69

HSL 54.41, 0.76%, 0.59%

LAB 84.92, -10.89, 70.06

 

CMYK 0 / 26 / 70 / 10

HEX #E6AB45

RGB 230 171 69

HSL 38.01, 0.76%, 0.59%

LAB 73.79, 11.89, 58.82

 

CMYK 0 / 44 / 70 / 10

HEX #E68045

RGB 230 128 69

HSL 21.99, 0.76%, 0.59%

LAB 63.91, 34.66, 48.28

 

CMYK 31 / 0 / 70 / 10

HEX #9FE645

RGB 159 230 69

HSL 86.46, 0.76%, 0.59%

LAB 84.17, -45.95, 67.7

 

CMYK 50 / 0 / 70 / 10

HEX #74E645

RGB 116 230 69

HSL 102.48, 0.76%, 0.59%

LAB 82.24, -59.76, 65.11

 

CMYK 68 / 0 / 70 / 10

HEX #49E645

RGB 73 230 69

HSL 118.51, 0.76%, 0.59%

LAB 80.98, -69.76, 63.42

 

CMYK 70 / 0 / 52 / 10

HEX #45E66E

RGB 69 230 110

HSL 135.28, 0.76%, 0.59%

LAB 81.28, -65.91, 46.3

 

CMYK 70 / 0 / 33 / 10

HEX #45E699

RGB 69 230 153

HSL 151.3, 0.76%, 0.59%

LAB 81.92, -58.65, 25.8

 

CMYK 31 / 0 / 70 / 10

HEX #9FE645

RGB 159 230 69

HSL 86.46, 0.76%, 0.59%

LAB 84.17, -45.95, 67.7

 

CMYK 35 / 0 / 79 / 3

HEX #A1F735

RGB 161 247 53

HSL 86.6, 0.92%, 0.59%

LAB 89.09, -53.15, 77.53

 

CMYK 31 / 0 / 70 / 10

HEX #9FE645

RGB 159 230 69

HSL 86.46, 0.76%, 0.59%

LAB 84.17, -45.95, 67.7

 

CMYK 27 / 0 / 60 / 16

HEX #9DD656

RGB 157 214 86

HSL 86.72, 0.61%, 0.59%

LAB 79.58, -38.43, 56.02

 

CMYK 21 / 0 / 48 / 23

HEX #9BC567

RGB 155 197 103

HSL 86.81, 0.45%, 0.59%

LAB 74.75, -29.63, 42.44

 

CMYK 15 / 0 / 33 / 29

HEX #99B478

RGB 153 180 120

HSL 87, 0.29%, 0.59%

LAB 70.02, -19.87, 27.64

 

CMYK 7 / 0 / 16 / 36

HEX #97A389

RGB 151 163 137

HSL 87.69, 0.12%, 0.59%

LAB 65.42, -9.1, 12.09

 

CMYK 0 / 7 / 70 / 10

HEX #E6D645

RGB 230 214 69

HSL 54.04, 0.76%, 0.59%

LAB 84.66, -10.39, 69.81

 

CMYK 11 / 0 / 70 / 10

HEX #CCE645

RGB 204 230 69

HSL 69.69, 0.76%, 0.59%

LAB 86.93, -28.85, 71.37

 

CMYK 30 / 0 / 70 / 10

HEX #A1E645

RGB 161 230 69

HSL 85.71, 0.76%, 0.59%

LAB 84.28, -45.24, 67.85

 

CMYK 49 / 0 / 70 / 10

HEX #76E645

RGB 118 230 69

HSL 101.74, 0.76%, 0.59%

LAB 82.31, -59.19, 65.21

 

CMYK 67 / 0 / 70 / 10

HEX #4BE645

RGB 75 230 69

HSL 117.76, 0.76%, 0.59%

LAB 81.03, -69.4, 63.48

 

CMYK 39 / 0 / 87 / 24

HEX #76C119

RGB 118 193 25

HSL 86.79, 0.77%, 0.43%

LAB 70.91, -47.1, 67.39

 

CMYK 38 / 0 / 85 / 11

HEX #8DE221

RGB 141 226 33

HSL 86.42, 0.77%, 0.51%

LAB 81.93, -52.3, 75.62

 

CMYK 31 / 0 / 70 / 10

HEX #9FE645

RGB 159 230 69

HSL 86.46, 0.76%, 0.59%

LAB 84.17, -45.95, 67.7

 

CMYK 24 / 0 / 55 / 8

HEX #B2EB6A

RGB 178 235 106

HSL 86.51, 0.76%, 0.67%

LAB 86.96, -38.37, 55.93

 

CMYK 18 / 0 / 41 / 6

HEX #C5F08E

RGB 197 240 142

HSL 86.33, 0.77%, 0.75%

LAB 89.93, -29.89, 42.85

 

CMYK 31 / 0 / 71 / 9

HEX #9FE744

RGB 159 231 68

HSL 86.5, 0.77%, 0.59%

LAB 84.45, -46.44, 68.34

 

CMYK 70 / 0 / 26 / 10

HEX #45E6AB

RGB 69 230 171

HSL 158.01, 0.76%, 0.59%

LAB 82.27, -54.91, 16.95

 

CMYK 0 / 70 / 2 / 10

HEX #E645E1

RGB 230 69 225

HSL 301.86, 0.76%, 0.59%

LAB 58.52, 77.92, -47.2

 

CMYK 31 / 0 / 71 / 9

HEX #9FE744

RGB 159 231 68

HSL 86.5, 0.77%, 0.59%

LAB 84.45, -46.44, 68.34

 

CMYK 70 / 30 / 0 / 10

HEX #45A1E6

RGB 69 161 230

HSL 205.71, 0.76%, 0.59%

LAB 63.73, -5.19, -42.69

 

CMYK 0 / 70 / 30 / 10

HEX #E645A1

RGB 230 69 161

HSL 325.71, 0.76%, 0.59%

LAB 55.74, 69.17, -14.75

 

CMYK 31 / 0 / 71 / 9

HEX #9FE744

RGB 159 231 68

HSL 86.5, 0.77%, 0.59%

LAB 84.45, -46.44, 68.34

 

CMYK 70 / 0 / 26 / 10

HEX #45E6AB

RGB 69 230 171

HSL 158.01, 0.76%, 0.59%

LAB 82.27, -54.91, 16.95

 

CMYK 40 / 70 / 0 / 10

HEX #8B45E6

RGB 139 69 230

HSL 266.09, 0.76%, 0.59%

LAB 46.26, 60.58, -70.4

 

CMYK 0 / 70 / 44 / 10

HEX #E64580

RGB 230 69 128

HSL 338.01, 0.76%, 0.59%

LAB 54.7, 65.73, 3.21

 

CMYK 31 / 0 / 71 / 9

HEX #9FE744

RGB 159 231 68

HSL 86.5, 0.77%, 0.59%

LAB 84.45, -46.44, 68.34

 

CMYK 70 / 0 / 4 / 10

HEX #45E6DC

RGB 69 230 220

HSL 176.27, 0.76%, 0.59%

LAB 83.46, -42.87, -7.15

 

CMYK 40 / 70 / 0 / 10

HEX #8B45E6

RGB 139 69 230

HSL 266.09, 0.76%, 0.59%

LAB 46.26, 60.58, -70.4

 

CMYK 0 / 70 / 65 / 10

HEX #E64550

RGB 230 69 80

HSL 355.9, 0.76%, 0.59%

LAB 53.66, 62.19, 30.29

 

Description

Color code: HEX #9FE744 | qconv.com Color code: HEX #9FE744 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 231 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 231 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, none magenta, 71 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 0% 71% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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