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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FF57E it is the complementary color #600A81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FF57E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FF57E shade: #A4F579, #B5FF8C, #C6FF9F, #D7FFB2 and #E8FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FF57E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FF57E shade: #9FF57E, #8EE36B, #7DD158, #6CBF45 and #5BAD32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FF57E shade: #9FF57E, #BFF57E, #DFF57E, #F5EB7E and #F5CB7E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FF57E shade: #9FF57E, #7FF57E, #7EF59D, #7EF5BD and #7EF5DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FF57E shade matches the following richer shades: #9FF57E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FF57E shade: #9FF57E, #A4EA8A, #A9DF95, #AED3A0 and #B3C8AB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FF57E shade: #DFF57E, #C0F57E, #A0F57E, #80F57E and #7EF59C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FF57E shade: #66EF32, #83F258, #9FF57E, #BCF8A5 and #D8FBCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FF57E shade: #9FF57E, #7EF5EB and #F57ECF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FF57E shade: #9FF57E, #7EA0F5 and #F57EA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FF57E shade: #9FF57E, #7EF5EB, #D37EF5 and #F57E88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FF57E shade: #9FF57E, #7EDBF5, #D37EF5 and #F5987E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

Complementary color

CMYK 26 / 92 / 0 / 49

HEX #600A81

RGB 96 10 129

HSL 283.36, 0.86%, 0.27%

LAB 24.6, 51.99, -45.78

 

CMYK 33 / 0 / 51 / 4

HEX #A4F579

RGB 164 245 121

HSL 99.19, 0.86%, 0.72%

LAB 89.19, -46.03, 51.56

 

CMYK 29 / 0 / 45 / 0

HEX #B5FF8C

RGB 181 255 140

HSL 98.61, 1%, 0.77%

LAB 93.12, -42.49, 47.65

 

CMYK 22 / 0 / 38 / 0

HEX #C6FF9F

RGB 198 255 159

HSL 95.63, 1%, 0.81%

LAB 94.32, -34.33, 40.18

 

CMYK 16 / 0 / 30 / 0

HEX #D7FFB2

RGB 215 255 178

HSL 91.17, 1%, 0.85%

LAB 95.66, -25.86, 32.7

 

CMYK 9 / 0 / 23 / 0

HEX #E8FFC5

RGB 232 255 197

HSL 83.79, 1%, 0.89%

LAB 97.11, -17.2, 25.29

 

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

CMYK 37 / 0 / 53 / 11

HEX #8EE36B

RGB 142 227 107

HSL 102.5, 0.68%, 0.65%

LAB 82.78, -47.13, 50.08

 

CMYK 40 / 0 / 58 / 18

HEX #7DD158

RGB 125 209 88

HSL 101.65, 0.57%, 0.58%

LAB 76.48, -47.11, 51.18

 

CMYK 43 / 0 / 64 / 25

HEX #6CBF45

RGB 108 191 69

HSL 100.82, 0.49%, 0.51%

LAB 70.09, -46.97, 52.13

 

CMYK 47 / 0 / 71 / 32

HEX #5BAD32

RGB 91 173 50

HSL 100, 0.55%, 0.44%

LAB 63.62, -46.64, 52.77

 

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

CMYK 22 / 0 / 49 / 4

HEX #BFF57E

RGB 191 245 126

HSL 87.23, 0.86%, 0.73%

LAB 90.73, -36.17, 51.43

 

CMYK 9 / 0 / 49 / 4

HEX #DFF57E

RGB 223 245 126

HSL 71.09, 0.86%, 0.73%

LAB 92.79, -24.29, 54.41

 

CMYK 0 / 4 / 49 / 4

HEX #F5EB7E

RGB 245 235 126

HSL 54.96, 0.86%, 0.73%

LAB 91.84, -10.86, 53.65

 

CMYK 0 / 17 / 49 / 4

HEX #F5CB7E

RGB 245 203 126

HSL 38.82, 0.86%, 0.73%

LAB 83.77, 5.38, 43.77

 

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

CMYK 48 / 0 / 49 / 4

HEX #7FF57E

RGB 127 245 126

HSL 119.5, 0.86%, 0.73%

LAB 87.64, -56.54, 46.94

 

CMYK 49 / 0 / 36 / 4

HEX #7EF59D

RGB 126 245 157

HSL 135.63, 0.86%, 0.73%

LAB 88.05, -52.16, 32.29

 

CMYK 49 / 0 / 23 / 4

HEX #7EF5BD

RGB 126 245 189

HSL 151.76, 0.86%, 0.73%

LAB 88.65, -46.24, 16.77

 

CMYK 49 / 0 / 10 / 4

HEX #7EF5DD

RGB 126 245 221

HSL 167.9, 0.86%, 0.73%

LAB 89.37, -39.3, 1.2

 

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

CMYK 30 / 0 / 41 / 8

HEX #A4EA8A

RGB 164 234 138

HSL 103.75, 0.7%, 0.73%

LAB 86.29, -39.13, 39.78

 

CMYK 24 / 0 / 33 / 13

HEX #A9DF95

RGB 169 223 149

HSL 103.78, 0.54%, 0.73%

LAB 83.64, -30.84, 30.83

 

CMYK 18 / 0 / 24 / 17

HEX #AED3A0

RGB 174 211 160

HSL 103.53, 0.37%, 0.73%

LAB 80.81, -21.62, 21.33

 

CMYK 11 / 0 / 15 / 22

HEX #B3C8AB

RGB 179 200 171

HSL 103.45, 0.21%, 0.73%

LAB 78.36, -12.49, 12.12

 

CMYK 9 / 0 / 49 / 4

HEX #DFF57E

RGB 223 245 126

HSL 71.09, 0.86%, 0.73%

LAB 92.79, -24.29, 54.41

 

CMYK 22 / 0 / 49 / 4

HEX #C0F57E

RGB 192 245 126

HSL 86.72, 0.86%, 0.73%

LAB 90.79, -35.81, 51.52

 

CMYK 35 / 0 / 49 / 4

HEX #A0F57E

RGB 160 245 126

HSL 102.86, 0.86%, 0.73%

LAB 89.06, -46.76, 49.01

 

CMYK 48 / 0 / 49 / 4

HEX #80F57E

RGB 128 245 126

HSL 118.99, 0.86%, 0.73%

LAB 87.68, -56.27, 47

 

CMYK 49 / 0 / 36 / 4

HEX #7EF59C

RGB 126 245 156

HSL 135.13, 0.86%, 0.73%

LAB 88.04, -52.32, 32.77

 

CMYK 57 / 0 / 79 / 6

HEX #66EF32

RGB 102 239 50

HSL 103.49, 0.86%, 0.57%

LAB 84.37, -67.82, 73.14

 

CMYK 46 / 0 / 64 / 5

HEX #83F258

RGB 131 242 88

HSL 103.25, 0.86%, 0.65%

LAB 86.52, -58.44, 62.51

 

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

CMYK 24 / 0 / 33 / 3

HEX #BCF8A5

RGB 188 248 165

HSL 103.37, 0.86%, 0.81%

LAB 91.93, -33.69, 33.95

 

CMYK 14 / 0 / 19 / 2

HEX #D8FBCB

RGB 216 251 203

HSL 103.75, 0.86%, 0.89%

LAB 95.12, -19.83, 19.31

 

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

CMYK 49 / 0 / 4 / 4

HEX #7EF5EB

RGB 126 245 235

HSL 174.96, 0.86%, 0.73%

LAB 89.74, -35.97, -5.57

 

CMYK 0 / 49 / 16 / 4

HEX #F57ECF

RGB 245 126 207

HSL 319.16, 0.86%, 0.73%

LAB 68.63, 55.31, -21.22

 

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

CMYK 49 / 35 / 0 / 4

HEX #7EA0F5

RGB 126 160 245

HSL 222.86, 0.86%, 0.73%

LAB 66.65, 10.98, -46.15

 

CMYK 0 / 49 / 35 / 4

HEX #F57EA0

RGB 245 126 160

HSL 342.86, 0.86%, 0.73%

LAB 67.18, 48.99, 3.02

 

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

CMYK 49 / 0 / 4 / 4

HEX #7EF5EB

RGB 126 245 235

HSL 174.96, 0.86%, 0.73%

LAB 89.74, -35.97, -5.57

 

CMYK 14 / 49 / 0 / 4

HEX #D37EF5

RGB 211 126 245

HSL 282.86, 0.86%, 0.73%

LAB 66.03, 52.21, -46.64

 

CMYK 0 / 49 / 44 / 4

HEX #F57E88

RGB 245 126 136

HSL 354.96, 0.86%, 0.73%

LAB 66.61, 46.39, 15.77

 

CMYK 35 / 0 / 49 / 4

HEX #9FF57E

RGB 159 245 126

HSL 103.36, 0.86%, 0.73%

LAB 89.01, -47.08, 48.94

 

CMYK 49 / 11 / 0 / 4

HEX #7EDBF5

RGB 126 219 245

HSL 193.11, 0.86%, 0.73%

LAB 82.75, -20.9, -21.28

 

CMYK 14 / 49 / 0 / 4

HEX #D37EF5

RGB 211 126 245

HSL 282.86, 0.86%, 0.73%

LAB 66.03, 52.21, -46.64

 

CMYK 0 / 38 / 49 / 4

HEX #F5987E

RGB 245 152 126

HSL 13.11, 0.86%, 0.73%

LAB 71.81, 32.15, 28.38

 

Description

Color code: HEX #9FF57E | qconv.com Color code: HEX #9FF57E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 245 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 245 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 49 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 49% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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