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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FF092 it is the complementary color #600F6D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FF092. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FF092 shade: #A4F08D, #B5FFA0, #C6FFB3, #D7FFC6 and #E8FFD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FF092. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FF092 shade: #9FF092, #8EDE7F, #7DCC6C, #6CBA59 and #5BA846

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FF092 shade: #A0F093, #B9F093, #D2F093, #EBF093 and #F0DC93

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FF092 shade: #A0F093, #93F09F, #93F0B8, #93F0D1 and #93F0EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FF092 shade matches the following richer shades: #A0F093 and #98FA89

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FF092 shade: #A0F093, #A7E69D, #AEDCA7, #B5D2B0 and #BCC8BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FF092 shade: #D2F093, #BAF093, #A1F093, #93F09E and #93F0B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FF092 shade: #60E64A, #80EB6E, #A0F093, #C0F5B7 and #E0FADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FF092 shade: #9FF092, #93EBF0 and #F093C6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FF092 shade: #9FF092, #93A1F0 and #F093A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FF092 shade: #9FF092, #93EBF0, #E293F0 and #F09793

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FF092 shade: #9FF092, #93CFF0, #E293F0 and #F0B393

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 39 / 6

HEX #9FF092

RGB 159 240 146

HSL 111.7, 0.76%, 0.76%

LAB 87.86, -42.3, 37.79

 

Complementary color

CMYK 12 / 86 / 0 / 57

HEX #600F6D

RGB 96 15 109

HSL 291.7, 0.76%, 0.24%

LAB 23.45, 46.83, -34.86

 

CMYK 32 / 0 / 41 / 6

HEX #A4F08D

RGB 164 240 141

HSL 106.06, 0.77%, 0.75%

LAB 88.03, -41.39, 40.54

 

CMYK 29 / 0 / 37 / 0

HEX #B5FFA0

RGB 181 255 160

HSL 106.74, 1%, 0.81%

LAB 93.4, -39.88, 38.3

 

CMYK 22 / 0 / 30 / 0

HEX #C6FFB3

RGB 198 255 179

HSL 105, 1%, 0.85%

LAB 94.65, -31.52, 30.66

 

CMYK 16 / 0 / 22 / 0

HEX #D7FFC6

RGB 215 255 198

HSL 102.11, 1%, 0.89%

LAB 96.02, -22.9, 23.1

 

CMYK 9 / 0 / 15 / 0

HEX #E8FFD9

RGB 232 255 217

HSL 96.32, 1%, 0.93%

LAB 97.51, -14.11, 15.66

 

CMYK 34 / 0 / 39 / 6

HEX #9FF092

RGB 159 240 146

HSL 111.7, 0.76%, 0.76%

LAB 87.86, -42.3, 37.79

 

CMYK 36 / 0 / 43 / 13

HEX #8EDE7F

RGB 142 222 127

HSL 110.53, 0.59%, 0.68%

LAB 81.58, -42.48, 38.97

 

CMYK 39 / 0 / 47 / 20

HEX #7DCC6C

RGB 125 204 108

HSL 109.38, 0.48%, 0.61%

LAB 75.22, -42.63, 40.19

 

CMYK 42 / 0 / 52 / 27

HEX #6CBA59

RGB 108 186 89

HSL 108.25, 0.41%, 0.54%

LAB 68.77, -42.72, 41.42

 

CMYK 46 / 0 / 58 / 34

HEX #5BA846

RGB 91 168 70

HSL 107.14, 0.41%, 0.47%

LAB 62.23, -42.69, 42.61

 

CMYK 33 / 0 / 39 / 6

HEX #A0F093

RGB 160 240 147

HSL 111.61, 0.76%, 0.76%

LAB 87.92, -41.84, 37.38

 

CMYK 23 / 0 / 39 / 6

HEX #B9F093

RGB 185 240 147

HSL 95.48, 0.76%, 0.76%

LAB 89.27, -33.51, 39.4

 

CMYK 13 / 0 / 39 / 6

HEX #D2F093

RGB 210 240 147

HSL 79.35, 0.76%, 0.76%

LAB 90.84, -24.55, 41.73

 

CMYK 2 / 0 / 39 / 6

HEX #EBF093

RGB 235 240 147

HSL 63.23, 0.76%, 0.76%

LAB 92.61, -15.16, 44.36

 

CMYK 0 / 8 / 39 / 6

HEX #F0DC93

RGB 240 220 147

HSL 47.1, 0.76%, 0.76%

LAB 87.88, -3.23, 38.36

 

CMYK 33 / 0 / 39 / 6

HEX #A0F093

RGB 160 240 147

HSL 111.61, 0.76%, 0.76%

LAB 87.92, -41.84, 37.38

 

CMYK 39 / 0 / 34 / 6

HEX #93F09F

RGB 147 240 159

HSL 127.74, 0.76%, 0.76%

LAB 87.5, -43.97, 30.69

 

CMYK 39 / 0 / 23 / 6

HEX #93F0B8

RGB 147 240 184

HSL 143.87, 0.76%, 0.76%

LAB 87.96, -39.58, 18.52

 

CMYK 39 / 0 / 13 / 6

HEX #93F0D1

RGB 147 240 209

HSL 160, 0.76%, 0.76%

LAB 88.51, -34.57, 6.3

 

CMYK 39 / 0 / 3 / 6

HEX #93F0EA

RGB 147 240 234

HSL 176.13, 0.76%, 0.76%

LAB 89.14, -28.99, -5.83

 

CMYK 33 / 0 / 39 / 6

HEX #A0F093

RGB 160 240 147

HSL 111.61, 0.76%, 0.76%

LAB 87.92, -41.84, 37.38

 

CMYK 39 / 0 / 45 / 2

HEX #98FA89

RGB 152 250 137

HSL 112.04, 0.92%, 0.76%

LAB 90.25, -49.97, 45.18

 

CMYK 33 / 0 / 39 / 6

HEX #A0F093

RGB 160 240 147

HSL 111.61, 0.76%, 0.76%

LAB 87.92, -41.84, 37.38

 

CMYK 27 / 0 / 32 / 10

HEX #A7E69D

RGB 167 230 157

HSL 111.78, 0.59%, 0.76%

LAB 85.63, -33.56, 29.37

 

CMYK 21 / 0 / 24 / 14

HEX #AEDCA7

RGB 174 220 167

HSL 112.08, 0.43%, 0.76%

LAB 83.43, -24.88, 21.27

 

CMYK 14 / 0 / 16 / 18

HEX #B5D2B0

RGB 181 210 176

HSL 111.18, 0.27%, 0.76%

LAB 81.32, -16.02, 13.66

 

CMYK 6 / 0 / 7 / 22

HEX #BCC8BA

RGB 188 200 186

HSL 111.43, 0.11%, 0.76%

LAB 79.35, -6.69, 5.58

 

CMYK 13 / 0 / 39 / 6

HEX #D2F093

RGB 210 240 147

HSL 79.35, 0.76%, 0.76%

LAB 90.84, -24.55, 41.73

 

CMYK 23 / 0 / 39 / 6

HEX #BAF093

RGB 186 240 147

HSL 94.84, 0.76%, 0.76%

LAB 89.33, -33.16, 39.49

 

CMYK 33 / 0 / 39 / 6

HEX #A1F093

RGB 161 240 147

HSL 110.97, 0.76%, 0.76%

LAB 87.97, -41.52, 37.46

 

CMYK 39 / 0 / 34 / 6

HEX #93F09E

RGB 147 240 158

HSL 127.1, 0.76%, 0.76%

LAB 87.48, -44.13, 31.17

 

CMYK 39 / 0 / 24 / 6

HEX #93F0B6

RGB 147 240 182

HSL 142.58, 0.76%, 0.76%

LAB 87.92, -39.95, 19.5

 

CMYK 58 / 0 / 68 / 10

HEX #60E64A

RGB 96 230 74

HSL 111.54, 0.76%, 0.6%

LAB 81.61, -64.54, 62.38

 

CMYK 46 / 0 / 53 / 8

HEX #80EB6E

RGB 128 235 110

HSL 111.36, 0.76%, 0.68%

LAB 84.55, -54.32, 50.67

 

CMYK 33 / 0 / 39 / 6

HEX #A0F093

RGB 160 240 147

HSL 111.61, 0.76%, 0.76%

LAB 87.92, -41.84, 37.38

 

CMYK 22 / 0 / 25 / 4

HEX #C0F5B7

RGB 192 245 183

HSL 111.29, 0.76%, 0.84%

LAB 91.65, -28.22, 24.5

 

CMYK 10 / 0 / 12 / 2

HEX #E0FADB

RGB 224 250 219

HSL 110.32, 0.76%, 0.92%

LAB 95.72, -14.01, 12.03

 

CMYK 34 / 0 / 39 / 6

HEX #9FF092

RGB 159 240 146

HSL 111.7, 0.76%, 0.76%

LAB 87.86, -42.3, 37.79

 

CMYK 39 / 2 / 0 / 6

HEX #93EBF0

RGB 147 235 240

HSL 183.23, 0.76%, 0.76%

LAB 87.93, -25.16, -10.77

 

CMYK 0 / 39 / 18 / 6

HEX #F093C6

RGB 240 147 198

HSL 327.1, 0.76%, 0.76%

LAB 71.87, 41.8, -11.4

 

CMYK 34 / 0 / 39 / 6

HEX #9FF092

RGB 159 240 146

HSL 111.7, 0.76%, 0.76%

LAB 87.86, -42.3, 37.79

 

CMYK 39 / 33 / 0 / 6

HEX #93A1F0

RGB 147 161 240

HSL 230.97, 0.76%, 0.76%

LAB 68.01, 14.16, -41.2

 

CMYK 0 / 39 / 33 / 6

HEX #F093A1

RGB 240 147 161

HSL 350.97, 0.76%, 0.76%

LAB 70.85, 36.69, 7.66

 

CMYK 34 / 0 / 39 / 6

HEX #9FF092

RGB 159 240 146

HSL 111.7, 0.76%, 0.76%

LAB 87.86, -42.3, 37.79

 

CMYK 39 / 2 / 0 / 6

HEX #93EBF0

RGB 147 235 240

HSL 183.23, 0.76%, 0.76%

LAB 87.93, -25.16, -10.77

 

CMYK 6 / 39 / 0 / 6

HEX #E293F0

RGB 226 147 240

HSL 290.97, 0.76%, 0.76%

LAB 71.78, 44.59, -34.79

 

CMYK 0 / 37 / 39 / 6

HEX #F09793

RGB 240 151 147

HSL 2.58, 0.76%, 0.76%

LAB 71.4, 32.94, 16.2

 

CMYK 34 / 0 / 39 / 6

HEX #9FF092

RGB 159 240 146

HSL 111.7, 0.76%, 0.76%

LAB 87.86, -42.3, 37.79

 

CMYK 39 / 14 / 0 / 6

HEX #93CFF0

RGB 147 207 240

HSL 201.29, 0.76%, 0.76%

LAB 80.25, -11.03, -22.33

 

CMYK 6 / 39 / 0 / 6

HEX #E293F0

RGB 226 147 240

HSL 290.97, 0.76%, 0.76%

LAB 71.78, 44.59, -34.79

 

CMYK 0 / 25 / 39 / 6

HEX #F0B393

RGB 240 179 147

HSL 20.65, 0.76%, 0.76%

LAB 77.8, 18.13, 25

 

Description

Color code: HEX #9FF092 | qconv.com Color code: HEX #9FF092 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 240 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 240 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 39 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 39% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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