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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FF37B it is the complementary color #600C84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FF37B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FF37B shade: #A4F376, #B5FF89, #C6FF9C, #D7FFAF and #E8FFC2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FF37B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FF37B shade: #9FF37B, #8EE168, #7DCF55, #6CBD42 and #5BAB2F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FF37B shade: #9FF27C, #BFF27C, #DFF27C, #F2E57C and #F2C57C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FF37B shade: #9FF27C, #7FF27C, #7CF298, #7CF2B8 and #7CF2D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FF37B shade matches the following richer shades: #9FF27C and #9BFE70

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FF37B shade: #9FF27C, #A4E787, #A9DB93, #ADD09E and #B2C4AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FF37B shade: #DFF27C, #BFF27C, #9FF27C, #80F27C and #7CF297

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FF37B shade: #68EB30, #84EF56, #9FF27C, #BBF6A2 and #D6F9C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FF37B shade: #9FF37B, #7CF2E7 and #F27CCF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FF37B shade: #9FF37B, #7C9FF2 and #F27C9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FF37B shade: #9FF37B, #7CF2E7, #CF7CF2 and #F27C88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FF37B shade: #9FF37B, #7CDBF2, #CF7CF2 and #F2947C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 49 / 5

HEX #9FF37B

RGB 159 243 123

HSL 102, 0.83%, 0.72%

LAB 88.4, -46.58, 49.6

 

Complementary color

CMYK 27 / 91 / 0 / 48

HEX #600C84

RGB 96 12 132

HSL 282, 0.83%, 0.28%

LAB 25, 52.18, -47.03

 

CMYK 33 / 0 / 51 / 5

HEX #A4F376

RGB 164 243 118

HSL 97.92, 0.84%, 0.71%

LAB 88.59, -45.51, 52.22

 

CMYK 29 / 0 / 46 / 0

HEX #B5FF89

RGB 181 255 137

HSL 97.63, 1%, 0.77%

LAB 93.08, -42.85, 49.02

 

CMYK 22 / 0 / 39 / 0

HEX #C6FF9C

RGB 198 255 156

HSL 94.55, 1%, 0.81%

LAB 94.28, -34.72, 41.6

 

CMYK 16 / 0 / 31 / 0

HEX #D7FFAF

RGB 215 255 175

HSL 90, 1%, 0.84%

LAB 95.61, -26.28, 34.14

 

CMYK 9 / 0 / 24 / 0

HEX #E8FFC2

RGB 232 255 194

HSL 82.62, 1%, 0.88%

LAB 97.05, -17.63, 26.73

 

CMYK 35 / 0 / 49 / 5

HEX #9FF37B

RGB 159 243 123

HSL 102, 0.83%, 0.72%

LAB 88.4, -46.58, 49.6

 

CMYK 37 / 0 / 54 / 12

HEX #8EE168

RGB 142 225 104

HSL 101.16, 0.67%, 0.65%

LAB 82.16, -46.62, 50.73

 

CMYK 40 / 0 / 59 / 19

HEX #7DCF55

RGB 125 207 85

HSL 100.33, 0.56%, 0.57%

LAB 75.85, -46.58, 51.8

 

CMYK 43 / 0 / 65 / 26

HEX #6CBD42

RGB 108 189 66

HSL 99.51, 0.48%, 0.5%

LAB 69.45, -46.42, 52.7

 

CMYK 47 / 0 / 73 / 33

HEX #5BAB2F

RGB 91 171 47

HSL 98.71, 0.57%, 0.43%

LAB 62.97, -46.06, 53.25

 

CMYK 34 / 0 / 49 / 5

HEX #9FF27C

RGB 159 242 124

HSL 102.2, 0.82%, 0.72%

LAB 88.13, -46.04, 48.8

 

CMYK 21 / 0 / 49 / 5

HEX #BFF27C

RGB 191 242 124

HSL 85.93, 0.82%, 0.72%

LAB 89.88, -35.02, 51.33

 

CMYK 8 / 0 / 49 / 5

HEX #DFF27C

RGB 223 242 124

HSL 69.66, 0.82%, 0.72%

LAB 91.97, -23.04, 54.36

 

CMYK 0 / 5 / 49 / 5

HEX #F2E57C

RGB 242 229 124

HSL 53.39, 0.82%, 0.72%

LAB 90.03, -9.24, 52.37

 

CMYK 0 / 19 / 49 / 5

HEX #F2C57C

RGB 242 197 124

HSL 37.12, 0.82%, 0.72%

LAB 81.98, 7.11, 42.47

 

CMYK 34 / 0 / 49 / 5

HEX #9FF27C

RGB 159 242 124

HSL 102.2, 0.82%, 0.72%

LAB 88.13, -46.04, 48.8

 

CMYK 48 / 0 / 49 / 5

HEX #7FF27C

RGB 127 242 124

HSL 118.47, 0.82%, 0.72%

LAB 86.74, -55.62, 46.77

 

CMYK 49 / 0 / 37 / 5

HEX #7CF298

RGB 124 242 152

HSL 134.24, 0.82%, 0.72%

LAB 87.02, -52.27, 33.42

 

CMYK 49 / 0 / 24 / 5

HEX #7CF2B8

RGB 124 242 184

HSL 150.51, 0.82%, 0.72%

LAB 87.61, -46.44, 17.88

 

CMYK 49 / 0 / 11 / 5

HEX #7CF2D8

RGB 124 242 216

HSL 166.78, 0.82%, 0.72%

LAB 88.33, -39.55, 2.27

 

CMYK 34 / 0 / 49 / 5

HEX #9FF27C

RGB 159 242 124

HSL 102.2, 0.82%, 0.72%

LAB 88.13, -46.04, 48.8

 

CMYK 39 / 0 / 56 / 0

HEX #9BFE70

RGB 155 254 112

HSL 101.83, 0.99%, 0.72%

LAB 91.24, -53.63, 57.95

 

CMYK 34 / 0 / 49 / 5

HEX #9FF27C

RGB 159 242 124

HSL 102.2, 0.82%, 0.72%

LAB 88.13, -46.04, 48.8

 

CMYK 29 / 0 / 42 / 9

HEX #A4E787

RGB 164 231 135

HSL 101.88, 0.67%, 0.72%

LAB 85.4, -38.18, 40.12

 

CMYK 23 / 0 / 33 / 14

HEX #A9DB93

RGB 169 219 147

HSL 101.67, 0.5%, 0.72%

LAB 82.49, -29.24, 30.32

 

CMYK 17 / 0 / 24 / 18

HEX #ADD09E

RGB 173 208 158

HSL 102, 0.35%, 0.72%

LAB 79.88, -20.81, 21.09

 

CMYK 9 / 0 / 13 / 23

HEX #B2C4AA

RGB 178 196 170

HSL 101.54, 0.18%, 0.72%

LAB 77.19, -10.96, 10.99

 

CMYK 8 / 0 / 49 / 5

HEX #DFF27C

RGB 223 242 124

HSL 69.66, 0.82%, 0.72%

LAB 91.97, -23.04, 54.36

 

CMYK 21 / 0 / 49 / 5

HEX #BFF27C

RGB 191 242 124

HSL 85.93, 0.82%, 0.72%

LAB 89.88, -35.02, 51.33

 

CMYK 34 / 0 / 49 / 5

HEX #9FF27C

RGB 159 242 124

HSL 102.2, 0.82%, 0.72%

LAB 88.13, -46.04, 48.8

 

CMYK 47 / 0 / 49 / 5

HEX #80F27C

RGB 128 242 124

HSL 117.97, 0.82%, 0.72%

LAB 86.78, -55.35, 46.83

 

CMYK 49 / 0 / 38 / 5

HEX #7CF297

RGB 124 242 151

HSL 133.73, 0.82%, 0.72%

LAB 87.01, -52.44, 33.9

 

CMYK 56 / 0 / 80 / 8

HEX #68EB30

RGB 104 235 48

HSL 102.03, 0.82%, 0.55%

LAB 83.22, -66.06, 72.63

 

CMYK 45 / 0 / 64 / 6

HEX #84EF56

RGB 132 239 86

HSL 101.96, 0.83%, 0.64%

LAB 85.66, -57.17, 62.39

 

CMYK 34 / 0 / 49 / 5

HEX #9FF27C

RGB 159 242 124

HSL 102.2, 0.82%, 0.72%

LAB 88.13, -46.04, 48.8

 

CMYK 24 / 0 / 34 / 4

HEX #BBF6A2

RGB 187 246 162

HSL 102.14, 0.82%, 0.8%

LAB 91.27, -33.53, 34.57

 

CMYK 14 / 0 / 20 / 2

HEX #D6F9C7

RGB 214 249 199

HSL 102, 0.81%, 0.88%

LAB 94.39, -20.18, 20.31

 

CMYK 35 / 0 / 49 / 5

HEX #9FF37B

RGB 159 243 123

HSL 102, 0.83%, 0.72%

LAB 88.4, -46.58, 49.6

 

CMYK 49 / 0 / 5 / 5

HEX #7CF2E7

RGB 124 242 231

HSL 174.41, 0.82%, 0.72%

LAB 88.71, -35.99, -5

 

CMYK 0 / 49 / 14 / 5

HEX #F27CCF

RGB 242 124 207

HSL 317.8, 0.82%, 0.72%

LAB 67.87, 55.37, -22.42

 

CMYK 35 / 0 / 49 / 5

HEX #9FF37B

RGB 159 243 123

HSL 102, 0.83%, 0.72%

LAB 88.4, -46.58, 49.6

 

CMYK 49 / 34 / 0 / 5

HEX #7C9FF2

RGB 124 159 242

HSL 222.2, 0.82%, 0.72%

LAB 66.13, 10.21, -45.34

 

CMYK 0 / 49 / 34 / 5

HEX #F27C9F

RGB 242 124 159

HSL 342.2, 0.82%, 0.72%

LAB 66.36, 48.84, 2.35

 

CMYK 35 / 0 / 49 / 5

HEX #9FF37B

RGB 159 243 123

HSL 102, 0.83%, 0.72%

LAB 88.4, -46.58, 49.6

 

CMYK 49 / 0 / 5 / 5

HEX #7CF2E7

RGB 124 242 231

HSL 174.41, 0.82%, 0.72%

LAB 88.71, -35.99, -5

 

CMYK 14 / 49 / 0 / 5

HEX #CF7CF2

RGB 207 124 242

HSL 282.2, 0.82%, 0.72%

LAB 65.04, 51.54, -46.58

 

CMYK 0 / 49 / 44 / 5

HEX #F27C88

RGB 242 124 136

HSL 353.9, 0.82%, 0.72%

LAB 65.8, 46.32, 14.59

 

CMYK 35 / 0 / 49 / 5

HEX #9FF37B

RGB 159 243 123

HSL 102, 0.83%, 0.72%

LAB 88.4, -46.58, 49.6

 

CMYK 49 / 10 / 0 / 5

HEX #7CDBF2

RGB 124 219 242

HSL 191.69, 0.82%, 0.72%

LAB 82.57, -22.14, -19.97

 

CMYK 14 / 49 / 0 / 5

HEX #CF7CF2

RGB 207 124 242

HSL 282.2, 0.82%, 0.72%

LAB 65.04, 51.54, -46.58

 

CMYK 0 / 39 / 49 / 5

HEX #F2947C

RGB 242 148 124

HSL 12.2, 0.82%, 0.72%

LAB 70.53, 32.9, 27.71

 

Description

Color code: HEX #9FF37B | qconv.com Color code: HEX #9FF37B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 243 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 243 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 49 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 49% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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