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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03AA7C it is the complementary color #FC5583. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03AA7C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03AA7C shade: #08AA77, #19BC8A, #2ACE9D, #3BE0B0 and #4CF2C3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03AA7C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03AA7C shade: #03AA7C, #009869, #008656, #007443 and #006230

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03AA7C shade: #02AA7C, #02AA4F, #02AA21, #10AA02 and #3EAA02

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03AA7C shade: #02AA7C, #02AAA9, #027EAA, #0251AA and #0223AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03AA7C shade matches the following richer shades: #02AA7C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03AA7C shade: #02AA7C, #109C76, #1E8E6F, #2C8069 and #3A7263

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03AA7C shade: #02AA21, #02AA4E, #02AA7B, #02AAA7 and #0280AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03AA7C shade: #015941, #01825E, #02AA7C, #03D39A and #04FBB7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03AA7C shade: #03AA7C, #0210AA and #AA3702

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03AA7C shade: #03AA7C, #7B02AA and #AA7B02

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03AA7C shade: #03AA7C, #0210AA, #AA0232 and #AA9C02

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03AA7C shade: #03AA7C, #2702AA, #AA0232 and #86AA02

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 27 / 33

HEX #03AA7C

RGB 3 170 124

HSL 163.47, 0.97%, 0.34%

LAB 61.85, -48.15, 13.49

 

Complementary color

CMYK 0 / 66 / 48 / 1

HEX #FC5583

RGB 252 85 131

HSL 343.47, 0.97%, 0.66%

LAB 60.63, 66.45, 10.42

 

CMYK 95 / 0 / 30 / 33

HEX #08AA77

RGB 8 170 119

HSL 161.11, 0.91%, 0.35%

LAB 61.77, -49.12, 16.14

 

CMYK 87 / 0 / 27 / 26

HEX #19BC8A

RGB 25 188 138

HSL 161.6, 0.77%, 0.42%

LAB 68.03, -50.73, 14.49

 

CMYK 80 / 0 / 24 / 19

HEX #2ACE9D

RGB 42 206 157

HSL 162.07, 0.66%, 0.49%

LAB 74.23, -51.9, 13

 

CMYK 74 / 0 / 21 / 12

HEX #3BE0B0

RGB 59 224 176

HSL 162.55, 0.73%, 0.55%

LAB 80.39, -52.72, 11.65

 

CMYK 69 / 0 / 19 / 5

HEX #4CF2C3

RGB 76 242 195

HSL 163.01, 0.86%, 0.62%

LAB 86.49, -53.3, 10.42

 

CMYK 98 / 0 / 27 / 33

HEX #03AA7C

RGB 3 170 124

HSL 163.47, 0.97%, 0.34%

LAB 61.85, -48.15, 13.49

 

CMYK 100 / 0 / 31 / 40

HEX #009869

RGB 0 152 105

HSL 161.45, 1%, 0.3%

LAB 55.56, -45.79, 15.33

 

CMYK 100 / 0 / 36 / 47

HEX #008656

RGB 0 134 86

HSL 158.51, 1%, 0.26%

LAB 49.16, -43.21, 17.29

 

CMYK 100 / 0 / 42 / 55

HEX #007443

RGB 0 116 67

HSL 154.66, 1%, 0.23%

LAB 42.61, -40.48, 19.37

 

CMYK 100 / 0 / 51 / 62

HEX #006230

RGB 0 98 48

HSL 149.39, 1%, 0.19%

LAB 35.89, -37.54, 21.53

 

CMYK 99 / 0 / 27 / 33

HEX #02AA7C

RGB 2 170 124

HSL 163.57, 0.98%, 0.34%

LAB 61.84, -48.19, 13.48

 

CMYK 99 / 0 / 54 / 33

HEX #02AA4F

RGB 2 170 79

HSL 147.5, 0.98%, 0.34%

LAB 61.07, -57.21, 36.39

 

CMYK 99 / 0 / 81 / 33

HEX #02AA21

RGB 2 170 33

HSL 131.07, 0.98%, 0.34%

LAB 60.67, -62.24, 55.09

 

CMYK 91 / 0 / 99 / 33

HEX #10AA02

RGB 16 170 2

HSL 115, 0.98%, 0.34%

LAB 60.66, -62.66, 61.23

 

CMYK 64 / 0 / 99 / 33

HEX #3EAA02

RGB 62 170 2

HSL 98.57, 0.98%, 0.34%

LAB 61.46, -55.69, 62.21

 

CMYK 99 / 0 / 27 / 33

HEX #02AA7C

RGB 2 170 124

HSL 163.57, 0.98%, 0.34%

LAB 61.84, -48.19, 13.48

 

CMYK 99 / 0 / 1 / 33

HEX #02AAA9

RGB 2 170 169

HSL 179.64, 0.98%, 0.34%

LAB 63.03, -35.72, -9.9

 

CMYK 99 / 26 / 0 / 33

HEX #027EAA

RGB 2 126 170

HSL 195.71, 0.98%, 0.34%

LAB 49.3, -12.81, -31.48

 

CMYK 99 / 52 / 0 / 33

HEX #0251AA

RGB 2 81 170

HSL 211.79, 0.98%, 0.34%

LAB 35.6, 15.39, -53.31

 

CMYK 99 / 79 / 0 / 33

HEX #0223AA

RGB 2 35 170

HSL 228.21, 0.98%, 0.34%

LAB 24.06, 45.39, -72.25

 

CMYK 99 / 0 / 27 / 33

HEX #02AA7C

RGB 2 170 124

HSL 163.57, 0.98%, 0.34%

LAB 61.84, -48.19, 13.48

 

CMYK 99 / 0 / 27 / 33

HEX #02AA7C

RGB 2 170 124

HSL 163.57, 0.98%, 0.34%

LAB 61.84, -48.19, 13.48

 

CMYK 90 / 0 / 24 / 39

HEX #109C76

RGB 16 156 118

HSL 163.71, 0.81%, 0.34%

LAB 57.27, -43.38, 10.41

 

CMYK 79 / 0 / 22 / 44

HEX #1E8E6F

RGB 30 142 111

HSL 163.39, 0.65%, 0.34%

LAB 52.7, -37.98, 7.95

 

CMYK 66 / 0 / 18 / 50

HEX #2C8069

RGB 44 128 105

HSL 163.57, 0.49%, 0.34%

LAB 48.25, -31.04, 5.13

 

CMYK 49 / 0 / 13 / 55

HEX #3A7263

RGB 58 114 99

HSL 163.93, 0.33%, 0.34%

LAB 44, -22.45, 2.62

 

CMYK 99 / 0 / 81 / 33

HEX #02AA21

RGB 2 170 33

HSL 131.07, 0.98%, 0.34%

LAB 60.67, -62.24, 55.09

 

CMYK 99 / 0 / 54 / 33

HEX #02AA4E

RGB 2 170 78

HSL 147.14, 0.98%, 0.34%

LAB 61.06, -57.36, 36.88

 

CMYK 99 / 0 / 28 / 33

HEX #02AA7B

RGB 2 170 123

HSL 163.21, 0.98%, 0.34%

LAB 61.82, -48.43, 14

 

CMYK 99 / 0 / 2 / 33

HEX #02AAA7

RGB 2 170 167

HSL 178.93, 0.98%, 0.34%

LAB 62.97, -36.33, -8.88

 

CMYK 99 / 25 / 0 / 33

HEX #0280AA

RGB 2 128 170

HSL 195, 0.98%, 0.34%

LAB 49.92, -13.95, -30.51

 

CMYK 99 / 0 / 27 / 65

HEX #015941

RGB 1 89 65

HSL 163.64, 0.98%, 0.18%

LAB 32.99, -29.76, 7.46

 

CMYK 99 / 0 / 28 / 49

HEX #01825E

RGB 1 130 94

HSL 163.26, 0.98%, 0.26%

LAB 47.98, -39.62, 11.08

 

CMYK 99 / 0 / 27 / 33

HEX #02AA7C

RGB 2 170 124

HSL 163.57, 0.98%, 0.34%

LAB 61.84, -48.19, 13.48

 

CMYK 99 / 0 / 27 / 17

HEX #03D39A

RGB 3 211 154

HSL 163.56, 0.97%, 0.42%

LAB 75.41, -56.79, 16.21

 

CMYK 98 / 0 / 27 / 2

HEX #04FBB7

RGB 4 251 183

HSL 163.48, 0.97%, 0.5%

LAB 88.18, -64.93, 18.89

 

CMYK 98 / 0 / 27 / 33

HEX #03AA7C

RGB 3 170 124

HSL 163.47, 0.97%, 0.34%

LAB 61.85, -48.15, 13.49

 

CMYK 99 / 91 / 0 / 33

HEX #0210AA

RGB 2 16 170

HSL 235, 0.98%, 0.34%

LAB 21.15, 53.99, -77.09

 

CMYK 0 / 68 / 99 / 33

HEX #AA3702

RGB 170 55 2

HSL 18.93, 0.98%, 0.34%

LAB 40.05, 45.28, 51.06

 

CMYK 98 / 0 / 27 / 33

HEX #03AA7C

RGB 3 170 124

HSL 163.47, 0.97%, 0.34%

LAB 61.85, -48.15, 13.49

 

CMYK 28 / 99 / 0 / 33

HEX #7B02AA

RGB 123 2 170

HSL 283.21, 0.98%, 0.34%

LAB 32.16, 65.26, -58.51

 

CMYK 0 / 28 / 99 / 33

HEX #AA7B02

RGB 170 123 2

HSL 43.21, 0.98%, 0.34%

LAB 54.78, 9.5, 60.35

 

CMYK 98 / 0 / 27 / 33

HEX #03AA7C

RGB 3 170 124

HSL 163.47, 0.97%, 0.34%

LAB 61.85, -48.15, 13.49

 

CMYK 99 / 91 / 0 / 33

HEX #0210AA

RGB 2 16 170

HSL 235, 0.98%, 0.34%

LAB 21.15, 53.99, -77.09

 

CMYK 0 / 99 / 71 / 33

HEX #AA0232

RGB 170 2 50

HSL 342.86, 0.98%, 0.34%

LAB 35.63, 60.11, 23.58

 

CMYK 0 / 8 / 99 / 33

HEX #AA9C02

RGB 170 156 2

HSL 55, 0.98%, 0.34%

LAB 63.61, -8.59, 66.63

 

CMYK 98 / 0 / 27 / 33

HEX #03AA7C

RGB 3 170 124

HSL 163.47, 0.97%, 0.34%

LAB 61.85, -48.15, 13.49

 

CMYK 77 / 99 / 0 / 33

HEX #2702AA

RGB 39 2 170

HSL 253.21, 0.98%, 0.34%

LAB 21.49, 58.54, -76.48

 

CMYK 0 / 99 / 71 / 33

HEX #AA0232

RGB 170 2 50

HSL 342.86, 0.98%, 0.34%

LAB 35.63, 60.11, 23.58

 

CMYK 21 / 0 / 99 / 33

HEX #86AA02

RGB 134 170 2

HSL 72.86, 0.98%, 0.34%

LAB 64.82, -31.39, 66.28

 

Description

Color code: HEX #03AA7C | qconv.com Color code: HEX #03AA7C | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 170 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 170 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 27 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 27% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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