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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #03C9AD it is the complementary color #FC3652. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #03C9AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #03C9AD shade: #08C9A8, #19DBBB, #2AEDCE, #3BFFE1 and #4CFFF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #03C9AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #03C9AD shade: #03C9AD, #00B79A, #00A587, #009374 and #008161

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #03C9AD shade: #03C8AC, #03C877, #03C842, #03C80C and #2EC803

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #03C9AD shade: #03C8AC, #03AFC8, #037AC8, #0344C8 and #030FC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #03C9AD shade matches the following richer shades: #03C8AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #03C9AD shade: #03C8AC, #13B8A1, #24A795, #349789 and #45867D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #03C9AD shade: #03C841, #03C876, #03C8AB, #03B1C8 and #037DC8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #03C9AD shade: #017767, #02A089, #03C8AC, #03F1CF and #22FBDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #03C9AD shade: #03C9AD, #0C03C8 and #C85C03

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #03C9AD shade: #03C9AD, #AB03C8 and #C8AB03

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #03C9AD shade: #03C9AD, #0C03C8, #C80320 and #BFC803

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #03C9AD shade: #03C9AD, #4803C8, #C80320 and #83C803

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 14 / 21

HEX #03C9AD

RGB 3 201 173

HSL 171.52, 0.97%, 0.4%

LAB 72.77, -48.08, 2.23

 

Complementary color

CMYK 0 / 79 / 67 / 1

HEX #FC3652

RGB 252 54 82

HSL 351.52, 0.97%, 0.6%

LAB 56.03, 73.32, 32.95

 

CMYK 96 / 0 / 16 / 21

HEX #08C9A8

RGB 8 201 168

HSL 169.74, 0.92%, 0.41%

LAB 72.66, -49.26, 4.79

 

CMYK 89 / 0 / 15 / 14

HEX #19DBBB

RGB 25 219 187

HSL 170.1, 0.8%, 0.48%

LAB 78.73, -50.95, 3.37

 

CMYK 82 / 0 / 13 / 7

HEX #2AEDCE

RGB 42 237 206

HSL 170.46, 0.84%, 0.55%

LAB 84.75, -52.28, 2.08

 

CMYK 77 / 0 / 12 / 0

HEX #3BFFE1

RGB 59 255 225

HSL 170.82, 1%, 0.62%

LAB 90.73, -53.32, 0.9

 

CMYK 70 / 0 / 4 / 0

HEX #4CFFF4

RGB 76 255 244

HSL 176.31, 1%, 0.65%

LAB 91.5, -46.53, -7.79

 

CMYK 99 / 0 / 14 / 21

HEX #03C9AD

RGB 3 201 173

HSL 171.52, 0.97%, 0.4%

LAB 72.77, -48.08, 2.23

 

CMYK 100 / 0 / 16 / 28

HEX #00B79A

RGB 0 183 154

HSL 170.49, 1%, 0.36%

LAB 66.67, -45.83, 3.78

 

CMYK 100 / 0 / 18 / 35

HEX #00A587

RGB 0 165 135

HSL 169.09, 1%, 0.32%

LAB 60.48, -43.44, 5.42

 

CMYK 100 / 0 / 21 / 42

HEX #009374

RGB 0 147 116

HSL 167.35, 1%, 0.29%

LAB 54.16, -41, 7.13

 

CMYK 100 / 0 / 25 / 49

HEX #008161

RGB 0 129 97

HSL 165.12, 1%, 0.25%

LAB 47.71, -38.49, 8.94

 

CMYK 99 / 0 / 14 / 22

HEX #03C8AC

RGB 3 200 172

HSL 171.47, 0.97%, 0.4%

LAB 72.43, -47.94, 2.29

 

CMYK 99 / 0 / 41 / 22

HEX #03C877

RGB 3 200 119

HSL 155.33, 0.97%, 0.4%

LAB 71.32, -60.27, 29.04

 

CMYK 99 / 0 / 67 / 22

HEX #03C842

RGB 3 200 66

HSL 139.19, 0.97%, 0.4%

LAB 70.68, -68.14, 53.38

 

CMYK 99 / 0 / 94 / 22

HEX #03C80C

RGB 3 200 12

HSL 122.74, 0.97%, 0.4%

LAB 70.42, -71.41, 68

 

CMYK 77 / 0 / 99 / 22

HEX #2EC803

RGB 46 200 3

HSL 106.9, 0.97%, 0.4%

LAB 70.8, -68.08, 69.44

 

CMYK 99 / 0 / 14 / 22

HEX #03C8AC

RGB 3 200 172

HSL 171.47, 0.97%, 0.4%

LAB 72.43, -47.94, 2.29

 

CMYK 99 / 13 / 0 / 22

HEX #03AFC8

RGB 3 175 200

HSL 187.61, 0.97%, 0.4%

LAB 65.63, -28.15, -23.23

 

CMYK 99 / 39 / 0 / 22

HEX #037AC8

RGB 3 122 200

HSL 203.76, 0.97%, 0.4%

LAB 49.63, 1.15, -48.25

 

CMYK 99 / 66 / 0 / 22

HEX #0344C8

RGB 3 68 200

HSL 220.2, 0.97%, 0.4%

LAB 34.65, 36.16, -72.52

 

CMYK 99 / 93 / 0 / 22

HEX #030FC8

RGB 3 15 200

HSL 236.35, 0.97%, 0.4%

LAB 25.35, 62.67, -87.94

 

CMYK 99 / 0 / 14 / 22

HEX #03C8AC

RGB 3 200 172

HSL 171.47, 0.97%, 0.4%

LAB 72.43, -47.94, 2.29

 

CMYK 99 / 0 / 14 / 22

HEX #03C8AC

RGB 3 200 172

HSL 171.47, 0.97%, 0.4%

LAB 72.43, -47.94, 2.29

 

CMYK 90 / 0 / 13 / 28

HEX #13B8A1

RGB 19 184 161

HSL 171.64, 0.81%, 0.4%

LAB 67.27, -43.59, 0.81

 

CMYK 78 / 0 / 11 / 35

HEX #24A795

RGB 36 167 149

HSL 171.76, 0.65%, 0.4%

LAB 61.81, -38.14, -0.47

 

CMYK 66 / 0 / 9 / 41

HEX #349789

RGB 52 151 137

HSL 171.52, 0.49%, 0.4%

LAB 56.75, -31.88, -1.04

 

CMYK 49 / 0 / 7 / 47

HEX #45867D

RGB 69 134 125

HSL 171.69, 0.32%, 0.4%

LAB 51.61, -23.13, -1.59

 

CMYK 99 / 0 / 68 / 22

HEX #03C841

RGB 3 200 65

HSL 138.88, 0.97%, 0.4%

LAB 70.67, -68.24, 53.78

 

CMYK 99 / 0 / 41 / 22

HEX #03C876

RGB 3 200 118

HSL 155.03, 0.97%, 0.4%

LAB 71.31, -60.46, 29.54

 

CMYK 99 / 0 / 15 / 22

HEX #03C8AB

RGB 3 200 171

HSL 171.17, 0.97%, 0.4%

LAB 72.41, -48.21, 2.8

 

CMYK 99 / 12 / 0 / 22

HEX #03B1C8

RGB 3 177 200

HSL 187.01, 0.97%, 0.4%

LAB 66.24, -29.14, -22.31

 

CMYK 99 / 38 / 0 / 22

HEX #037DC8

RGB 3 125 200

HSL 202.84, 0.97%, 0.4%

LAB 50.52, -0.67, -46.83

 

CMYK 99 / 0 / 13 / 53

HEX #017767

RGB 1 119 103

HSL 171.86, 0.98%, 0.24%

LAB 44.49, -32.35, 0.79

 

CMYK 99 / 0 / 14 / 37

HEX #02A089

RGB 2 160 137

HSL 171.27, 0.98%, 0.32%

LAB 58.94, -40.68, 2.07

 

CMYK 99 / 0 / 14 / 22

HEX #03C8AC

RGB 3 200 172

HSL 171.47, 0.97%, 0.4%

LAB 72.43, -47.94, 2.29

 

CMYK 99 / 0 / 14 / 5

HEX #03F1CF

RGB 3 241 207

HSL 171.43, 0.98%, 0.48%

LAB 85.72, -55.35, 2.94

 

CMYK 86 / 0 / 12 / 2

HEX #22FBDD

RGB 34 251 221

HSL 171.71, 0.96%, 0.56%

LAB 89.18, -54.63, 0.69

 

CMYK 99 / 0 / 14 / 21

HEX #03C9AD

RGB 3 201 173

HSL 171.52, 0.97%, 0.4%

LAB 72.77, -48.08, 2.23

 

CMYK 94 / 99 / 0 / 22

HEX #0C03C8

RGB 12 3 200

HSL 242.74, 0.97%, 0.4%

LAB 24.68, 65.39, -89.06

 

CMYK 0 / 54 / 99 / 22

HEX #C85C03

RGB 200 92 3

HSL 27.11, 0.97%, 0.4%

LAB 51.77, 39.24, 60.17

 

CMYK 99 / 0 / 14 / 21

HEX #03C9AD

RGB 3 201 173

HSL 171.52, 0.97%, 0.4%

LAB 72.77, -48.08, 2.23

 

CMYK 15 / 99 / 0 / 22

HEX #AB03C8

RGB 171 3 200

HSL 291.17, 0.97%, 0.4%

LAB 42.6, 77.11, -58.91

 

CMYK 0 / 15 / 99 / 22

HEX #C8AB03

RGB 200 171 3

HSL 51.17, 0.97%, 0.4%

LAB 70.46, -3.06, 72.73

 

CMYK 99 / 0 / 14 / 21

HEX #03C9AD

RGB 3 201 173

HSL 171.52, 0.97%, 0.4%

LAB 72.77, -48.08, 2.23

 

CMYK 94 / 99 / 0 / 22

HEX #0C03C8

RGB 12 3 200

HSL 242.74, 0.97%, 0.4%

LAB 24.68, 65.39, -89.06

 

CMYK 0 / 99 / 84 / 22

HEX #C80320

RGB 200 3 32

HSL 351.17, 0.97%, 0.4%

LAB 41.92, 66.87, 43.03

 

CMYK 5 / 0 / 99 / 22

HEX #BFC803

RGB 191 200 3

HSL 62.74, 0.97%, 0.4%

LAB 77.51, -21.77, 77.55

 

CMYK 99 / 0 / 14 / 21

HEX #03C9AD

RGB 3 201 173

HSL 171.52, 0.97%, 0.4%

LAB 72.77, -48.08, 2.23

 

CMYK 64 / 99 / 0 / 22

HEX #4803C8

RGB 72 3 200

HSL 261.02, 0.97%, 0.4%

LAB 28.41, 67.03, -82.74

 

CMYK 0 / 99 / 84 / 22

HEX #C80320

RGB 200 3 32

HSL 351.17, 0.97%, 0.4%

LAB 41.92, 66.87, 43.03

 

CMYK 35 / 0 / 99 / 22

HEX #83C803

RGB 131 200 3

HSL 81.02, 0.97%, 0.4%

LAB 73.64, -45.82, 72.89

 

Description

Color code: HEX #03C9AD | qconv.com Color code: HEX #03C9AD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 3 red, 201 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
3 201 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 14 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 14% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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