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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #003487 it is the complementary color #FFCB78. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #003487. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #003487 shade: #053482, #164695, #2758A8, #386ABB and #497CCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #003487. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #003487 shade: #003487, #002274, #001061, #00004E and #00003B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #003487 shade: #003384, #000F84, #140084, #380084 and #5B0084

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #003487 shade: #003384, #000F84 and #000084

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #003487 shade matches the following richer shades: #003384

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #003487 shade: #003384, #0A3579, #15386F, #203A64 and #2A3C59

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #003487 shade: #007B84, #005884, #003584, #001184 and #110084

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #003487 shade: #001332, #00235B, #003384, #0042AD and #0052D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #003487 shade: #003487, #6A0084 and #6A8400

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #003487 shade: #003487, #840035 and #358400

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #003487 shade: #003487, #6A0084, #844F00 and #1A8400

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #003487 shade: #003487, #840077, #844F00 and #00840D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 61 / 0 / 47

HEX #003487

RGB 0 52 135

HSL 216.89, 1%, 0.26%

LAB 24.34, 20.7, -50.31

 

Complementary color

CMYK 0 / 20 / 53 / 0

HEX #FFCB78

RGB 255 203 120

HSL 36.89, 1%, 0.74%

LAB 84.65, 8.89, 48.04

 

CMYK 96 / 60 / 0 / 49

HEX #053482

RGB 5 52 130

HSL 217.44, 0.93%, 0.26%

LAB 24, 18.85, -47.73

 

CMYK 85 / 53 / 0 / 42

HEX #164695

RGB 22 70 149

HSL 217.32, 0.74%, 0.34%

LAB 31.16, 15.34, -47.82

 

CMYK 77 / 48 / 0 / 34

HEX #2758A8

RGB 39 88 168

HSL 217.21, 0.62%, 0.41%

LAB 38.27, 12.63, -47.77

 

CMYK 70 / 43 / 0 / 27

HEX #386ABB

RGB 56 106 187

HSL 217.1, 0.54%, 0.48%

LAB 45.27, 10.56, -47.65

 

CMYK 65 / 40 / 0 / 19

HEX #497CCE

RGB 73 124 206

HSL 216.99, 0.58%, 0.55%

LAB 52.16, 8.93, -47.53

 

CMYK 100 / 61 / 0 / 47

HEX #003487

RGB 0 52 135

HSL 216.89, 1%, 0.26%

LAB 24.34, 20.7, -50.31

 

CMYK 100 / 71 / 0 / 55

HEX #002274

RGB 0 34 116

HSL 222.41, 1%, 0.23%

LAB 17.48, 25.5, -49.52

 

CMYK 100 / 84 / 0 / 62

HEX #001061

RGB 0 16 97

HSL 230.1, 1%, 0.19%

LAB 10.8, 29.98, -48.12

 

CMYK 100 / 100 / 0 / 69

HEX #00004E

RGB 0 0 78

HSL 240, 1%, 0.15%

LAB 4.97, 31.45, -44.88

 

CMYK 100 / 100 / 0 / 77

HEX #00003B

RGB 0 0 59

HSL 240, 1%, 0.12%

LAB 2.85, 20.04, -34.84

 

CMYK 100 / 61 / 0 / 48

HEX #003384

RGB 0 51 132

HSL 216.82, 1%, 0.26%

LAB 23.78, 20.13, -49.35

 

CMYK 100 / 89 / 0 / 48

HEX #000F84

RGB 0 15 132

HSL 233.18, 1%, 0.26%

LAB 15.53, 42.76, -62.98

 

CMYK 85 / 100 / 0 / 48

HEX #140084

RGB 20 0 132

HSL 249.09, 1%, 0.26%

LAB 14.48, 48.86, -64.71

 

CMYK 58 / 100 / 0 / 48

HEX #380084

RGB 56 0 132

HSL 265.45, 1%, 0.26%

LAB 17.95, 50.47, -58.84

 

CMYK 31 / 100 / 0 / 48

HEX #5B0084

RGB 91 0 132

HSL 281.36, 1%, 0.26%

LAB 23.3, 54, -49.83

 

CMYK 100 / 61 / 0 / 48

HEX #003384

RGB 0 51 132

HSL 216.82, 1%, 0.26%

LAB 23.78, 20.13, -49.35

 

CMYK 100 / 89 / 0 / 48

HEX #000F84

RGB 0 15 132

HSL 233.18, 1%, 0.26%

LAB 15.53, 42.76, -62.98

 

CMYK 100 / 100 / 0 / 48

HEX #000084

RGB 0 0 132

HSL 240, 1%, 0.26%

LAB 13.63, 48.58, -66.16

 

CMYK 100 / 61 / 0 / 48

HEX #003384

RGB 0 51 132

HSL 216.82, 1%, 0.26%

LAB 23.78, 20.13, -49.35

 

CMYK 100 / 61 / 0 / 48

HEX #003384

RGB 0 51 132

HSL 216.82, 1%, 0.26%

LAB 23.78, 20.13, -49.35

 

CMYK 92 / 56 / 0 / 53

HEX #0A3579

RGB 10 53 121

HSL 216.76, 0.85%, 0.26%

LAB 23.64, 14.58, -42.63

 

CMYK 81 / 50 / 0 / 56

HEX #15386F

RGB 21 56 111

HSL 216.67, 0.68%, 0.26%

LAB 24.11, 9.21, -35.48

 

CMYK 68 / 42 / 0 / 61

HEX #203A64

RGB 32 58 100

HSL 217.06, 0.52%, 0.26%

LAB 24.49, 5.12, -27.76

 

CMYK 53 / 33 / 0 / 65

HEX #2A3C59

RGB 42 60 89

HSL 217.02, 0.36%, 0.26%

LAB 25.09, 2.06, -19.62

 

CMYK 100 / 7 / 0 / 48

HEX #007B84

RGB 0 123 132

HSL 184.09, 1%, 0.26%

LAB 46.75, -25.01, -13.11

 

CMYK 100 / 33 / 0 / 48

HEX #005884

RGB 0 88 132

HSL 200, 1%, 0.26%

LAB 35.29, -5.17, -30.84

 

CMYK 100 / 60 / 0 / 48

HEX #003584

RGB 0 53 132

HSL 215.91, 1%, 0.26%

LAB 24.36, 18.7, -48.4

 

CMYK 100 / 87 / 0 / 48

HEX #001184

RGB 0 17 132

HSL 232.27, 1%, 0.26%

LAB 15.83, 41.84, -62.47

 

CMYK 87 / 100 / 0 / 48

HEX #110084

RGB 17 0 132

HSL 247.73, 1%, 0.26%

LAB 14.32, 48.8, -64.99

 

CMYK 100 / 62 / 0 / 80

HEX #001332

RGB 0 19 50

HSL 217.2, 1%, 0.1%

LAB 6.29, 6.02, -22.71

 

CMYK 100 / 62 / 0 / 64

HEX #00235B

RGB 0 35 91

HSL 216.92, 1%, 0.18%

LAB 15.26, 13.74, -36.77

 

CMYK 100 / 61 / 0 / 48

HEX #003384

RGB 0 51 132

HSL 216.82, 1%, 0.26%

LAB 23.78, 20.13, -49.35

 

CMYK 100 / 62 / 0 / 32

HEX #0042AD

RGB 0 66 173

HSL 217.11, 1%, 0.34%

LAB 31.61, 26.76, -61.59

 

CMYK 100 / 62 / 0 / 16

HEX #0052D7

RGB 0 82 215

HSL 217.12, 1%, 0.42%

LAB 39.48, 32.75, -73.26

 

CMYK 100 / 61 / 0 / 47

HEX #003487

RGB 0 52 135

HSL 216.89, 1%, 0.26%

LAB 24.34, 20.7, -50.31

 

CMYK 20 / 100 / 0 / 48

HEX #6A0084

RGB 106 0 132

HSL 288.18, 1%, 0.26%

LAB 25.95, 56.07, -45.4

 

CMYK 20 / 0 / 100 / 48

HEX #6A8400

RGB 106 132 0

HSL 71.82, 1%, 0.26%

LAB 51.34, -25, 55.51

 

CMYK 100 / 61 / 0 / 47

HEX #003487

RGB 0 52 135

HSL 216.89, 1%, 0.26%

LAB 24.34, 20.7, -50.31

 

CMYK 0 / 100 / 60 / 48

HEX #840035

RGB 132 0 53

HSL 335.91, 1%, 0.26%

LAB 27.19, 51.11, 8.94

 

CMYK 60 / 0 / 100 / 48

HEX #358400

RGB 53 132 0

HSL 95.91, 1%, 0.26%

LAB 48.59, -44.57, 52.19

 

CMYK 100 / 61 / 0 / 47

HEX #003487

RGB 0 52 135

HSL 216.89, 1%, 0.26%

LAB 24.34, 20.7, -50.31

 

CMYK 20 / 100 / 0 / 48

HEX #6A0084

RGB 106 0 132

HSL 288.18, 1%, 0.26%

LAB 25.95, 56.07, -45.4

 

CMYK 0 / 40 / 100 / 48

HEX #844F00

RGB 132 79 0

HSL 35.91, 1%, 0.26%

LAB 38.72, 17.12, 47.75

 

CMYK 80 / 0 / 100 / 48

HEX #1A8400

RGB 26 132 0

HSL 108.18, 1%, 0.26%

LAB 47.91, -50.33, 51.36

 

CMYK 100 / 61 / 0 / 47

HEX #003487

RGB 0 52 135

HSL 216.89, 1%, 0.26%

LAB 24.34, 20.7, -50.31

 

CMYK 0 / 100 / 10 / 48

HEX #840077

RGB 132 0 119

HSL 305.91, 1%, 0.26%

LAB 30, 58.3, -30.41

 

CMYK 0 / 40 / 100 / 48

HEX #844F00

RGB 132 79 0

HSL 35.91, 1%, 0.26%

LAB 38.72, 17.12, 47.75

 

CMYK 100 / 0 / 90 / 48

HEX #00840D

RGB 0 132 13

HSL 125.91, 1%, 0.26%

LAB 47.66, -52.37, 48.48

 

Description

Color code: HEX #003487 | qconv.com Color code: HEX #003487 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 52 green and 135 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 52 135 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 61 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 61% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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