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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00536B it is the complementary color #FFAC94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00536B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00536B shade: #055366, #166579, #27778C, #38899F and #499BB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00536B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00536B shade: #00536B, #004158, #002F45, #001D32 and #000B1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00536B shade: #00536B, #00366B, #00196B, #03006B and #20006B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00536B shade: #00536B, #00366B, #00196B and #00006B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00536B shade matches the following richer shades: #00536B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00536B shade: #00536B, #084E62, #114959, #194451 and #223F48

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00536B shade: #006B49, #006B65, #00536B, #00376B and #001A6B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00536B shade: #001318, #003341, #00536B, #007394 and #0093BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00536B shade: #00536B, #2C006B and #6B5700

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00536B shade: #00536B, #6B0053 and #536B00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00536B shade: #00536B, #2C006B, #6B1700 and #3E6B00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00536B shade: #00536B, #4C006B, #6B1700 and #1E6B00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

Complementary color

CMYK 0 / 33 / 42 / 0

HEX #FFAC94

RGB 255 172 148

HSL 13.46, 1%, 0.79%

LAB 77.82, 27.7, 24.76

 

CMYK 95 / 19 / 0 / 60

HEX #055366

RGB 5 83 102

HSL 191.75, 0.91%, 0.21%

LAB 32.21, -13.77, -17.01

 

CMYK 82 / 17 / 0 / 53

HEX #166579

RGB 22 101 121

HSL 192.12, 0.69%, 0.28%

LAB 39.34, -15.51, -17.78

 

CMYK 72 / 15 / 0 / 45

HEX #27778C

RGB 39 119 140

HSL 192.48, 0.56%, 0.35%

LAB 46.34, -16.7, -18.43

 

CMYK 65 / 14 / 0 / 38

HEX #38899F

RGB 56 137 159

HSL 192.82, 0.48%, 0.42%

LAB 53.21, -17.51, -18.99

 

CMYK 59 / 13 / 0 / 30

HEX #499BB2

RGB 73 155 178

HSL 193.14, 0.42%, 0.49%

LAB 59.96, -18.07, -19.5

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 100 / 26 / 0 / 65

HEX #004158

RGB 0 65 88

HSL 195.68, 1%, 0.17%

LAB 25.21, -8.93, -18.89

 

CMYK 100 / 32 / 0 / 73

HEX #002F45

RGB 0 47 69

HSL 199.13, 1%, 0.14%

LAB 17.75, -5.38, -17.9

 

CMYK 100 / 42 / 0 / 80

HEX #001D32

RGB 0 29 50

HSL 205.2, 1%, 0.1%

LAB 9.87, -1.39, -16.98

 

CMYK 100 / 65 / 0 / 88

HEX #000B1F

RGB 0 11 31

HSL 218.71, 1%, 0.06%

LAB 3.06, 1.86, -13.35

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 100 / 50 / 0 / 58

HEX #00366B

RGB 0 54 107

HSL 209.72, 1%, 0.21%

LAB 22.65, 6.92, -35.29

 

CMYK 100 / 77 / 0 / 58

HEX #00196B

RGB 0 25 107

HSL 225.98, 1%, 0.21%

LAB 14.16, 28.06, -49.17

 

CMYK 97 / 100 / 0 / 58

HEX #03006B

RGB 3 0 107

HSL 241.68, 1%, 0.21%

LAB 9.65, 41.85, -56.67

 

CMYK 70 / 100 / 0 / 58

HEX #20006B

RGB 32 0 107

HSL 257.94, 1%, 0.21%

LAB 11.75, 42.68, -53.11

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 100 / 50 / 0 / 58

HEX #00366B

RGB 0 54 107

HSL 209.72, 1%, 0.21%

LAB 22.65, 6.92, -35.29

 

CMYK 100 / 77 / 0 / 58

HEX #00196B

RGB 0 25 107

HSL 225.98, 1%, 0.21%

LAB 14.16, 28.06, -49.17

 

CMYK 100 / 100 / 0 / 58

HEX #00006B

RGB 0 0 107

HSL 240, 1%, 0.21%

LAB 9.49, 41.8, -56.93

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 92 / 20 / 0 / 62

HEX #084E62

RGB 8 78 98

HSL 193.33, 0.85%, 0.21%

LAB 30.36, -12.1, -17.33

 

CMYK 81 / 18 / 0 / 65

HEX #114959

RGB 17 73 89

HSL 193.33, 0.68%, 0.21%

LAB 28.39, -11.59, -14.59

 

CMYK 69 / 16 / 0 / 68

HEX #194451

RGB 25 68 81

HSL 193.93, 0.53%, 0.21%

LAB 26.55, -10.16, -12.21

 

CMYK 53 / 13 / 0 / 72

HEX #223F48

RGB 34 63 72

HSL 194.21, 0.36%, 0.21%

LAB 24.84, -8, -8.88

 

CMYK 100 / 0 / 32 / 58

HEX #006B49

RGB 0 107 73

HSL 160.93, 1%, 0.21%

LAB 39.57, -35.49, 11.75

 

CMYK 100 / 0 / 6 / 58

HEX #006B65

RGB 0 107 101

HSL 176.64, 1%, 0.21%

LAB 40.34, -27.36, -4.11

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 100 / 49 / 0 / 58

HEX #00376B

RGB 0 55 107

HSL 209.16, 1%, 0.21%

LAB 22.98, 6.2, -34.77

 

CMYK 100 / 76 / 0 / 58

HEX #001A6B

RGB 0 26 107

HSL 225.42, 1%, 0.21%

LAB 14.4, 27.38, -48.76

 

CMYK 100 / 21 / 0 / 91

HEX #001318

RGB 0 19 24

HSL 192.5, 1%, 0.05%

LAB 4.8, -4.41, -5.25

 

CMYK 100 / 22 / 0 / 75

HEX #003341

RGB 0 51 65

HSL 192.92, 1%, 0.13%

LAB 19.01, -9.77, -13.2

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 100 / 22 / 0 / 42

HEX #007394

RGB 0 115 148

HSL 193.38, 1%, 0.29%

LAB 44.8, -14.94, -25.59

 

CMYK 100 / 22 / 0 / 26

HEX #0093BD

RGB 0 147 189

HSL 193.33, 1%, 0.37%

LAB 56.63, -17.55, -30.96

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 59 / 100 / 0 / 58

HEX #2C006B

RGB 44 0 107

HSL 264.67, 1%, 0.21%

LAB 13.21, 43.43, -50.64

 

CMYK 0 / 19 / 100 / 58

HEX #6B5700

RGB 107 87 0

HSL 48.79, 1%, 0.21%

LAB 37.74, 0.18, 45.58

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 0 / 100 / 22 / 58

HEX #6B0053

RGB 107 0 83

HSL 313.46, 1%, 0.21%

LAB 22.83, 48.28, -18.55

 

CMYK 22 / 0 / 100 / 58

HEX #536B00

RGB 83 107 0

HSL 73.46, 1%, 0.21%

LAB 41.77, -22.62, 47.56

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 59 / 100 / 0 / 58

HEX #2C006B

RGB 44 0 107

HSL 264.67, 1%, 0.21%

LAB 13.21, 43.43, -50.64

 

CMYK 0 / 79 / 100 / 58

HEX #6B1700

RGB 107 23 0

HSL 12.9, 1%, 0.21%

LAB 22.79, 35.91, 33.77

 

CMYK 42 / 0 / 100 / 58

HEX #3E6B00

RGB 62 107 0

HSL 85.23, 1%, 0.21%

LAB 40.47, -31.43, 46

 

CMYK 100 / 22 / 0 / 58

HEX #00536B

RGB 0 83 107

HSL 193.46, 1%, 0.21%

LAB 32.37, -12.22, -19.92

 

CMYK 29 / 100 / 0 / 58

HEX #4C006B

RGB 76 0 107

HSL 282.62, 1%, 0.21%

LAB 18.36, 46.87, -41.98

 

CMYK 0 / 79 / 100 / 58

HEX #6B1700

RGB 107 23 0

HSL 12.9, 1%, 0.21%

LAB 22.79, 35.91, 33.77

 

CMYK 72 / 0 / 100 / 58

HEX #1E6B00

RGB 30 107 0

HSL 103.18, 1%, 0.21%

LAB 39.23, -41.28, 44.48

 

Description

Color code: HEX #00536B | qconv.com Color code: HEX #00536B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 83 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 83 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 22 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 22% 0% 58% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

89% - SIMULAVest
Link: http://simuladouva.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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