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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0080BD it is the complementary color #FF7F42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0080BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0080BD shade: #0580B8, #1692CB, #27A4DE, #38B6F1 and #49C8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0080BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0080BD shade: #0080BD, #006EAA, #005C97, #004A84 and #003871

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0080BD shade: #007FBC, #004CBC, #001ABC, #1800BC and #4B00BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0080BD shade: #007FBC, #004CBC, #001ABC and #0000BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0080BD shade matches the following richer shades: #007FBC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0080BD shade: #007FBC, #0F7AAD, #1E749E, #2D6F8E and #3D6A7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0080BD shade: #00BC93, #00B3BC, #0080BC, #004EBC and #001CBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0080BD shade: #00476A, #006393, #007FBC, #009BE5 and #10B1FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0080BD shade: #0080BD, #6100BC and #BCAC00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0080BD shade: #0080BD, #BC0080 and #80BC00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0080BD shade: #0080BD, #6100BC, #BC3B00 and #5BBC00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0080BD shade: #0080BD, #9A00BC, #BC3B00 and #22BC00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 32 / 0 / 26

HEX #0080BD

RGB 0 128 189

HSL 199.37, 1%, 0.37%

LAB 50.82, -6.83, -40.06

 

Complementary color

CMYK 0 / 50 / 74 / 0

HEX #FF7F42

RGB 255 127 66

HSL 19.37, 1%, 0.63%

LAB 67.15, 44.71, 54.23

 

CMYK 97 / 30 / 0 / 28

HEX #0580B8

RGB 5 128 184

HSL 198.77, 0.95%, 0.37%

LAB 50.61, -8.55, -37.52

 

CMYK 89 / 28 / 0 / 20

HEX #1692CB

RGB 22 146 203

HSL 198.9, 0.8%, 0.44%

LAB 57.11, -11.02, -38.1

 

CMYK 82 / 26 / 0 / 13

HEX #27A4DE

RGB 39 164 222

HSL 199.02, 0.73%, 0.51%

LAB 63.55, -13.02, -38.6

 

CMYK 77 / 24 / 0 / 5

HEX #38B6F1

RGB 56 182 241

HSL 199.14, 0.87%, 0.58%

LAB 69.93, -14.62, -39.03

 

CMYK 71 / 22 / 0 / 0

HEX #49C8FF

RGB 73 200 255

HSL 198.13, 1%, 0.64%

LAB 76.04, -17.53, -37.05

 

CMYK 100 / 32 / 0 / 26

HEX #0080BD

RGB 0 128 189

HSL 199.37, 1%, 0.37%

LAB 50.82, -6.83, -40.06

 

CMYK 100 / 35 / 0 / 33

HEX #006EAA

RGB 0 110 170

HSL 201.18, 1%, 0.33%

LAB 44.31, -3.46, -39.34

 

CMYK 100 / 39 / 0 / 41

HEX #005C97

RGB 0 92 151

HSL 203.44, 1%, 0.3%

LAB 37.64, 0.12, -38.65

 

CMYK 100 / 44 / 0 / 48

HEX #004A84

RGB 0 74 132

HSL 206.36, 1%, 0.26%

LAB 30.79, 3.97, -38

 

CMYK 100 / 50 / 0 / 56

HEX #003871

RGB 0 56 113

HSL 210.27, 1%, 0.22%

LAB 23.74, 8.17, -37.39

 

CMYK 100 / 32 / 0 / 26

HEX #007FBC

RGB 0 127 188

HSL 199.47, 1%, 0.37%

LAB 50.46, -6.62, -40.05

 

CMYK 100 / 60 / 0 / 26

HEX #004CBC

RGB 0 76 188

HSL 215.74, 1%, 0.37%

LAB 35.6, 26.06, -63.95

 

CMYK 100 / 86 / 0 / 26

HEX #001ABC

RGB 0 26 188

HSL 231.7, 1%, 0.37%

LAB 24.86, 55.49, -81.69

 

CMYK 87 / 100 / 0 / 26

HEX #1800BC

RGB 24 0 188

HSL 247.66, 1%, 0.37%

LAB 23.08, 63.2, -84.63

 

CMYK 60 / 100 / 0 / 26

HEX #4B00BC

RGB 75 0 188

HSL 263.94, 1%, 0.37%

LAB 27.09, 64.94, -77.85

 

CMYK 100 / 32 / 0 / 26

HEX #007FBC

RGB 0 127 188

HSL 199.47, 1%, 0.37%

LAB 50.46, -6.62, -40.05

 

CMYK 100 / 60 / 0 / 26

HEX #004CBC

RGB 0 76 188

HSL 215.74, 1%, 0.37%

LAB 35.6, 26.06, -63.95

 

CMYK 100 / 86 / 0 / 26

HEX #001ABC

RGB 0 26 188

HSL 231.7, 1%, 0.37%

LAB 24.86, 55.49, -81.69

 

CMYK 100 / 100 / 0 / 26

HEX #0000BC

RGB 0 0 188

HSL 240, 1%, 0.37%

LAB 22.41, 62.98, -85.78

 

CMYK 100 / 32 / 0 / 26

HEX #007FBC

RGB 0 127 188

HSL 199.47, 1%, 0.37%

LAB 50.46, -6.62, -40.05

 

CMYK 100 / 32 / 0 / 26

HEX #007FBC

RGB 0 127 188

HSL 199.47, 1%, 0.37%

LAB 50.46, -6.62, -40.05

 

CMYK 91 / 29 / 0 / 32

HEX #0F7AAD

RGB 15 122 173

HSL 199.37, 0.84%, 0.37%

LAB 48.31, -8.8, -34.77

 

CMYK 81 / 27 / 0 / 38

HEX #1E749E

RGB 30 116 158

HSL 199.69, 0.68%, 0.37%

LAB 45.95, -9.75, -29.67

 

CMYK 68 / 22 / 0 / 44

HEX #2D6F8E

RGB 45 111 142

HSL 199.18, 0.52%, 0.37%

LAB 44.06, -10.52, -23.11

 

CMYK 52 / 17 / 0 / 50

HEX #3D6A7F

RGB 61 106 127

HSL 199.09, 0.35%, 0.37%

LAB 42.51, -9.21, -16.45

 

CMYK 100 / 0 / 22 / 26

HEX #00BC93

RGB 0 188 147

HSL 166.91, 1%, 0.37%

LAB 68.07, -49.69, 9.63

 

CMYK 100 / 5 / 0 / 26

HEX #00B3BC

RGB 0 179 188

HSL 182.87, 1%, 0.37%

LAB 66.42, -34.06, -15.39

 

CMYK 100 / 32 / 0 / 26

HEX #0080BC

RGB 0 128 188

HSL 199.15, 1%, 0.37%

LAB 50.77, -7.21, -39.57

 

CMYK 100 / 59 / 0 / 26

HEX #004EBC

RGB 0 78 188

HSL 215.11, 1%, 0.37%

LAB 36.14, 24.71, -63.07

 

CMYK 100 / 85 / 0 / 26

HEX #001CBC

RGB 0 28 188

HSL 231.06, 1%, 0.37%

LAB 25.14, 54.64, -81.22

 

CMYK 100 / 33 / 0 / 58

HEX #00476A

RGB 0 71 106

HSL 199.81, 1%, 0.21%

LAB 28.24, -5.17, -25.74

 

CMYK 100 / 33 / 0 / 42

HEX #006393

RGB 0 99 147

HSL 199.59, 1%, 0.29%

LAB 39.63, -5.91, -33.09

 

CMYK 100 / 32 / 0 / 26

HEX #007FBC

RGB 0 127 188

HSL 199.47, 1%, 0.37%

LAB 50.46, -6.62, -40.05

 

CMYK 100 / 32 / 0 / 10

HEX #009BE5

RGB 0 155 229

HSL 199.39, 1%, 0.45%

LAB 60.87, -7.33, -46.71

 

CMYK 94 / 31 / 0 / 0

HEX #10B1FF

RGB 16 177 255

HSL 199.58, 1%, 0.53%

LAB 68.59, -9.71, -48.76

 

CMYK 100 / 32 / 0 / 26

HEX #0080BD

RGB 0 128 189

HSL 199.37, 1%, 0.37%

LAB 50.82, -6.83, -40.06

 

CMYK 48 / 100 / 0 / 26

HEX #6100BC

RGB 97 0 188

HSL 270.96, 1%, 0.37%

LAB 29.84, 66.5, -73.21

 

CMYK 0 / 9 / 100 / 26

HEX #BCAC00

RGB 188 172 0

HSL 54.89, 1%, 0.37%

LAB 69.61, -8.95, 71.97

 

CMYK 100 / 32 / 0 / 26

HEX #0080BD

RGB 0 128 189

HSL 199.37, 1%, 0.37%

LAB 50.82, -6.83, -40.06

 

CMYK 0 / 100 / 32 / 26

HEX #BC0080

RGB 188 0 128

HSL 319.15, 1%, 0.37%

LAB 41.61, 70.47, -17.11

 

CMYK 32 / 0 / 100 / 26

HEX #80BC00

RGB 128 188 0

HSL 79.15, 1%, 0.37%

LAB 69.86, -41.88, 70.23

 

CMYK 100 / 32 / 0 / 26

HEX #0080BD

RGB 0 128 189

HSL 199.37, 1%, 0.37%

LAB 50.82, -6.83, -40.06

 

CMYK 48 / 100 / 0 / 26

HEX #6100BC

RGB 97 0 188

HSL 270.96, 1%, 0.37%

LAB 29.84, 66.5, -73.21

 

CMYK 0 / 69 / 100 / 26

HEX #BC3B00

RGB 188 59 0

HSL 18.83, 1%, 0.37%

LAB 43.97, 49.9, 55.54

 

CMYK 52 / 0 / 100 / 26

HEX #5BBC00

RGB 91 188 0

HSL 90.96, 1%, 0.37%

LAB 68.16, -54.39, 68.18

 

CMYK 100 / 32 / 0 / 26

HEX #0080BD

RGB 0 128 189

HSL 199.37, 1%, 0.37%

LAB 50.82, -6.83, -40.06

 

CMYK 18 / 100 / 0 / 26

HEX #9A00BC

RGB 154 0 188

HSL 289.15, 1%, 0.37%

LAB 38.73, 72.97, -58.3

 

CMYK 0 / 69 / 100 / 26

HEX #BC3B00

RGB 188 59 0

HSL 18.83, 1%, 0.37%

LAB 43.97, 49.9, 55.54

 

CMYK 82 / 0 / 100 / 26

HEX #22BC00

RGB 34 188 0

HSL 109.15, 1%, 0.37%

LAB 66.75, -66.19, 66.46

 

Description

Color code: HEX #0080BD | qconv.com Color code: HEX #0080BD | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 128 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 128 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 32 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 32% 0% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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