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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #009880 it is the complementary color #FF677F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #009880. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #009880 shade: #05987B, #16AA8E, #27BCA1, #38CEB4 and #49E0C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #009880. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #009880 shade: #009880, #00866D, #00745A, #006247 and #005034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #009880 shade: #009980, #009957, #00992E, #009905 and #249900

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #009880 shade: #009980, #008799, #005E99, #003599 and #000C99

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #009880 shade matches the following richer shades: #009980

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #009880 shade: #009980, #0C8C78, #18806F, #257367 and #31675E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #009880 shade: #00992D, #009956, #00997F, #008999 and #006099

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #009880 shade: #00463B, #006F5E, #009980, #00C2A3 and #00EBC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #009880 shade: #009880, #050099 and #994200

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #009880 shade: #009880, #7F0099 and #997F00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #009880 shade: #009880, #050099, #990019 and #939900

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #009880 shade: #009880, #320099, #990019 and #669900

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 16 / 40

HEX #009880

RGB 0 152 128

HSL 170.53, 1%, 0.3%

LAB 56.1, -39.84, 3.07

 

Complementary color

CMYK 0 / 60 / 50 / 0

HEX #FF677F

RGB 255 103 127

HSL 350.53, 1%, 0.7%

LAB 63.75, 59.67, 17.16

 

CMYK 97 / 0 / 19 / 40

HEX #05987B

RGB 5 152 123

HSL 168.16, 0.94%, 0.31%

LAB 56.01, -40.98, 5.78

 

CMYK 87 / 0 / 16 / 33

HEX #16AA8E

RGB 22 170 142

HSL 168.65, 0.77%, 0.38%

LAB 62.4, -42.59, 4.29

 

CMYK 79 / 0 / 14 / 26

HEX #27BCA1

RGB 39 188 161

HSL 169.13, 0.66%, 0.45%

LAB 68.73, -43.78, 2.96

 

CMYK 73 / 0 / 13 / 19

HEX #38CEB4

RGB 56 206 180

HSL 169.6, 0.6%, 0.51%

LAB 75, -44.62, 1.76

 

CMYK 67 / 0 / 11 / 12

HEX #49E0C7

RGB 73 224 199

HSL 170.07, 0.71%, 0.58%

LAB 81.21, -45.21, 0.68

 

CMYK 100 / 0 / 16 / 40

HEX #009880

RGB 0 152 128

HSL 170.53, 1%, 0.3%

LAB 56.1, -39.84, 3.07

 

CMYK 100 / 0 / 19 / 47

HEX #00866D

RGB 0 134 109

HSL 168.81, 1%, 0.26%

LAB 49.68, -37.36, 4.76

 

CMYK 100 / 0 / 22 / 55

HEX #00745A

RGB 0 116 90

HSL 166.55, 1%, 0.23%

LAB 43.11, -34.82, 6.55

 

CMYK 100 / 0 / 28 / 62

HEX #006247

RGB 0 98 71

HSL 163.47, 1%, 0.19%

LAB 36.35, -32.18, 8.47

 

CMYK 100 / 0 / 35 / 69

HEX #005034

RGB 0 80 52

HSL 159, 1%, 0.16%

LAB 29.38, -29.42, 10.55

 

CMYK 100 / 0 / 16 / 40

HEX #009980

RGB 0 153 128

HSL 170.2, 1%, 0.3%

LAB 56.43, -40.27, 3.54

 

CMYK 100 / 0 / 43 / 40

HEX #009957

RGB 0 153 87

HSL 154.12, 1%, 0.3%

LAB 55.55, -50.07, 25.25

 

CMYK 100 / 0 / 70 / 40

HEX #00992E

RGB 0 153 46

HSL 138.04, 1%, 0.3%

LAB 55.05, -56.23, 44.76

 

CMYK 100 / 0 / 97 / 40

HEX #009905

RGB 0 153 5

HSL 121.96, 1%, 0.3%

LAB 54.86, -58.71, 56.01

 

CMYK 76 / 0 / 100 / 40

HEX #249900

RGB 36 153 0

HSL 105.88, 1%, 0.3%

LAB 55.23, -55.39, 57.28

 

CMYK 100 / 0 / 16 / 40

HEX #009980

RGB 0 153 128

HSL 170.2, 1%, 0.3%

LAB 56.43, -40.27, 3.54

 

CMYK 100 / 12 / 0 / 40

HEX #008799

RGB 0 135 153

HSL 187.06, 1%, 0.3%

LAB 51.41, -23.94, -18.34

 

CMYK 100 / 39 / 0 / 40

HEX #005E99

RGB 0 94 153

HSL 203.14, 1%, 0.3%

LAB 38.38, -0.34, -38.67

 

CMYK 100 / 65 / 0 / 40

HEX #003599

RGB 0 53 153

HSL 219.22, 1%, 0.3%

LAB 26.29, 27.52, -58.23

 

CMYK 100 / 92 / 0 / 40

HEX #000C99

RGB 0 12 153

HSL 235.29, 1%, 0.3%

LAB 18.2, 50.35, -71.64

 

CMYK 100 / 0 / 16 / 40

HEX #009980

RGB 0 153 128

HSL 170.2, 1%, 0.3%

LAB 56.43, -40.27, 3.54

 

CMYK 100 / 0 / 16 / 40

HEX #009980

RGB 0 153 128

HSL 170.2, 1%, 0.3%

LAB 56.43, -40.27, 3.54

 

CMYK 91 / 0 / 14 / 45

HEX #0C8C78

RGB 12 140 120

HSL 170.63, 0.84%, 0.3%

LAB 52.05, -36.24, 1.8

 

CMYK 81 / 0 / 13 / 50

HEX #18806F

RGB 24 128 111

HSL 170.19, 0.68%, 0.3%

LAB 47.98, -32.38, 1.16

 

CMYK 68 / 0 / 10 / 55

HEX #257367

RGB 37 115 103

HSL 170.77, 0.51%, 0.3%

LAB 43.7, -26.6, -0.29

 

CMYK 52 / 0 / 9 / 60

HEX #31675E

RGB 49 103 94

HSL 170, 0.36%, 0.3%

LAB 39.85, -20.37, -0.43

 

CMYK 100 / 0 / 71 / 40

HEX #00992D

RGB 0 153 45

HSL 137.65, 1%, 0.3%

LAB 55.04, -56.33, 45.17

 

CMYK 100 / 0 / 44 / 40

HEX #009956

RGB 0 153 86

HSL 153.73, 1%, 0.3%

LAB 55.54, -50.27, 25.77

 

CMYK 100 / 0 / 17 / 40

HEX #00997F

RGB 0 153 127

HSL 169.8, 1%, 0.3%

LAB 56.4, -40.55, 4.07

HEX #00997F

CMYK 100 / 10 / 0 / 40

HEX #008999

RGB 0 137 153

HSL 186.27, 1%, 0.3%

LAB 52.05, -24.97, -17.36

HEX #008999

CMYK 100 / 37 / 0 / 40

HEX #006099

RGB 0 96 153

HSL 202.35, 1%, 0.3%

LAB 39.01, -1.61, -37.67

HEX #006099

CMYK 100 / 0 / 16 / 73

HEX #00463B

RGB 0 70 59

HSL 170.57, 1%, 0.14%

LAB 25.85, -22.74, 1.08

 

CMYK 100 / 0 / 15 / 56

HEX #006F5E

RGB 0 111 94

HSL 170.81, 1%, 0.22%

LAB 41.5, -31.43, 1.84

 

CMYK 100 / 0 / 16 / 40

HEX #009980

RGB 0 153 128

HSL 170.2, 1%, 0.3%

LAB 56.43, -40.27, 3.54

 

CMYK 100 / 0 / 16 / 24

HEX #00C2A3

RGB 0 194 163

HSL 170.41, 1%, 0.38%

LAB 70.34, -47.97, 4.15

 

CMYK 100 / 0 / 16 / 8

HEX #00EBC6

RGB 0 235 198

HSL 170.55, 1%, 0.46%

LAB 83.7, -55.36, 4.73

 

CMYK 100 / 0 / 16 / 40

HEX #009880

RGB 0 152 128

HSL 170.53, 1%, 0.3%

LAB 56.1, -39.84, 3.07

 

CMYK 97 / 100 / 0 / 40

HEX #050099

RGB 5 0 153

HSL 241.96, 1%, 0.3%

LAB 17.14, 54.14, -73.41

 

CMYK 0 / 57 / 100 / 40

HEX #994200

RGB 153 66 0

HSL 25.88, 1%, 0.3%

LAB 39.02, 33.57, 49.57

 

CMYK 100 / 0 / 16 / 40

HEX #009880

RGB 0 152 128

HSL 170.53, 1%, 0.3%

LAB 56.1, -39.84, 3.07

 

CMYK 17 / 100 / 0 / 40

HEX #7F0099

RGB 127 0 153

HSL 289.8, 1%, 0.3%

LAB 31.37, 62.98, -49.45

 

CMYK 0 / 17 / 100 / 40

HEX #997F00

RGB 153 127 0

HSL 49.8, 1%, 0.3%

LAB 53.98, -0.66, 59.28

 

CMYK 100 / 0 / 16 / 40

HEX #009880

RGB 0 152 128

HSL 170.53, 1%, 0.3%

LAB 56.1, -39.84, 3.07

 

CMYK 97 / 100 / 0 / 40

HEX #050099

RGB 5 0 153

HSL 241.96, 1%, 0.3%

LAB 17.14, 54.14, -73.41

 

CMYK 0 / 100 / 84 / 40

HEX #990019

RGB 153 0 25

HSL 350.2, 1%, 0.3%

LAB 31.45, 55.16, 33.45

 

CMYK 4 / 0 / 100 / 40

HEX #939900

RGB 147 153 0

HSL 62.35, 1%, 0.3%

LAB 60.77, -17.42, 63.94

 

CMYK 100 / 0 / 16 / 40

HEX #009880

RGB 0 152 128

HSL 170.53, 1%, 0.3%

LAB 56.1, -39.84, 3.07

 

CMYK 67 / 100 / 0 / 40

HEX #320099

RGB 50 0 153

HSL 259.61, 1%, 0.3%

LAB 19.96, 55.25, -68.64

 

CMYK 0 / 100 / 84 / 40

HEX #990019

RGB 153 0 25

HSL 350.2, 1%, 0.3%

LAB 31.45, 55.16, 33.45

 

CMYK 33 / 0 / 100 / 40

HEX #669900

RGB 102 153 0

HSL 80, 1%, 0.3%

LAB 57.66, -36.51, 60.22

 

Description

Color code: HEX #009880 | qconv.com Color code: HEX #009880 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 152 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 152 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 16 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 16% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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