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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #00989D it is the complementary color #FF6762. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #00989D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #00989D shade: #059898, #16AAAB, #27BCBE, #38CED1 and #49E0E4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #00989D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #00989D shade: #00989D, #00868A, #007477, #006264 and #005051

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #00989D shade: #00999E, #006E9E, #00439E, #00199E and #11009E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #00989D shade: #00999E, #006E9E, #00439E, #00199E and #00009E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #00989D shade matches the following richer shades: #00999E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #00989D shade: #00999E, #0C8D91, #198184, #267577 and #33696A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #00989D shade: #009E4C, #009E76, #009B9E, #00719E and #00479E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #00989D shade: #00494B, #007174, #00999E, #00C1C7 and #00E8F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #00989D shade: #00989D, #22009E and #9E6100

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #00989D shade: #00989D, #9E009B and #9B9E00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #00989D shade: #00989D, #22009E, #9E0200 and #7B9E00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #00989D shade: #00989D, #51009E, #9E0200 and #4C9E00

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 3 / 0 / 38

HEX #00989D

RGB 0 152 157

HSL 181.91, 1%, 0.31%

LAB 56.97, -31.08, -12.22

 

Complementary color

CMYK 0 / 60 / 62 / 0

HEX #FF6762

RGB 255 103 98

HSL 1.91, 1%, 0.69%

LAB 63.21, 57.55, 32.92

 

CMYK 97 / 0 / 0 / 40

HEX #059898

RGB 5 152 152

HSL 180, 0.94%, 0.31%

LAB 56.84, -32.47, -9.56

 

CMYK 87 / 1 / 0 / 33

HEX #16AAAB

RGB 22 170 171

HSL 180.4, 0.77%, 0.38%

LAB 63.23, -34.24, -10.72

 

CMYK 79 / 1 / 0 / 25

HEX #27BCBE

RGB 39 188 190

HSL 180.79, 0.66%, 0.45%

LAB 69.55, -35.61, -11.76

 

CMYK 73 / 1 / 0 / 18

HEX #38CED1

RGB 56 206 209

HSL 181.18, 0.62%, 0.52%

LAB 75.81, -36.65, -12.68

 

CMYK 68 / 2 / 0 / 11

HEX #49E0E4

RGB 73 224 228

HSL 181.55, 0.74%, 0.59%

LAB 82.02, -37.44, -13.53

 

CMYK 100 / 3 / 0 / 38

HEX #00989D

RGB 0 152 157

HSL 181.91, 1%, 0.31%

LAB 56.97, -31.08, -12.22

 

CMYK 100 / 3 / 0 / 46

HEX #00868A

RGB 0 134 138

HSL 181.74, 1%, 0.27%

LAB 50.55, -28.51, -10.9

 

CMYK 100 / 3 / 0 / 53

HEX #007477

RGB 0 116 119

HSL 181.51, 1%, 0.23%

LAB 43.98, -25.87, -9.55

 

CMYK 100 / 2 / 0 / 61

HEX #006264

RGB 0 98 100

HSL 181.2, 1%, 0.2%

LAB 37.22, -23.17, -8.15

 

CMYK 100 / 1 / 0 / 68

HEX #005051

RGB 0 80 81

HSL 180.74, 1%, 0.16%

LAB 30.23, -20.38, -6.68

 

CMYK 100 / 3 / 0 / 38

HEX #00999E

RGB 0 153 158

HSL 181.9, 1%, 0.31%

LAB 57.32, -31.24, -12.26

 

CMYK 100 / 30 / 0 / 38

HEX #006E9E

RGB 0 110 158

HSL 198.23, 1%, 0.31%

LAB 43.68, -8.2, -33.26

 

CMYK 100 / 58 / 0 / 38

HEX #00439E

RGB 0 67 158

HSL 214.56, 1%, 0.31%

LAB 30.6, 19.88, -54.23

 

CMYK 100 / 84 / 0 / 38

HEX #00199E

RGB 0 25 158

HSL 230.51, 1%, 0.31%

LAB 20.69, 46.53, -70.56

 

CMYK 89 / 100 / 0 / 38

HEX #11009E

RGB 17 0 158

HSL 246.46, 1%, 0.31%

LAB 18.31, 55.55, -74.52

 

CMYK 100 / 3 / 0 / 38

HEX #00999E

RGB 0 153 158

HSL 181.9, 1%, 0.31%

LAB 57.32, -31.24, -12.26

 

CMYK 100 / 30 / 0 / 38

HEX #006E9E

RGB 0 110 158

HSL 198.23, 1%, 0.31%

LAB 43.68, -8.2, -33.26

 

CMYK 100 / 58 / 0 / 38

HEX #00439E

RGB 0 67 158

HSL 214.56, 1%, 0.31%

LAB 30.6, 19.88, -54.23

 

CMYK 100 / 84 / 0 / 38

HEX #00199E

RGB 0 25 158

HSL 230.51, 1%, 0.31%

LAB 20.69, 46.53, -70.56

 

CMYK 100 / 100 / 0 / 38

HEX #00009E

RGB 0 0 158

HSL 240, 1%, 0.31%

LAB 17.78, 55.38, -75.42

 

CMYK 100 / 3 / 0 / 38

HEX #00999E

RGB 0 153 158

HSL 181.9, 1%, 0.31%

LAB 57.32, -31.24, -12.26

 

CMYK 100 / 3 / 0 / 38

HEX #00999E

RGB 0 153 158

HSL 181.9, 1%, 0.31%

LAB 57.32, -31.24, -12.26

 

CMYK 92 / 3 / 0 / 43

HEX #0C8D91

RGB 12 141 145

HSL 181.8, 0.85%, 0.31%

LAB 53.14, -29.09, -11.08

 

CMYK 81 / 2 / 0 / 48

HEX #198184

RGB 25 129 132

HSL 181.68, 0.68%, 0.31%

LAB 48.97, -26.36, -9.73

 

CMYK 68 / 2 / 0 / 53

HEX #267577

RGB 38 117 119

HSL 181.48, 0.52%, 0.31%

LAB 44.89, -22.64, -8.11

 

CMYK 52 / 1 / 0 / 58

HEX #33696A

RGB 51 105 106

HSL 181.09, 0.35%, 0.31%

LAB 40.97, -17.52, -6.08

 

CMYK 100 / 0 / 52 / 38

HEX #009E4C

RGB 0 158 76

HSL 148.86, 1%, 0.31%

LAB 57.05, -53.8, 32.96

 

CMYK 100 / 0 / 25 / 38

HEX #009E76

RGB 0 158 118

HSL 164.81, 1%, 0.31%

LAB 57.81, -44.99, 11.17

 

CMYK 100 / 2 / 0 / 38

HEX #009B9E

RGB 0 155 158

HSL 181.14, 1%, 0.31%

LAB 57.95, -32.2, -11.31

 

CMYK 100 / 28 / 0 / 38

HEX #00719E

RGB 0 113 158

HSL 197.09, 1%, 0.31%

LAB 44.63, -9.97, -31.77

 

CMYK 100 / 55 / 0 / 38

HEX #00479E

RGB 0 71 158

HSL 213.04, 1%, 0.31%

LAB 31.75, 17.11, -52.35

 

CMYK 100 / 3 / 0 / 71

HEX #00494B

RGB 0 73 75

HSL 181.6, 1%, 0.15%

LAB 27.5, -18.77, -6.92

 

CMYK 100 / 3 / 0 / 55

HEX #007174

RGB 0 113 116

HSL 181.55, 1%, 0.23%

LAB 42.87, -25.37, -9.41

 

CMYK 100 / 3 / 0 / 38

HEX #00999E

RGB 0 153 158

HSL 181.9, 1%, 0.31%

LAB 57.32, -31.24, -12.26

 

CMYK 100 / 3 / 0 / 22

HEX #00C1C7

RGB 0 193 199

HSL 181.81, 1%, 0.39%

LAB 71.05, -37.16, -14.46

 

CMYK 100 / 3 / 0 / 6

HEX #00E8F0

RGB 0 232 240

HSL 182, 1%, 0.47%

LAB 83.97, -42.4, -17.02

 

CMYK 100 / 3 / 0 / 38

HEX #00989D

RGB 0 152 157

HSL 181.91, 1%, 0.31%

LAB 56.97, -31.08, -12.22

 

CMYK 78 / 100 / 0 / 38

HEX #22009E

RGB 34 0 158

HSL 252.91, 1%, 0.31%

LAB 19.26, 55.9, -72.91

 

CMYK 0 / 39 / 100 / 38

HEX #9E6100

RGB 158 97 0

HSL 36.84, 1%, 0.31%

LAB 46.74, 18.7, 54.66

 

CMYK 100 / 3 / 0 / 38

HEX #00989D

RGB 0 152 157

HSL 181.91, 1%, 0.31%

LAB 56.97, -31.08, -12.22

 

CMYK 0 / 100 / 2 / 38

HEX #9E009B

RGB 158 0 155

HSL 301.14, 1%, 0.31%

LAB 37.18, 68.25, -41.03

 

CMYK 2 / 0 / 100 / 38

HEX #9B9E00

RGB 155 158 0

HSL 61.14, 1%, 0.31%

LAB 62.86, -16.42, 65.77

 

CMYK 100 / 3 / 0 / 38

HEX #00989D

RGB 0 152 157

HSL 181.91, 1%, 0.31%

LAB 56.97, -31.08, -12.22

 

CMYK 78 / 100 / 0 / 38

HEX #22009E

RGB 34 0 158

HSL 252.91, 1%, 0.31%

LAB 19.26, 55.9, -72.91

 

CMYK 0 / 99 / 100 / 38

HEX #9E0200

RGB 158 2 0

HSL 0.76, 1%, 0.31%

LAB 32.51, 55.74, 46.51

 

CMYK 22 / 0 / 100 / 38

HEX #7B9E00

RGB 123 158 0

HSL 73.29, 1%, 0.31%

LAB 60.48, -30.33, 62.94

 

CMYK 100 / 3 / 0 / 38

HEX #00989D

RGB 0 152 157

HSL 181.91, 1%, 0.31%

LAB 56.97, -31.08, -12.22

 

CMYK 49 / 100 / 0 / 38

HEX #51009E

RGB 81 0 158

HSL 270.76, 1%, 0.31%

LAB 24.38, 58.52, -64.26

 

CMYK 0 / 99 / 100 / 38

HEX #9E0200

RGB 158 2 0

HSL 0.76, 1%, 0.31%

LAB 32.51, 55.74, 46.51

 

CMYK 52 / 0 / 100 / 38

HEX #4C9E00

RGB 76 158 0

HSL 91.14, 1%, 0.31%

LAB 58.03, -47.64, 59.98

 

Description

Color code: HEX #00989D | qconv.com Color code: HEX #00989D | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 152 green and 157 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 152 157 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, 3 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 3% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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